"What deh hell ails1 yeh? What makes yeh be allus fixin' and fussin'? Good Gawd," her mother would frequently roar at her.
She began to note, with more interest, the well-dressed women she met on the avenues. She envied elegance2 and soft palms. She craved3 those adornments of person which she saw every day on the street, conceiving them to be allies of vast importance to women.
Studying faces, she thought many of the women and girls she chanced to meet, smiled with serenity4 as though forever cherished and watched over by those they loved.
The air in the collar and cuff5 establishment strangled her. She knew she was gradually and surely shrivelling in the hot, stuffy6 room. The begrimed windows rattled7 incessantly8 from the passing of elevated trains. The place was filled with a whirl of noises and odors.
She wondered as she regarded some of the grizzled women in the room, mere9 mechanical contrivances sewing seams and grinding out, with heads bended over their work, tales of imagined or real girlhood happiness, past drunks, the baby at home, and unpaid10 wages. She speculated how long her youth would endure. She began to see the bloom upon her cheeks as valuable.
She imagined herself, in an exasperating11 future, as a scrawny woman with an eternal grievance12. Too, she thought Pete to be a very fastidious person concerning the appearance of women.
She felt she would love to see somebody entangle13 their fingers in the oily beard of the fat foreigner who owned the establishment. He was a detestable creature. He wore white socks with low shoes.
He sat all day delivering orations14, in the depths of a cushioned chair. His pocketbook deprived them of the power to retort.
"What een hell do you sink I pie fife dolla a week for? Play? No, py damn!" Maggie was anxious for a friend to whom she could talk about Pete. She would have liked to discuss his admirable mannerisms with a reliable mutual16 friend. At home, she found her mother often drunk and always raving17. It seems that the world had treated this woman very badly, and she took a deep revenge upon such portions of it as came within her reach. She broke furniture as if she were at last getting her rights. She swelled18 with virtuous19 indignation as she carried the lighter20 articles of household use, one by one under the shadows of the three gilt21 balls, where Hebrews chained them with chains of interest.
Jimmie came when he was obliged to by circumstances over which he had no control. His well-trained legs brought him staggering home and put him to bed some nights when he would rather have gone elsewhere.
Swaggering Pete loomed22 like a golden sun to Maggie. He took her to a dime23 museum where rows of meek24 freaks astonished her. She contemplated25 their deformities with awe26 and thought them a sort of chosen tribe.
"What een hell do you sink I pie fife dolla a week for? Play? No, py damn!" Maggie was anxious for a friend to whom she could talk about Pete. She would have liked to discuss his admirable mannerisms with a reliable mutual friend. At home, she found her mother often drunk and always raving. It seems that the world had treated this woman very badly, and she took a deep revenge upon such portions of it as came within her reach. She broke furniture as if she were at last getting her rights. She swelled with virtuous indignation as she carried the lighter articles of household use, one by one under the shadows of the three gilt balls, where Hebrews chained them with chains of interest.
Jimmie came when he was obliged to by circumstances over which he had no control. His well-trained legs brought him staggering home and put him to bed some nights when he would rather have gone elsewhere.
Swaggering Pete loomed like a golden sun to Maggie. He took her to a dime museum where rows of meek freaks astonished her. She contemplated their deformities with awe and thought them a sort of chosen tribe.
Pete, raking his brains for amusement, discovered the Central Park Menagerie and the Museum of Arts. Sunday afternoons would sometimes find them at these places. Pete did not appear to be particularly interested in what he saw. He stood around looking heavy, while Maggie giggled28 in glee.
Once at the Menagerie he went into a trance of admiration29 before the spectacle of a very small monkey threatening to thrash a cageful because one of them had pulled his tail and he had not wheeled about quickly enough to discover who did it. Ever after Pete knew that monkey by sight and winked30 at him, trying to induce hime to fight with other and larger monkeys. At the Museum, Maggie said, "Dis is outa sight."
"Oh hell," said Pete, "wait 'till next summer an' I'll take yehs to a picnic."
While the girl wandered in the vaulted31 rooms, Pete occupied himself in returning stony32 stare for stony stare, the appalling33 scrutiny34 of the watch-dogs of the treasures. Occasionally he would remark in loud tones: "Dat jay has got glass eyes," and sentences of the sort.
When he tired of this amusement he would go to the mummies and moralize over them.
Usually he submitted with silent dignity to all which he had to go through, but, at times, he was goaded35 into comment.
"What deh hell," he demanded once. "Look at all dese little jugs36! Hundred jugs in a row! Ten rows in a case an' 'bout15 a t'ousand cases! What deh blazes use is dem?"
Evenings during the week he took her to see plays in which the brain-clutching heroine was rescued from the palatial37 home of her guardian38, who is cruelly after her bonds, by the hero with the beautiful sentiments. The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, rescuing aged39 strangers from villains41.
Maggie lost herself in sympathy with the wanderers swooning in snow storms beneath happy-hued church windows. And a choir42 within singing "Joy to the World." To Maggie and the rest of the audience this was transcendental realism. Joy always within, and they, like the actor, inevitably43 without. Viewing it, they hugged themselves in ecstatic pity of their imagined or real condition.
The girl thought the arrogance44 and granite-heartedness of the magnate of the play was very accurately45 drawn46. She echoed the maledictions that the occupants of the gallery showered on this individual when his lines compelled him to expose his extreme selfishness.
Shady persons in the audience revolted from the pictured villainy of the drama. With untiring zeal47 they hissed48 vice49 and applauded virtue50. Unmistakably bad men evinced an apparently51 sincere admiration for virtue.
