The first point in the petition is, that there is a growing tendency to luxury among the military and official classes. "It is useless to issue orders commanding peasants and others to be frugal12 and industrious13, when those in power, whose duty it is to show a good example to the people, are themselves steeped in luxury and idleness." He ventures to reproach the Shōguns themselves by pointing to the extravagance with which they have decorated the mausoleums at Nikkō and elsewhere. "Is this," he asks, "in keeping with the intentions of the glorious founder14 of your dynasty? Look at the shrines15 in Isé and elsewhere, and at the sepulchres of the Emperors of successive ages. Is gold or silver used in decorating them?" He[232] then turns to the vassals17 of the Shōgun, and charges them with being tyrannical, rapacious18, and low-minded. "Samurai," he continues,—"samurai are finely attired19, but how contemptible20 they look in the eyes of those peasants who know how to be contented22 with what they have!"
Further on in the same memorial, he points out what he regards as a grave mistake in the policy of the Shōgun. A decree had just been issued prohibiting the peasantry from exercising themselves with sword-play, and from wearing swords. Of this he says: "Perhaps this decree may have been issued on the supposition that Japan is naturally impregnable and defended on all sides. But when she receives insult from a foreign country, it may become necessary to call on the militia23. And who knows that men of extraordinary military genius, like Toyotomi,[40] will not again appear among the lower classes?"
[233]
He ends his memorial with this warning: "Should the Shōgun's court, and the military class in general, persist in the present oppressive way of government, Heaven will visit this land with still greater calamities24. If this circumstance is not clearly kept in view, the consequence may be civil disturbance25. I, therefore, beseech26 that the instructions of the glorious founder of the dynasty be acted upon; that simplicity27 and frugality28 be made the guiding principle of administration; and that a general amnesty be proclaimed, thereby29 complying with the will of Heaven and placating30 the people. Should these humble31 suggestions of mine be acted upon, prospective32 calamities will fly before the light of virtue33. Whether the country is to be safe or not depends upon whether the administration is carried on with mercy or not. What I pray for is, that the country may enjoy peace and tranquillity34, that the harvest may be plentiful35, and that the people may be happy and prosperous."
One is able to see, by this rather remarkable36 document, that the peasants of Japan, though frequently almost crushed by the heavy burdens of taxation, do not,[234] even in the most grinding poverty, lose entirely that independence of thought and of action which is characteristic of their nation. They do not consider themselves as a servile class, nor their military rulers as beyond criticism or reproach, but are ready to speak boldly for their rights whenever an opportunity occurs. There is a pathetic story, told in Mitford's "Tales of Old Japan," of a peasant, the head-man of his village, who goes to Yedo to present to the Shōgun a complaint, on behalf of his fellow-villagers, of the extortions and exactions of his daimiō. He is unable to get any one to present his memorial to the Shōgun, so at last he stops the great lord's palanquin in the street,—an act in itself punishable with death,—and thrusts the paper forcibly into his hand. The petition is read, and his fellow-villagers saved from further oppression, but the head-man, for his daring, is condemned37 by his own daimiō to suffer death by crucifixion,—a fate which he meets with the same heroism38 with which he dared everything to save his fellows from suffering.
The peasant, though ignorant and oppressed, has not lost his manhood; has not[235] become a slave or a serf, but clings to his rights, so far as he knows what they are; and is ready to hold his own against all comers, when the question in debate is one that appeals to his mind. The rulers of Japan have always the peasantry to reckon with when their ruling becomes unjust or oppressive. They cannot be cowed, though they may be misled for a time, and they form a conservative element that serves to hold in check too hasty rulers who would introduce new measures too quickly, and would be likely to find the new wine bursting the old bottles, as well as to prevent any rash extravagance in the way of personal expenditure39 on the part of government officials. The influence of this great class will be more and more felt as the new parliamentary institutions gain in power, and a more close connection is established between the throne and public opinion.
In considering this great héimin class, it is well to remember that the artisans, who form so large a part of it, are also the artists who have made the reputation of Japan, in Europe and America, as one of the countries where art and the love of[236] beauty in form and color are still instinct with life. The Japanese artisan works with patient toil, and with the skill and originality40 of the artist, to produce something that shall be individual and his own; not simply to make, after a pattern, some utensil41 or ornament42 for which he cares nothing, so long as a purchaser can be found for it, or an employer can be induced to pay him money for making it. It seems as easy for the Japanese to make things pretty and in good taste, even when they are cheap and only used by the poorer people, as it is for American mills and workers to turn out endless varieties of attempts at decoration,—all so hideous43 that a poor person must be content, either to be surrounded by the worst possible taste, or to purchase only such furnishings and utensils44 as are entirely without decoration of any kind. "Cheap" and "nasty" have come to be almost synonymous words with us, for the reason that taste in decoration is so rare that it commands a monopoly price, and can only be procured45 by the wealthy. In Japan this is not the case, for the cheapest of things may be found in graceful46 and artistic47 designs,—indeed can[237] hardly be found in any designs that are not graceful and artistic; and the poorest and commonest of the people may have about them the little things that go to cultivate the ?sthetic part of human nature. It was not the costly48 art of Japan that interested me the most, although that is, of course, the most wonderful proof of the capacity and patience of individuals among this héimin class: but it was the common, cheap, every-day art that meets one at every turn; the love for the beautiful, in both nature and art, that belongs to the common coolie as well as to the nobleman. The cheap prints, the blue and white towels, the common teacups and pots, the great iron kettles in use over the fire in the farmhouse49 kitchen,—all these are things as pretty and tasteful in their way as the rich crêpes, the silver incense50 burners, the delicate porcelain51, and the elegant lacquer that fill the storehouse of the daimiō; and they show, much more conclusively52 than these costlier53 things, the universal sense of beauty among the people.
