"Coming-to a little, I see," Idris observed cheerfully. "How do you feel?"
He lifted himself to a sitting posture3, utterly4 unable to account for his present dazed condition.
"You'll be all right in a few minutes. Take a pull at this spirit-flask: that'll revive you. I owe my life to you, old fellow."
"In what way?" asked Godfrey, his mind still too confused to recall the recent accident.
"Gaseous5 vapour would have claimed its victim. Your grandfather was quite right in asserting this to be a carboniferous soil. Some of the coal-gas has issued to the surface. The atmosphere within the hillock was a mixture of carbon dioxide and floating fire-damp. Foolishly creeping about, with mouth held to the ground, I took in such a whiff of the one as to be quite overpowered by it before I had time to rise, while the other exploded as soon as you struck the match."
[Pg 120]
"I'm a pretty doctor not to have warned you against noxious7 vapours! It's a marvel8 we are both alive. But why was I not overpowered?"
"Probably because you were not holding your face to the earth where the gas collects, though very likely you, too, would have succumbed9 in a few moments. However, all's well that ends well. Your striking a light was a fortunate thing, for it appears to have acted like an electric discharge in instantly clearing the air. True, you were stunned10, but I recovered; whether instantly by the explosion, or more slowly by the purifying atmosphere, I cannot tell. All I know is I awoke, and realizing what had happened, and feeling you beside me, I lost no time in dragging you out into the open air. And here we are, none the worse for our experience, I trust. No doubt it was occurrences like this that caused the old Norsemen to believe that Odin guarded the tombs of the dead by darting11 forth12 flames."
"The fires of the Asas are real enough, after all," muttered Godfrey, still feeling like one in a dream. "Hasn't the sound of the explosion brought any one here?"
"It seems not," said Idris, looking round. "So far we are safe. Old Orm offers a stubborn resistance," he continued. "'He being dead, yet fighteth.' But he is doomed13 to be defeated, for I will not go until I have examined the interior of the hillock."
"You are not thinking of venturing into that deathtrap again?" said Godfrey, aghast.
"There is no danger now: at least, not from gases. The explosion dissolved them, and the outer air has had time to penetrate14 within. Besides, forewarned is forearmed. We know our peril15: if one of us should be overpowered, the other must drag him out."
[Pg 121]
"How can you make an investigation16 without a light?"
"We shall have light enough. Fortunately, you snapped the lid of the box tightly before striking your match—an action that effectually screened the remaining two from the flame of the fire-damp."
"Two matches will not help us much."
"There you're wrong. We will take some of this brushwood inside and light a bonfire: and the sooner we make a beginning the better. It's two o'clock now. In another hour or so day will be dawning."
Inwardly groaning17 at the perversity18 of his friend, Godfrey lent a hand in collecting the materials necessary for the fire: and, not without some trepidation19, carried them through the dark passage into the mortuary chamber20, the atmosphere of which, as his nostrils21 assured him, had become considerably22 clarified since his previous visit.
Fearing that the two matches when kindled23 might expire before he could fire the twigs24, which were damp with the afternoon's rain, Idris drew forth a small book, a pocket edition of Hamlet, and proceeded to detach leaf after leaf, twisting them into spirals. These he handed to Godfrey, enjoining25 him to keep a flame alive by kindling26 one from another till the twigs should have fairly caught.
"Now to strike the fateful match!" he said. "Pray heaven the Asas do not give us another pyrotechnic display!"
He cautiously struck the match. Godfrey instantly kindled one of his paper-spirals from the flame.
"No fireworks this time, you see," remarked Idris, as all remained quiet. "This is what may be called making light of Shakespeare," he added, as, taking the kindled papers one after another from Godfrey's hand, he applied27 them to the leaves and twigs, endeavouring to force them into a blaze.
[Pg 122]
The pale, bluish glare that sprang up made the chamber faintly visible. Idris, intent on his task of ignition saw nothing but the brushwood before him, but Godfrey could not refrain from casting a timid glance around, even at the risk of extinguishing the lighted paper in his hand.
