Chapter XLVIII

 It is here that I purposed to end my book. My first idea was to begin it with the account of Strickland's last years in Tahiti and with his horrible death, and then to go back and relate what I knew of his beginnings. This I meant to do, not from wilfulness¹, but because I wished to leave Strickland setting out with I know not what fancies in his lonely soul for the unknown islands which fired his imagination. I liked the picture of him starting at the age of forty-seven, when most men have already settled comfortably in a groove², for a new world. I saw him, the sea gray under the mistral and foam-flecked, watching the vanishing coast of France, which he was destined³ never to see again; and I thought there was something gallant⁴ in his bearing and dauntless in his soul. I wished so to end on a note of hope. It seemed to emphasise⁵ the unconquerable spirit of man. But I could not manage it. Somehow I could not get into my story, and after trying once or twice I had to give it up; I started from the beginning in the usual way, and made up my mind I could only tell what I knew of Strickland's life in the order in which I learnt the facts.

 

Those that I have now are fragmentary. I am in the position of a biologist who from a single bone must reconstruct not only the appearance of an extinct animal, but its habits. Strickland made no particular impression on the people who came in contact with him in Tahiti. To them he was no more than a beach-comber in constant need of money, remarkable⁶ only for the peculiarity⁷ that he painted pictures which seemed to them absurd; and it was not till he had been dead for some years and agents came from the dealers⁸ in Paris and Berlin to look for any pictures which might still remain on the island, that they had any idea that among them had dwelt a man of consequence. They remembered then that they could have bought for a song canvases which now were worth large sums, and they could not forgive themselves for the opportunity which had escaped them. There was a Jewish trader called Cohen, who had come by one of Strickland's pictures in a singular way. He was a little old Frenchman, with soft kind eyes and a pleasant smile, half trader and half seaman⁹, who owned a cutter in which he wandered boldly among the Paumotus and the Marquesas, taking out trade goods and bringing back copra, shell, and pearls. I went to see him because I was told he had a large black pearl which he was willing to sell cheaply, and when I discovered that it was beyond my means I began to talk to him about Strickland. He had known him well.

 

"You see, I was interested in him because he was a painter," he told me. "We don't get many painters in the islands, and I was sorry for him because he was such a bad one. I gave him his first job. I had a plantation¹⁰ on the peninsula, and I wanted a white overseer. You never get any work out of the natives unless you have a white man over them. I said to him: 'You'll have plenty of time for painting, and you can earn a bit of money.' I knew he was starving, but I offered him good wages."

 

"I can't imagine that he was a very satisfactory overseer," I said, smiling.

 

"I made allowances. I have always had a sympathy for artists. It is in our blood, you know. But he only remained a few months. When he had enough money to buy paints and canvases he left me. The place had got hold of him by then, and he wanted to get away into the bush. But I continued to see him now and then. He would turn up in Papeete every few months and stay a little while; he'd get money out of someone or other and then disappear again. It was on one of these visits that he came to me and asked for the loan of two hundred francs. He looked as if he hadn't had a meal for a week, and I hadn't the heart to refuse him. Of course, I never expected to see my money again. Well, a year later he came to see me once more, and he brought a picture with him. He did not mention the money he owed me, but he said: 'Here is a picture of your plantation that I've painted for you.' I looked at it. I did not know what to say, but of course I thanked him, and when he had gone away I showed it to my wife."

 

"What was it like?" I asked.

 

