PREFACE.

 The memoranda¹ which form the basis of the following Essay have been thrown together during the preparation of one of the sections of the third volume of "Modern Painters."[A] I once thought of giving them a more expanded form; but their utility, such as it may be, would probably be diminished by farther delay in their publication, more than it would be increased by greater care in their arrangement. Obtained in every case by personal observation, there may be among them some details valuable even to the experienced architect; but with respect to the opinions founded upon them I must be prepared to bear the charge of impertinence which can hardly but attach to the writer who assumes a dogmatical tone in speaking of an art he has never practised. There are, however, cases in which men feel too keenly to be silent, and perhaps too strongly to be wrong; I have been forced into this impertinence; and have suffered too much from the destruction or neglect of the architecture I best loved, and from the erection of that which I cannot love, to reason cautiously [Pg 6]respecting the modesty² of my opposition³ to the principles which have induced the scorn of the one, or directed the design of the other. And I have been the less careful to modify the confidence of my statements of principles, because in the midst of the opposition and uncertainty⁴ of our architectural systems, it seems to me that there is something grateful in any positive opinion, though in many points wrong, as even weeds are useful that grow on a bank of sand.

 

Every apology is, however, due to the reader, for the hasty and imperfect execution of the plates. Having much more serious work in hand, and desiring merely to render them illustrative of my meaning, I have sometimes very completely failed even of that humble⁵ aim; and the text, being generally written before the illustration was completed, sometimes na?vely describes as sublime⁶ or beautiful, features which the plate represents by a blot⁷. I shall be grateful if the reader will in such cases refer the expressions of praise to the Architecture, and not to the illustration.

 

So far, however, as their coarseness and rudeness admit, the plates are valuable; being either copies of memoranda made upon the spot, or (Plates IX. and XI.) enlarged and adapted from Daguerreotypes, taken under my own superintendence. Unfortunately, the great distance from the ground of the window which is the subject of Plate IX. renders even the Daguerreotype⁸ indistinct; and I cannot answer for the accuracy of any of the mosaic⁹ details, more especially of those which surround the window, and which I rather imagine, in the original, to be sculptured in relief. The general proportions are, however, studiously preserved; the spirals of the shafts¹⁰ are counted, and the effect of the whole is as near that of the thing itself, as is necessary for the purposes of illustration for which the plate is given. For the accuracy of the rest I can answer, even to the cracks in the stones, and the number of them; and though the looseness of the drawing, and the picturesque¹¹ character which is necessarily given by an endeavor to draw old buildings as they actually appear, may perhaps diminish their credit for architectural veracity¹², they will do so unjustly.

 

[Pg 7]

 

The system of lettering adopted in the few instances in which sections have been given, appears somewhat obscure in the references, but it is convenient upon the whole. The line which marks the direction of any section is noted¹³, if the section be symmetrical, by a single letter; and the section itself by the same letter with a line over it, a.—ā. But if the section be unsymmetrical, its direction is noted by two letters, a. a. a2 at its extremities¹⁴; and the actual section by the same letters with lines over them, ā. ā. ā2, at the corresponding extremities.

 

The reader will perhaps be surprised by the small number of buildings to which reference has been made. But it is to be remembered that the following chapters pretend only to be a statement of principles, illustrated¹⁵ each by one or two examples, not an essay on European architecture; and those examples I have generally taken either from the buildings which I love best, or from the schools of architecture which, it appeared to me, have been less carefully described than they deserved. I could as fully¹⁶, though not with the accuracy and certainty derived¹⁷ from personal observation, have illustrated the principles subsequently advanced, from the architecture of Egypt, India, or Spain, as from that to which the reader will find his attention chiefly directed, the Italian Romanesque and Gothic. But my affections, as well as my experience, led me to that line of richly varied¹⁸ and magnificently intellectual schools, which reaches, like a high watershed¹⁹ of Christian²⁰ architecture, from the Adriatic to the Northumbrian seas, bordered by the impure²¹ schools of Spain on the one hand, and of Germany on the other: and as culminating points and centres of this chain, I have considered, first, the cities of the Val d'Arno, as representing the Italian Romanesque and pure Italian Gothic; Venice and Verona as representing the Italian Gothic colored by Byzantine elements; and Rouen, with the associated Norman cities, Caen, Bayeux, and Coutances, as representing the entire range of Northern architecture from the Romanesque to Flamboyant²².

 

I could have wished to have given more examples from our early English Gothic; but I have always found it impossible [Pg 8]to work in the cold interiors of our cathedrals, while the daily services, lamps, and fumigation²³ of those upon the Continent, render them perfectly²⁴ safe. In the course of last summer I undertook a pilgrimage to the English Shrines²⁵, and began with Salisbury, where the consequence of a few days' work was a state of weakened health, which I may be permitted to name among the causes of the slightness and imperfection of the present Essay.