There was, however, nothing very dreadful in the scene before him. He found himself standing28 in a chamber about twenty feet square, the sides of which were composed of rough-hewn blocks of masonry29, glistening30 with moisture, and dotted with patches of fungous growth. The roof was formed by a layer of tree-trunks, necessarily of great size and strength in order to support the vast weight above. The floor seemed to be of earth, its surface glimmering31 here and there with tiny black pools, formed by the constant dropping of moisture from the roof.
But the treasures deposited of old by Hilda the Alruna for her son, Magnus of Deira—where were they? Well for Idris that he had not set his heart on finding them, for the chamber was bare, save for one object in the centre. This was the sarcophagus-like structure against which Godfrey had collided when looking for Idris' body. By the flickering32 light he could see that this receptacle was of oblong shape, the sides consisting of four upright stone slabs34 let into the earth, with a fifth one resting upon them like a lid.
Idris had now succeeded in his task, and the twigs and branches blazing up cast over the chamber a ruddy glow sufficiently36 bright for the taking of observations.
"This is better than a lantern. I warrant the place hasn't looked so cheerful for centuries," remarked Idris, as he stood by the blaze and took a survey of the chamber.
"Cheerful at present, perhaps, but in ten minutes we shall be smoked out."
Illustration
[Pg 123]
"I think not. This fire will burn bright and clear presently, and will give out little smoke."
Taking up a lighted brand from the fire Idris moved forward and began his investigations37 with the tomb by making a scrutiny38 of its lid.
"No inscription39 here, runic or otherwise.—Humph! shall we supply one, Hic Jacet Ormus.—Now to remove this slab35! Let us see if there are bones beneath."
Too eager to wait for Godfrey's assistance he seized the lid with one hand, and, exerting all his strength, swung it off laterally40.
A cry of surprise, rather than of alarm, broke from him, as he caught sight of a full-sized human skeleton lying within. A burning fragment from the torch he carried dropped within the teeth of the skeleton, where, still continuing to glow, it lit up the skull41 with weird42 effect, the red flicker33 giving an apparent motion to the grinning jaws43 and eyeless sockets44.
"Can there be doubt about it? This is old Orm, or what is left of him," replied Idris, holding the torch low over the skeleton.—"Here reposes46 one who, I doubt not, made a brave figure in his day. And now? 'None so poor to do him reverence47.' The people of Ormsby do not know even his name, and yet he was the founder48 of their town, its nomenclator, in fact. The old Greeks would have raised a statue and an altar to him in their market-place, and have worshipped him as their hero eponymous. And here he lies neglected and forgotten!
That this is all remains of thee?'
"Is this wasted bone the 'high arm' spoken of on the runic ring? Where be now its feats50 of strength? And[Pg 124] where is the wealth won by his ashen51 spear? the riches that conferred upon him the epithet52 of Golden? the treasure placed within the 'lofty tomb' by his wife, Hilda, the Norse prophetess? Vanished! Whither? Removed by whom? and when? Did Magnus of Deira really receive the runic ring despatched to him by his mother? Did he come here in ancient days to remove his heritage, or has the treasure been taken by other, perhaps modern, hands? If so, by whose? By the masked man of Quilaix's? By Captain Rochefort's or by my father's? Have they left behind any trace of their visit?"
His eyes roving around the chamber were attracted by a fabric53 lying at the foot of one of the walls.
"What have we here?" he said, stepping forward and picking it up. "A piece of cloth! Will this give us a clue to the men who were here last?"
For better inspection54 he carried the cloth to the light of the fire. When unrolled the fabric proved to be oblong in shape, six feet by four, its edges very much frayed55, and its surface so defaced by clay that it was impossible at first to discover its texture56, colour, or use.
"I see what it is," he remarked at last. "Look at that triangular57 shred58 of cloth hanging from the metallic59 rod: its shape tallies60 with the triangular rent in this fabric. This has been torn from that rail: it is a part of the tapestry61 that once decked the walls of this chamber. I am disappointed again; I thought to find a modern vesture, and am put off with ancient tapestry."
He began to scrape the fabric with his penknife.
