And yet from the beginning women have appeared who have passed far beyond the established boundaries set for their sex by their era and upheld by their own people. They have demonstrated that limitations thus prescribed do not always coincide with what is considered by the majority to be the “nature” of woman. At one time a woman has manifested the “masculine” 2characteristics of a ruler or has performed a “masculine” deed; at another time she has distinguished5 herself in “masculine” learning or art, or again has dared to love without the permission of law and custom. In a word the individual woman, when her head or her heart was strong enough, has always shown the possibilities of the development of personal power. But she has had in that effort only her own strength and her own will upon which to rely; she has neither been urged on by the spirit of her time (Zeitgeist) nor been emulated6 by the masses. Exceptional women have sometimes been glorified7 by their contemporaries and by posterity8 as “wonders of nature”; sometimes been cited as “warning examples.” Seen in connection with the world’s woman movement all these instances, where a bond was broken by woman’s power of mind or creative gift, by a heart or a conscience, are parts of what can be called the “prehistoric” woman movement. This movement for personal freedom formed no step in that phase of the development which possesses a conscious purpose, but was merely sporadic9. Even so the participation10 was long nameless which women took in the great struggles for freedom where, without consideration for the “nature” of woman, they dared bleed upon the arena11 and scaffold, ascend12 the pyre, and be raised upon the gibbet. Very rarely did these women martyrs13 alter immediately men’s—or even women’s—conception of woman’s “being.” But just as many perfumes are dissipated only after 3centuries, so there are also deeds whose indirect results persist through centuries.
Most significant, however, upon the whole in the “prehistoric” woman movement, are innumerable women whose souls found expression only in the strong, quiet acts of every day life but yet remained living and growing. As a reason for the “enslavement” of woman by man, the primitive15 division of labour is still occasionally cited. This division of labour made war and the chase man’s task and so developed in him courage, energy, and daring, while the woman remained the “beast of burden.” But we forget that, in this labour arrangement, the handicraft and husbandry which woman practised at that time made her, to perhaps a higher degree than man, the conservator of civilisation16 and probably developed her psychic17 power in more comprehensive manner than his.
Even after this division of labour ceased there remained—and remain still in innumerable country households—in and through many of the important and difficult tasks of the mother of the house, numerous possibilities for spiritual development. And exactly in this respect industrial work robs the woman of much.
By the side of these innumerable nameless women who, century after century, in and through the material work of culture which they performed, increased their psychic power, we must remember all the unnamed women who with flower-like quiet mien19 turned their souls to the light.
4Antique sepulchres and Tanagra figures tell us more about the harmonious21, refined corporeality22 of the Hellenic woman than the famous statues of Aphrodite or Athena. In like manner it is not the illustrious but the nameless women who most clearly reveal the will of the woman soul, in antiquity23, for light and life.
Numbers of Greek women were disciples24 of the philosophers, some even were their inspiration. Generally courtesans, these women represented the “emancipation25” of that time from the servile condition of the legitimate26 married women and also showed that women already longed to share in the interests of men and to acquire their culture. History has preserved also words and deeds of wives and mothers of the past which show that these also at times attained27 “masculine” greatness of soul and civic29 virtue30. Pythias and Sibyls, Vestals and Valas, are other witnesses that the power of woman’s soul was active and recognised long before Christianity. Even among the purely32 primitive races there were found—and are found—cases in which woman in power and rights was placed, not only on an equality with man, but even above him. And if, on the one hand, the rigid33 exactions which men from the earliest time have fixed34 upon the wife’s fidelity—while they themselves had full freedom for promiscuity—show that the wife was considered as the property of the husband, so, on the other hand, this very conception was a means of elevating and refining the soul life 5of woman. For the self-control which she had to impose upon herself deepened her feeling for a devotion which embraced only one, the man to whom she belonged. Nothing would be more superficial than to estimate the real position of woman, among any special people, only by what we know of their laws. It is as if one, in a few centuries from now, should judge the actual position of the modern European wife by referring it to the wretched marriage laws which now obtain. They forget the deep gulf35 between law and custom who declare that marriage devotion, veneration36 for the sanctity of the home, esteem37 for the spiritual being of the wife first arose as a result of Christianity.
