CHAPTER L

 I wonder why some things are? For instance, Art is allowed as much indecent license¹ today as in earlier times—but the privileges of Literature in this respect have been sharply curtailed² within the past eighty or ninety years. Fielding and Smollett could portray³ the beastliness of their day in the beastliest language; we have plenty of foul⁴ subjects to deal with in our day, but we are not allowed to approach them very near, even with nice and guarded forms of speech. But not so with Art. The brush may still deal freely with any subject, however revolting or indelicate. It makes a body ooze⁵ sarcasm⁶ at every pore, to go about Rome and Florence and see what this last generation has been doing with the statues. These works, which had stood in innocent nakedness for ages, are all fig-leaved now. Yes, every one of them. Nobody noticed their nakedness before, perhaps; nobody can help noticing it now, the fig-leaf makes it so conspicuous⁷. But the comical thing about it all, is, that the fig-leaf is confined to cold and pallid⁸ marble, which would be still cold and unsuggestive without this sham⁹ and ostentatious symbol of modesty¹⁰, whereas warm-blood paintings which do really need it have in no case been furnished with it.

At the door of the Uffizzi, in Florence, one is confronted by statues of a man and a woman, noseless, battered¹¹, black with accumulated grime—they hardly suggest human beings—yet these ridiculous creatures have been thoughtfully and conscientiously¹² fig-leaved by this fastidious generation. You enter, and proceed to that most-visited little gallery that exists in the world—the Tribune—and there, against the wall, without obstructing¹³ rag or leaf, you may look your fill upon the foulest¹⁴, the vilest¹⁵, the obscenest picture the world possesses—Titian’s Venus. It isn’t that she is naked and stretched out on a bed—no, it is the attitude of one of her arms and hand. If I ventured to describe that attitude, there would be a fine howl—but there the Venus lies, for anybody to gloat over that wants to—and there she has a right to lie, for she is a work of art, and Art has its privileges. I saw young girls stealing furtive¹⁶ glances at her; I saw young men gaze long and absorbedly at her; I saw aged¹⁷, infirm men hang upon her charms with a pathetic interest. How I should like to describe her—just to see what a holy indignation I could stir up in the world—just to hear the unreflecting average man deliver himself about my grossness and coarseness, and all that. The world says that no worded description of a moving spectacle is a hundredth part as moving as the same spectacle seen with one’s own eyes—yet the world is willing to let its son and its daughter and itself look at Titian’s beast, but won’t stand a description of it in words. Which shows that the world is not as consistent as it might be.

There are pictures of nude¹⁸ women which suggest no impure¹⁹ thought—I am well aware of that. I am not railing at such. What I am trying to emphasize is the fact that Titian’s Venus is very far from being one of that sort. Without any question it was painted for a bagnio and it was probably refused because it was a trifle too strong. In truth, it is too strong for any place but a public Art Gallery. Titian has two Venuses in the Tribune; persons who have seen them will easily remember which one I am referring to.

In every gallery in Europe there are hideous²⁰ pictures of blood, carnage, oozing²¹ brains, putrefaction—pictures portraying²² intolerable suffering—pictures alive with every conceivable horror, wrought²³ out in dreadful detail—and similar pictures are being put on the canvas every day and publicly exhibited—without a growl²⁴ from anybody—for they are innocent, they are inoffensive, being works of art. But suppose a literary artist ventured to go into a painstaking²⁵ and elaborate description of one of these grisly things—the critics would skin him alive. Well, let it go, it cannot be helped; Art retains her privileges, Literature has lost hers. Somebody else may cipher²⁶ out the whys and the wherefores and the consistencies²⁷ of it—I haven’t got time.

Titian’s Venus defiles²⁸ and disgraces the Tribune, there is no softening²⁹ that fact, but his “Moses” glorifies³⁰ it. The simple truthfulness³¹ of its noble work wins the heart and the applause of every visitor, be he learned or ignorant. After wearying one’s self with the acres of stuffy³², sappy, expressionless babies that populate the canvases of the Old Masters of Italy, it is refreshing³³ to stand before this peerless child and feel that thrill which tells you you are at last in the presence of the real thing. This is a human child, this is genuine. You have seen him a thousand times—you have seen him just as he is here—and you confess, without reserve, that Titian was a Master. The doll-faces of other painted babes may mean one thing, they may mean another, but with the “Moses” the case is different. The most famous of all the art-critics has said, “There is no room for doubt, here—plainly this child is in trouble.”