"I can detect some coloured threads," he went on. "It is figured arras: but it is impossible at present to make out what the figures are. Here are some letters, too. I can detect N. and T. We must keep this. When cleaned it may prove to be an interesting 'find'—of [Pg 125]a more ancient date, unless my chronology be at fault, than the famous Bayeux Tapestry. What puzzles me is, why the man who carried off the rest of the tapestry should leave this behind him."
"Probably because it is a torn remnant."
"But it would be a very simple matter to sew it to the main piece again. Do you notice how the rail is bent63 where the three cornered bit is?"
"What inference do you draw from that?" Idris asked.
"Exactly. But why should any one wrench66 so violently at the tapestry, tapestry that was evidently regarded as valuable, otherwise it would not have been carried off?"
"Your question is not susceptible69 of an answer."
"True—at present. But an investigator70 should take note of every circumstance, however trifling71, although at the time he may fail to discern its true significance."
"But seeing that the tapestry may have been carried off centuries ago, it is difficult to discover the present application of your remark."
"On the other hand it may have been carried off only recently: it is these recent traces that I wish to find. Somehow, this bent rod attracts me. Ah!"
Whilst speaking thus he suddenly recalled an incident that had occurred during his previous exploration in the dark.
"Godfrey, your divining rod. I am half-a-believer in its powers. At any rate I am going to try an experiment."
[Pg 126]
Taking the hazel stick he walked to that part of the wall where the shred of tapestry hung.
"Either I am dreaming," he said, "or a singular experience befell me at this spot."
Standing in the same position as before he extended the stick horizontally, explaining to Godfrey the reason for his act.
But Solomon's saying, "The thing that hath been, it is that which shall be," was not verified on the present occasion. Though Idris waited patiently for several minutes the rod manifested none of the downward tendency that it had previously72 shown.
Godfrey himself took the stick and tried the experiment, but with no better result. He expressed his opinion that Idris must have been the victim of an illusion: but to this Idris would not assent73.
"The rod does not turn now, that's clear. But that it did turn I am confident. It was no fancy of mine."
"Let us dig," said Godfrey, "and see whether there is anything beneath the soil that could have caused it."
With these words he took up the spade and began digging. Idris followed his example, wielding74 the pickaxe, but found, after a few strokes, that some hard substance prevented the point of the implement75 from penetrating76 to a greater depth than three or four inches.
"This earth is mere77 superficial deposit, percolations from the roof," said Idris. "There is a stone flooring beneath."
In a few moments they had cleared away the terrene deposit, discovering nothing however, except a block of smooth masonry, at which Idris dealt a few strokes by way of experiment.
"Humph! seems solid enough. The dull sound given forth is hardly suggestive of a cavity. What made the rod curve, I wonder?"
[Pg 127]
Finding no answer to this question, he turned reluctantly away, and began to explore other parts of the chamber. He made a careful examination of its flooring, allowing no part of it to escape him. With the spade he swept aside the black water from the tiny hollows, and with the pickaxe he probed the ground at various points, discovering everywhere stone pavement beneath the superficial covering of earth.
The object that he was hoping to find—a match-box, or a button bearing the maker's name; the dated sheet of a newspaper; a scrap62 of handwriting: a handkerchief, marked with the owner's initials: or some article of like character—existed only in his fancy. A thorough search on the part of the two friends failed to bring anything to light, either on the surface of the floor, or embedded78 within the clay.
There was nothing to indicate the date at which the tumulus had been last entered: whether ten, twenty, or a hundred years before. For all they could tell to the contrary, many centuries might have passed since its interior had been trodden by human footsteps.
Relinquishing79 at last his fruitless labours Idris seated himself on the edge of the Viking's tomb with disappointment written on his features.
"I have so long clung to the hope that this place would afford a clue to the finding of my father, that I cannot give up the notion even now, when its futility80 seems most apparent. You may think me fanciful, Godfrey, but something seems to whisper that there are traces of him here, if I did but know where to look for them. And yet, I suppose, we have done all that it is possible to do?"
He rose again from his seat and scrutinized81 the four walls of the chamber, sounding them with the pickaxe.
[Pg 128]
"There does not appear to be any cell or passage behind these," he muttered.