It is significant enough for the freeing of woman that Jesus raised the personal worth of all mankind through His teaching that—whoever or whatever the person in outer respects may be—every soul possesses an eternal value comprised, as it were, in God’s love; significant enough that Jesus Himself, because of this point of view, treated every woman, even the sinner, with kindness and respect. Because of the increasing uncertainty38 concerning the real ideals of Jesus, one is compelled to assume that—just as Veronica’s handkerchief preserved the imprint39 of Jesus’ outer image—the manner of life of the oldest Christian31 communities has preserved the imprint of His teaching. It is significant of their doctrines41 that in these communities women and men stood side by side in the same 6faith, in the same hope, in the same exercise of love, and in the same martyrdom. Here was “neither man nor woman,” but all were one in the hope of the speedy second coming of Jesus to establish God’s Kingdom.
But the more this hope faded, the more the Pagan-Jewish conception of woman again made itself felt. It is true the Church sought to place man and woman on an equality in regard to certain marriage duties and rights; to uphold on both sides the sanctity of marriage; to protect women and children against despotism. It is true the Church strove to counteract42 crude sensuality, utilising, among other things, an emphasis of celibacy43 as the expression of the highest spirituality.
But, on the other hand, the doctrine40 of this Church became the greatest obstacle to the elevation44 of woman, because it lessened45 the reverence46 for her mission as a being of sex. Marriage, the only recognised ends of which were the prevention of unchastity and the propagation of the race, was looked upon as an inferior condition in comparison with pure virginity. And the more this ideal of chastity was extolled47, the more woman was degraded and considered the most grievous temptation of man in his striving after higher sanctity. Before God, so man taught, man and woman were truly equal; but not in human relationships or qualities; yes, and man has gone in this direction even to the point of debating the question in church councils, as to whether woman really had a soul or not!
7But when the Church revered48 pure virginity in the person of the Mother of Jesus, it was woman in highest form—as happy or suffering mother—that the Church unconsciously glorified. In the statues and altar pieces of the cathedral man worships, in the likeness49 of Mary, the purest and noblest womanhood. The virtues50 especially extolled by the Church were also those in which Mary in particular and woman in general had pre-eminence. By all these impressions a soul condition was created in which the heart penetrated52 by religious ecstasy53, must, of psychological necessity, devote itself to the earthly manifestations54 of this same pure womanhood. Generally this devotion was only an ecstatic cult18, an adoration55 from afar of an ideal, inspiring deeds or poetry. Sometimes this ecstasy fused the being of man and woman in the sensuous-soulful unity56 of great love. But when neither was the case, yet the adoration of knights57 and minnesingers increased the esteem of man for woman and the esteem of woman for herself. It also contributed to the esteem of man for woman that, as the men were always obliged to stand in arms, they could rarely acquire the learning which the priests—and through them the wives and daughters of the castles—acquired. The superiority of woman in this respect had a refining influence upon manners and customs and upon the general culture of the time. Often through a number of women auditors58 the poem of a minnesinger first became famous. When in Mainz one 8sees Heinrich Frauenlob’s tombstone, one comprehends, through the soulful noble lines, how mourning women bore him to the grave, as the little bas-relief at the base of the stone represents. Their sympathy made him their singer and his sympathy revealed, to their time and to themselves, their own being. Woman’s ideal of love became through poetry and courts of love the ideal also of the most cultured men. We see here a movement of the time which women already half consciously effected by their life of feeling and their culture. The authority which the wife exercised as lady of the manor59 during the absence, often of many years’ duration, of her husband gave her increased power to disseminate60 about her that finer culture which she herself had gained. But when the lords of the manor returned and again assumed power, then indeed at times strange thoughts might have come to their wives, while they fixed their glance, under the great arched eyelids61, upon the missal or the romance of chivalry62 or, with long tapering63 fingers, moved the chessmen or played the harp64, or while they bent65 the slender white neck over the embroidery66 frame or the lace-pillow upon which they wrought67 veritable marvels68 of handicraft. Perhaps even then there