The loud gallery was overwhelmingly with the unfortunate and the oppressed. They encouraged the struggling hero with cries, and jeered52 the villain40, hooting53 and calling attention to his whiskers. When anybody died in the pale-green snow storms, the gallery mourned. They sought out the painted misery54 and hugged it as akin27.
In the hero's erratic55 march from poverty in the first act, to wealth and triumph in the final one, in which he forgives all the enemies that he has left, he was assisted by the gallery, which applauded his generous and noble sentiments and confounded the speeches of his opponents by making irrelevant56 but very sharp remarks. Those actors who were cursed with villainy parts were confronted at every turn by the gallery. If one of them rendered lines containing the most subtile distinctions between right and wrong, the gallery was immediately aware if the actor meant wickedness, and denounced him accordingly.
The last act was a triumph for the hero, poor and of the masses, the representative of the audience, over the villain and the rich man, his pockets stuffed with bonds, his heart packed with tyrannical purposes, imperturbable57 amid suffering.
Maggie always departed with raised spirits from the showing places of the melodrama58. She rejoiced at the way in which the poor and virtuous eventually surmounted59 the wealthy and wicked. The theatre made her think. She wondered if the culture and refinement60 she had seen imitated, perhaps grotesquely61, by the heroine on the stage, could be acquired by a girl who lived in a tenement62 house and worked in a shirt factory.
点击收听单词发音
1 ails | |
v.生病( ail的第三人称单数 );感到不舒服;处境困难;境况不佳 | |
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2 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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3 craved | |
渴望,热望( crave的过去式 ); 恳求,请求 | |
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4 serenity | |
n.宁静,沉着,晴朗 | |
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5 cuff | |
n.袖口;手铐;护腕;vt.用手铐铐;上袖口 | |
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6 stuffy | |
adj.不透气的,闷热的 | |
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7 rattled | |
慌乱的,恼火的 | |
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8 incessantly | |
ad.不停地 | |
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9 mere | |
adj.纯粹的;仅仅,只不过 | |
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10 unpaid | |
adj.未付款的,无报酬的 | |
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11 exasperating | |
adj. 激怒的 动词exasperate的现在分词形式 | |
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12 grievance | |
n.怨愤,气恼,委屈 | |
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13 entangle | |
vt.缠住,套住;卷入,连累 | |
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14 orations | |
n.(正式仪式中的)演说,演讲( oration的名词复数 ) | |
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15 bout | |
n.侵袭,发作;一次(阵,回);拳击等比赛 | |
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16 mutual | |
adj.相互的,彼此的;共同的,共有的 | |
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17 raving | |
adj.说胡话的;疯狂的,怒吼的;非常漂亮的;令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话;疯话adv.胡言乱语地;疯狂地 | |
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18 swelled | |
增强( swell的过去式和过去分词 ); 肿胀; (使)凸出; 充满(激情) | |
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19 virtuous | |
adj.有品德的,善良的,贞洁的,有效力的 | |
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20 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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21 gilt | |
adj.镀金的;n.金边证券 | |
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22 loomed | |
v.隐约出现,阴森地逼近( loom的过去式和过去分词 );隐约出现,阴森地逼近 | |
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23 dime | |
n.(指美国、加拿大的钱币)一角 | |
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24 meek | |
adj.温顺的,逆来顺受的 | |
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25 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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26 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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27 akin | |
adj.同族的,类似的 | |
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28 giggled | |
v.咯咯地笑( giggle的过去式和过去分词 ) | |
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29 admiration | |
n.钦佩,赞美,羡慕 | |
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30 winked | |
v.使眼色( wink的过去式和过去分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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31 vaulted | |
adj.拱状的 | |
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32 stony | |
adj.石头的,多石头的,冷酷的,无情的 | |
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33 appalling | |
adj.骇人听闻的,令人震惊的,可怕的 | |
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34 scrutiny | |
n.详细检查,仔细观察 | |
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35 goaded | |
v.刺激( goad的过去式和过去分词 );激励;(用尖棒)驱赶;驱使(或怂恿、刺激)某人 | |
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36 jugs | |
(有柄及小口的)水壶( jug的名词复数 ) | |
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37 palatial | |
adj.宫殿般的,宏伟的 | |
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38 guardian | |
n.监护人;守卫者,保护者 | |
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39 aged | |
adj.年老的,陈年的 | |
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40 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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41 villains | |
n.恶棍( villain的名词复数 );罪犯;(小说、戏剧等中的)反面人物;淘气鬼 | |
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42 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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43 inevitably | |
adv.不可避免地;必然发生地 | |
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44 arrogance | |
n.傲慢,自大 | |
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45 accurately | |
adv.准确地,精确地 | |
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46 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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47 zeal | |
n.热心,热情,热忱 | |
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48 hissed | |
发嘶嘶声( hiss的过去式和过去分词 ); 发嘘声表示反对 | |
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49 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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50 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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51 apparently | |
adv.显然地;表面上,似乎 | |
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52 jeered | |
v.嘲笑( jeer的过去式和过去分词 ) | |
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53 hooting | |
(使)作汽笛声响,作汽车喇叭声( hoot的现在分词 ); 倒好儿; 倒彩 | |
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54 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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55 erratic | |
adj.古怪的,反复无常的,不稳定的 | |
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56 irrelevant | |
adj.不恰当的,无关系的,不相干的 | |
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57 imperturbable | |
adj.镇静的 | |
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58 melodrama | |
n.音乐剧;情节剧 | |
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59 surmounted | |
战胜( surmount的过去式和过去分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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60 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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61 grotesquely | |
adv. 奇异地,荒诞地 | |
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62 tenement | |
n.公寓;房屋 | |
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