This apotheosis of individuation, if it be at all conceived as imperative25 and laying down precepts26, knows but one law—the individual, i.e., the observance of the boundaries of the individual, measure in the Hellenic sense. Apollo, as ethical27 deity28, demands due proportion of his disciples, and, that this may be observed, he demands self-knowledge. And thus, parallel to the ?sthetic necessity for beauty, there run the demands "know thyself" and "not too much," while presumption29 and undueness are regarded as the truly hostile demons30 of the non-Apollonian sphere, hence as characteristics of the pre-Apollonian age, that of the Titans, and of the extra-Apollonian world, that of the barbarians31. Because of his Titan-like love for man, Prometheus had to be torn to pieces by vultures; because of his excessive wisdom, which solved the riddle32 of the Sphinx, ?dipus had to plunge33 into a bewildering vortex of monstrous34 crimes: thus did the Delphic god interpret the Grecian past.
[Pg 41]
So also the effects wrought35 by the Dionysian appeared "titanic36" and "barbaric" to the Apollonian Greek: while at the same time he could not conceal37 from himself that he too was inwardly related to these overthrown38 Titans and heroes. Indeed, he had to recognise still more than this: his entire existence, with all its beauty and moderation, rested on a hidden substratum of suffering and of knowledge, which was again disclosed to him by the Dionysian. And lo! Apollo could not live without Dionysus! The "titanic" and the "barbaric" were in the end not less necessary than the Apollonian. And now let us imagine to ourselves how the ecstatic tone of the Dionysian festival sounded in ever more luring39 and bewitching strains into this artificially confined world built on appearance and moderation, how in these strains all the undueness of nature, in joy, sorrow, and knowledge, even to the transpiercing shriek40, became audible: let us ask ourselves what meaning could be attached to the psalmodising artist of Apollo, with the phantom41 harp-sound, as compared with this demonic folk-song! The muses42 of the arts of "appearance" paled before an art which, in its intoxication43, spoke44 the truth, the wisdom of Silenus cried "woe45! woe!" against the cheerful Olympians. The individual, with all his boundaries and due proportions, went under in the self-oblivion of the Dionysian states and forgot the Apollonian precepts. The Undueness revealed itself as truth, contradiction, the bliss born of pain, declared itself but of the heart of nature. And thus, wherever the Dionysian prevailed, the Apollonian was[Pg 42] routed and annihilated46. But it is quite as certain that, where the first assault was successfully withstood, the authority and majesty47 of the Delphic god exhibited itself as more rigid48 and menacing than ever. For I can only explain to myself the Doric state and Doric art as a permanent war-camp of the Apollonian: only by incessant49 opposition50 to the titanic-barbaric nature of the Dionysian was it possible for an art so defiantly-prim, so encompassed51 with bulwarks52, a training so warlike and rigorous, a constitution so cruel and relentless53, to last for any length of time.
Up to this point we have enlarged upon the observation made at the beginning of this essay: how the Dionysian and the Apollonian, in ever new births succeeding and mutually augmenting54 one another, controlled the Hellenic genius: how from out the age of "bronze," with its Titan struggles and rigorous folk-philosophy, the Homeric world develops under the fostering sway of the Apollonian impulse to beauty, how this "na?ve" splendour is again overwhelmed by the inbursting flood of the Dionysian, and how against this new power the Apollonian rises to the austere55 majesty of Doric art and the Doric view of things. If, then, in this way, in the strife56 of these two hostile principles, the older Hellenic history falls into four great periods of art, we are now driven to inquire after the ulterior purpose of these unfoldings and processes, unless perchance we should regard the last-attained period, the period of Doric art, as the end and aim of these artistic57 impulses: and here the sublime and highly celebrated58 art-work of[Pg 43] Attic59 tragedy and dramatic dithyramb presents itself to our view as the common goal of both these impulses, whose mysterious union, after many and long precursory struggles, found its glorious consummation in such a child,—which is at once Antigone and Cassandra.