The artisan works at his home, helped less often by hired laborers54 than by his own children, who learn the trade of their[238] father; and his house, though small, is clean and tasteful, with its soft mats, its dainty tea service, its little hanging scroll57 upon the walls, and its vase of gracefully58 arranged flowers in the corner; for flowers, even in winter and in the great city of Tōkyō, are so cheap that they are never beyond the reach of the poorest. In homes that seem to the foreign mind utterly60 lacking in the comforts and even the necessities of life, one finds the few furnishings and utensils beautiful in shape and decoration; and the money that in this country must be spent in beds, tables, and chairs can be used for the purchase of kakémonos, flowers, and vases, and for various gratifications of the ?sthetic taste. Hence it is that the Japanese laborer56, who lives on a daily wage which would reduce an American or European to the verge61 of starvation, finds both time and money for the cultivation62 of that sense of beauty which is too often crushed completely out of the lower classes by the burdens of this nineteenth century civilization which they bear upon their shoulders. To the Japanese, the "life is more than meat," it is beauty as well; and this love of beauty has[239] upon him a civilizing63 and refining effect, and makes him in many ways the superior of the American day-laborer.[*]
The peasants and farmers of Japan, thrifty64 and hard-working as they are, are not by any means a prosperous class. As one passes into the country districts from the large cities, there seems to be a conspicuous65 dearth66 of neat, pleasant homes,—a lack of the comforts and necessities of life such as are enjoyed by city people. The rich farmers are scarce, and the laborers in the rice-fields hardly earn, from days of hardest toil with the rudest implements67, the little that will provide for their families. In the face of heavy taxes, the incessant68 toil, the frequent floods of late years, and the threatening famine, one would expect the poor peasants to be a most discouraged and unhappy class. That all this toil and anxiety does wear on them is no doubt true, but the laborers are always ready to bear submissively whatever comes, and are always hopeful and prepared to enjoy life again in happier times. The charms of the city tempt21 them sometimes to exchange their daily labor55 for the excitement of life as jinrikisha men; but in any case[240] they will be perfectly70 independent, and ask no man for their daily rations71.
Although there is much poverty, there are few or no beggars in Japan, for both strong and weak find each some occupation that brings the little pittance required to keep soul and body together, and gives to all enough to make them light-hearted, cheerful, and even happy. From the rich farmer, whose many acres yield enough to provide for a home of luxury quite as fine as the city homes, to the poor little vender72 of sticks of candy, around whose store the children flock like bees with their rin and sen, all seem independent, contented, and satisfied with their lot in life.
The religious beliefs of old Japan are stronger to-day among the country people than among the dwellers73 in cities. And they are still willing to give of their substance for the aid of the dying faiths to which they cling, and to undertake toilsome pilgrimages to obtain some longed-for blessing74 from the gods whom they serve. A great Buddhist75 temple is being built in Kyōtō to-day, from the lofty ceiling of which hangs a striking proof of the devotion of some of the peasant women[241] to the Buddhist faith. The whole temple, with its immense curved roof, its vast proportions, and its marvelous wood carvings76, has been built by offerings of labor, money, and materials made by the faithful. The great timbers were given and brought to the spot by the countrymen; and the women, wishing to have some part in the sacred work, cut off their abundant hair, a beauty perhaps more prized by the Japanese women than by those of other countries, and from the material thus obtained they twisted immense cables, to be used in drawing the timbers from the mountains to the site of the temple. The great black cables hang in the unfinished temple to-day, a sign of the devotion of the women who spared not their chief ornament in the service of the gods in whom they still believe. And a close scrutiny77 of these touching78 offerings shows that the glossy79 black locks of the young women are mingled80 with the white hairs of those who, by this sacrifice, hope to make sure of a quick and easy departure from a life already near its close.