stirred under many a brow the presentiment69 of a time in which the relationship between man and woman would be different. Such thoughts must have arisen also in the manor-houses when the men began to arrogate70 to themselves one handicraft after 9another, occupations which in earlier times the daughters once learned from their fathers, at whose side they sometimes even entered the guild71. Could even the nun72’s veil prevent such thoughts from rising between the white temples of some of the women who—suffering or superfluous73 outside in the world—had found refuge in the cloister74? Here was accomplished75 most peacefully the “emancipation,” of that time, of the intellectual and artistic77 gifts of woman, for whom religion and the life of the cloister had always employment. And if the soul of a nun was greater and richer than usual, then might it indeed have happened that she devoted78 herself to meditation79, in a quandary80 as to whether all of God’s purposes for the gifts of her soul were truly fulfilled. And this the more intently since even then many women outside the cloister—women whose religious inspiration directed their genius to great ends—outside in the world, exercised a powerful influence upon the thought as upon the events of their time and, after death as saints, retained power over souls. Our Birgitta, for example, possessed81 herself of a great part of “woman’s rights.”
So significant had the psychic power of woman shown itself to be in the Middle Ages that already in the early Renaissance82 it brought forth83 a number of “feminist” writers, both women and men. And in the height of the Renaissance there was quite an “emancipation” literature, about women and by women. This literature increased during 10the following centuries. Famous men emphasised the importance of a higher education of woman; some, as early as the beginning of the 16th century, claimed the absolute superiority of woman in all things. Greater freedom, education, and rights, in one or another respect, were demanded by men as well as women “feminists.” This literature purposed less, however, to alter some given conditions than, by means of examples of famous women of antiquity, to demonstrate the personal right and the social gain of what already obtained without hindrance84, although with the disapproval85 of many:—that numbers of women had appeared who in classic culture, in the practice of learned professions, in political or religious, intellectual or ?sthetic interests, stood beside the men of Humanism, the Renaissance, and the Reformation.
The ideal of the time, the fully76 developed human personality of marked individuality, determined86 the conduct of life of women exactly as that of men. Both sexes cherished the life value which the original, isolated87, individual personality signified for other such personalities88. Both sexes appropriated to themselves the right to choose that which was harmonious with their own natures, that which soul or sense, thought or feeling, desired. It followed from this conception that women sought to attain28 the highest degree of the beauty and grace of their own sex and at the same time to cultivate what “manly89” courage or genius nature had given them—attributes which men 11valued in them next to their purely womanly qualities.
But at this time it was not the work of woman which had the great cultural significance, but the human essence of her being reflected in the works of men. In antiquity woman exhibited the manly qualities of greatness of soul and civic virtue; in the Middle Ages she revealed the same faculty90 as man for saintliness and exercise of love; in the Renaissance she manifested the same ability as man to mould her own personality into a living work of art. If the spirit of equality between the sexes, which prevailed in the Renaissance, had further directed the progress of development, a “woman movement” would never have arisen, because its ends, which are to-day still contended for, would have been attained one after another, at the appointed time, as natural fruits of the florescence of the Renaissance.
As it is, this florescence acquired only very slight immediate14 influence upon the emancipation of woman—and the farther North one goes the slighter it becomes. The periods of the Counter-Reformation, of the Religious Wars and of the new Orthodoxy, on the contrary, had as result an enormous retrogression in the position of woman.
The “Deliverance of the Flesh,” which was accomplished by the verdict of Protestantism upon the life of the cloister, and by its support of marriage, had little in common with the deep feeling 12for the right and beauty of corporeality by which the Renaissance, intoxicated92 with life, became the era of the great renascence of art. Luther’s conception of the sex life, as “sanctified” by marriage, was so crassly93 utilitarian94 that it again dragged woman down from that high level upon which the finest life of feeling and culture of the Middle Ages and of the Renaissance had placed her.