I consider that the “Moses” has no equal among the works of the Old Masters, except it be the divine Hair Trunk of Bassano. I feel sure that if all the other Old Masters were lost and only these two preserved, the world would be the gainer by it.

 

 

 

My sole purpose in going to Florence was to see this immortal³⁴ “Moses,” and by good fortune I was just in time, for they were already preparing to remove it to a more private and better-protected place because a fashion of robbing the great galleries was prevailing³⁵ in Europe at the time.

I got a capable artist to copy the picture; Pannemaker, the engraver³⁶ of Doré's books, engraved³⁷ it for me, and I have the pleasure of laying it before the reader in this volume.

We took a turn to Rome and some other Italian cities—then to Munich, and thence to Paris—partly for exercise, but mainly because these things were in our projected program, and it was only right that we should be faithful to it.

From Paris I branched out and walked through Holland and Belgium, procuring³⁸ an occasional lift by rail or canal when tired, and I had a tolerably good time of it “by and large.” I worked Spain and other regions through agents to save time and shoe-leather.

We crossed to England, and then made the homeward passage in the Cunarder Gallia, a very fine ship. I was glad to get home—immeasurably glad; so glad, in fact, that it did not seem possible that anything could ever get me out of the country again. I had not enjoyed a pleasure abroad which seemed to me to compare with the pleasure I felt in seeing New York harbor again. Europe has many advantages which we have not, but they do not compensate³⁹ for a good many still more valuable ones which exist nowhere but in our own country. Then we are such a homeless lot when we are over there! So are Europeans themselves, for that matter. They live in dark and chilly⁴⁰ vast tombs—costly enough, maybe, but without conveniences. To be condemned⁴¹ to live as the average European family lives would make life a pretty heavy burden to the average American family.

On the whole, I think that short visits to Europe are better for us than long ones. The former preserve us from becoming Europeanized; they keep our pride of country intact, and at the same time they intensify⁴² our affection for our country and our people; whereas long visits have the effect of dulling those feelings—at least in the majority of cases. I think that one who mixes much with Americans long resident abroad must arrive at this conclusion.

 

1 license   

n.执照，许可证，特许；v.许可，特许

参考例句：

• The foreign guest has a license on the person.这个外国客人随身携带执照。
• The driver was arrested for having false license plates on his car.司机由于使用假车牌而被捕。

2 curtailed   

v.截断，缩短( curtail的过去式和过去分词 )

参考例句：

• Spending on books has been severely curtailed. 购书开支已被大大削减。
• Their public health programme had to be severely curtailed. 他们的公共卫生计划不得不大大收缩。 来自《简明英汉词典》

3 portray   

v.描写，描述；画(人物、景象等)

参考例句：

• It is difficult to portray feelings in words.感情很难用言语来描写。
• Can you portray the best and worst aspects of this job?您能描述一下这份工作最好与最坏的方面吗？

4 foul   

adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规

参考例句：

• Take off those foul clothes and let me wash them.脱下那些脏衣服让我洗一洗。
• What a foul day it is!多么恶劣的天气！

5 ooze   

n.软泥，渗出物；vi.渗出，泄漏；vt.慢慢渗出，流露

参考例句：

• Soon layer of oceanic ooze began to accumulate above the old hard layer.不久后海洋软泥层开始在老的硬地层上堆积。
• Drip or ooze systems are common for pot watering.滴灌和渗灌系统一般也用于盆栽灌水。

6 sarcasm   

n.讥讽，讽刺，嘲弄，反话 （adj.sarcastic）

参考例句：

• His sarcasm hurt her feelings.他的讽刺伤害了她的感情。
• She was given to using bitter sarcasm.她惯于用尖酸刻薄语言挖苦人。

7 conspicuous   

adj.明眼的，惹人注目的；炫耀的，摆阔气的

参考例句：

• It is conspicuous that smoking is harmful to health.很明显，抽烟对健康有害。
• Its colouring makes it highly conspicuous.它的色彩使它非常惹人注目。

8 pallid   

adj.苍白的，呆板的

参考例句：

• The moon drifted from behind the clouds and exposed the pallid face.月亮从云朵后面钻出来，照着尸体那张苍白的脸。
• His dry pallid face often looked gaunt.他那张干瘪苍白的脸常常显得憔悴。