All along the Tōkaidō, the great road from Tōkyō to Kyōto, in the neighborhood[242] of some holy place, or in the district around the great and sacred Fuji, the mountain so much beloved and honored in Japanese art, will be seen bands of pilgrims slowly walking along the road, their worn and soiled white garments telling of many days' weary march. Their large hats shield them from the sun and the rain, and the pieces of matting slung81 over their backs serve them for beds to sleep on, when they take shelter for the night in rude huts. The way up the great mountain of Fuji is lined with these pilgrims; for to attain82 its summit, and worship there the rising sun, is believed to be the means of obtaining some special blessing. Among these religious devotees, in costumes not unlike those of the men, under the same large hat and coarse matting, old women often are seen, their aged69 faces belying83 their apparent vigor84 of body, as they walk along through miles and miles of country, jingling85 their bells and holding their rosaries until they reach the shrine16, where they may ask some special blessing for their homes, or fulfill86 some vow87 already made.[*]
Journeying through rural Japan, one is impressed by the important part played by[243] women in the various bread-winning industries. In the village homes, under the heavily thatched roofs, the constant struggle against poverty and famine will not permit the women to hold back, but they enter bravely into all the work of the men. In the rice-field the woman works side by side with the man, standing88 all day up to her knees in mud, her dress tucked up and her lower limbs encased in tight-fitting, blue cotton trousers, planting, transplanting, weeding, and turning over the evil-smelling mire89, only to be distinguished90 from her husband by her broader belt tied in a bow behind. In mountain regions we meet the women climbing the steep mountain roads, pruning-hook in hand, after wood for winter fires; or descending91, towards night, carrying a load that a donkey need not be ashamed of, packed on a frame attached to the shoulders, or poised92 lightly upon a straw mat upon the head. There is one village near Kyōto, Yasé by name, at the base of Hiyéi Zan, the historic Buddhist stronghold, where the women attain a stature93 and muscular development quite unique among the pigmy population of the island empire. Strong, jolly, red-cheeked[244] women they are, showing no evidence of the shrinking away with the advance of old age that is characteristic of most of their countrywomen. With their tucked-up kimonos and blue cotton trousers, they stride up and down the mountain, carrying the heaviest and most unwieldy of burdens as lightly and easily as the ordinary woman carries her baby. My first acquaintance with them was during a camping expedition upon the sacred mountain. I myself was carried up the ascent94 by two small, nearly naked, finely tattooed95 and moxa-scarred men; but my baggage, consisting of two closely packed hampers96 as large as ordinary steamer trunks, was lifted lightly to the heads of these feminine porters, and, poised on little straw pads, carried easily up the narrow trail, made doubly difficult by low-hanging branches, to the camp, a distance of three or four miles. From among these women of Yasé, on account of their remarkable physical development, have been chosen frequently the nurses for the imperial infants; an honor which the Yasé villagers duly appreciate, and which makes them bear themselves proudly among their less favored neighbors.
[245]
In other parts of the country, in the neighborhood of Nikkō, for instance, the care of the horses, mild little pack-mares that do much of the burden-bearing in those mountains, is mainly in the hands of the women. At Nikkō, when we would hire ponies97 for a two days' expedition to Yumoto, a little, elderly woman was the person with whom our bargains were made; and a close bargainer she proved to be, taking every advantage that lay in her power. When the caravan98 was ready to start, we found that, though each saddle-horse had a male groom99 in attendance, the pack-ponies on which our baggage was carried were led by pretty little country girls of twelve or fourteen, their bright black eyes and red cheeks contrasting pleasantly with the blue handkerchiefs that adorned100 their heads; their slender limbs encased in blue cotton, and only their red sashes giving any hint of the fact that they belonged to the weaker sex. As we journeyed up the rough mountain roads, the little girls kept along easily with the rest of the party; leading their meek101, shock-headed beasts up the slippery log steps, and passing an occasional greeting with some returning pack-train,[246] in which the soft black eyes and bits of red about the costume of the little grooms102 showed that they, too, were mountain maidens103, returning fresh and happy after a two days' tramp through the rocky passes.
In the districts where the silkworm is raised, and the silk spun104 and woven, the women play a most important part in this productive industry. The care of the worms and of the cocoons105 falls entirely upon the women, as well as the spinning of the silk and the weaving of the cloth. It is almost safe to say that this largest and most productive industry of Japan is in the hands of the women; and it is to their care and skill that the silk product of the islands is due. In the silk districts one finds the woman on terms of equality with the man, for she is an important factor in the wealth-producing power of the family, and is thus able to make herself felt as she cannot when her work is inferior to that of the men. As a farmer, as a groom, or as a porter, a woman is and must remain an inferior, but in the care of the silkworms, and all the tasks that belong to silk culture, she is the equal of the stronger sex.
[247]
Then, again, in the tea districts, the tea plantations106 are filled with young girls and old women, their long sleeves held back by a band over the shoulder, and a blue towel gracefully fastened over their heads to keep off the sun and the dust. They pick busily away at the green, tender leaves, which will soon be heated and rolled by strong men over the charcoal107 fire. The occupation is an easy one, only requiring care in the selection of leaves to be picked, and can be performed by young girls and old women, who gather the glossy leaves in their big baskets, while chatting to each other over the gossip and news of the day.
