CHAPTER II. THE LAMP OF TRUTH.

 I. There is a marked likeness¹ between the virtues³ of man and the enlightenment of the globe he inhabits—the same diminishing gradation in vigor⁴ up to the limits of their domains⁵, the same essential separation from their contraries—the same twilight⁶ at the meeting of the two: a something wider belt than the line where the world rolls into night, that strange twilight of the virtues; that dusky debateable land, wherein zeal⁷ becomes impatience⁸, and temperance becomes severity, and justice becomes cruelty, and faith superstition⁹, and each and all vanish into gloom.

 

Nevertheless, with the greater number of them, though their dimness increases gradually, we may mark the moment of their sunset; and, happily, may turn the shadow back by the way by which it had gone down: but for one, the line of the horizon is irregular and undefined; and this, too, the very equator and girdle of them all—Truth; that only one of which there are no degrees, but breaks and rents continually; that pillar of the earth, yet a cloudy pillar; that golden and narrow line, which the very powers and virtues that lean upon[Pg 35] it bend, which policy and prudence¹⁰ conceal¹¹, which kindness and courtesy modify, which courage overshadows with his shield, imagination covers with her wings, and charity dims with her tears. How difficult must the maintenance of that authority be, which, while it has to restrain the hostility¹² of all the worst principles of man, has also to restrain the disorders¹³ of his best—which is continually assaulted by the one, and betrayed by the other, and which regards with the same severity the lightest and the boldest violations¹⁵ of its law! There are some faults slight in the sight of love, some errors slight in the estimate of wisdom; but truth forgives no insult, and endures no stain.

 

We do not enough consider this; nor enough dread¹⁶ the slight and continual occasions of offence against her. We are too much in the habit of looking at falsehood in its darkest associations, and through the color of its worst purposes. That indignation which we profess¹⁷ to feel at deceit absolute, is indeed only at deceit malicious¹⁸. We resent calumny¹⁹, hypocrisy²⁰ and treachery, because they harm us, not because they are untrue. Take the detraction²¹ and the mischief²² from the untruth, and we are little offended by it; turn it into praise, and we may be pleased with it. And yet it is not calumny nor treachery that does the largest sum of mischief in the world; they are continually crushed, and are felt only in being conquered. But it is the glistening²³ and softly spoken lie; the amiable²⁴ fallacy; the patriotic²⁵ lie of the historian, the provident²⁶ lie of the politician, the zealous²⁷ lie of the partizan, the merciful lie of the friend, and the careless lie of each man to himself, that cast that black mystery over humanity, through which any man who pierces, we thank as we would thank one who dug a well in a desert; happy in that the thirst for truth still remains²⁹ with us, even when we have wilfully³⁰ left the fountains of it.

 

It would be well if moralists less frequently confused the greatness of a sin with its unpardonableness. The two characters are altogether distinct. The greatness of a fault depends partly on the nature of the person against whom it is committed, partly upon the extent of its consequences. Its par[Pg 36]donableness depends, humanly speaking, on the degree of temptation to it. One class of circumstances determines the weight of the attaching punishment; the other, the claim to remission of punishment: and since it is not easy for men to estimate the relative weight, nor possible for them to know the relative consequences, of crime, it is usually wise in them to quit the care of such nice measurements, and to look to the other and clearer condition of culpability³²; esteeming³³ those faults worst which are committed under least temptation. I do not mean to diminish the blame of the injurious and malicious sin, of the selfish and deliberate falsity; yet it seems to me, that the shortest way to check the darker forms of deceit is to set watch more scrupulous³⁵ against those which have mingled³⁶, unregarded and unchastised, with the current of our life. Do not let us lie at all. Do not think of one falsity as harmless, and another as slight, and another as unintended. Cast them all aside: they may be light and accidental; but they are an ugly soot³⁷ from the smoke of the pit, for all that; and it is better that our hearts should be swept clean of them, without over care as to which is largest or blackest. Speaking truth is like writing fair, and comes only by practice; it is less a matter of will than of habit, and I doubt if any occasion can be trivial which permits the practice and formation of such a habit. To speak and act truth with constancy and precision is nearly as difficult, and perhaps as meritorious³⁸, as to speak it under intimidation³⁹ or penalty; and it is a strange thought how many men there are, as I trust, who would hold to it at the cost of fortune or life, for one who would hold to it at the cost of a little daily trouble. And seeing that of all sin there is, perhaps, no one more flatly opposite to the Almighty⁴⁰, no one more "wanting the good of virtue² and of being," than this of lying, it is surely a strange insolence⁴² to fall into the foulness⁴⁴ of it on light or on no temptation, and surely becoming an honorable man to resolve that, whatever semblances⁴⁶ or fallacies the necessary course of his life may compel him to bear or to believe, none shall disturb the serenity⁴⁷ of his voluntary actions, nor diminish the reality of his chosen delights.[Pg 37]

 

