Brings this reproach to me,
That I alone afford the ear,
Who would the music be.
The brave man is the sole patron of music; he recognizes it for his mother tongue; a more mellifluous2 and articulate language than words, in comparison with which, speech is recent and temporary. It is his voice. His language must have the same majestic3 movement and cadence4 that philosophy assigns to the heavenly bodies. The steady flux5 of his thought constitutes time in music. The universe falls in and keeps pace with it, which before proceeded singly and discordant6. Hence are poetry and song. When Bravery first grew afraid and went to war, it took Music along with it. The soul is delighted still to hear the echo of her own voice. Especially the soldier insists on agreement and harmony always. To secure these he falls out. Indeed, it is that friendship there is in war that makes it chivalrous7 and heroic. It was the dim sentiment of a noble friendship for the purest soul the world has seen, that gave to Europe a crusading era. War is but the compelling of peace. If the soldier marches to the sack of a town, he must be preceded by drum and trumpet9, which shall identify his cause with the accordant universe. All things thus echo back his own spirit, and thus the hostile territory is preoccupied10 for him. He is no longer insulated, but infinitely11 related and familiar. The roll-call musters12 for him all the forces of Nature.
There is as much music in the world as virtue13. In a world of peace and love music would be the universal language, and men greet each other in the fields in such accents as a Beethoven now utters at rare intervals14 from a distance. All things obey music as they obey virtue. It is the herald15 of virtue. It is God’s voice. In it are the centripetal16 and centrifugal forces. The universe needed only to hear a divine melody, that every star might fall into its proper place, and assume its true sphericity. It entails17 a surpassing affluence18 on the meanest thing; riding over the heads of sages19, and soothing20 the din8 of philosophy. When we listen to it we are so wise that we need not to know. All sounds, and more than all, silence, do fife and drum for us. The least creaking doth whet22 all our senses, and emit a tremulous light, like the aurora23 borealis, over things. As polishing expresses the vein24 in marble, and the grain in wood, so music brings out what of heroic lurks25 anywhere. It is either a sedative26 or a tonic27 to the soul.
I read that “Plato thinks the gods never gave men music, the science of melody and harmony, for mere28 delectation or to tickle29 the ear; but that the discordant parts of the circulations and beauteous fabric30 of the soul, and that of it that roves about the body, and many times for want of tune31 and air, breaks forth32 into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement.”
A sudden burst from a horn startles us, as if one had rashly provoked a wild beast. We admire his boldness; he dares wake the echoes which he cannot put to rest. The sound of a bugle33 in the stillness of the night sends forth its voice to the farthest stars, and marshals them in new order and harmony. Instantly it finds a fit sounding-board in the heavens. The notes flash out on the horizon like heat lightning, quickening the pulse of creation. The heavens say, Now is this my own earth.
To the sensitive soul the Universe has her own fixed34 measure, which is its measure also, and as this, expressed in the regularity35 of its pulse, is inseparable from a healthy body, so is its healthiness dependent on the regularity of its rhythm. In all sounds the soul recognizes its own rhythm, and seeks to express its sympathy by a correspondent movement of the limbs. When the body marches to the measure of the soul, then is true courage and invincible36 strength. The coward would reduce this thrilling sphere-music to a universal wail,—this melodious chant to a nasal cant37. He thinks to conciliate all hostile influences by compelling his neighborhood into a partial concord38 with himself; but his music is no better than a jingle39, which is akin21 to a jar,—jars regularly recurring40. He blows a feeble blast of slender melody, because Nature can have no more sympathy with such a soul than it has of cheerful melody in itself. Hence hears he no accordant note in the universe, and is a coward, or consciously outcast and deserted41 man. But the brave man, without drum or trumpet, compels concord everywhere, by the universality and tunefulness of his soul.
Let not the faithful sorrow that he has no ear for the more fickle42 and subtle harmonies of creation, if he be awake to the slower measure of virtue and truth. If his pulse does not beat in unison43 with the musician’s quips and turns, it accords with the pulse-beat of the ages.
A man’s life should be a stately march to an unheard music; and when to his fellows it may seem irregular and inharmonious, he will be stepping to a livelier measure, which only his nicer ear can detect. There will be no halt, ever, but at most a marching on his post, or such a pause as is richer than any sound, when the deeper melody is no longer heard, but implicitly44 consented to with the whole life and being. He will take a false step never, even in the most arduous45 circumstances; for then the music will not fail to swell46 into greater volume, and rule the movement it inspired.
点击收听单词发音
1 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
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2 mellifluous | |
adj.(音乐等)柔美流畅的 | |
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3 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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4 cadence | |
n.(说话声调的)抑扬顿挫 | |
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5 flux | |
n.流动;不断的改变 | |
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6 discordant | |
adj.不调和的 | |
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7 chivalrous | |
adj.武士精神的;对女人彬彬有礼的 | |
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8 din | |
n.喧闹声,嘈杂声 | |
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9 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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10 preoccupied | |
adj.全神贯注的,入神的;被抢先占有的;心事重重的v.占据(某人)思想,使对…全神贯注,使专心于( preoccupy的过去式) | |
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11 infinitely | |
adv.无限地,无穷地 | |
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12 musters | |
v.集合,召集,集结(尤指部队)( muster的第三人称单数 );(自他人处)搜集某事物;聚集;激发 | |
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13 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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14 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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15 herald | |
vt.预示...的来临,预告,宣布,欢迎 | |
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16 centripetal | |
adj.向心的 | |
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17 entails | |
使…成为必要( entail的第三人称单数 ); 需要; 限定继承; 使必需 | |
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18 affluence | |
n.充裕,富足 | |
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19 sages | |
n.圣人( sage的名词复数 );智者;哲人;鼠尾草(可用作调料) | |
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20 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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21 akin | |
adj.同族的,类似的 | |
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22 whet | |
v.磨快,刺激 | |
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23 aurora | |
n.极光 | |
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24 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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25 lurks | |
n.潜在,潜伏;(lurk的复数形式)vi.潜伏,埋伏(lurk的第三人称单数形式) | |
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26 sedative | |
adj.使安静的,使镇静的;n. 镇静剂,能使安静的东西 | |
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27 tonic | |
n./adj.滋补品,补药,强身的,健体的 | |
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28 mere | |
adj.纯粹的;仅仅,只不过 | |
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29 tickle | |
v.搔痒,胳肢;使高兴;发痒;n.搔痒,发痒 | |
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30 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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31 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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32 forth | |
adv.向前;向外,往外 | |
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33 bugle | |
n.军号,号角,喇叭;v.吹号,吹号召集 | |
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34 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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35 regularity | |
n.规律性,规则性;匀称,整齐 | |
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36 invincible | |
adj.不可征服的,难以制服的 | |
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37 cant | |
n.斜穿,黑话,猛扔 | |
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38 concord | |
n.和谐;协调 | |
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39 jingle | |
n.叮当声,韵律简单的诗句;v.使叮当作响,叮当响,押韵 | |
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40 recurring | |
adj.往复的,再次发生的 | |
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41 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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42 fickle | |
adj.(爱情或友谊上)易变的,不坚定的 | |
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43 unison | |
n.步调一致,行动一致 | |
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44 implicitly | |
adv. 含蓄地, 暗中地, 毫不保留地 | |
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45 arduous | |
adj.艰苦的,费力的,陡峭的 | |
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46 swell | |
vi.膨胀,肿胀;增长,增强 | |
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