In the hotels, both in the country and the city, women play an important part. The attendants are usually sweet-faced, prettily108 dressed girls, and frequently the proprietor109 of the hotel is a woman. My first experience of a Japanese hotel was at Nara, anciently the capital of Japan, and now a place of resort because of its fine old temples, its Dai Butsu, and its beautiful deer park. The day's ride in jinrikisha from ōsaka had brought our party in very tired, only to find that the hotel to which[248] we had telegraphed for rooms was already filled to overflowing110 by a daimiō and his suite111. Not a room could be obtained, and we were at last obliged to walk some distance, for we had dismissed our tired jinrikisha men, to a hotel in the village, of which we knew nothing. What with fatigue112 and disappointment, we were not prepared to view the unknown hotel in a very rosy113 light; and when our guide pointed114 to a small gate leading into a minute, damp courtyard, we were quite convinced that the hardships of travel in Japan were now about to begin; but disappointment gave way to hope, when we were met at the door by a buxom115 landlady116, whose smile was in itself a refreshment117. Although we had little in the way of language in common, she made us feel at home at once, took us to her best room, sent her blooming and prettily dressed daughters to bring us tea and whatever other refreshments118 the mysterious appetite of a foreigner might require, and altogether behaved toward us in such motherly fashion that fatigue and gloom departed forthwith, leaving us refreshed and cheerful. Soon we began to feel rested, and our kind friend,[249] seeing this, took us upon a tour around the house, in which room after room, spotless, empty, with shining woodwork and softest of mats, showed the good housekeeping of our hostess. A little garden in the centre of the house, with dwarf119 trees, moss-covered stones, and running water, gave it an air of coolness on the hot July day that was almost deceptive120; and the spotless wash-room, with its great stone sink, its polished brass121 basins, its stone well-curb, half in and half out of the house, was cool and clean and refreshing122 merely to look at. A two days' stay in this hotel showed that the landlady was the master of the house. Her husband was about the house constantly, as were one or two other men, but they all worked under the direction of the energetic head of affairs. She it was who managed everything, from the cooking of the meals in the kitchen to the filling and heating of the great bath-tub into which the guests were invited to enter every afternoon, one after the other, in the order of their rank. On the second night of my stay, at a late hour, when I supposed that the whole house had retired123 to rest, I crept softly out of my room to try to soothe124 the plaintive[250] wails125 of my dog, who was complaining bitterly that he was made to sleep in the wood-cellar instead of in his mistress's room, as his habit had always been. As I stole quietly along, fearing lest I should arouse the sleeping house, I heard the inquiring voice of my landlady sound from the bath-room, the door of which stood wide open. Afraid that she would think me in mischief126 if I did not show myself, I went to the door, to find her, after her family was safely stowed away for the night, taking her ease in the great tub of hot water, and so preparing herself for a sound, if short, night's sleep. She accepted my murmured Inu (dog) as an excuse, and graciously dismissed me with a smile, and I returned to my room feeling safe under the vigilant128 care that seemed to guard the house by night as well as by day. I have seen many Japanese hotels and many careful landladies129 since, but no one among them all has made such an impression as my pleasant hostess at Nara.
Not only hotels, but little tea-houses all through Japan, form openings for the business abilities of women, both in country and city. Wherever you go, no matter how[251] remote the district or how rough the road, at every halting point you find a tea-house. Sometimes it is quite an extensive restaurant, with several rooms for the entertainment of guests, and a regular kitchen where fairly elaborate cooking can be done; sometimes it is only a rough shelter, at one end of which water is kept boiling over a charcoal brazier, while at the other end a couple of seats, covered with mats or a scarlet130 blanket or two, serve as resting-places for the patrons of the establishment. But whatever the place is, there will be one woman or more in attendance; and if you sit down upon the mats, you will be served at once with tea, and later, should you require more, with whatever the establishment can afford,—it may be only a slice of watermelon, or a hard pear; it may be eels131 on rice, vermicelli, egg soup, or a regular dinner, should the tea-house be one of the larger and more elaborately appointed ones. When the feast is over, the refreshments you have especially ordered are paid for in the regular way; but for the tea and sweetmeats offered, for which no especial charge is made, you are expected to leave a small sum as a present. In the less aristocratic[252] resting-places, a few cents for each person is sufficient to leave on the waiter with the empty cups of tea, for which loud and grateful thanks will be shouted out to the retiring party.
In the regular inn, the chadai[41] amounts to several dollars, for a party remaining any time, and it is supposed to pay for all the extra services and attention bestowed132 on guests by the polite host and hostess and the servants in attendance. The chadai, done up neatly133 in paper, with the words On chadai written on it, is given with as much formality as any present in Japan. The guest claps his hands to summon the maid. When it is heard, for the thin paper walls of a Japanese house let through every noise, voices from all sides will shout out Hē′-hē′, or Hai, which means that you have been heard, and understood. Presently a maid will softly open your door, and with head low down will ask what you wish. You tell her to summon the[253] landlord. In a few moments he appears, and you push the chadai to him, making some conventional self-depreciating speech, as, "You have done a great deal for our comfort, and we wish to give you this chadai, though it is only a trifle." The landlord, with every expression of surprise, will bow down to the ground with thanks, raising the small package to his head in token of acceptance and gratitude134, and will murmur127 in low tones how little he has done for the comfort of his guests; and then, the self-depreciation and formal words of thanks on his side being ended, he will finally go down stairs to see how much he has gotten. But, whether more or less than he had expected, nothing but extreme gratitude and politeness appears on his face as he presents a fan, confectionery, or some trifle, as a return for the chadai, and speeds the parting guests with his lowest bow and kindliest smile, after having seen to every want that could be attended to.