As matron of the household, woman retained her authority. The rational, common-sense marriage was the one most conformable to this literal doctrine of Luther, and the most usual. To the man who had chosen her, the wife bore children by the dozen and threescore. The Church gave her soul nourishment95. If a woman occasionally sought to exercise her spiritual gifts in a “worldly” direction, she needed powerful protection, else she ran the danger of being burned as a witch!
Yet in spite of all, even this period produced not a few women who procured96 for themselves the learning after which they thirsted, who succeeded in keeping their souls alive, in finding springs in the midst of the stony97 wastes of the desert. The more, however, the different branches of learning developed, and especially as Latin became the language of the learned, the more difficult it became for women to force their way to these springs, sealed for the majority of their sex. For a classical education became more and more infrequently extended to the daughter, for whom even the ability to read and write was considered 13a temptation to deviation98 from the path of virtue.[1]
That women in time of persecution99 adhered to the new doctrine with warm belief and suffered for it with the whole strength of their souls, that in time of war they managed house and estate with power and understanding, altered in no respect, at the time, woman’s social or marriage position. Man was woman’s sovereign master and therefore a good bit nearer God than she. In marriage woman was considered, according to the bishop’s word, “man’s chattel,” outside of marriage as a tool of the devil. But however deeply the soul of woman was oppressed at this time, yet it still lived and endowed sons, in whom the strong but unexercised endowments of the mother became genius; it endowed daughters, who secretly procured sustenance100 for their souls and who in turn transmitted their rebellious101 spirit to a daughter or granddaughter.
When at the end of the period of Orthodoxy and Absolutism, the great fundamental principle of Protestantism, the principle of personality, once more made headway, one of the most characteristic expressions of this reaction is that, in England, Milton wrote upon the right of divorce and Defoe 14upon the right of woman to the development and exercise of her mental powers. Among others who demanded greater education for women were Comenius in Germany and Fénelon in France. It was not in the former country that woman, so long oppressed, first won her great cultural influence. That happened in the land where women had never wholly lost it. In France, in the age of enlightenment, it was the salons102 created by women that determined the European spirit of the time. Letters and memoirs104 indicate sufficiently105 the influence of woman—in good as well as in bad sense—in politics and literature, manners, customs, and taste. Women transform indirectly106 the political, philosophic107, and scientific style. For they demand that every subject be treated in a manner easily comprehensible and agreeable to them. A number of writings appeared which aimed to make it easy for “women folk” also “to be freed through the reason.”
Since it was the approval of women which determined fame, men were only too eager to fulfil their expressed demands. Women disseminated108 the ideas of men in wide circles, partly by buying their writings in great numbers and distributing them, partly also by social life. Never has woman more perfectly109 accomplished the important task of adjusting culture values. The art of conversation, developed to the highest perfection, was, it is true, often only a game of battledore and shuttlecock with ideas. But it performed at the same time, 15and in more elegant and more effective manner, a great part of the office of to-day’s Press. The political leader, art and literary criticism, gossip (causerie), the “portrait gallery” of contemporaries—all this was gathered from clever discourse110. Through their art of conversation the women became—next to the philosophers and statesmen who in this or that salon103 were the leading spirits—the intellectual leaders of the time; they created “enlightened opinion,” they co-operated finally in the Revolution. The mistresses of these salons scarcely felt the need of an emancipation of woman; for they had for themselves as many possibilities of culture, of development of their powers, of the exercise of their faculties111, as even they themselves could wish. The intellectual curiosity, which coveted112 learning, and the cultural interest of these women penetrated in wider circles, and a result of this general awakening113 was the Woman’s Lyceum founded in Paris in 1786, among the students of which were found, some years later, enthusiastic supporters of the Revolution.
Also among the German peoples there appeared, in the age of enlightenment, women with literary and scientific interest; some with extraordinary gifts which they also exercised. But for the most part women and men under more clumsy social forms, so-called “Academies” and “Societies,” engaged in their “learned pastime”; and nowhere, except in the person of some ruler, did woman attain in Europe, in the age of enlightenment, an 16influence which can be compared to that of the French women.