II. If this be just and wise for truth's sake, much more is it necessary for the sake of the delights over which she has influence. For, as I advocated the expression of the Spirit of Sacrifice in the acts and pleasures of men, not as if thereby⁴⁸ those acts could further the cause of religion, but because most assuredly they might therein be infinitely⁴⁹ ennobled themselves, so I would have the Spirit or Lamp of Truth clear in the hearts of our artists and handicraftsmen, not as if the truthful⁵⁰ practice of handicrafts could far advance the cause of truth, but because I would fain see the handicrafts themselves urged by the spurs of chivalry⁵¹: and it is, indeed, marvellous to see what power and universality there is in this single principle, and how in the consulting or forgetting of it lies half the dignity or decline of every art and act of man. I have before endeavored to show its range and power in painting; and I believe a volume, instead of a chapter, might be written on its authority over all that is great in architecture. But I must be content with the force of instances few and familiar, believing that the occasions of its manifestation⁵² may be more easily discovered by a desire to be true, than embraced by an analysis of truth.

 

Only it is very necessary in the outset to mark clearly wherein consists the essence of fallacy as distinguished⁵³ from supposition.

 

III. For it might be at first thought that the whole kingdom of imagination was one of deception⁵⁴ also. Not so: the action of the imagination is a voluntary summoning of the conceptions of things absent or impossible; and the pleasure and nobility of the imagination partly consist in its knowledge and contemplation of them as such, i.e. in the knowledge of their actual absence or impossibility at the moment of their apparent presence or reality. When the imagination deceives it becomes madness. It is a noble faculty⁵⁵ so long as it confesses its own ideality; when it ceases to confess this, it is insanity⁵⁶. All the difference lies in the fact of the confession⁵⁷, in there being no deception. It is necessary to our rank as spiritual creatures, that we should be able to invent and to behold⁵⁸ what is not; and to our rank as moral creatures[Pg 38] that we should know and confess at the same time that it is not.

 

IV. Again, it might be thought, and has been thought, that the whole art of painting is nothing else than an endeavor to deceive. Not so: it is, on the contrary, a statement of certain facts, in the clearest possible way. For instance: I desire to give an account of a mountain or of a rock; I begin by telling its shape. But words will not do this distinctly, and I draw its shape, and say, "This was its shape." Next: I would fain represent its color; but words will not do this either, and I dye the paper, and say, "This was its color." Such a process may be carried on until the scene appears to exist, and a high pleasure may be taken in its apparent existence. This is a communicated act of imagination, but no lie. The lie can consist only in an assertion of its existence (which is never for one instant made, implied, or believed), or else in false statements of forms and colors (which are, indeed, made and believed to our great loss, continually). And observe, also, that so degrading a thing is deception in even the approach and appearance of it, that all painting which even reaches the mark of apparent realization⁵⁹, is degraded in so doing. I have enough insisted on this point in another place.

 

V. The violations of truth, which dishonor poetry and painting, are thus for the most part confined to the treatment of their subjects. But in architecture another and a less subtle, more contemptible⁶⁰, violation¹⁴ of truth is possible; a direct falsity of assertion respecting the nature of material, or the quantity of labor⁶¹. And this is, in the full sense of the word, wrong; it is as truly deserving of reprobation⁶² as any other moral delinquency; it is unworthy alike of architects and of nations; and it has been a sign, wherever it has widely and with toleration existed, of a singular debasement of the arts; that it is not a sign of worse than this, of a general want of severe probity⁶³, can be accounted for only by our knowledge of the strange separation which has for some centuries existed between the arts and all other subjects of human intellect, as matters of conscience. This withdrawal⁶⁴ of conscientiousness⁶⁵ from among the faculties⁶⁶ concerned with art, while it has[Pg 39] destroyed the arts themselves, has also rendered in a measure nugatory⁶⁷ the evidence which otherwise they might have presented respecting the character of the respective nations among whom they have been cultivated; otherwise, it might appear more than strange that a nation so distinguished for its general uprightness and faith as the English, should admit in their architecture more of pretence⁶⁸, concealment⁶⁹, and deceit, than any other of this or of past time.

 

They are admitted in thoughtlessness, but with fatal effect upon the art in which they are practised. If there were no other causes for the failures which of late have marked every great occasion for architectural exertion⁷⁰, these petty dishonesties would be enough to account for all. It is the first step and not the least, towards greatness to do away with these; the first, because so evidently and easily in our power. We may not be able to command good, or beautiful, or inventive architecture; but we can command an honest architecture: the meagreness of poverty may be pardoned, the sternness of utility respected; but what is there but scorn for the meanness of deception?

 

VI. Architectural Deceits are broadly to be considered under three heads:—

 

1st. The suggestion of a mode of structure or support, other than the true one; as in pendants of late Gothic roofs.

 

2d. The painting of surfaces to represent some other material than that of which they actually consist (as in the marbling of wood), or the deceptive⁷¹ representation of sculptured ornament⁷² upon them.

 

3d. The use of cast or machine-made ornaments⁷³ of any kind.