Once, at Nikkō, I started with a friend for a morning walk to a place described in the guide-book. The day was hot and the guide-book hazy135, and we lost the road to[254] the place for which we had set out, but found ourselves at last in a beautiful garden, with a pretty lake in its centre, a little red-lacquered shrine reflected in the lake, and a tea-house hospitably136 open at one side. The teakettle was boiling over the little charcoal fire; melons, eggs, and various unknown comestibles were on the little counter; but no voice bade us welcome as we approached, and when we sat down on the edge of the piazza137, we could see no one within the house. We waited, however, for the day was hot, and time is not worth much in rural Japan. Pretty soon a small, wizened138 figure made its appearance in the distance, hurrying and talking excitedly as it came near enough to see two foreign ladies seated upon the piazza. Many bows and profuse139 apologies were made by the little old woman, who seemed to be the solitary140 occupant of the pretty garden, and who had for the moment deserted141 her post to do the day's marketing142 in the neighboring village. The apologies having been smilingly received, the old lady set herself to the task of making her guests comfortable. First she brought two tumblers of water, cold as ice,[255] from the spring that gushed143 out of a great rock in the middle of the little lake. Then she retired behind a screen and changed her dress, returning speedily to bring us tea. Then she retreated to her diminutive144 kitchen, and presently came back smiling, bearing eight large raw potatoes on a tray. These she presented to us with a deep bow, apparently145 satisfied that she had at last brought us something we would be sure to like. We left the potatoes behind us when we went away, and undoubtedly146 the old lady is wondering still over the mysterious ways of the foreigners, as we are over those of the Japanese tea-house keepers.
One summer, when I was spending a week at a Japanese hotel at quite a fashionable seaside resort, I became interested in a little old woman who visited the hotel daily, carrying, suspended by a yoke147 from her shoulders, two baskets of fruit, which she sold to the guests of the hotel. As I was on the ground floor, and my room was, in the daytime, absolutely without walls on two sides, she was my frequent visitor, and, for the sake of her pleasant ways and cheerful smiles, I bought enough hard[256] pears of her to have given the colic to an elephant. One day, after her visit to me, as I was sitting upon the matted and roofed square that served me for a room, my eye wandered idly toward the bathing beach, and, under the slight shelter where the bathers were in the habit of depositing their sandals and towels, I spied the well-known yoke and fruit baskets, as well as a small heap of blue cotton garments that I knew to be the clothing of the little fruit-vender. She had evidently taken a moment when trade was slack to enjoy a dip in the soft, blue, summer sea. Hardly had I made up my mind as to the meaning of the fruit baskets and the clothing, when our little friend herself emerged from the sea and, sitting down on a bench, proceeded to rub herself off with the small but artistically148 decorated blue towel that every peasant in Japan has always with him, however lacking he may be in all other appurtenances of the toilet. As she sat there, placidly149 rubbing away, a friend of the opposite sex made his appearance on the scene. I watched to see what she would do, for the Japanese code of etiquette150 is quite different from ours in such[257] a predicament. She continued her employment until he was quite close, showing no unseemly haste, but continuing her polishing off in the same leisurely151 manner in which she had begun it; then at the proper moment she rose from her seat, bowed profoundly, and smilingly exchanged the greetings proper for the occasion, both parties apparently unconscious of any lack in the toilet of the lady. The male friend then passed on about his business; the little woman completed her toilet without further interruptions, shouldered her yoke, and jogged cheerfully on to her home in the little village, a couple of miles away.
As one travels through rural Japan in summer and sees the half-naked men, women, and children that pour out from every village on one's route and surround the kuruma at every stopping place, one sometimes wonders whether there is in the country any real civilization, whether these half-naked people are not more savage152 than civilized153; but when one finds everywhere good hotels, scrupulous154 cleanliness in all the appointments of toilet and table, polite and careful service, honest and willing performance of labor bargained for, together[258] with the gentlest and pleasantest of manners, even on the part of the gaping155 crowd that shut out light and air from the traveling foreigner who rests for a moment at the village inn, one is forced to reconsider a judgment156 formed only upon one peculiarity157 of the national life, and to conclude that there is certainly a high type of civilization in Japan, though differing in many important particulars from our own. A careful study of the Japanese ideas of decency158, and frequent conversation with refined and intelligent Japanese ladies upon this subject, has led me to the following conclusion. According to the Japanese standard, any exposure of the person that is merely incidental to health, cleanliness, or convenience in doing necessary work, is perfectly modest and allowable; but an exposure, no matter how slight, that is simply for show, is in the highest degree indelicate. In illustration of the first part of this conclusion, I would refer to the open bath-houses, the naked laborers, the exposure of the lower limbs in wet weather by the turning up of the kimono, the entirely nude159 condition of the country children in summer, and the very slight clothing [259]that even adults regard as necessary about the house or in the country during the hot season. In illustration of the last part, I would mention the horror with which many Japanese ladies regard that style of foreign dress which, while covering the figure completely, reveals every detail of the form above the waist, and, as we say, shows off to advantage a pretty figure. To the Japanese mind it is immodest to want to show off a pretty figure. As for the ball-room costumes, where neck and arms are freely exposed to the gaze of multitudes, the Japanese woman, who would with entire composure take her bath in the presence of others, would be in an agony of shame at the thought of appearing in public in a costume so indecent as that worn by many respectable American and European women. Our judgment would indeed be a hasty one, should we conclude that the sense of decency is wanting in the Japanese as a race, or that the women are at all lacking in the womanly instinct of modesty160. When the point of view from which they regard these matters is once obtained, the apparent inconsistencies and incongruities161 are fully59 explained, [260]and we can do justice to our Japanese sister in a matter in regard to which she is too often cruelly misjudged.
