Time was passing—minutes, hours, years. He was trying to think out how long it had been since the Worm went up-stairs. “Was it one minute or ten?”
There was a sudden new noise outside—a voice. He listened intently. It was Hy Lowe's voice; excited, incoherent, shouting imprecations of some sort. Somebody ought to take Hy home. On any occasion short of the present crisis he would do it himself. Gradually the voice died down.
He heard the side-street door open and close.
Some One had entered the barroom. He tipped back and peered out there. He could see part of a bulky back, a familiarly bulky back. It moved over a little. It was the back of Sumner Smith.
Peter got up, turned, then stood irresolute2. It was not, he told himself, that he was afraid of Sumner Smith, only that the mere3 sight of the man stirred uncomfortable and wild emotions within him.
The best way to get out, in fact the only way now, was through the adjoining room to the door under the front steps. Certainly he couldn't go up-stairs. There might be trouble on the Avenue if the Worm should see him coming out. For a moment he even considered swallowing down all this outrageous4 emotional upheaval5 within him and staying there. He had said that Sue would send for him. During ten or twelve seconds out of every sixty he firmly believed she would. It was so in his plays—let the heartless girl, in her heyday6, jilt a worthy7 lover, she was sure in her hours of trial to flee, chastened, to his arms.
But he looked again at the back of Sumner Smith. It was a solid back. It suggested, like the man's inscrutable round face, quiet power. Peter decided8 on flight via that front door.
He moved slowly across the room. Then he heard a voice that chilled his hot blood.
“Mann,” said this voice.
He turned. One or two men glanced up from their papers, then went on reading.
Peter stood wavering. Sumner Smith's eye was full on him from the barroom door; Sumner Smith's head was beckoning9 him with a jerk. He went.
“What'll you have?” he asked hurriedly, in the barroom.
“What'll I have?” mimicked10 Sumner Smith in a voice of rumbling11 calm. “You're good, Maun. But if anybody was to buy, it'd be me. The joke, you see, is on me. Only nobody's buying at the moment. You send me out—an Evening Earth man!—to pull off a murder for the morning papers. Oh, it's good! I grant you, it's good. I do your little murder; the morning papers get the story. Just to make sure of it you send Jimmie Markham around after me. It's all right, Mann. I've done your murder. The Continental's getting the story now—a marvel12 of a story. There's a page in it for them to-morrow. As for you—I don't know what you are. And I don't care to soil any of the words I know by putting 'em on you!”
Even Peter now caught the rumble13 beneath the calm surface of that voice. And he knew it was perhaps the longest speech of Sumner Smith's eventful life. Peter's stomach, heart, lungs and spine14 seemed to drop out of his body, leaving a cold hollow frame that could hardly be strong enough to support his shoulders and head. But he drew himself up and replied with some dignity in a voice that was huskier and higher than his own:
“I can't match you in insults, Smith. I appear to have a choice between leaving you and striking you. I shall leave you.”
“The choice is yours,” said Smith. “Either you say.”
Here, near the corner of the Avenue, he found Hy Lowe, leaning against the building, weeping, while four taxi chauffeurs16 and two victoria drivers stood by. It occurred to Peter that it might, be best, after all, to give up brooding over his own troubles and take the boy home. He could bundle him into a taxi. And once at the old apartment building in the Square, John the night man would help carry him up. It would be rather decent, for that matter, to pay for the taxi just as if it was a matter of course and never mention it to Hy. Of course, however, if Hy were to remember the occurrence—A fist landed in Peter's face—not a hard fist, merely a limp, folded-over hand. Peter brushed it aside. It was the fist of Hy Lowe. Hy lurched at him now, caught his shoulders, tried to shake him. He was saying things in a rapidly rising voice. After a moment of ineffectual wrestling, Peter began to catch what these things were:
“Call yourself frien'—take bread outa man's mouth! Oh, I know. No good tryin' lie to me—tellin' me Sumner Smith don' know what he's talkin'! Where's my raise? You jes' tell me—where's my raise? Ol' Walrus17 gone—croaked—where's my raise?”
Sue and the Worm were running down tire wide front steps. She leaped into the first taxi. The Worm stood, one foot on the step, hand on door, and called. One of Hy's audience hurried around, brushing past Peter, receiving his instructions as he cranked the engine and leaped to his seat. The door slammed. They were gone.
Peter was sure that something snapped in his brain. It was probably a lesion, he thought. He strode blindly, madly, up the Avenue, crowding past the other pedestrians20, bumping into one man and rushing on without a word.