 

Now, it may be broadly stated, that architecture will be noble exactly in the degree in which all these false expedients⁷⁵ are avoided. Nevertheless, there are certain degrees of them, which, owing to their frequent usage, or to other causes, have so far lost the nature of deceit as to be admissible; as, for instance, gilding⁷⁶, which is in architecture no deceit, because it is therein not understood for gold; while in jewellery it is a deceit, because it is so understood, and therefore altogether to be reprehended⁷⁷. So that there arise, in the application of[Pg 40] the strict rules of right, many exceptions and niceties of conscience; which let us as briefly⁷⁸ as possible examine.

 

VII. 1st. Structural⁷⁹ Deceits. I have limited these to the determined⁸⁰ and purposed suggestion of a mode of support other than the true one. The architect is not bound to exhibit structure; nor are we to complain of him for concealing⁸¹ it, any more than we should regret that the outer surfaces of the human frame conceal much of its anatomy⁸²; nevertheless, that building will generally be the noblest, which to an intelligent eye discovers the great secrets of its structure, as an animal form does, although from a careless observer they may be concealed⁸³. In the vaulting⁸⁵ of a Gothic roof it is no deceit to throw the strength into the ribs⁸⁷ of it, and make the intermediate vault⁸⁴ a mere⁸⁸ shell. Such a structure would be presumed by an intelligent observer, the first time he saw such a roof; and the beauty of its traceries would be enhanced to him if they confessed and followed the lines of its main strength. If, however, the intermediate shell were made of wood instead of stone, and whitewashed⁹¹ to look like the rest,—this would, of course, be direct deceit, and altogether unpardonable.

 

There is, however, a certain deception necessarily occurring in Gothic architecture, which relates, not to the points, but to the manner, of support. The resemblance in its shafts⁹³ and ribs to the external relations of stems and branches, which has been the ground of so much foolish speculation⁹⁴, necessarily induces in the mind of the spectator a sense or belief of a correspondent internal structure; that is to say, of a fibrous and continuous strength from the root into the limbs, and an elasticity⁹⁶ communicated upwards⁹⁷, sufficient for the support of the ramified portions. The idea of the real conditions, of a great weight of ceiling thrown upon certain narrow, jointed⁹⁸ lines, which have a tendency partly to be crushed, and partly to separate and be pushed outwards¹⁰⁰, is with difficulty received; and the more so when the pillars would be, if unassisted, too slight for the weight, and are supported by external flying buttresses¹⁰², as in the apse of Beauvais, and other such achievements of the bolder Gothic. Now,[Pg 41] there is a nice question of conscience in this, which we shall hardly settle but by considering that, when the mind is informed beyond the possibility of mistake as to the true nature of things, the affecting it with a contrary impression, however distinct, is no dishonesty, but on the contrary, a legitimate¹⁰³ appeal to the imagination. For instance, the greater part of the happiness which we have in contemplating¹⁰⁴ clouds, results from the impression of their having massive, luminous¹⁰⁵, warm, and mountain-like surfaces; and our delight in the sky frequently depends upon our considering it as a blue vault. But we know the contrary, in both instances; we know the cloud to be a damp fog, or a drift of snow flakes¹⁰⁶; and the sky to be a lightless abyss. There is, therefore, no dishonesty, while there is much delight, in the irresistibly¹⁰⁷ contrary impression. In the same way, so long as we see the stones and joints¹⁰⁸, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dextrous artifices¹¹⁰ which compel us to feel as if there were fibre in its shafts and life in its branches. Nor is even the concealment of the support of the external buttress¹⁰¹ reprehensible¹¹¹, so long as the pillars are not sensibly inadequate¹¹² to their duty. For the weight of a roof is a circumstance of which the spectator generally has no idea, and the provisions for it, consequently, circumstances whose necessity or adaptation he could not understand. It is no deceit, therefore, when the weight to be borne is necessarily unknown, to conceal also the means of bearing it, leaving only to be perceived so much of the support as is indeed adequate to the weight supposed. For the shafts do, indeed, bear as much as they are ever imagined to bear, and the system of added support is no more, as a matter of conscience, to be exhibited, than, in the human or any other form, mechanical provisions for those functions which are themselves unperceived.

 

But the moment that the conditions of weight are comprehended, both truth and feeling require that the conditions of support should be also comprehended. Nothing can be worse, either as judged by the taste or the conscience, than[Pg 42] affectedly¹¹³ inadequate supports—suspensions in air, and other such tricks and vanities. Mr. Hope wisely reprehends¹¹⁴, for this reason, the arrangement of the main piers¹¹⁵ of St. Sophia at Constantinople. King's College Chapel¹¹⁶, Cambridge, is a piece of architectural juggling¹¹⁸, if possible still more to be condemned¹¹⁹, because less sublime¹²⁰.