There seems no doubt at all that among the peasantry of Japan one finds the women who have the most freedom and independence. Among this class, all through the country, the women, though hard-worked and possessing few comforts, lead lives of intelligent, independent labor, and have in the family positions as respected and honored as those held by women in America. Their lives are fuller and happier than those of the women of the higher classes, for they are themselves bread-winners, contributing an important part of the family revenue, and they are obeyed and respected accordingly. The Japanese lady, at her marriage, lays aside her independent existence to become the subordinate and servant of her husband and parents-in-law, and her face, as the years go by, shows how much she has given up, how completely she has sacrificed herself to those about her. The Japanese peasant woman, when she marries, works side by side with her husband, finds life full of interest outside of the simple household[261] work, and, as the years go by, her face shows more individuality, more pleasure in life, less suffering and disappointment, than that of her wealthier and less hard-working sister.
Footnotes:
[39] The laws against the éta and hinin, making of them a distinct, unclean class, and forbidding their intermarriage with any of the higher classes, have recently been abolished. There is now no rank distinction of any practical value, except that between noble and common people. Héimin and samurai are now indiscriminately mingled.
[40] Toyotomi Hidéyoshi, a peasant boy, rose from the position of a groom to be the actual ruler of Japan during the Middle Ages. He it was who in 1587 issued a decree of banishment162 against the Christian163 missionaries164 in Japan. He is called Faxiba in the writings of these missionaries, and in Japan he is frequently spoken of as Taiko Sama, a title, not a name; but a title that, used alone, refers always to him. For further account of his life, see Griffis, Mikado's Empire, book i., chap. xxiv.
[41] Chadai is, literally165, "money for tea," and is equivalent to our tips to the waiters and porters at hotels. The chadai varies with the wealth and rank of the guests, the duration of the stay, and the attention which has been bestowed. On is the honorific placed before the word in writing.
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slaughtering
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| v.屠杀，杀戮，屠宰( slaughter的现在分词 ) | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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sordid
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| adj.肮脏的，不干净的，卑鄙的，暗淡的 | |
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loyalty
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| n.忠诚，忠心 | |
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5
taxation
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| n.征税，税收，税金 | |
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6
toil
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| vi.辛劳工作，艰难地行动；n.苦工，难事 | |
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7
mere
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| adj.纯粹的；仅仅，只不过 | |
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8
pittance
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| n.微薄的薪水，少量 | |
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9
drudgery
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| n.苦工，重活，单调乏味的工作 | |
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10
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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11
illiterate
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| adj.文盲的；无知的；n.文盲 | |
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12
frugal
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| adj.节俭的，节约的，少量的，微量的 | |
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13
industrious
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| adj.勤劳的，刻苦的，奋发的 | |
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14
Founder
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| n.创始者，缔造者 | |
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15
shrines
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| 圣地，圣坛，神圣场所( shrine的名词复数 ) | |
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shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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17
vassals
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| n.奴仆( vassal的名词复数 )；（封建时代）诸侯；从属者；下属 | |
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18
rapacious
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| adj.贪婪的，强夺的 | |
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19
attired
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| adj.穿着整齐的v.使穿上衣服，使穿上盛装( attire的过去式和过去分词 ) | |
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20
contemptible
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| adj.可鄙的，可轻视的，卑劣的 | |
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21
tempt
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| vt.引诱，勾引，吸引，引起…的兴趣 | |
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22
contented
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| adj.满意的，安心的，知足的 | |
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23
militia
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| n.民兵，民兵组织 | |
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24
calamities
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| n.灾祸，灾难( calamity的名词复数 )；不幸之事 | |
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25
disturbance
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| n.动乱，骚动；打扰，干扰；(身心)失调 | |
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26
beseech
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| v.祈求，恳求 | |
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27
simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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28
frugality
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| n.节约，节俭 | |
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29
thereby
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| adv.因此，从而 | |
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30
placating
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| v.安抚，抚慰，使平静( placate的现在分词 ) | |
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31
humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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32
prospective
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| adj.预期的，未来的，前瞻性的 | |
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33
virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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34
tranquillity
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| n. 平静, 安静 | |
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35
plentiful
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| adj.富裕的，丰富的 | |
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36
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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37
condemned
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| adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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38
heroism
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| n.大无畏精神，英勇 | |
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39
expenditure
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| n.(时间、劳力、金钱等)支出；使用，消耗 | |
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40
originality
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| n.创造力，独创性；新颖 | |
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41
utensil
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| n.器皿，用具 | |
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42
ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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43
hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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44
utensils
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| 器具，用具，器皿( utensil的名词复数 )； 器物 | |
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45
procured
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| v.（努力）取得， （设法）获得( procure的过去式和过去分词 )；拉皮条 | |
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46
graceful
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| adj.优美的，优雅的；得体的 | |