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1
obtrusiveness
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2
phenomena
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n.现象 | |
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3
worthy
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adj.(of)值得的,配得上的;有价值的 | |
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4
fervent
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adj.热的,热烈的,热情的 | |
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5
longing
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n.(for)渴望 | |
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6
primordial
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adj.原始的;最初的 | |
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7
unity
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n.团结,联合,统一;和睦,协调 | |
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8
joyful
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adj.欢乐的,令人欢欣的 | |
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9
salvation
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n.(尤指基督)救世,超度,拯救,解困 | |
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10
waive
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vt.放弃,不坚持(规定、要求、权力等) | |
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11
symbolic
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adj.象征性的,符号的,象征主义的 | |
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12
immortal
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adj.不朽的;永生的,不死的;神的 | |
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13
possessed
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adj.疯狂的;拥有的,占有的 | |
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14
disciples
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n.信徒( disciple的名词复数 );门徒;耶稣的信徒;(尤指)耶稣十二门徒之一 | |
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15
ambrosial
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adj.美味的 | |
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16
bliss
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n.狂喜,福佑,天赐的福 | |
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17
apotheosis
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n.神圣之理想;美化;颂扬 | |
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18
attained
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(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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19
consummated
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v.使结束( consummate的过去式和过去分词 );使完美;完婚;(婚礼后的)圆房 | |
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20
sublime
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adj.崇高的,伟大的;极度的,不顾后果的 | |
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21
torment
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n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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22
thereby
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adv.因此,从而 | |
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23
impelled
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v.推动、推进或敦促某人做某事( impel的过去式和过去分词 ) | |
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24
redeeming
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补偿的,弥补的 | |
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25
imperative
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n.命令,需要;规则;祈使语气;adj.强制的;紧急的 | |
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26
precepts
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n.规诫,戒律,箴言( precept的名词复数 ) | |
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27
ethical
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adj.伦理的,道德的,合乎道德的 | |
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28
deity
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n.神,神性;被奉若神明的人(或物) | |
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29
presumption
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n.推测,可能性,冒昧,放肆,[法律]推定 | |
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30
demons
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n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念 | |
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31
barbarians
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n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人 | |
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32
riddle
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n.谜,谜语,粗筛;vt.解谜,给…出谜,筛,检查,鉴定,非难,充满于;vi.出谜 | |
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33
plunge
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v.跳入,(使)投入,(使)陷入;猛冲 | |
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34
monstrous
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adj.巨大的;恐怖的;可耻的,丢脸的 | |
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35
wrought
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v.引起;以…原料制作;运转;adj.制造的 | |
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36
titanic
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adj.巨人的,庞大的,强大的 | |
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37
conceal
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v.隐藏,隐瞒,隐蔽 | |
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38
overthrown
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adj. 打翻的,推倒的,倾覆的 动词overthrow的过去分词 | |
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39
luring
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吸引,引诱(lure的现在分词形式) | |
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40
shriek
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v./n.尖叫,叫喊 | |
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41
phantom
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n.幻影,虚位,幽灵;adj.错觉的,幻影的,幽灵的 | |
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42
muses
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v.沉思,冥想( muse的第三人称单数 );沉思自语说(某事) | |
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43
intoxication
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n.wild excitement;drunkenness;poisoning | |
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44
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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45
woe
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n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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46
annihilated
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v.(彻底)消灭( annihilate的过去式和过去分词 );使无效;废止;彻底击溃 | |
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47
majesty
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n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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48
rigid
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adj.严格的,死板的;刚硬的,僵硬的 | |
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49
incessant
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adj.不停的,连续的 | |
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50
opposition
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n.反对,敌对 | |
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51
encompassed
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v.围绕( encompass的过去式和过去分词 );包围;包含;包括 | |
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52
bulwarks
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n.堡垒( bulwark的名词复数 );保障;支柱;舷墙 | |
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53
relentless
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adj.残酷的,不留情的,无怜悯心的 | |
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54
augmenting
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使扩张 | |
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55
austere
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adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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56
strife
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n.争吵,冲突,倾轧,竞争 | |
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57
artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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58
celebrated
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adj.有名的,声誉卓著的 | |
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59
attic
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n.顶楼,屋顶室 | |
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