 

VIII. With deceptive concealments of structure are to be classed, though still more blameable, deceptive assumptions of it—the introduction of members which should have, or profess to have, a duty, and have none. One of the most general instances of this will be found in the form of the flying buttress in late Gothic. The use of that member is, of course, to convey support from one pier²⁸ to another when the plan of the building renders it necessary or desirable that the supporting masses should be divided into groups, the most frequent necessity of this kind arising from the intermediate range of chapels¹²¹ or aisles¹²² between the nave¹²⁴ or choir¹²⁵ walls and their supporting piers. The natural, healthy, and beautiful arrangement is that of a steeply sloping bar of stone, sustained by an arch with its spandril carried farthest down on the lowest side, and dying into the vertical¹²⁶ of the outer pier; that pier being, of course, not square, but rather a piece of wall set at right angles to the supported walls, and, if need be, crowned by a pinnacle¹²⁷ to give it greater weight. The whole arrangement is exquisitely¹²⁹ carried out in the choir of Beauvais. In later Gothic the pinnacle became gradually a decorative¹³⁰ member, and was used in all places merely for the sake of its beauty. There is no objection to this; it is just as lawful¹³¹ to build a pinnacle for its beauty as a tower; but also the buttress became a decorative member; and was used, first, where it was not wanted, and, secondly¹³², in forms in which it could be of no use, becoming a mere tie, not between the pier and wall, but between the wall and the top of the decorative pinnacle, thus attaching itself to the very point where its thrust, if it made any, could not be resisted. The most flagrant instance of this barbarism that I remember (though it prevails partially¹³³ in all the spires¹³⁴ of the Netherlands), is the lantern of St. Ouen at Rouen, where the pierced buttress, having an ogee curve, looks about as much calculated[Pg 43] to bear a thrust as a switch of willow¹³⁶; and the pinnacles¹³⁷, huge and richly decorated, have evidently no work to do whatsoever¹³⁸, but stand round the central tower, like four idle servants, as they are—heraldic supporters, that central tower being merely a hollow crown, which needs no more buttressing¹³⁹ than a basket does. In fact, I do not know anything more strange or unwise than the praise lavished¹⁴⁰ upon this lantern; it is one of the basest pieces of Gothic in Europe; its flamboyant¹⁴² traceries of the last and most degraded forms;5 and its entire plan and decoration resembling, and deserving little more credit than, the burnt sugar ornaments of elaborate confectionery. There are hardly any of the magnificent and serene¹⁴³ constructions of the early Gothic which have not, in the course of time, been gradually thinned and pared away into these skeletons, which sometimes indeed, when their lines truly follow the structure of the original masses, have an interest like that of the fibrous framework of leaves from which the substance has been dissolved, but which are usually distorted as well as emaciated¹⁴⁴, and remain but the sickly phantoms¹⁴⁵ and mockeries of things that were; they are to true architecture what the Greek ghost was to the armed and living frame; and the very winds that whistle through the threads of them, are to the diapasoned echoes of the ancient walls, as to the voice of the man was the pining of the spectre.6

 

IX. Perhaps the most fruitful source of these kinds of corruption¹⁴⁶ which we have to guard against in recent times, is one which, nevertheless, comes in a "questionable¹⁴⁷ shape," and of which it is not easy to determine the proper laws and limits; I mean the use of iron. The definition of the art of architecture, given in the first chapter, is independent of its materials: nevertheless, that art having been, up to the beginning of the present century, practised for the most part in clay, stone, or wood, it has resulted that the sense of proportion and the laws of structure have been based, the one altogether, the other in great part, on the necessities consequent on the employment of those materials; and that the entire or principal employment of metallic¹⁴⁸ framework would, therefore, be generally felt as a departure from the first principles of the art. Abstract[Pg 44]edly there appears no reason why iron should not be used as well as wood; and the time is probably near when a new system of architectural laws will be developed, adapted entirely¹⁴⁹ to metallic construction. But I believe that the tendency of all present sympathy and association is to limit the idea of architecture to non-metallic work; and that not without reason. For architecture being in its perfection the earliest, as in its elements it is necessarily the first, of arts, will always precede, in any barbarous nation, the possession of the science necessary either for the obtaining or the management of iron. Its first existence and its earliest laws must, therefore, depend upon the use of materials accessible in quantity, and on the surface of the earth; that is to say, clay, wood, or stone: and as I think it cannot but be generally felt that one of the chief dignities of architecture is its historical use; and since the latter is partly dependent on consistency¹⁵⁰ of style, it will be felt right to retain as far as may be, even in periods of more advanced science, the materials and principles of earlier ages.

