He found them quite the contrary. In states like Oregon and Washington, which went dry long before national Prohibition became an established fact, the people were obtaining anything they desired. Close to the border, there is plenty of bootlegging, endless daring adventuring in the liquor traffic, many a bold plunge2 over the line to bring whiskey and gin into United States territory.
And they certainly bring it. Meanwhile, the propaganda of the Puritans goes on—or, rather, the impropaganda; for it is not true that people are behaving themselves. There is just as much discontent and disorder3 among westerners as among easterners, so the Young-Old Philosopher observed.
But in cities like Omaha, which is about in the center of the country, there is a dryness which is depressing. Passing through a hotel corridor one day177 at noon, the Young-Old Philosopher heard male voices, chanting in unison5. He stepped to the open door of a private dining-room, and was much amused to see a group of forty or fifty solid business men, all wearing little badges proclaiming their allegiance to some organization or other, standing6 about the tables, lifting high their glasses of water, and shouting these words:
“With the feed on the ta-bull,
And a good song ring-ing clear!”
There was a desperate attempt at gaiety, a look in the eye of each prospective7 luncheoner which seemed to say, “We will have a good time—in spite of Prohibition!” But my friend turned away at this travesty8 on mirth and good fellowship. He wondered if Richard Hovey was not turning in his grave at the cruel editing of his deathless “Stein Song,” and he counted it a pity that pewter mugs had been superseded9 by ice-water goblets10; and he saw that Gopher Prairie was indeed a dreadful reality. Not that he would have wished to see the law disobeyed. He merely deprecated the tragic11 fact that this was the pass we had come to; this was the drab social order we had definitely arrived at. He went disconsolately12 down the hallway, brooding of all those ancient poets who had held it no shame to sing of the vine and the flowing bowl. No one had ever written a song in praise of food. And he thought if Hovey could be edited, soon the Bible itself would hear the178 snip-snip of the shears13, as certain boisterous14 passages were cut out; and as for poor old Omar, he wondered how soon it would be before he was paraphrased15 by the reformers somewhat in this manner:
Beside me singing in the Wilderness18—
Ah! Paradise were Wilderness enow.
And of course quatrains like this would soon be omitted from all editions:
Why, be this Juice the growth of God, who dare
And if a Curse—why, then, Who set it there?
The story of the Marriage Feast at Cana must make sorry reading for any Prohibitionist21; and the Young-Old Philosopher doubts not that it will be torn from the records in years to come. We shall not even be given the pleasure of reading about the jubilations of vanished times—times rich in banquets. Think of imperial Rome without golden goblets! They were as much a part of the feast as the fruit and the lights; and if we are to be deprived of the vicarious joy of dipping into the pagan past, might we not just as well renounce22 life entirely23? Red wine will be as antiquated24 as the ermine and crowns of kings, my friend believes; yet who can deny the picturesqueness26 of the scepter and the court179 fool? They may not have been important, but they gave a glamour27 to dreary28 days. “And some of us may prefer them,” says the Young-Old Philosopher, “to the dandruff-covered collars of stupid senators and congressmen.”
There is an old song of Abraham Cowley’s, written somewhere between 1618 and 1667, which must give pain to any Prohibitionist. Will they strive to Bowdlerize the anthologies, erase29 from literature so true and human a poem as this, which voices a thought almost as old as the world? It is after Anacreon.
The thirsty earth soaks up the rain,
The plants suck in the earth, and are
With constant drinking, fresh and fair;
The sea itself (which one would think
Should have but little need of drink)
Drinks twice ten thousand rivers up,
So filled that they o’erflow the cup.
The busy sun (and one would guess
Drinks up the sea, and, when he’s done,
The moon and stars drink up the sun:
They drink and dance by their own light;
Nothing in nature’s sober found,
But an eternal “health” goes round.
Fill up the bowl, then, fill it high—
Fill all the glasses there; for why
Should every creature drink but I?
Why, men of morals, tell me why?
180 Think of losing from English literature lines like these, from the “Last Poems” of A. E. Housman:
Could man be drunk forever
With liquor, love, or fights,
Lief should I rouse at morning
And lief lie down at nights.
But men at whiles are sober
And think by fits and starts,
And if they think, they fasten
Their hands upon their hearts.
And so modern and exquisite33 a poet as Richard Le Gallienne has had much to say metrically of the follies34 of attempting to regulate by law the natural appetites of man. He sounds a warning in this tragic-comic ballade, spurning35 the busy-body reformers:
181
They took away your drink from you,
The kind old humanizing glass;
Soon they will take tobacco too,
And next they’ll take our demi-tasse.