"Do not ask me. I could not make head or tail of it. I never saw such a thing in my life. 'What shall we do with it?' I said to my wife. 'We can never hang it up,' she said. 'People would laugh at us.' So she took it into an attic¹¹ and put it away with all sorts of rubbish, for my wife can never throw anything away. It is her mania¹². Then, imagine to yourself, just before the war my brother wrote to me from Paris, and said: 'Do you know anything about an English painter who lived in Tahiti? It appears that he was a genius, and his pictures fetch large prices. See if you can lay your hands on anything and send it to me. There's money to be made.' So I said to my wife. 'What about that picture that Strickland gave me?' Is it possible that it is still in the attic?' 'Without doubt,' she answered, 'for you know that I never throw anything away. It is my mania.' We went up to the attic, and there, among I know not what rubbish that had been gathered during the thirty years we have inhabited that house, was the picture. I looked at it again, and I said: 'Who would have thought that the overseer of my plantation on the peninsula, to whom I lent two hundred francs, had genius? Do you see anything in the picture?' 'No,' she said, 'it does not resemble the plantation and I have never seen cocoa-nuts with blue leaves; but they are mad in Paris, and it may be that your brother will be able to sell it for the two hundred francs you lent Strickland.' Well, we packed it up and we sent it to my brother. And at last I received a letter from him. What do you think he said? 'I received your picture,' he said, 'and I confess I thought it was a joke that you had played on me. I would not have given the cost of postage for the picture. I was half afraid to show it to the gentleman who had spoken to me about it. Imagine my surprise when he said it was a masterpiece, and offered me thirty thousand francs. I dare say he would have paid more, but frankly¹³ I was so taken aback that I lost my head; I accepted the offer before I was able to collect myself.'"

 

Then Monsieur Cohen said an admirable thing.

 

"I wish that poor Strickland had been still alive. I wonder what he would have said when I gave him twenty-nine thousand eight hundred francs for his picture."

1 wilfulness   

任性；倔强

参考例句：

• I refuse to stand by and see the company allowed to run aground because of one woman's wilfulness. 我不会袖手旁观，眼看公司因为一个女人的一意孤行而触礁。 来自柯林斯例句

2 groove   

n.沟，槽；凹线，（刻出的）线条，习惯

参考例句：

• They're happy to stay in the same old groove.他们乐于墨守成规。
• The cupboard door slides open along the groove.食橱门沿槽移开。

3 destined   

adj.命中注定的；(for)以…为目的地的

参考例句：

• It was destined that they would marry.他们结婚是缘分。
• The shipment is destined for America.这批货物将运往美国。

4 gallant   

adj.英勇的，豪侠的；(向女人)献殷勤的

参考例句：

• Huang Jiguang's gallant deed is known by all men. 黄继光的英勇事迹尽人皆知。
• These gallant soldiers will protect our country.这些勇敢的士兵会保卫我们的国家的。

5 emphasise   

vt.加强...的语气，强调，着重

参考例句：

• What special feature do you think I should emphasise? 你认为我该强调什么呢？
• The exercises heavily emphasise the required readings.练习非常强调必须的阅读。

6 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

7 peculiarity   

n.独特性，特色；特殊的东西；怪癖

参考例句：

• Each country has its own peculiarity.每个国家都有自己的独特之处。
• The peculiarity of this shop is its day and nigth service.这家商店的特点是昼夜服务。

8 dealers   

n.商人( dealer的名词复数 )；贩毒者；毒品贩子；发牌者

参考例句：

• There was fast bidding between private collectors and dealers. 私人收藏家和交易商急速竞相喊价。
• The police were corrupt and were operating in collusion with the drug dealers. 警察腐败，与那伙毒品贩子内外勾结。

9 seaman   

n.海员，水手，水兵

参考例句：

• That young man is a experienced seaman.那个年轻人是一个经验丰富的水手。
• The Greek seaman went to the hospital five times.这位希腊海员到该医院去过五次。

10 plantation   

n.种植园，大农场

参考例句：

• His father-in-law is a plantation manager.他岳父是个种植园经营者。
• The plantation owner has possessed himself of a vast piece of land.这个种植园主把大片土地占为己有。

11 attic   

n.顶楼，屋顶室

参考例句：

• Leakiness in the roof caused a damp attic.屋漏使顶楼潮湿。
• What's to be done with all this stuff in the attic?顶楼上的材料怎么处理？

12 mania   

n.疯狂；躁狂症，狂热，癖好

参考例句：

• Football mania is sweeping the country.足球热正风靡全国。
• Collecting small items can easily become a mania.收藏零星物品往往容易变成一种癖好。

13 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。