1 memoranda   

n. 备忘录, 便条 名词memorandum的复数形式

参考例句：

• There were memoranda, minutes of meetings, officialflies, notes of verbal di scussions. 有备忘录，会议记录，官方档案，口头讨论的手记。
• Now it was difficult to get him to address memoranda. 而现在，要他批阅备忘录都很困难。

2 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

3 opposition   

n.反对，敌对

参考例句：

• The party leader is facing opposition in his own backyard.该党领袖在自己的党內遇到了反对。
• The police tried to break down the prisoner's opposition.警察设法制住了那个囚犯的反抗。

4 uncertainty   

n.易变，靠不住，不确知，不确定的事物

参考例句：

• Her comments will add to the uncertainty of the situation.她的批评将会使局势更加不稳定。
• After six weeks of uncertainty,the strain was beginning to take its toll.6个星期的忐忑不安后，压力开始产生影响了。

5 humble   

adj.谦卑的，恭顺的；地位低下的；v.降低，贬低

参考例句：

• In my humble opinion,he will win the election.依我拙见，他将在选举中获胜。
• Defeat and failure make people humble.挫折与失败会使人谦卑。

6 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

7 blot   

vt.弄脏（用吸墨纸）吸干；n.污点，污渍

参考例句：

• That new factory is a blot on the landscape.那新建的工厂破坏了此地的景色。
• The crime he committed is a blot on his record.他犯的罪是他的履历中的一个污点。

8 daguerreotype   

n.银板照相

参考例句：

• The inventor of the daguerreotype is a French artist.银版照相的发明者是位法国艺术家。
• The image was taken by louis daguerre who invented the daguerreotype-one of the earliest methods of photography.这张照片是由路易斯达盖尔拍摄，他发明了银版照相法-摄影的最早方法之一。

9 mosaic   

n./adj.镶嵌细工的，镶嵌工艺品的，嵌花式的

参考例句：

• The sky this morning is a mosaic of blue and white.今天早上的天空是幅蓝白相间的画面。
• The image mosaic is a troublesome work.图象镶嵌是个麻烦的工作。

10 shafts   

n.轴( shaft的名词复数 )；（箭、高尔夫球棒等的）杆；通风井；一阵（疼痛、害怕等）

参考例句：

• He deliberately jerked the shafts to rock him a bit. 他故意的上下颠动车把，摇这个老猴子几下。 来自汉英文学 - 骆驼祥子
• Shafts were sunk, with tunnels dug laterally. 竖井已经打下，并且挖有横向矿道。 来自辞典例句

11 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

12 veracity   

n.诚实

参考例句：

• I can testify to this man's veracity and good character.我可以作证，此人诚实可靠品德良好。
• There is no reason to doubt the veracity of the evidence.没有理由怀疑证据的真实性。

13 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

14 extremities   

n.端点( extremity的名词复数 )；尽头；手和足；极窘迫的境地

参考例句：

• She was most noticeable, I thought, in respect of her extremities. 我觉得她那副穷极可怜的样子实在太惹人注目。 来自辞典例句
• Winters may be quite cool at the northwestern extremities. 西北边区的冬天也可能会相当凉。 来自辞典例句

15 illustrated   

adj. 有插图的，列举的 动词illustrate的过去式和过去分词

参考例句：

• His lecture was illustrated with slides taken during the expedition. 他在讲演中使用了探险时拍摄到的幻灯片。
• The manufacturing Methods: Will be illustrated in the next chapter. 制作方法将在下一章说明。

16 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

17 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》

18 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

19 watershed   

n.转折点，分水岭，分界线

参考例句：

• Our marriage was at a watershed.我们的婚姻到了一个转折关头。
• It forms the watershed between the two rivers.它成了两条河流的分水岭。

20 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

21 impure   

adj.不纯净的，不洁的；不道德的，下流的

参考例句：

• The air of a big city is often impure.大城市的空气往往是污浊的。
• Impure drinking water is a cause of disease.不洁的饮用水是引发疾病的一个原因。

22 flamboyant   

adj.火焰般的，华丽的，炫耀的

参考例句：

• His clothes were rather flamboyant for such a serious occasion.他的衣着在这种严肃场合太浮夸了。
• The King's flamboyant lifestyle is well known.国王的奢华生活方式是人尽皆知的。

23 fumigation   

n.烟熏，熏蒸；忿恨

参考例句：

• We think that the fumigation can be done in a large, round metal container. 我们觉得熏蒸过程可以在一个大圆金属容器内进行。 来自辞典例句
• In the northern states fumigation is needed only after insect outbreaks occur. 在北部各州，只在虫害发生后才进行熏蒸。 来自辞典例句

24 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

25 shrines   

圣地，圣坛，神圣场所( shrine的名词复数 )

参考例句：

• All three structures dated to the third century and were tentatively identified as shrines. 这3座建筑都建于3 世纪，并且初步鉴定为神庙。
• Their palaces and their shrines are tombs. 它们的宫殿和神殿成了墓穴。