 

X. But whether this be granted me or not, the fact is, that every idea respecting size, proportion, decoration, or construction, on which we are at present in the habit of acting¹⁵¹ or judging, depends on presupposition of such materials: and as I both feel myself unable to escape the influence of these prejudices, and believe that my readers will be equally so, it may be perhaps permitted to me to assume that true architecture does not admit iron as a constructive¹⁵² material,7 and that such works as the cast-iron central spire¹³⁵ of Rouen Cathedral, or the iron roofs and pillars of our railway stations, and of some of our churches, are not architecture at all. Yet it is evident that metals may, and sometimes must, enter into the construction to a certain extent, as nails in wooden architecture, and therefore as legitimately¹⁵³ rivets¹⁵⁴ and solderings in stone; neither can we well deny to the Gothic architect the power of supporting statues, pinnacles, or traceries by iron bars; and if we grant this I do not see how we can help allowing Brunelleschi his iron chain around the dome¹⁵⁵ of Florence, or the builders of Salisbury their elaborate iron binding¹⁵⁶ of the central tower.8 If, however, we would not fall into the old sophistry¹⁵⁷ of the[Pg 45] grains of corn and the heap, we must find a rule which may enable us to stop somewhere. This rule is, I think, that metals may be used as a cement but not as a support. For as cements of other kinds are often so strong that the stones may easier be broken than separated, and the wall becomes a solid mass without for that reason losing the character of architecture, there is no reason why, when a nation has obtained the knowledge and practice of iron work, metal rods or rivets should not be used in the place of cement, and establish the same or a greater strength and adherence¹⁵⁸, without in any wise inducing departure from the types and system of architecture before established; nor does it make any difference except as to sightliness, whether the metal bands or rods so employed, be in the body of the wall or on its exterior¹⁵⁹, or set as stays and cross-bands; so only that the use of them be always and distinctly one which might be superseded¹⁶⁰ by mere strength of cement; as for instance if a pinnacle or mullion be propped¹⁶¹ or tied by an iron band, it is evident that the iron only prevents the separation of the stones by lateral¹⁶² force, which the cement would have done, had it been strong enough. But the moment that the iron in the least degree takes the place of the stone, and acts by its resistance to crushing, and bears superincumbent weight, or if it acts by its own weight as a counterpoise, and so supersedes¹⁶⁴ the use of pinnacles or buttresses in resisting a lateral thrust, or if, in the form of a rod or girder, it is used to do what wooden beams would have done as well, that instant the building ceases, so far as such applications of metal extend, to be true architecture.

 

XI. The limit, however, thus determined, is an ultimate one, and it is well in all things to be cautious how we approach the utmost limit of lawfulness¹⁶⁵; so that, although the employment of metal within this limit cannot be considered as destroying the very being and nature of architecture, it will, if, extravagant¹⁶⁶ and frequent, derogate¹⁶⁷ from the dignity of the work, as well as (which is especially to our present point) from its honesty. For although the spectator is not informed as to the quantity or strength of the cement employed, he will generally conceive the stones of the building to be separable[Pg 46] and his estimate of the skill of the architect will be based in a great measure on his supposition of this condition, and of the difficulties attendant upon it: so that it is always more honorable, and it has a tendency to render the style of architecture both more masculine and more scientific, to employ stone and mortar¹⁶⁸ simply as such, and to do as much as possible with the weight of the one and the strength of the other, and rather sometimes to forego a grace, or to confess a weakness, than attain¹⁶⁹ the one, or conceal the other, by means verging¹⁷⁰ upon dishonesty.

 

Nevertheless, where the design is of such delicacy¹⁷¹ and slightness as, in some parts of very fair and finished edifices¹⁷², it is desirable that it should be; and where both its completion and security are in a measure dependent on the use of metal, let not such use be reprehended; so only that as much is done as may be, by good mortar and good masonry¹⁷³; and no slovenly¹⁷⁴ workmanship admitted through confidence in the iron helps; for it is in this license¹⁷⁵ as in that of wine, a man may use it for his infirmities, but not for his nourishment¹⁷⁶.

 

XII. And, in order to avoid an over use of this liberty, it would be well to consider what application may be conveniently made of the dovetailing and various adjusting of stones; for when any artifice¹⁰⁹ is necessary to help the mortar, certainly this ought to come before the use of metal, for it is both safer and more honest. I cannot see that any objection can be made to the fitting of the stones in any shapes the architect pleases: for although it would not be desirable to see buildings put together like Chinese puzzles, there must always be a check upon such an abuse of the practice in its difficulty; nor is it necessary that it should be always exhibited, so that it be understood by the spectator as an admitted help, and that no principal stones are introduced in positions apparently¹⁷⁷ impossible for them to retain, although a riddle¹⁷⁸ here and there, in unimportant features, may sometimes serve to draw the eye to the masonry, and make it interesting, as well as to give a delightful¹⁷⁹ sense of a kind of necromantic¹⁸⁰ power in the architect. There is a pretty one in the lintel of the lateral door of the cathedral of Prato[Pg 47] (Plate IV. fig¹⁸¹. 4.); where the maintenance of the visibly separate stones, alternate marble and serpentine¹⁸², cannot be understood until their cross-cutting is seen below. Each block is, of course, of the form given in fig. 5.