He turned his eyes upwards82, and took a survey of the black tree trunks forming the roof of the chamber: and finished his investigations by probing the dust of the Viking's tomb with the end of the walking-stick, but made no further discovery.
"So end my hopes of finding my father," he muttered sadly. "My labour has been expended83 on a vain quest. Years of search throughout Europe: years of study over runic letters, end in—a dead man's bones!—How this old fellow grins! One would think he enjoys my discomfiture84. I shall take his skull back with me."
"Why, in heaven's name?"
"A whim85 of mine, nothing more. I have taken a fancy for the skull, and the skull I will have. So old Orm," he continued, stooping down and detaching the grisly head-piece from the vertebral column, "prepare to face the light of day after a sleep of centuries in darkness."
"Put it back again," said Godfrey. "What good can it do you? You can't possibly put it to any use."
"The skull of a brave Viking is a trophy86 well worth preserving, a noble ornament87 for my sideboard. And if you talk of use, there are several uses to which I can put it. I may set it with silver, and convert it into a drinking-cup, like that used by Byron. Or I may turn it into a pretty lamp to write tragedy by, after the fashion of the poet Young. Or, imitating the old Egyptians, I may use it as a table-decoration to remind me of death, and of the vanity of all things human. The skull will be a souvenir of our expedition, a memento88 of an experience unique, at least, in my life.—So hurrah89!" he cried, holding the trophy aloft, "Hurrah for the Viking's Skull!"
[Pg 129]
* * * * * *
Day was dawning when Idris and Godfrey reached home, after concealing90, so far as lay in their power, the traces of their night's work. Beatrice, who had been sitting up anxiously awaiting their return, gave a little scream when she beheld91 their blackened faces.
"Heavens! what has happened?" she cried.
Over the repast that she had kept in readiness for them Idris gave an account of the expedition, finishing his story by producing the relics92 he had brought away with him, namely, the Viking's skull and the fragment of tapestry.
"Let us have some warm water, Trixie," said Godfrey. "We will try to clean this tapestry."
A bowl of warm water was soon procured94, Godfrey diluting95 it with a powder brought by him from his surgery.
"A chemical preparation of my own," he explained, "warranted to take out stains without injuring the cloth."
Under Beatrice's manipulation the relic93 gradually disclosed itself as a piece of brownish-coloured linen96, divided by a vertical97 line of black thread into two sections of unequal length. Each section consisted of a picture woven in woollen threads on the linen background, and each was fragmentary in character, the beginning of the one and the end of the other being torn away.
The left section represented a battle-field: spears were hurtling in air: two warriors98 were lying prostrate100, and a third, a yellow-haired hero, his bare arms flung aloft, was in the act of falling backwards101, his breast pierced by an arrow. These figures, drawn102 to a scale of about half the human size, were in a good state of preservation103. The colours of the garments had scarcely faded: the golden filaments104 composing the shields still retained their brightness: and the swords, woven from silver threads, glinted in the rising sunlight, as Beatrice moved the fabric to and[Pg 130] fro. To this section was attached the subscription:—"Hic Ormum Aureum Occidunt."
"What do these words mean?" Beatrice asked.
"'Here they kill Orm the Golden,'" Idris replied.
"Orm the Golden," Godfrey repeated. "You are right, then, Idris, in your theory as to that tumulus being the tomb of the warrior99 spoken of on the runic ring. I confess that till this moment I have had my doubts on the point, but this piece of tapestry is decisive."
In the other section of the cloth the same warrior, still pierced by the arrow, was represented as lying prone105 upon the earth: two figures, those of a woman and of a boy, were bending over him. That it was night-time was shown by the torches they carried. The woman had evidently come to bear off the body of the dead chief. The words, "Hilda Invenit"—were clearly discernible; the rest of the inscription was wanting.
"'Hilda finds'—Orm, I suppose the next word would be, if we had the inscription in full," said Idris. "Hilda—the lady of the runic ring, you will remember. This other figure is perhaps intended for her son Magnus: if so, it is clear that he was a lad at the time of his father's death, which may account for his mother's act in hiding the treasure in Ormfell. There it was to remain till her son should be of age to defend his heritage. The roll of tapestry suspended round the tomb was evidently, when entire, a complete record in needlework of the life of Orm the Viking. It must have formed an interesting relic of Norse times. A pity we haven't the whole of it."
