I have sat many an afternoon after school whittling6 the bamboo frame for a modest kite. It was my most interesting employment; my father calls me into another room to run on an errand for him; I hear him plainly, but pretend otherwise and make him call repeatedly—ungrateful son! Upon hearing him approach and perceiving longer delay to be impossible, I break away from the agreeable occupation and emerge as cheerfully as I can, "Yes, sir, father." He inquires what I was about, reproves me for not answering him quickly and gives me to know that if I do not heed7 his behest he will surely throw my kite into the fire. After such interruptions, however, the important frame-work is done. Oh, what satisfaction I feel over it! Then I go to the kitchen and wheedle8 Osan into giving me a bit of boiled rice, which I make into paste on a piece of board with a bamboo spatula9. With the paste I put white paper on the frame and leave it to dry. There are many little technical points in kite construction, but those I refrain from entering into in detail. When it is dry, I write on the kite confidentially11 with my own hand some appropriate word, say, Zephyr12, in lieu of picture. I now tie the string and try its flight; it dashes at the eaves this way, pitches into the latticed windows that way, twirls in mid-air like a tumbler-pigeon, and in general behaves badly. Thereupon I take it down, add weight to the lighter13 side, attach a tail and do all to insure balance and equilibrium14, and, then try it again.
Since coming to this country, the request has been put to me more than once by little friends that I should make them a genuine Japanese kite. But the want of tenacious15 paper and bamboo has always prevented me from complying with their wish.
As I write on, by the association of ideas I call to mind an event which greatly provoked me. I was fond of poking16 into and turning over old things up in the garret, as I hinted before, or I had arch?ological taste, to give it a dignified17 name. One day, much to my surprise, I came upon an old kite frame perhaps six feet by five, good for further use. I found it hidden behind a worm-eaten chest of drawers; it was constructed, I discovered, when my uncle was a boy; everybody in the house had forgotten all about it. I was instantly possessed18 with the desire to boast of a big kite, now that the frame was ready; and as if to help out my plan, some one recollected19 that the reel of string that went with the kite was put away in one of the drawers. This I immediately sought and found. These relics20 I guarded with great care until a visit from my uncle, who resided in the same town, when I produced them and got him to tell me about his kite. I could not have done a better thing; his old playthings before him put my uncle in mind of his boyhood; they created in him the wish to see them restored once more to their former usefulness; and he promised me he would attend to them himself.
Attend to them himself he did in a few days, taking as lively an interest as I did. Having papered the frame, we carried it to a man who painted show-bills. He painted on it a squatting21 Daruma in scarlet22 canonical23 robe, holding the high-priest's mace24, a staff with a long tuft of white hair at one end, while the white untouched margin25 left by this large figure was stained blue. It was a glorious kite; the picture of Daruma, who was a great light of Buddhism26, the founder27 of a new sect28, who sat and thought through his whole life, suffering no disturbance29 from matters temporal—hence his papier-maché image on a hemisphere of lead for the toy "tumbler;" Daruma, I started to say, looked out from our kite with a pair of immense goggle30 eyes, shaded by prominent shaggy eyebrows31; a furrow32 ran down on either cheek from the side of his nose toward the corners of his mouth; large Hindoostanee ear-rings hung from the enlarged lobes33 of his ears; and I may here add that, notwithstanding his reputed sedentary habits, he is always drawn34 as a holy man of strong physical features.
So far, so good. My uncle, as might be anticipated, wanted to see how our kite would fly. Accordingly, we got a big boy to hold it up for us against the wind, and my uncle at a distance hold the string ready to dash at a run. The signal was given, and away my uncle ran, and up rose the kite. Breathlessly I was watching. But it no sooner rose than it pitched sidewise and struck on the spikes35 upon the fences of the Mayor's house. I lost my heart! I did not cry just yet; the catastrophe36 was too big for utterance37 and too sudden: there was no time to weigh the calamity38. The men pulled at the kite, which, I say, had stuck fast on the pointed39 black wooden bars bristling40 unmannerly in all possible directions. I bore the spikes an inveterate41 enmity ever after, till one day they were every one of them pulled down with the house, at which I felt extreme satisfaction. The tearing noise of the kite, however, rent my breast then; and the men, being persuaded at last of the futility42 of their proceeding43, brought forward a ladder, and my uncle mounted it deliberately44. I could not contain myself any longer; I ran into the house, threw myself on the floor and wept bitterly. After that I turned over the whole affair in my mind at leisure, lying on my back, studying the ceiling and sucking my finger in baby fashion. The phantom45 of the broken kite rose before me; I swallowed down my grief with difficulty. Who brought it about? Nobody else but uncle; yes, if uncle had not wished to try the kite it would not have happened. I whimpered afresh at the painful thought; I now reproached my uncle as much as I formerly46 thanked him. After a considerable lapse47 of time my uncle came in, crestfallen48, with the tattered49 kite. But in dudgeon I would not speak to him or look at him: he very awkwardly endeavored to console me and with difficulty coaxed50 me to accept his atonement in patching the rents. The moisture of the glue, nevertheless, scattered51 the original colors and disfigured the beautiful picture. I forget how I forgave him that.