 

XIII. Lastly, before leaving the subject of structural deceits, I would remind the architect who thinks that I am unnecessarily and narrowly limiting his resources or his art, that the highest greatness and the highest wisdom are shown, the first by a noble submission¹⁸³ to, the second by a thoughtful providence¹⁸⁴ for, certain voluntarily admitted restraints. Nothing is more evident than this, in that supreme¹⁸⁵ government which is the example, as it is the centre, of all others. The Divine Wisdom is, and can be, shown to us only in its meeting and contending with the difficulties which are voluntarily, and for the sake of that contest, admitted by the Divine Omnipotence¹⁸⁶: and these difficulties, observe, occur in the form of natural laws or ordinances¹⁸⁷, which might, at many times and in countless¹⁸⁸ ways, be infringed¹⁸⁹ with apparent advantage, but which are never infringed, whatever costly¹⁹⁰ arrangements or adaptations their observance may necessitate¹⁹¹ for the accomplishment¹⁹² of given purposes. The example most apposite to our present subject is the structure of the bones of animals. No reason can be given, I believe, why the system of the higher animals should not have been made capable, as that of the Infusoria is, of secreting¹⁹³ flint, instead of phosphate of lime, or more naturally still, carbon; so framing the bones of adamant¹⁹⁴ at once. The elephant or rhinoceros¹⁹⁵, had the earthy part of their bones been made of diamond, might have been as agile¹⁹⁶ and light as grasshoppers¹⁹⁷, and other animals might have been framed far more magnificently colossal¹⁹⁸ than any that walk the earth. In other worlds we may, perhaps, see such creations; a creation for every element, and elements infinite. But the architecture of animals here, is appointed by God to be a marble architecture, not a flint nor adamant architecture; and all manner of expedients are adopted to attain the utmost degree of strength and size possible under that great limitation. The jaw²⁰⁰ of the ichthyosaurus is pieced and riveted²⁰¹, the leg of the megatherium is a foot thick, and[Pg 48] the head of the myodon has a double skull²⁰²; we, in our wisdom, should, doubtless, have given the lizard²⁰³ a steel jaw, and the myodon a cast-iron headpiece, and forgotten the great principle to which all creation bears witness, that order and system are nobler things than power. But God shows us in Himself, strange as it may seem, not only authoritative²⁰⁴ perfection, but even the perfection of Obedience²⁰⁵—an obedience to His own laws: and in the cumbrous movement of those unwieldiest of His creatures we are reminded, even in His divine essence, of that attribute of uprightness in the human creature "that sweareth to his own hurt and changeth not."

 

XIV. 2d. Surface Deceits. These may be generally defined as the inducing the supposition of some form or material which does not actually exist; as commonly in the painting of wood to represent marble, or in the painting of ornaments in deceptive relief, &c. But we must be careful to observe, that the evil of them consists always in definitely attempted deception, and that it is a matter of some nicety to mark the point where deception begins or ends.

 

Thus, for instance, the roof of Milan Cathedral is seemingly covered with elaborate fan tracery, forcibly enough painted to enable it, in its dark and removed position, to deceive a careless observer. This is, of course, gross degradation²⁰⁶; it destroys much of the dignity even of the rest of the building, and is in the very strongest terms to be reprehended.

 

The roof of the Sistine Chapel has much architectural design in grissaille mingled with the figures of its frescoes²⁰⁸; and the effect is increase of dignity.

 

In what lies the distinctive²⁰⁹ character?

 

In two points, principally:—First. That the architecture is so closely associated with the figures, and has so grand fellowship with them in its forms and cast shadows, that both are at once felt to be of a piece; and as the figures must necessarily be painted, the architecture is known to be so too. There is thus no deception.

 

Second. That so great a painter as Michael Angelo would always stop short in such minor²¹⁰ parts of his design, of the de[Pg 49]gree of vulgar force which would be necessary to induce the supposition of their reality; and, strangely as it may sound, would never paint badly enough to deceive.

 

But though right and wrong are thus found broadly opposed in works severally so mean and so mighty⁴¹ as the roof of Milan and that of the Sistine, there are works neither so great nor so mean, in which the limits of right are vaguely²¹¹ defined, and will need some care to determine; care only, however, to apply accurately²¹² the broad principle with which we set out, that no form nor material is to be deceptively represented.

 

XV. Evidently, then, painting, confessedly such, is no deception: it does not assert any material whatever. Whether it be on wood or on stone, or, as will naturally be supposed, on plaster, does not matter. Whatever the material, good painting makes it more precious; nor can it ever be said to deceive respecting the ground of which it gives us no information. To cover brick with plaster, and this plaster with fresco²⁰⁷, is, therefore, perfectly²¹³ legitimate; and as desirable a mode of decoration as it is constant in the great periods. Verona and Venice are now seen deprived of more than half their former splendor²¹⁴; it depended far more on their frescoes than their marbles. The plaster, in this case, is to be considered as the gesso ground on panel or canvas. But to cover brick with cement, and to divide this cement with joints that it may look like stone, is to tell a falsehood; and is just as contemptible a procedure as the other is noble.