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47
artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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48
costly
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| adj.昂贵的，价值高的，豪华的 | |
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49
farmhouse
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| n.农场住宅（尤指主要住房） | |
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50
incense
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| v.激怒；n.香，焚香时的烟，香气 | |
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51
porcelain
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| n.瓷；adj.瓷的，瓷制的 | |
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52
conclusively
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| adv.令人信服地，确凿地 | |
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53
costlier
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| adj.昂贵的( costly的比较级 )；代价高的；引起困难的；造成损失的 | |
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54
laborers
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| n.体力劳动者，工人( laborer的名词复数 )；（熟练工人的）辅助工 | |
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55
labor
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|
| n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦 | |
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56
laborer
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| n.劳动者，劳工 | |
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57
scroll
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|
| n.卷轴，纸卷；(石刻上的)漩涡 | |
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58
gracefully
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| ad.大大方方地；优美地 | |
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59
fully
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| adv.完全地，全部地，彻底地；充分地 | |
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60
utterly
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| adv.完全地，绝对地 | |
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61
verge
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| n.边，边缘；v.接近，濒临 | |
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62
cultivation
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| n.耕作，培养，栽培（法），养成 | |
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63
civilizing
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|
| v.使文明，使开化( civilize的现在分词 ) | |
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64
thrifty
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|
| adj.节俭的；兴旺的；健壮的 | |
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65
conspicuous
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| adj.明眼的，惹人注目的；炫耀的，摆阔气的 | |
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66
dearth
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| n.缺乏，粮食不足，饥谨 | |
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67
implements
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|
| n.工具( implement的名词复数 )；家具；手段；[法律]履行（契约等）v.实现( implement的第三人称单数 )；执行；贯彻；使生效 | |
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68
incessant
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|
| adj.不停的，连续的 | |
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69
aged
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|
| adj.年老的，陈年的 | |
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70
perfectly
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|
| adv.完美地，无可非议地，彻底地 | |
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71
rations
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| 定量( ration的名词复数 )； 配给量； 正常量； 合理的量 | |
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72
vender
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| n.小贩 | |
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73
dwellers
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|
| n.居民，居住者( dweller的名词复数 ) | |
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74
blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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75
Buddhist
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| adj./n.佛教的，佛教徒 | |
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76
carvings
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| n.雕刻( carving的名词复数 )；雕刻术；雕刻品；雕刻物 | |
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77
scrutiny
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|
| n.详细检查，仔细观察 | |
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78
touching
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|
| adj.动人的，使人感伤的 | |
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79
glossy
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|
| adj.平滑的；有光泽的 | |
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80
mingled
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|
| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
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81
slung
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| 抛( sling的过去式和过去分词 )； 吊挂； 遣送； 押往 | |
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82
attain
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| vt.达到，获得，完成 | |
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83
belying
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|
| v.掩饰，与…不符，使…失望；掩饰( belie的现在分词 )；证明（或显示）…为虚假；辜负；就…扯谎 | |
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84
vigor
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| n.活力，精力，元气 | |
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85
jingling
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| 叮当声 | |
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86
fulfill
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|
| vt.履行，实现，完成；满足，使满意 | |
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87
vow
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| n.誓(言)，誓约；v.起誓，立誓 | |
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88
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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89
mire
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| n.泥沼，泥泞；v.使...陷于泥泞，使...陷入困境 | |
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90
distinguished
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| adj.卓越的，杰出的，著名的 | |
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91
descending
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| n. 下行 adj. 下降的 | |
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92
poised
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| a.摆好姿势不动的 | |
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93
stature
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| n.（高度）水平，（高度）境界，身高，身材 | |
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94
ascent
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| n.(声望或地位)提高；上升，升高；登高 | |
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95
tattooed
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|
| v.刺青，文身( tattoo的过去式和过去分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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96
hampers
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| 妨碍，束缚，限制( hamper的第三人称单数 ) | |
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97
ponies
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| 矮种马，小型马( pony的名词复数 )； ￡25 25 英镑 | |
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98
caravan
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| n.大蓬车；活动房屋 | |
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99
groom
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| vt.给（马、狗等）梳毛，照料，使...整洁 | |
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100
adorned
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| [计]被修饰的 | |
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101
meek
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| adj.温顺的，逆来顺受的 | |
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102
grooms
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| n.新郎( groom的名词复数 )；马夫v.照料或梳洗（马等）( groom的第三人称单数 )；使做好准备；训练；（给动物）擦洗 | |
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103
maidens
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|
| 处女( maiden的名词复数 )； 少女； 未婚女子； （板球运动）未得分的一轮投球 | |
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104
spun
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| v.纺，杜撰，急转身 | |
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105
cocoons
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| n.茧，蚕茧( cocoon的名词复数 )v.茧，蚕茧( cocoon的第三人称单数 ) | |