In the midst of the period of rococo114 elegance115 and gallantry, of reason and esprit, came the great regeneration, the second Renaissance—the Revival116 of Feeling. This occurred first in the field of religion, through the pietistic movement of the time. Later it was Rousseau who, in connection with religion, nature, love, motherhood, became the liberator117 of feeling, and together with him were the English “sentimental” poets and the German poetry, which reached its culminating point in Goethe. Literature, the Theatre, and Art came more and more to the front and, by that means, women acquired greater possibilities of becoming acquainted with, understanding, and loving the richest culture of the time.
And with this Revival of Feeling, personal freedom, individual character, became again the great life value. Women who wish to give expression to their feeling in their life now become more numerous: women who are conscious that their being buries many unsatisfied demands, not only in connection with the right of culture of their natural character, but also in connection with the right, in private life and in society, to give expression to this natural character. Men are continually in intellectual interchange with women, giving as well as receiving; woman nature is esteemed118 with ever finer comprehension.
Since feelings determine thoughts—for the 17thought always goes in the direction in which the feeling says happiness is to be found—so it is natural that, in the second half of the 18th century, the idea of freedom is the ideal which kindles119 the soul of increasing numbers of women. The emancipation of the individual is the tale within the tale, from the Renaissance up to the struggles of the Reformation for freedom of conscience, freedom of learning, freedom of investigation120, and freedom of thought. Then finally came the struggle for constitutionally protected civic freedom. In America as early as 1776 the demand for the enfranchisement121 of women was raised, because they had taken part in the struggle for freedom with such great enthusiasm and constancy. With the same passion they threw themselves into the struggle in France for the “Rights of Man.” But both times they had to learn to their sorrow that “fellow-citizen” and “man” were terms which as yet referred only to men. That a woman during the French Revolution proclaimed “Women’s Rights,” that women discussed these questions as well as questions of education and other vital questions, with ardour, had as little immediate effect as the attempt at that time to enforce the right of the fourth estate. These sorely oppressed movements, of women and of working men, dominate the 19th century and now at the beginning of the 20th have every reason for assurance of victory.
In the 17th and 18th centuries men and women 18writers appeared in different countries to demonstrate and establish the worth and right of woman as “man.” Indirectly inspired by the great women of the earlier centuries, they were immediately influenced by woman’s political and cultural exercise of power in the 18th century. Especially notable are the arguments which were advanced in the 90’s of the 18th century by writers manifestly uninfluenced by one another—the Swede, Thorild, in The Natural Nobility of Womankind; the German, Hippel; the Frenchman, Condorcet; the English woman, Mary Wollstonecraft. All insist that difference in sex can form no obstacle to placing woman on an equality with man in the family and in society; that she shall have the same right as man to education and free agency. The men writers emphasised more her individual human right, as “man,” and the advantage to society; the women writers more the mother’s need of culture and her right to it, in order to be able to rear and protect her children better. But all four ideas are, at heart, determined by the same point of view which the great philosopher of evolution thus formulated122 later: the fundamental condition for social equilibrium123 is the same as for human happiness and lies in the law of equal freedom. And this means that every one—without regard to difference between sex and sex, man and man—must have the right and the opportunity to develop and exercise his own capacities. For no one to-day can undertake so certain a valuation of talents 19that this valuation could justify124 society in restricting, a priori, the right of a single one of its members to develop his capacities, even though these capacities might take such a direction, later, that society would be compelled to limit their exercise.
Spencer arrived by the deductive method at the same demand Romanticism reached earlier by the intuitive method. Romanticism recognised that in the measure in which the individual is unusual he must be also unintelligible125, for he shows to the majority only his surface; his innermost soul only to those in harmony with him. Even in the family circle the individual often remains126 therefore undiscovered. How much more then must society, composed for the most part of Philistines127, outrage128 the individual if it concedes rights to one category, to one sex, to one class, and not to the other!