 

It being lawful to paint then, is it lawful to paint everything? So long as the painting is confessed—yes; but if, even in the slightest degree, the sense of it be lost, and the thing painted be supposed real—no. Let us take a few instances. In the Campo Santo at Pisa, each fresco is surrounded with a border composed of flat colored patterns of great elegance—no part of it in attempted relief. The certainty of flat surface being thus secured, the figures, though the size of life, do not deceive, and the artist thenceforward is at liberty to put forth²¹⁵ his whole power, and to lead us through fields and groves²¹⁶, and depths of pleasant landscape, and to soothe²¹⁷ us with the sweet clearness of far off sky, and yet[Pg 50] never lose the severity of his primal²¹⁸ purpose of architectural decoration.

 

In the Camera di Correggio of San Lodovico at Parma, the trellises of vine shadow the walls, as if with an actual arbor²¹⁹; and the troops of children, peeping through the oval openings, luscious²²⁰ in color and faint in light, may well be expected every instant to break through, or hide behind the covert²²¹. The grace of their attitudes, and the evident greatness of the whole work, mark that it is painting, and barely redeem²²² it from the charge of falsehood; but even so saved, it is utterly²²³ unworthy to take a place among noble or legitimate architectural decoration.

 

In the cupola of the duomo of Parma the same painter has represented the Assumption with so much deceptive power, that he has made a dome of some thirty feet diameter look like a cloud-wrapt opening in the seventh heaven, crowded with a rushing sea of angels. Is this wrong? Not so: for the subject at once precludes²²⁴ the possibility of deception. We might have taken the vines for a veritable pergoda, and the children for its haunting ragazzi; but we know the stayed clouds and moveless angels must be man's work; let him put his utmost strength to it and welcome, he can enchant²²⁵ us, but cannot betray.

 

We may thus apply the rule to the highest, as well as the art of daily occurrence, always remembering that more is to be forgiven to the great painter than to the mere decorative workman; and this especially, because the former, even in deceptive portions, will not trick us so grossly; as we have just seen in Correggio, where a worse painter would have made the thing look like life at once. There is, however, in room, villa²²⁶, or garden decoration, some fitting admission of trickeries of this kind, as of pictured landscapes at the extremities²²⁷ of alleys²²⁸ and arcades²³⁰, and ceilings like skies, or painted with prolongations upwards of the architecture of the walls, which things have sometimes a certain luxury and pleasureableness in places meant for idleness, and are innocent enough as long as they are regarded as mere toys.

 

XVI. Touching²³¹ the false representation of material, the[Pg 51] question is infinitely more simple, and the law more sweeping²³²; all such imitations are utterly base and inadmissible. It is melancholy²³³ to think of the time and expense lost in marbling the shop fronts of London alone, and of the waste of our resources in absolute vanities, in things about which no mortal cares, by which no eye is ever arrested, unless painfully, and which do not add one whit⁹⁰ to comfort or cleanliness, or even to that great object of commercial art—conspicuousness. But in architecture of a higher rank, how much more is it to be condemned? I have made it a rule in the present work not to blame specifically; but I may, perhaps, be permitted, while I express my sincere admiration²³⁵ of the very noble entrance and general architecture of the British Museum, to express also my regret that the noble granite²³⁶ foundation of the staircase should be mocked at its landing by an imitation, the more blameable because tolerably successful. The only effect of it is to cast a suspicion upon the true stones below, and upon every bit of granite afterwards encountered. One feels a doubt, after it, of the honesty of Memnon himself. But even this, however derogatory to the noble architecture around it, is less painful than the want of feeling with which, in our cheap modern churches, we suffer the wall decorator to erect²³⁷ about the altar frameworks and pediments daubed with mottled color, and to dye in the same fashions such skeletons or caricatures of columns as may emerge above the pews; this is not merely bad taste; it is no unimportant or excusable error which brings even these shadows of vanity and falsehood into the house of prayer. The first condition which just feeling requires in church furniture is, that it should be simple and unaffected, not fictitious²³⁸ nor tawdry. It may be in our power to make it beautiful, but let it at least be pure; and if we cannot permit much to the architect, do not let us permit anything to the upholsterer; if we keep to solid stone and solid wood, whitewashed, if we like, for cleanliness' sake (for whitewash⁸⁹ has so often been used as the dress of noble things that it has thence received a kind of nobility itself), it must be a bad design indeed which is grossly offensive. I recollect²³⁹ no instance of a[Pg 52] want of sacred character, or of any marked and painful ugliness, in the simplest or the most awkwardly built village church, where stone and wood were roughly and nakedly used, and the windows latticed with white glass. But the smoothly²⁴⁰ stuccoed walls, the flat roofs with ventilator ornaments, the barred windows with jaundiced borders and dead ground square panes²⁴¹, the gilded²⁴² or bronzed wood, the painted iron, the wretched upholstery of curtains and cushions, and pew heads and altar railings, and Birmingham metal candlesticks, and, above all, the green and yellow sickness of the false marble—disguises all, observe; falsehoods all—who are they who like these things? who defend them? who do them? I have never spoken to any one who did like them, though to many who thought them matters of no consequence. Perhaps not to religion (though I cannot but believe that there are many to whom, as to myself, such things are serious obstacles to the repose²⁴³ of mind and temper which should precede devotional exercises); but to the general tone of our judgment²⁴⁴ and feeling—yes; for assuredly we shall regard, with tolerance²⁴⁵, if not with affection, whatever forms of material things we have been in the habit of associating with our worship, and be little prepared to detect or blame hypocrisy, meanness, and disguise in other kinds of decoration when we suffer objects belonging to the most solemn of all services to be tricked out in a fashion so fictitious and unseemly.