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106
plantations
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| n.种植园，大农场( plantation的名词复数 ) | |
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107
charcoal
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| n.炭，木炭，生物炭 | |
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108
prettily
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| adv.优美地；可爱地 | |
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109
proprietor
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| n.所有人；业主；经营者 | |
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110
overflowing
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| n. 溢出物,溢流 adj. 充沛的，充满的 动词overflow的现在分词形式 | |
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111
suite
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| n.一套(家具)；套房；随从人员 | |
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112
fatigue
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| n.疲劳，劳累 | |
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113
rosy
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| adj.美好的，乐观的，玫瑰色的 | |
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114
pointed
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| adj.尖的，直截了当的 | |
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115
buxom
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| adj.（妇女）丰满的，有健康美的 | |
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116
landlady
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| n.女房东，女地主 | |
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117
refreshment
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| n.恢复，精神爽快，提神之事物；（复数）refreshments:点心，茶点 | |
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118
refreshments
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| n.点心,便餐;(会议后的)简单茶点招 待 | |
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119
dwarf
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| n.矮子，侏儒，矮小的动植物；vt.使…矮小 | |
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120
deceptive
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| adj.骗人的，造成假象的，靠不住的 | |
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121
brass
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| n.黄铜；黄铜器，铜管乐器 | |
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122
refreshing
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| adj.使精神振作的，使人清爽的，使人喜欢的 | |
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123
retired
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| adj.隐退的，退休的，退役的 | |
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124
soothe
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| v.安慰；使平静；使减轻；缓和；奉承 | |
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125
wails
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| 痛哭，哭声( wail的名词复数 ) | |
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126
mischief
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|
| n.损害，伤害，危害；恶作剧，捣蛋，胡闹 | |
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127
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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128
vigilant
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| adj.警觉的，警戒的，警惕的 | |
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129
landladies
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| n.女房东，女店主，女地主( landlady的名词复数 ) | |
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130
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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131
eels
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| abbr. 电子发射器定位系统（=electronic emitter location system） | |
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132
bestowed
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| 赠给，授予( bestow的过去式和过去分词 ) | |
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133
neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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134
gratitude
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| adj.感激，感谢 | |
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135
hazy
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| adj.有薄雾的，朦胧的；不肯定的，模糊的 | |
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136
hospitably
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| 亲切地，招待周到地，善于款待地 | |
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137
piazza
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| n.广场；走廊 | |
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138
wizened
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| adj.凋谢的；枯槁的 | |
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139
profuse
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| adj.很多的，大量的，极其丰富的 | |
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140
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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141
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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142
marketing
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| n.行销，在市场的买卖，买东西 | |
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143
gushed
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| v.喷，涌( gush的过去式和过去分词 )；滔滔不绝地说话 | |
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144
diminutive
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| adj.小巧可爱的，小的 | |
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145
apparently
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| adv.显然地；表面上，似乎 | |
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146
undoubtedly
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| adv.确实地，无疑地 | |
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147
yoke
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| n.轭；支配；v.给...上轭，连接，使成配偶 | |
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148
artistically
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| adv.艺术性地 | |
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149
placidly
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| adv.平稳地，平静地 | |
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150
etiquette
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| n.礼仪，礼节；规矩 | |
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151
leisurely
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| adj.悠闲的；从容的，慢慢的 | |
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152
savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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153
civilized
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| a.有教养的，文雅的 | |
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154
scrupulous
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| adj.审慎的，小心翼翼的，完全的，纯粹的 | |
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155
gaping
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| adj.口的；张口的；敞口的；多洞穴的v.目瞪口呆地凝视( gape的现在分词 )；张开，张大 | |
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156
judgment
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| n.审判；判断力，识别力，看法，意见 | |
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157
peculiarity
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| n.独特性，特色；特殊的东西；怪癖 | |
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158
decency
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| n.体面，得体，合宜，正派，庄重 | |
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159
nude
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| adj.裸体的；n.裸体者，裸体艺术品 | |
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160
modesty
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| n.谦逊，虚心，端庄，稳重，羞怯，朴素 | |
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161
incongruities
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| n.不协调( incongruity的名词复数 )；不一致；不适合；不协调的东西 | |
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162
banishment
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| n.放逐，驱逐 | |
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163
Christian
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| adj.基督教徒的；n.基督教徒 | |
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164
missionaries
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| n.传教士( missionary的名词复数 ) | |
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165
literally
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| adv.照字面意义，逐字地；确实 | |
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