And from this point of view the Romanticists drew for women also the logical conclusion of individualism. They pointed91 out that the sex character, carried to the extreme, furnished neither the highest masculine nor the highest feminine type; that each sex must develop in itself both noble human universality and individual peculiarity129. And this the great woman personalities did who shared the destiny of the Romanticists. They were thereby130 fully and wholly able to share also the intellectual life of their husbands. Love became thus a unity of souls. The romantic ideal of love was expressed in La Nouvelle Héloise, in Goethe’s letters to Charlotte von Stein, in Rahel, 20in Mme. de Sta?l. It was found in the first half of the 19th century in many great women; for example, George Sand, Elizabeth Barrett Browning, Camilla Collett. It appeared in Shelley and in the Swedish poet Almquist, in Stuart Mill and Robert Browning, also in certain French and German poets and thinkers. This ideal has now been for some centuries the ideal of most women and of not a few men of feeling.
But since a truly psychic unity is possible only between two beings who are, in outer as in inner sense, free, exactly for this reason, “romantic love” has as consequence the demand for the emancipation of woman.
The love of Romanticism, which has been caricatured to the extent that it signified only moonshine, ecstasy, sonnets131, and wife barter132, had its real essence in the desire for completeness of soul in love. This was, in a new form, the ideal of the courts of love. But since completeness of soul means that all the powers of the soul can freely and fully penetrate51 and elevate one another, so the first requisite133 for that soulful love was that woman’s thinking as well as her feeling, her imagination as well as her will, her desire for power, as well as her conscience, be freed from the shackles134 imposed upon them from without, in order to be strengthened and purified. The second stipulation135 was that man’s inner, spiritual life be freed from the deteriorating136 results of the prerogatives137 and prejudices accorded to and maintained by his sex.
21A new ideal in the relationship between husband and wife, between mother and child; the demand of the feminine individuality for the right to free cultivation138 of her powers and to self-direction; the need of new fields for this exercise of her power after industrialism began to usurp139 one branch of domestic work after another—these are the fundamental reasons for what is called the middle-class woman movement. The middle-class woman—because of the increasing surplus of women, because of the continually greater variety of economic conditions and the decrease in marriage for this and other reasons—was to an ever greater extent constrained140 to self-maintenance. Thus the economic reason for the woman movement, not only in the labouring class but also in the middle class, became the most effective influence operating in the widest circles, although the reasons mentioned previously141 were the first and deepest causes.
And herewith we stand at the beginning of the woman movement, become conscious of its purpose.
But this movement would be a stream without sources if the “anonymous” movements indicated here with the greatest brevity had not preceded, if in the grey morning of time the endless procession had not begun in which women now nameless for us walked at the head, each with an amphor? upon her shoulder—amphor? which they filled at any fountain of life. Before these nameless women vanished on the horizon, each, like a water nymph of antiquity, lowered the brim of her urn20 22to the earth, which thus was traversed by innumerable interlacing rills. And all these—even if by the most circuitous142 route—have augmented143 by some drops the mighty144 stream now called the woman movement.