Suddenly—this was a little farther up the Avenue—Peter stopped short, caught his breath, struggled with emotions that even he would have thought mixed. He even turned and walked back a short way. For across the street, back in the shadow of the corner building, his eyes made out the figure of a girl; and he knew that figure, knew the slight droop21 of the shoulders and the prise of the head.
She had seen him, of course. Yes, this was Tenth Street! With swift presence of mind he stooped and went through the motion of picking up something from the sidewalk. This covered his brief retreat. He advanced now.
She hung back in the shadow of the building. Her dark pretty face was clouded with anger, her breast rose and fell quickly with her breathing. She would not look at him.
“Oh, come, Maria, dear,” he murmured rather weakly. “I'm sorry I kept you waiting.”
She confronted him now. There was passion in her big eyes. Her voice was not under control.
“Why don't you tell the truth?” she broke out. “You think you can do anything with me—play with me, hurt me.”
“Hush, Maria!” He caught her arm again. “Some one will hear you!”
“Why should I care? Do you think I don't know—”
“Child, I don't know what on earth you mean!”
“You do know! You play with me! You sent for your bags. Why didn't you come yourself?”
“Why, that—”
“When you saw me here you stopped—you went back—”
Peter gulped23. “I dropped my keys,” he cried eagerly. “I was swinging them. I had to go back and pick them up.” And triumphantly24, with his free hand, he produced them from his pocket.
“It isn't just to-night—” he heard her trying to say.
“Come, dear, here's a bus! We'll ride up-town.”
She let him lead her to the curb26. Solicitously27 he handed her up the winding28 little stairway to a seat on the roof.
There is no one book of Peter's life. There are a great many little books, some of them apparently29 unconnected with any of the others. Maria Tonifetti, as you may gather from this unintelligible30 little scene on a street corner, had one of those detached Peter books all to herself.
Up on the roof of the bus, Peter, reacting with great inner excitement from his experiences of the last three hours, slipped an arm about Maria's shoulders, bent31 tenderly over her, whispered softly into her ear. Before the bus reached Forty-second Street he had the satisfaction of feeling her nestle softly and comfortably against his arm, and he knew that once again he had won her. Slowly within his battered32 spirit the old thrill of conquest stirred and flamed up into a warm glow....
点击收听单词发音
1 playwright | |
n.剧作家,编写剧本的人 | |
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2 irresolute | |
adj.无决断的,优柔寡断的,踌躇不定的 | |
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3 mere | |
adj.纯粹的;仅仅,只不过 | |
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4 outrageous | |
adj.无理的,令人不能容忍的 | |
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5 upheaval | |
n.胀起,(地壳)的隆起;剧变,动乱 | |
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6 heyday | |
n.全盛时期,青春期 | |
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7 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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8 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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9 beckoning | |
adj.引诱人的,令人心动的v.(用头或手的动作)示意,召唤( beckon的现在分词 ) | |
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10 mimicked | |
v.(尤指为了逗乐而)模仿( mimic的过去式和过去分词 );酷似 | |
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11 rumbling | |
n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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12 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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13 rumble | |
n.隆隆声;吵嚷;v.隆隆响;低沉地说 | |
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14 spine | |
n.脊柱,脊椎;(动植物的)刺;书脊 | |
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15 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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16 chauffeurs | |
n.受雇于人的汽车司机( chauffeur的名词复数 ) | |
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17 walrus | |
n.海象 | |
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18 propped | |
支撑,支持,维持( prop的过去式和过去分词 ) | |
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19 dodged | |
v.闪躲( dodge的过去式和过去分词 );回避 | |
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20 pedestrians | |
n.步行者( pedestrian的名词复数 ) | |
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21 droop | |
v.低垂,下垂;凋萎,萎靡 | |
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22 wrenched | |
v.(猛力地)扭( wrench的过去式和过去分词 );扭伤;使感到痛苦;使悲痛 | |
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23 gulped | |
v.狼吞虎咽地吃,吞咽( gulp的过去式和过去分词 );大口地吸(气);哽住 | |
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24 triumphantly | |
ad.得意洋洋地;得胜地;成功地 | |
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25 drooped | |
弯曲或下垂,发蔫( droop的过去式和过去分词 ) | |
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26 curb | |
n.场外证券市场,场外交易;vt.制止,抑制 | |
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27 solicitously | |
adv.热心地,热切地 | |
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28 winding | |
n.绕,缠,绕组,线圈 | |
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29 apparently | |
adv.显然地;表面上,似乎 | |
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30 unintelligible | |
adj.无法了解的,难解的,莫明其妙的 | |
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31 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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32 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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