But to resume the holiday games. Boys play a sort of ball—the "pass and catch" part—with a good-sized dai-dai (lemon); we call it dai-dai rolling. We give each other the "grounder" repeatedly, so that even the hard-rinded Japanese fruit gets ruptured52 in a little time; then our business is to beat about for a supply of the new balls, which we invariably accomplish by knocking down the fruit from the unguarded arches. The people generally take the prank53 in good part.
Girls play out-of-doors with battledore and shuttlecock; they also play with cotton-balls, which they toss with their dainty hands against hard floors. They keep the ball bounding rhythmically54 between the palm of their hand and the floor, and hum songs in time with it.
At home and in the evening we play cards and other games. The favorite game of cards consists in giving out the first lines of couplets and endeavoring to pick out from the confusion of cards, in competition with others of the company, the particular cards on which are written the following lines; the one with the largest number of cards in the end is declared the winner. This game has the commendable55 feature of impressing on the mind celebrated56 poems; it is not merely time thrown away. Japanese poems, I remark in passing, are short and pithy57; the classic "a Hundred Poems from a Hundred Poets" are characteristic and are consequently printed for the purpose of the game. The selected poems of the Tō dynasty, which in the annals of Chinese literature correspond to the English Elizabethan period. I mean in development and not in chronology, are substituted by scholars for the Japanese poems. We also play a kind of parchesi and a form of the game of authors, but whist, poker58, casino, euchre, cribbage, etc., we know nothing of. Chess and checkers the Japanese are expert in, but they are not New Year games.
Fireside conversation, kind words and hearts constitute the quiet enjoyment59 and sunshine of the holidays. All things conspire60 to produce in us serene61 and tranquil62 pleasure, but nothing worth recording63 occurs in the remaining days. Some business-like briskness64 is manifested in the early hours of the second morning, for tradesmen observe the ancient custom of inaugurating the commerce of the opening year and give out presents to their customers.
Later in the spring—I forget the exact date—all the straw ornaments65, withering66 wreaths and the like used in the decoration are brought together and burnt up with religious care on a broad sandy river flat just beyond the town. The day appointed for the rite10 is another gala-day of the calendar, at least in Imabari. For some time previous to the occasion, the straw relics of all the houses of a street are carefully collected in one spot, and then such as are artists exercise ingenuity67 to produce some recognizable shape out of the heap that may catch the eye of spectators, on its way to the place of combustion68. Street vies with street in originality69 in fashioning the straw stack and takes care not to divulge70 what it is constructing until the day of display, then it ostentatiously raises the finished work, whatever it may be, on a high movable platform or pedestal on wheels, which takes its position in the line of march with those of the other streets. The whole town is curious to know what is in the parade and rushes out to behold71.
I recall only one among many things which my own street produced on such occasions; it was a military cap and a trumpet72 joined together. Innumerable sheets of gilt73 paper were wasted in giving the monstrous74 form of a trumpet the appearance of bright, shining brass75; the cap, too, was wonderfully like the real imported thing. These barbarian76 outlandish articles, having been adopted by the Japanese government at the time, were exciting the attention and comments of the people; hence, the striking reproduction of them on a greatly magnified scale made everybody utter a little cry of surprise and admiration77. I forget to which of us the inspiration came.
The pedestal or platform has two large massive iron rings in front, to which are tied stout78 ropes: the younger part of the inhabitants of the street hang together in two rows and haul the decorated burden. Song and chorus, and the heavy wheels creak onward79 a short distance, then stop: song again and chorus; then another pause. Among the crowd we occasionally meet a man carrying a bamboo stick, one end of which is split and holds half-a-dozen hardened mochis. He intends to scorch80 the cakes in the flames of the relics and, upon returning home, to divide them among his family and eat them for the miraculous81 power they are then believed to possess.
This is, in short, the manner in which we observe and end our great national holiday of New Year. Of late, it is to be regretted, many of the old customs are omitted by the people who have got modern notions into their heads. Innovations of the latter days not very desirable or in good taste are fast gaining ground. A few years more, and, I fear, the neglect of time-honored observances will be complete in Japan.