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1 symbolic | |
adj.象征性的,符号的,象征主义的 | |
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n.动机,目的;adv.发动的,运动的 | |
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n./adj.潜意识(的),下意识(的) | |
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4 transgression | |
n.违背;犯规;罪过 | |
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5 distinguished | |
adj.卓越的,杰出的,著名的 | |
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v.与…竞争( emulate的过去式和过去分词 );努力赶上;计算机程序等仿真;模仿 | |
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7 glorified | |
美其名的,变荣耀的 | |
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8 posterity | |
n.后裔,子孙,后代 | |
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9 sporadic | |
adj.偶尔发生的 [反]regular;分散的 | |
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10 participation | |
n.参与,参加,分享 | |
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11 arena | |
n.竞技场,运动场所;竞争场所,舞台 | |
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12 ascend | |
vi.渐渐上升,升高;vt.攀登,登上 | |
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13 martyrs | |
n.martyr的复数形式;烈士( martyr的名词复数 );殉道者;殉教者;乞怜者(向人诉苦以博取同情) | |
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14 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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adj.原始的;简单的;n.原(始)人,原始事物 | |
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16 civilisation | |
n.文明,文化,开化,教化 | |
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n.对超自然力敏感的人;adj.有超自然力的 | |
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n.异教,邪教;时尚,狂热的崇拜 | |
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19 mien | |
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20 urn | |
n.(有座脚的)瓮;坟墓;骨灰瓮 | |
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21 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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22 corporeality | |
n.肉体的存在,形体的存在 | |
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23 antiquity | |
n.古老;高龄;古物,古迹 | |
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n.信徒( disciple的名词复数 );门徒;耶稣的信徒;(尤指)耶稣十二门徒之一 | |
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25 emancipation | |
n.(从束缚、支配下)解放 | |
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26 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
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27 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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28 attain | |
vt.达到,获得,完成 | |
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adj.城市的,都市的,市民的,公民的 | |
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38 uncertainty | |
n.易变,靠不住,不确知,不确定的事物 | |
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39 imprint | |
n.印痕,痕迹;深刻的印象;vt.压印,牢记 | |
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40 doctrine | |
n.教义;主义;学说 | |
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41 doctrines | |
n.教条( doctrine的名词复数 );教义;学说;(政府政策的)正式声明 | |
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42 counteract | |
vt.对…起反作用,对抗,抵消 | |
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43 celibacy | |
n.独身(主义) | |
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44 elevation | |
n.高度;海拔;高地;上升;提高 | |
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45 lessened | |
减少的,减弱的 | |
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46 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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47 extolled | |
v.赞颂,赞扬,赞美( extol的过去式和过去分词 ) | |
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48 revered | |
v.崇敬,尊崇,敬畏( revere的过去式和过去分词 ) | |
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49 likeness | |
n.相像,相似(之处) | |
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50 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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51 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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52 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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53 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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54 manifestations | |
n.表示,显示(manifestation的复数形式) | |
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55 adoration | |
n.爱慕,崇拜 | |
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56 unity | |
n.团结,联合,统一;和睦,协调 | |
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57 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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58 auditors | |
n.审计员,稽核员( auditor的名词复数 );(大学课程的)旁听生 | |
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59 manor | |
n.庄园,领地 | |
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60 disseminate | |
v.散布;传播 | |
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61 eyelids | |
n.眼睑( eyelid的名词复数 );眼睛也不眨一下;不露声色;面不改色 | |
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62 chivalry | |
n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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63 tapering | |
adj.尖端细的 | |
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64 harp | |
n.竖琴;天琴座 | |
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65 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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66 embroidery | |
n.绣花,刺绣;绣制品 | |
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67 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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68 marvels | |
n.奇迹( marvel的名词复数 );令人惊奇的事物(或事例);不平凡的成果;成就v.惊奇,对…感到惊奇( marvel的第三人称单数 ) | |
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69 presentiment | |
n.预感,预觉 | |
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70 arrogate | |
v.冒称具有...权利,霸占 | |
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71 guild | |
n.行会,同业公会,协会 | |
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72 nun | |
n.修女,尼姑 | |
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73 superfluous | |
adj.过多的,过剩的,多余的 | |
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74 cloister | |
n.修道院;v.隐退,使与世隔绝 | |
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75 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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76 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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77 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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78 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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79 meditation | |