9 sham   

n./adj.假冒(的)，虚伪(的)

参考例句：

• They cunningly played the game of sham peace.他们狡滑地玩弄假和平的把戏。
• His love was a mere sham.他的爱情是虚假的。

10 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

11 battered   

adj.磨损的；v.连续猛击；磨损

参考例句：

• He drove up in a battered old car.他开着一辆又老又破的旧车。
• The world was brutally battered but it survived.这个世界遭受了惨重的创伤,但它还是生存下来了。

12 conscientiously   

adv.凭良心地；认真地，负责尽职地；老老实实

参考例句：

• He kept silent,eating just as conscientiously but as though everything tasted alike. 他一声不吭，闷头吃着，仿佛桌上的饭菜都一个味儿。 来自《简明英汉词典》
• She discharged all the responsibilities of a minister conscientiously. 她自觉地履行部长的一切职责。 来自《简明英汉词典》

13 obstructing   

阻塞( obstruct的现在分词 )； 堵塞； 阻碍； 阻止

参考例句：

• You can't park here, you're obstructing my driveway. 你不能在这里停车，你挡住了我家的车道。
• He was charged for obstructing the highway. 他因阻碍交通而受控告。

14 foulest   

adj.恶劣的( foul的最高级 )；邪恶的；难闻的；下流的

参考例句：

• Most of the foremen abused the workmen in the foulest languages. 大多数的工头用极其污秽的语言辱骂工人。 来自《简明英汉词典》
• Of all men the drunkard is the foulest. 男人中最讨人厌的是酒鬼。 来自辞典例句

15 vilest   

adj.卑鄙的( vile的最高级 )；可耻的；极坏的；非常讨厌的

参考例句：

16 furtive   

adj.鬼鬼崇崇的，偷偷摸摸的

参考例句：

• The teacher was suspicious of the student's furtive behaviour during the exam.老师怀疑这个学生在考试时有偷偷摸摸的行为。
• His furtive behaviour aroused our suspicion.他鬼鬼祟祟的行为引起了我们的怀疑。

17 aged   

adj.年老的，陈年的

参考例句：

• He had put on weight and aged a little.他胖了，也老点了。
• He is aged,but his memory is still good.他已年老，然而记忆力还好。

18 nude   

adj.裸体的；n.裸体者，裸体艺术品

参考例句：

• It's a painting of the Duchess of Alba in the nude.这是一幅阿尔巴公爵夫人的裸体肖像画。
• She doesn't like nude swimming.她不喜欢裸泳。

19 impure   

adj.不纯净的，不洁的；不道德的，下流的

参考例句：

• The air of a big city is often impure.大城市的空气往往是污浊的。
• Impure drinking water is a cause of disease.不洁的饮用水是引发疾病的一个原因。

20 hideous   

adj.丑陋的，可憎的，可怕的，恐怖的

参考例句：

• The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
• They're not like dogs,they're hideous brutes.它们不像狗，是丑陋的畜牲。

21 oozing   

v.（浓液等）慢慢地冒出，渗出( ooze的现在分词 )；使（液体）缓缓流出；（浓液）渗出，慢慢流出

参考例句：

• Blood was oozing out of the wound on his leg. 血正从他腿上的伤口渗出来。 来自《简明英汉词典》
• The wound had not healed properly and was oozing pus. 伤口未真正痊瘉，还在流脓。 来自《简明英汉词典》

22 portraying   

v.画像( portray的现在分词 )；描述；描绘；描画

参考例句：

• The artist has succeeded in portraying my father to the life. 那位画家把我的父亲画得惟妙惟肖。 来自《简明英汉词典》
• Ding Ling was good at portraying figures through careful and refined description of human psychology. 《莎菲女士的日记》是丁玲的成名作，曾引起强烈的社会反响。 来自汉英文学 - 中国现代小说

23 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

24 growl   

v.（狗等）嗥叫，（炮等）轰鸣；n.嗥叫，轰鸣

参考例句：

• The dog was biting,growling and wagging its tail.那条狗在一边撕咬一边低声吼叫，尾巴也跟着摇摆。
• The car growls along rutted streets.汽车在车辙纵横的街上一路轰鸣。