点击收听单词发音
1 juxtaposition | |
n.毗邻,并置,并列 | |
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2 friction | |
n.摩擦,摩擦力 | |
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3 discretion | |
n.谨慎;随意处理 | |
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4 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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5 twine | |
v.搓,织,编饰;(使)缠绕 | |
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6 whittling | |
v.切,削(木头),使逐渐变小( whittle的现在分词 ) | |
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7 heed | |
v.注意,留意;n.注意,留心 | |
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8 wheedle | |
v.劝诱,哄骗 | |
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9 spatula | |
n.抹刀 | |
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10 rite | |
n.典礼,惯例,习俗 | |
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11 confidentially | |
ad.秘密地,悄悄地 | |
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12 zephyr | |
n.和风,微风 | |
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13 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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14 equilibrium | |
n.平衡,均衡,相称,均势,平静 | |
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15 tenacious | |
adj.顽强的,固执的,记忆力强的,粘的 | |
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16 poking | |
n. 刺,戳,袋 vt. 拨开,刺,戳 vi. 戳,刺,捅,搜索,伸出,行动散慢 | |
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17 dignified | |
a.可敬的,高贵的 | |
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18 possessed | |
adj.疯狂的;拥有的,占有的 | |
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19 recollected | |
adj.冷静的;镇定的;被回忆起的;沉思默想的v.记起,想起( recollect的过去式和过去分词 ) | |
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20 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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21 squatting | |
v.像动物一样蹲下( squat的现在分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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22 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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23 canonical | |
n.权威的;典型的 | |
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24 mace | |
n.狼牙棒,豆蔻干皮 | |
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25 margin | |
n.页边空白;差额;余地,余裕;边,边缘 | |
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26 Buddhism | |
n.佛教(教义) | |
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27 Founder | |
n.创始者,缔造者 | |
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28 sect | |
n.派别,宗教,学派,派系 | |
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29 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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30 goggle | |
n.瞪眼,转动眼珠,护目镜;v.瞪眼看,转眼珠 | |
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31 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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32 furrow | |
n.沟;垄沟;轨迹;车辙;皱纹 | |
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33 lobes | |
n.耳垂( lobe的名词复数 );(器官的)叶;肺叶;脑叶 | |
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34 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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35 spikes | |
n.穗( spike的名词复数 );跑鞋;(防滑)鞋钉;尖状物v.加烈酒于( spike的第三人称单数 );偷偷地给某人的饮料加入(更多)酒精( 或药物);把尖状物钉入;打乱某人的计划 | |
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36 catastrophe | |
n.大灾难,大祸 | |
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37 utterance | |
n.用言语表达,话语,言语 | |
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38 calamity | |
n.灾害,祸患,不幸事件 | |
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39 pointed | |
adj.尖的,直截了当的 | |
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40 bristling | |
a.竖立的 | |
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41 inveterate | |
adj.积习已深的,根深蒂固的 | |
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42 futility | |
n.无用 | |
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43 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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44 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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45 phantom | |
n.幻影,虚位,幽灵;adj.错觉的,幻影的,幽灵的 | |
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46 formerly | |
adv.从前,以前 | |
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47 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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48 crestfallen | |
adj. 挫败的,失望的,沮丧的 | |
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49 tattered | |
adj.破旧的,衣衫破的 | |
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50 coaxed | |
v.哄,用好话劝说( coax的过去式和过去分词 );巧言骗取;哄劝,劝诱 | |
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51 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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52 ruptured | |
v.(使)破裂( rupture的过去式和过去分词 );(使体内组织等)断裂;使(友好关系)破裂;使绝交 | |
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53 prank | |
n.开玩笑,恶作剧;v.装饰;打扮;炫耀自己 | |
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54 rhythmically | |
adv.有节奏地 | |
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55 commendable | |
adj.值得称赞的 | |
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56 celebrated | |
adj.有名的,声誉卓著的 | |
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57 pithy | |
adj.(讲话或文章)简练的 | |
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58 poker | |
n.扑克;vt.烙制 | |
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59 enjoyment | |
n.乐趣;享有;享用 | |
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60 conspire | |
v.密谋,(事件等)巧合,共同导致 | |
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61 serene | |
adj. 安详的,宁静的,平静的 | |
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62 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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63 recording | |
n.录音,记录 | |
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64 briskness | |
n.敏捷,活泼 | |
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65 ornaments | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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66 withering | |
使人畏缩的,使人害羞的,使人难堪的 | |
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67 ingenuity | |
n.别出心裁;善于发明创造 | |
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68 combustion | |
n.燃烧;氧化;骚动 | |
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69 originality | |
n.创造力,独创性;新颖 | |
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70 divulge | |
v.泄漏(秘密等);宣布,公布 | |
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71 behold | |
v.看,注视,看到 | |
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72 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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73 gilt | |
adj.镀金的;n.金边证券 | |
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74 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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75 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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76 barbarian | |
n.野蛮人;adj.野蛮(人)的;未开化的 | |
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77 admiration | |
n.钦佩,赞美,羡慕 | |
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79 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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80 scorch | |
v.烧焦,烤焦;高速疾驶;n.烧焦处,焦痕 | |
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81 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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