n.熟虑,(尤指宗教的)默想,沉思,(pl.)冥想录 | |
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80 quandary | |
n.困惑,进迟两难之境 | |
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81 possessed | |
adj.疯狂的;拥有的,占有的 | |
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82 renaissance | |
n.复活,复兴,文艺复兴 | |
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83 forth | |
adv.向前;向外,往外 | |
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84 hindrance | |
n.妨碍,障碍 | |
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85 disapproval | |
n.反对,不赞成 | |
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86 determined | |
adj.坚定的;有决心的 | |
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87 isolated | |
adj.与世隔绝的 | |
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88 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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89 manly | |
adj.有男子气概的;adv.男子般地,果断地 | |
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90 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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91 pointed | |
adj.尖的,直截了当的 | |
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92 intoxicated | |
喝醉的,极其兴奋的 | |
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93 crassly | |
adv.粗鲁地,愚钝地 | |
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94 utilitarian | |
adj.实用的,功利的 | |
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95 nourishment | |
n.食物,营养品;营养情况 | |
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96 procured | |
v.(努力)取得, (设法)获得( procure的过去式和过去分词 );拉皮条 | |
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97 stony | |
adj.石头的,多石头的,冷酷的,无情的 | |
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98 deviation | |
n.背离,偏离;偏差,偏向;离题 | |
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99 persecution | |
n. 迫害,烦扰 | |
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100 sustenance | |
n.食物,粮食;生活资料;生计 | |
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101 rebellious | |
adj.造反的,反抗的,难控制的 | |
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102 salons | |
n.(营业性质的)店( salon的名词复数 );厅;沙龙(旧时在上流社会女主人家的例行聚会或聚会场所);(大宅中的)客厅 | |
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103 salon | |
n.[法]沙龙;客厅;营业性的高级服务室 | |
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104 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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105 sufficiently | |
adv.足够地,充分地 | |
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106 indirectly | |
adv.间接地,不直接了当地 | |
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107 philosophic | |
adj.哲学的,贤明的 | |
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108 disseminated | |
散布,传播( disseminate的过去式和过去分词 ) | |
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109 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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110 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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111 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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112 coveted | |
adj.令人垂涎的;垂涎的,梦寐以求的v.贪求,觊觎(covet的过去分词);垂涎;贪图 | |
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113 awakening | |
n.觉醒,醒悟 adj.觉醒中的;唤醒的 | |
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114 rococo | |
n.洛可可;adj.过分修饰的 | |
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115 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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116 revival | |
n.复兴,复苏,(精力、活力等的)重振 | |
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117 liberator | |
解放者 | |
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118 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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119 kindles | |
(使某物)燃烧,着火( kindle的第三人称单数 ); 激起(感情等); 发亮,放光 | |
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120 investigation | |
n.调查,调查研究 | |
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121 enfranchisement | |
选举权 | |
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122 formulated | |
v.构想出( formulate的过去式和过去分词 );规划;确切地阐述;用公式表示 | |
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123 equilibrium | |
n.平衡,均衡,相称,均势,平静 | |
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124 justify | |
vt.证明…正当(或有理),为…辩护 | |
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125 unintelligible | |
adj.无法了解的,难解的,莫明其妙的 | |
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126 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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127 philistines | |
n.市侩,庸人( philistine的名词复数 );庸夫俗子 | |
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128 outrage | |
n.暴行,侮辱,愤怒;vt.凌辱,激怒 | |
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129 peculiarity | |
n.独特性,特色;特殊的东西;怪癖 | |
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130 thereby | |
adv.因此,从而 | |
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131 sonnets | |
n.十四行诗( sonnet的名词复数 ) | |
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132 barter | |
n.物物交换,以货易货,实物交易 | |
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133 requisite | |
adj.需要的,必不可少的;n.必需品 | |
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134 shackles | |
手铐( shackle的名词复数 ); 脚镣; 束缚; 羁绊 | |
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135 stipulation | |
n.契约,规定,条文;条款说明 | |
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136 deteriorating | |
恶化,变坏( deteriorate的现在分词 ) | |
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137 prerogatives | |
n.权利( prerogative的名词复数 );特权;大主教法庭;总督委任组成的法庭 | |
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138 cultivation | |
n.耕作,培养,栽培(法),养成 | |
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139 usurp | |
vt.篡夺,霸占;vi.篡位 | |
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140 constrained | |
adj.束缚的,节制的 | |
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141 previously | |
adv.以前,先前(地) | |
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142 circuitous | |
adj.迂回的路的,迂曲的,绕行的 | |
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143 Augmented | |
adj.增音的 动词augment的过去式和过去分词形式 | |
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144 mighty | |
adj.强有力的;巨大的 | |
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