25 painstaking   

adj.苦干的；艰苦的，费力的，刻苦的

参考例句：

• She is not very clever but she is painstaking.她并不很聪明，但肯下苦功夫。
• Through years of our painstaking efforts,we have at last achieved what we have today.大家经过多少年的努力，才取得今天的成绩。

26 cipher   

n.零；无影响力的人；密码

参考例句：

• All important plans were sent to the police in cipher.所有重要计划均以密码送往警方。
• He's a mere cipher in the company.他在公司里是个无足轻重的小人物。

27 consistencies   

一致性( consistency的名词复数 )； 连贯性； 坚实度； 浓度

参考例句：

• There are inherent consistencies and relations of ideal methodology between philosophy of science and western economics. 科学哲学和西方经济学之间存在着内在一致性和思想方法论关联。

28 defiles   

v.玷污( defile的第三人称单数 )；污染；弄脏；纵列行进

参考例句：

• That kind of love defiles its purity simply. 那恋爱本身就是亵渎了爱情的纯洁。 来自辞典例句
• Marriage but defiles, outrages, and corrupts her fulfillment. 婚姻只是诋毁、侮辱、败坏这种实现。 来自互联网

29 softening   

变软，软化

参考例句：

• Her eyes, softening, caressed his face. 她的眼光变得很温柔了。它们不住地爱抚他的脸。 来自汉英文学 - 家（1-26） - 家（1-26）
• He might think my brain was softening or something of the kind. 他也许会觉得我婆婆妈妈的，已经成了个软心肠的人了。

30 glorifies   

赞美( glorify的第三人称单数 )； 颂扬； 美化； 使光荣

参考例句：

• He denies that the movie glorifies violence. 他否认这部影片美化暴力。
• This magazine in no way glorifies gangs. 这本杂志绝对没有美化混混们。

31 truthfulness   

n. 符合实际

参考例句：

• Among her many virtues are loyalty, courage, and truthfulness. 她有许多的美德，如忠诚、勇敢和诚实。
• I fired a hundred questions concerning the truthfulness of his statement. 我对他发言的真实性提出一连串质问。

32 stuffy   

adj.不透气的，闷热的

参考例句：

• It's really hot and stuffy in here.这里实在太热太闷了。
• It was so stuffy in the tent that we could sense the air was heavy with moisture.帐篷里很闷热，我们感到空气都是潮的。

33 refreshing   

adj.使精神振作的，使人清爽的，使人喜欢的

参考例句：

• I find it'so refreshing to work with young people in this department.我发现和这一部门的青年一起工作令人精神振奋。
• The water was cold and wonderfully refreshing.水很涼，特别解乏提神。

34 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

35 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

36 engraver   

n.雕刻师，雕工

参考例句：

• He was a sketcher and a copper-plate engraver. 他也是杰出的素描家和铜版画家。 来自辞典例句
• He was once an engraver in a printing factory. 他以前是印刷厂的一名刻工。 来自互联网

37 engraved   

v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中）

参考例句：

• The silver cup was engraved with his name. 银杯上刻有他的名字。
• It was prettily engraved with flowers on the back. 此件雕刻精美，背面有花饰图案。 来自《简明英汉词典》

38 procuring   

v.（努力）取得， （设法）获得( procure的现在分词 )；拉皮条

参考例句：

• He was accused of procuring women for his business associates. 他被指控为其生意合伙人招妓。 来自辞典例句
• She had particular pleasure, in procuring him the proper invitation. 她特别高兴为他争得这份体面的邀请。 来自辞典例句

39 compensate   

vt.补偿，赔偿；酬报 vi.弥补；补偿；抵消

参考例句：

• She used her good looks to compensate her lack of intelligence. 她利用她漂亮的外表来弥补智力的不足。
• Nothing can compensate for the loss of one's health. 一个人失去了键康是不可弥补的。

40 chilly   

adj.凉快的，寒冷的

参考例句：

• I feel chilly without a coat.我由于没有穿大衣而感到凉飕飕的。
• I grew chilly when the fire went out.炉火熄灭后，寒气逼人。

41 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

42 intensify   

vt.加强；变强；加剧

参考例句：

• We must intensify our educational work among our own troops.我们必须加强自己部队的教育工作。
• They were ordered to intensify their patrols to protect our air space.他们奉命加强巡逻，保卫我国的领空。