Don’t say, “The bill will never pass,”
Don’t make the same mistake again.
We know them now, the bloodless crew,
There’s nothing that they wouldn’t do
To make the world a Bible class;
I search the sacred text in vain
To find a whisper—by the Mass!
Don’t make the same mistake again.
Beware these legislators blue,
Pouring their moral poison-gas
On all the joys our fathers knew;
The very flowers in the grass
Are safe no more, and, lad and lass,
Here comes our modern Hudibras!—
Don’t make the same mistake again.
ENVOI
So mark me well and my refrain—
Tobacco next! you silly ass,
Don’t make the same mistake again.
It would be sad indeed to lose such a song as “Drink to Me Only with Thine Eyes!” How much poorer the garden of Poetry would be without such bibulous41 planters of rhyme as Burns and Poe and Verlaine! I suppose the paid Puritans would have even our poets walk the humdrum42 way, so that we would have no news of life from taverns43 and inns. The picturesque25 vagabond, the rapscallion son of song must be pulled in from the pleasant highways and made to “conform.”
Conform to what? A three-room flat with kitchenette and running water, and a clerk’s desk downtown, with methodical rides on a heaving Subway train at eight in the morning and again at six in182 the evening. Well, there are other modes of living that seem a trifle sweeter to the dreamers of dreams, the makers44 of beauty. Art is not produced like so many bricks or like so many waffles in a waffle iron. It is shot with wonder; and just as the water-lily emerges in its white perfection from dubious45 slimy stems, so a great work of loveliness may sometimes rise from the meanest sources. That is what your Pharisee does not—and cannot—understand. He would cast us all into one mess-pot, stew46 us all in the same juice, and bid us all conform to some stupid “ideal” which he has the effrontery47 to hold before the artist as the ultimate goodness.
点击收听单词发音
1 prohibition | |
n.禁止;禁令,禁律 | |
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2 plunge | |
v.跳入,(使)投入,(使)陷入;猛冲 | |
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3 disorder | |
n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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4 ass | |
n.驴;傻瓜,蠢笨的人 | |
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5 unison | |
n.步调一致,行动一致 | |
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6 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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7 prospective | |
adj.预期的,未来的,前瞻性的 | |
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8 travesty | |
n.歪曲,嘲弄,滑稽化 | |
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9 superseded | |
[医]被代替的,废弃的 | |
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10 goblets | |
n.高脚酒杯( goblet的名词复数 ) | |
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11 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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12 disconsolately | |
adv.悲伤地,愁闷地;哭丧着脸 | |
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13 shears | |
n.大剪刀 | |
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14 boisterous | |
adj.喧闹的,欢闹的 | |
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15 paraphrased | |
v.释义,意译( paraphrase的过去式和过去分词 ) | |
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16 bough | |
n.大树枝,主枝 | |
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17 flask | |
n.瓶,火药筒,砂箱 | |
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18 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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19 snare | |
n.陷阱,诱惑,圈套;(去除息肉或者肿瘤的)勒除器;响弦,小军鼓;vt.以陷阱捕获,诱惑 | |
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20 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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21 Prohibitionist | |
禁酒主义者 | |
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22 renounce | |
v.放弃;拒绝承认,宣布与…断绝关系 | |
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23 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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24 antiquated | |
adj.陈旧的,过时的 | |
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25 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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26 picturesqueness | |
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27 glamour | |
n.魔力,魅力;vt.迷住 | |
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28 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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29 erase | |
v.擦掉;消除某事物的痕迹 | |
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30 gapes | |
v.目瞪口呆地凝视( gape的第三人称单数 );张开,张大 | |
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31 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
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32 revel | |
vi.狂欢作乐,陶醉;n.作乐,狂欢 | |
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33 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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34 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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35 spurning | |
v.一脚踢开,拒绝接受( spurn的现在分词 ) | |
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36 disdain | |
n.鄙视,轻视;v.轻视,鄙视,不屑 | |
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37 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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38 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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39 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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40 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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41 bibulous | |
adj.高度吸收的,酗酒的 | |
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42 humdrum | |
adj.单调的,乏味的 | |
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43 taverns | |
n.小旅馆,客栈,酒馆( tavern的名词复数 ) | |
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44 makers | |
n.制造者,制造商(maker的复数形式) | |
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45 dubious | |
adj.怀疑的,无把握的;有问题的,靠不住的 | |
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46 stew | |
n.炖汤,焖,烦恼;v.炖汤,焖,忧虑 | |
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47 effrontery | |
n.厚颜无耻 | |
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