"And so this is Hilda the Alruna!" mused106 Beatrice, contemplating107 the figure on the tapestry. "How curiously108 we are linked with the past! To think that the expedition in which you nearly lost your lives is the result of a sentence engraved109 on a Norse altar-ring a thousand years ago by the lady portrayed110 on this piece of[Pg 131] needlework! She had dark hair, if this be her 'counterfeit111 presentment.' And to think, too, that we possess the very skull of the yellow-haired Viking pictured here! It sounds too romantic to be true. Where are you going to put your grisly trophy, Mr. Breakspear?"
"The head of the staircase is the orthodox place."
"The orthodox place?" repeated Beatrice, puzzled by the expression.
"Some ancient houses keep a skull as part of the furnishings," Idris explained. "It is supposed to bring good luck, and the head of the staircase is its usual place, any removal of it being fraught112 with danger to the house. Of course this is foolery, but——"
"But still we may as well be in the fashion," smiled Beatrice, "and so I'll put it where you say."
The Viking's skull was therefore taken by her to the embrasure of the window that looked down the staircase, after which act Beatrice went off for a brief spell of sleep, this being the first time she had ever gone to bed at sun-rising.
Godfrey, preparing to follow her example, lingered for a moment, attracted by the appearance of the water in which the tapestry had been cleansed113.
"How red this water is!" he murmured. "To what is the colour due?"
"Probably to the reddish coloured clay with which the cloth was stained," replied Idris.
"It may be so," said the physician, slowly and thoughtfully, "but if I remember rightly, the clay in that part of the chamber where the tapestry lay was not red at all. The appearance of this water is certainly curious. One might almost take it for blood!"
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grassy
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| adj.盖满草的；长满草的 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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posture
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utterly
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gaseous
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annoyance
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noxious
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marvel
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succumbed
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| 不再抵抗（诱惑、疾病、攻击等）( succumb的过去式和过去分词 )； 屈从； 被压垮； 死 | |
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stunned
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darting
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forth
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doomed
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penetrate
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peril
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investigation
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groaning
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perversity
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trepidation
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chamber
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nostrils
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considerably
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kindled
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twigs
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enjoining
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kindling
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applied
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standing
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masonry
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glistening
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glimmering
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slabs
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slab
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sufficiently
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investigations
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scrutiny
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inscription
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laterally
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skull
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weird
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jaws
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sockets
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| n.套接字，使应用程序能够读写与收发通讯协定(protocol)与资料的程序( Socket的名词复数 )；孔( socket的名词复数 )；（电器上的）插口；托座；凹穴 | |
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remains
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reposes
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| v.将（手臂等）靠在某人（某物）上( repose的第三人称单数 ) | |
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47
reverence
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| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
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48
Founder
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| n.创始者，缔造者 | |
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49
mighty
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| adj.强有力的；巨大的 | |
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50
feats
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| 功绩，伟业，技艺( feat的名词复数 ) | |
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51
ashen
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| adj.灰的 | |
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52
epithet
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| n.（用于褒贬人物等的）表述形容词，修饰语 | |
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53
fabric
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| n.织物，织品，布；构造，结构，组织 | |
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54
inspection
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| n.检查，审查，检阅 | |
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55
frayed
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| adj.磨损的v.（使布、绳等）磨损，磨破( fray的过去式和过去分词 ) | |
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56
texture
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| n.(织物)质地；(材料)构造；结构；肌理 | |
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57
triangular
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| adj.三角（形）的，三者间的 | |
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58
shred
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| v.撕成碎片，变成碎片；n.碎布条，细片，些少 | |
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59
metallic
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| adj.金属的；金属制的；含金属的；产金属的；像金属的 | |
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60
tallies
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| n.账( tally的名词复数 )；符合；（计数的）签；标签v.计算，清点( tally的第三人称单数 )；加标签（或标记）于；（使）符合；（使）吻合 | |
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61
tapestry
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| n.挂毯，丰富多采的画面 | |
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62
scrap
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| n.碎片；废料；v.废弃，报废 | |
