But of all the modern notions generated by mere wealth the worst is this: the notion that domesticity is dull and tame. Inside the home (they say) is dead decorum and routine; outside is adventure and variety. This is indeed a rich man’s opinion. The rich man knows that his own house moves on vast and soundless wheels of wealth, is run by regiments13 of servants, by a swift and silent ritual. On the other hand, every sort of vagabondage of romance is open to him in the streets outside. He has plenty of money and can afford to be a tramp. His wildest adventure will end in a restaurant, while the yokel’s tamest adventure may end in a police-court. If he smashes a window he can pay for it; if he smashes a man he can pension him. He can (like the millionaire in the story) buy an hotel to get a glass of gin. And because he, the luxurious14 man, dictates15 the tone of nearly all “advanced” and “progressive” thought, we have almost forgotten what a home really means to the overwhelming millions of mankind.
For the truth is, that to the moderately poor the home is the only place of liberty. Nay16, it is the only place of anarchy17. It is the only spot on the earth where a man can alter arrangements suddenly, make an experiment or indulge in a whim18. Everywhere else he goes he must accept the strict rules of the shop, inn, club, or museum that he happens to enter. He can eat his meals on the floor in his own house if he likes. I often do it myself; it gives a curious, childish, poetic19, picnic feeling. There would be considerable trouble if I tried to do it in an A.B.C. tea-shop. A man can wear a dressing20 gown and slippers21 in his house; while I am sure that this would not be permitted at the Savoy, though I never actually tested the point. If you go to a restaurant you must drink some of the wines on the wine list, all of them if you insist, but certainly some of them. But if you have a house and garden you can try to make hollyhock tea or convolvulus wine if you like. For a plain, hard-working man the home is not the one tame place in the world of adventure. It is the one wild place in the world of rules and set tasks. The home is the one place where he can put the carpet on the ceiling or the slates22 on the floor if he wants to. When a man spends every night staggering from bar to bar or from music-hall to music-hall, we say that he is living an irregular life. But he is not; he is living a highly regular life, under the dull, and often oppressive, laws of such places. Some times he is not allowed even to sit down in the bars; and frequently he is not allowed to sing in the music-halls. Hotels may be defined as places where you are forced to dress; and theaters may be defined as places where you are forbidden to smoke. A man can only picnic at home.
Now I take, as I have said, this small human omnipotence23, this possession of a definite cell or chamber24 of liberty, as the working model for the present inquiry25. Whether we can give every English man a free home of his own or not, at least we should desire it; and he desires it. For the moment we speak of what he wants, not of what he expects to get. He wants, for instance, a separate house; he does not want a semi-detached house. He may be forced in the commercial race to share one wall with another man. Similarly he might be forced in a three-legged race to share one leg with another man; but it is not so that he pictures himself in his dreams of elegance26 and liberty. Again, he does not desire a flat. He can eat and sleep and praise God in a flat; he can eat and sleep and praise God in a railway train. But a railway train is not a house, because it is a house on wheels. And a flat is not a house, because it is a house on stilts27. An idea of earthy contact and foundation, as well as an idea of separation and independence, is a part of this instructive human picture.
I take, then, this one institution as a test. As every normal man desires a woman, and children born of a woman, every normal man desires a house of his own to put them into. He does not merely want a roof above him and a chair below him; he wants an objective and visible kingdom; a fire at which he can cook what food he likes, a door he can open to what friends he chooses. This is the normal appetite of men; I do not say there are not exceptions. There may be saints above the need and philanthropists below it. Opalstein, now he is a duke, may have got used to more than this; and when he was a convict may have got used to less. But the normality of the thing is enormous. To give nearly everybody ordinary houses would please nearly everybody; that is what I assert without apology. Now in modern England (as you eagerly point out) it is very difficult to give nearly everybody houses. Quite so; I merely set up the desideratum; and ask the reader to leave it standing28 there while he turns with me to a consideration of what really happens in the social wars of our time.
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1 psychology | |
n.心理,心理学,心理状态 | |
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2 repose | |
v.(使)休息;n.安息 | |
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3 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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4 nuptial | |
adj.婚姻的,婚礼的 | |
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5 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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6 plutocratic | |
adj.富豪的,有钱的 | |
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7 fads | |
n.一时的流行,一时的风尚( fad的名词复数 ) | |
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8 mere | |
adj.纯粹的;仅仅,只不过 | |
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9 parasite | |
n.寄生虫;寄生菌;食客 | |
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10 somber | |
adj.昏暗的,阴天的,阴森的,忧郁的 | |
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11 banking | |
n.银行业,银行学,金融业 | |
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12 partnership | |
n.合作关系,伙伴关系 | |
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13 regiments | |
(军队的)团( regiment的名词复数 ); 大量的人或物 | |
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14 luxurious | |
adj.精美而昂贵的;豪华的 | |
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15 dictates | |
n.命令,规定,要求( dictate的名词复数 )v.大声讲或读( dictate的第三人称单数 );口授;支配;摆布 | |
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16 nay | |
adv.不;n.反对票,投反对票者 | |
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17 anarchy | |
n.无政府状态;社会秩序混乱,无秩序 | |
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18 whim | |
n.一时的兴致,突然的念头;奇想,幻想 | |
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19 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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20 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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21 slippers | |
n. 拖鞋 | |
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22 slates | |
(旧时学生用以写字的)石板( slate的名词复数 ); 板岩; 石板瓦; 石板色 | |
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23 omnipotence | |
n.全能,万能,无限威力 | |
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24 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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25 inquiry | |
n.打听,询问,调查,查问 | |
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26 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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27 stilts | |
n.(支撑建筑物高出地面或水面的)桩子,支柱( stilt的名词复数 );高跷 | |
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28 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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