[91]
“You bluffer1, you,” said Billy, “what you want is to take the first risk of going into that hole. I know you.”
Henri did not stop to argue. He cat-footed it down the stone steps, holding his lantern in front of him at arm’s length.
Billy came next, and Reddy last. The last boy, however, was not the least when it came to thinking. He thought that it would be a good idea to fix the oak cover so that he could support it with his hands and let it drop again over the opening when the three should have gone underground.
It would give a chance prowler no opportunity to find the mouth of the tunnel, and either follow them or set up an alarm that would result in the boys being caught like rats in a trap.
So Reddy wisely closed the way behind them, and thus insured that there would be no disturbance2 from the rear.
The tunnel route was not an inviting3 one. The rounded roof in many places had sagged4 and closed in to such an extent as to almost choke the passage, and great care had to be taken by the boys so as not to bring a mass of stonework and earth down upon their heads. This dangerous condition was chiefly where the tunnel ran through the low ground, for when the passageway began to ascend5 the boys were enabled to go much faster and in greater safety.
[92]
But in the tunnel entire the air was stifling6 and from the cracks in the slimy walls came hideous7 crawling things.
“Now we are done,” was Billy’s despairing prediction.
“Never say quit; that isn’t like you.”
It was seldom that Henri assumed the r?le of bracer-up to Billy. It had been generally the other way, but Billy was willing to acknowledge that he was not much of a cave man. He liked the open too well.
There were faint streaks10 of daylight threading through the grated spaces of the door. That was something for which to be thankful.
Reddy was giving the rusty11 grating a lively shake when with a clang something hit the stone floor of the tunnel.
It was a key of the kind that locksmiths used to make by the pound.
The key had been suspended from a hook at the side of the door, and Reddy’s vigorous attack on the grating had caused it to fall.
Henri pushed the key into the ponderous12 lock and with a strong-arm twist succeeded in making it turn. The rusty bolt screeched13 as it was drawn[93] back, but the door could be opened, and it was opened by the main pulling strength of three husky youngsters.
Just on the other side of the door was the rounded base of a tower, and, looking upward, the sky could be seen through many openings in the stonework.
There were four doors in this circular room, the one by which the boys had just entered, and the other three in a row, close together, directly opposite the tunnel entrance.
“This,” explained Henri, “is ‘Old Round Tower,’ far more ancient than the chateau14 itself, and one of the landmarks15 along the Meuse. I never cared much for it myself as a play place; it was too gloomy, and rats used to swarm16 here. I remember of seeing this door to the tunnel, but always thought it led to some cellar, and cellars are no novelties on these grounds. I don’t know how many casks of wine are underground about here, but there used to be a big lot.
“This door,” Henri was pointing to the middle one in the row, “opens on a passage that runs back of the state dining-hall of the chateau, and ends at a panel on the right of the most beautifully decorated fireplace you ever saw.
“The passages behind the other doors run to the upper floors of the north and south wings of the house.
[94]
“There are side connections to them all in the old part of the chateau. Of course, in the east and west wings, added years later, there are no secret passages nor sliding panels.”
“Which one leads to where the gold and jewels are kept?”
“I’ll show you in a little while, Billy.”
Henri pushed open the middle door of the row, and the boys had a whiff of musty tapestry17 and other shut-in odors which indicated that the passage had not been traveled for many a day.
Through the narrow way between the walls the boys walked, single file, leaving tracks in the dust and with many a sneeze and gasp18.
At a point where the passage widened, Henri stopped and lifted a finger.
On the other side of the walls there was a sound of many voices, an occasional peal19 of laughter, the clink of glass against glass, and every now and then merry snatches of song.
Henri felt along the side of the passage until his fingers touched a little knob about level with his eyes.
With a slight pressure on the knob a panel on the other side was controlled and began to slide noiselessly in polished grooves20 to the left.
Henri held the movement to an inch.
“Cast your eye in there,” speaking softly to Billy.
点击收听单词发音
1 bluffer | |
n.用假像骗人的人 | |
参考例句: |
|
|
2 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
参考例句: |
|
|
3 inviting | |
adj.诱人的,引人注目的 | |
参考例句: |
|
|
4 sagged | |
下垂的 | |
参考例句: |
|
|
5 ascend | |
vi.渐渐上升,升高;vt.攀登,登上 | |
参考例句: |
|
|
6 stifling | |
a.令人窒息的 | |
参考例句: |
|
|
7 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
参考例句: |
|
|
8 fully | |
adv.完全地,全部地,彻底地;充分地 | |
参考例句: |
|
|
9 masonry | |
n.砖土建筑;砖石 | |
参考例句: |
|
|
10 streaks | |
n.(与周围有所不同的)条纹( streak的名词复数 );(通常指不好的)特征(倾向);(不断经历成功或失败的)一段时期v.快速移动( streak的第三人称单数 );使布满条纹 | |
参考例句: |
|
|
11 rusty | |
adj.生锈的;锈色的;荒废了的 | |
参考例句: |
|
|
12 ponderous | |
adj.沉重的,笨重的,(文章)冗长的 | |
参考例句: |
|
|
13 screeched | |
v.发出尖叫声( screech的过去式和过去分词 );发出粗而刺耳的声音;高叫 | |
参考例句: |
|
|
14 chateau | |
n.城堡,别墅 | |
参考例句: |
|
|
15 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
参考例句: |
|
|
16 swarm | |
n.(昆虫)等一大群;vi.成群飞舞;蜂拥而入 | |
参考例句: |
|
|
17 tapestry | |
n.挂毯,丰富多采的画面 | |
参考例句: |
|
|
18 gasp | |
n.喘息,气喘;v.喘息;气吁吁他说 | |
参考例句: |
|
|
19 peal | |
n.钟声;v.鸣响 | |
参考例句: |
|
|
20 grooves | |
n.沟( groove的名词复数 );槽;老一套;(某种)音乐节奏v.沟( groove的第三人称单数 );槽;老一套;(某种)音乐节奏 | |
参考例句: |
|
|
欢迎访问英文小说网 |