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63
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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64
downwards
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| adj./adv.向下的（地），下行的（地） | |
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65
tugging
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| n.牵引感v.用力拉，使劲拉，猛扯( tug的现在分词 ) | |
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66
wrench
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| v.猛拧；挣脱；使扭伤；n.扳手；痛苦，难受 | |
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67
shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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68
irrelevancy
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| n.不恰当，离题，不相干的事物 | |
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susceptible
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| adj.过敏的，敏感的；易动感情的，易受感动的 | |
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investigator
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| n.研究者，调查者，审查者 | |
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71
trifling
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| adj.微不足道的；没什么价值的 | |
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72
previously
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| adv.以前，先前（地） | |
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73
assent
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| v.批准，认可；n.批准，认可 | |
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74
wielding
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| 手持着使用（武器、工具等）( wield的现在分词 )； 具有； 运用（权力）； 施加（影响） | |
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75
implement
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| n.(pl.)工具，器具；vt.实行，实施，执行 | |
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76
penetrating
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| adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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embedded
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| a.扎牢的 | |
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79
relinquishing
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| 交出，让给( relinquish的现在分词 )； 放弃 | |
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80
futility
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| n.无用 | |
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81
scrutinized
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| v.仔细检查，详审( scrutinize的过去式和过去分词 ) | |
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upwards
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| adv.向上，在更高处...以上 | |
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expended
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| v.花费( expend的过去式和过去分词 )；使用（钱等）做某事；用光；耗尽 | |
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84
discomfiture
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| n.崩溃；大败；挫败；困惑 | |
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whim
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| n.一时的兴致，突然的念头；奇想，幻想 | |
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trophy
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| n.优胜旗，奖品，奖杯，战胜品，纪念品 | |
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ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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memento
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| n.纪念品，令人回忆的东西 | |
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hurrah
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| int.好哇，万岁，乌拉 | |
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concealing
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| v.隐藏，隐瞒，遮住( conceal的现在分词 ) | |
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beheld
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| v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟 | |
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92
relics
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| [pl.］n.遗物，遗迹，遗产；遗体，尸骸 | |
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93
relic
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| n.神圣的遗物，遗迹，纪念物 | |
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94
procured
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| v.（努力）取得， （设法）获得( procure的过去式和过去分词 )；拉皮条 | |
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95
diluting
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| 稀释，冲淡( dilute的现在分词 )； 削弱，使降低效果 | |
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96
linen
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| n.亚麻布，亚麻线，亚麻制品；adj.亚麻布制的，亚麻的 | |
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97
vertical
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| adj.垂直的，顶点的，纵向的；n.垂直物，垂直的位置 | |
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98
warriors
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| 武士，勇士，战士( warrior的名词复数 ) | |
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99
warrior
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| n.勇士，武士，斗士 | |
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100
prostrate
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| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
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101
backwards
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| adv.往回地，向原处，倒，相反，前后倒置地 | |
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102
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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103
preservation
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| n.保护，维护，保存，保留，保持 | |
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104
filaments
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| n.（电灯泡的）灯丝( filament的名词复数 )；丝极；细丝；丝状物 | |
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105
prone
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| adj.(to)易于…的，很可能…的；俯卧的 | |
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106
mused
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| v.沉思，冥想( muse的过去式和过去分词 )；沉思自语说（某事） | |
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107
contemplating
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| 深思，细想，仔细考虑( contemplate的现在分词 )； 注视，凝视； 考虑接受（发生某事的可能性）； 深思熟虑，沉思，苦思冥想 | |
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108
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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109
engraved
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| v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中） | |
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110
portrayed
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| v.画像( portray的过去式和过去分词 )；描述；描绘；描画 | |
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111
counterfeit
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| vt.伪造，仿造；adj.伪造的，假冒的 | |
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112
fraught
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| adj.充满…的，伴有(危险等)的；忧虑的 | |
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113
cleansed
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| 弄干净，清洗( cleanse的过去式和过去分词 ) | |
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