 

XVII. Painting, however, is not the only mode in which material may be concealed, or rather simulated; for merely to conceal is, as we have seen, no wrong. Whitewash, for instance, though often (by no means always) to be regretted as a concealment, is not to be blamed as a falsity. It shows itself for what it is, and asserts nothing of what is beneath it. Gilding has become, from its frequent use, equally innocent. It is understood for what it is, a film merely, and is, therefore, allowable to any extent. I do not say expedient⁷⁴: it is one of the most abused means of magnificence we possess, and I much doubt whether any use we ever make of it, balances that loss of pleasure, which, from the frequent sight and perpetual suspicion of it, we suffer in the contemplation of any[Pg 53]thing that is verily of gold. I think gold was meant to be seldom seen and to be admired as a precious thing; and I sometimes wish that truth should so far literally²⁴⁶ prevail as that all should be gold that glittered, or rather that nothing should glitter that was not gold. Nevertheless, nature herself does not dispense²⁴⁷ with such semblance⁴⁵, but uses light for it; and I have too great a love for old and saintly art to part with its burnished²⁴⁸ field, or radiant nimbus; only it should be used with respect, and to express magnificence, or sacredness, and not in lavish¹⁴¹ vanity, or in sign painting. Of its expedience²⁴⁹, however, any more than of that of color, it is not here the place to speak; we are endeavoring to determine what is lawful, not what is desirable. Of other and less common modes of disguising surface, as of powder of lapis lazuli, or mosaic²⁵⁰ imitations of colored stones, I need hardly speak. The rule will apply to all alike, that whatever is pretended, is wrong; commonly enforced also by the exceeding ugliness and insufficient²⁵¹ appearance of such methods, as lately in the style of renovation²⁵² by which half the houses in Venice have been defaced, the brick covered first with stucco, and this painted with zigzag²⁵³ veins²⁵⁴ in imitation of alabaster²⁵⁵. But there is one more form of architectural fiction, which is so constant in the great periods that it needs respectful judgment. I mean the facing of brick with precious stone.

 

XVIII. It is well known, that what is meant by a church's being built of marble is, in nearly all cases, only that a veneering of marble has been fastened on the rough brick wall, built with certain projections²⁵⁶ to receive it; and that what appear to be massy stones, are nothing more than external slabs²⁵⁷.

 

Now, it is evident, that, in this case, the question of right is on the same ground as in that of gilding. If it be clearly understood that a marble facing does not pretend or imply a marble wall, there is no harm in it; and as it is also evident that, when very precious stones are used, as jaspers and serpentines²⁵⁸, it must become, not only an extravagant and vain increase of expense, but sometimes an actual impossibility, to obtain mass of them enough to build with, there is no resource but this of veneering; nor is there anything to be alleged[Pg 54] against it on the head of durability²⁶⁰, such work having been by experience found to last as long, and in as perfect condition, as any kind of masonry. It is, therefore, to be considered as simply an art of mosaic on a large scale, the ground being of brick, or any other material; and when lovely stones are to be obtained, it is a manner which should be thoroughly²⁶¹ understood, and often practised. Nevertheless, as we esteem³⁴ the shaft⁹² of a column more highly for its being of a single block, and as we do not regret the loss of substance and value which there is in things of solid gold, silver, agate²⁶², or ivory; so I think the walls themselves may be regarded with a more just complacency if they are known to be all of noble substance; and that rightly weighing the demands of the two principles of which we have hitherto spoken—Sacrifice and Truth, we should sometimes rather spare external ornament than diminish the unseen value and consistency of what we do; and I believe that a better manner of design, and a more careful and studious, if less abundant decoration would follow, upon the consciousness of thoroughness in the substance. And, indeed, this is to be remembered, with respect to all the points we have examined; that while we have traced the limits of license, we have not fixed²⁶³ those of that high rectitude which refuses license. It is thus true that there is no falsity, and much beauty in the use of external color, and that it is lawful to paint either pictures or patterns on whatever surfaces may seem to need enrichment. But it is not less true, that such practices are essentially²⁶⁴ unarchitectural; and while we cannot say that there is actual danger in an over use of them, seeing that they have been always used most lavishly²⁶⁵ in the times of most noble art, yet they divide the work into two parts and kinds, one of less durability than the other, which dies away from it in process of ages, and leaves it, unless it have noble qualities of its own, naked and bare. That enduring noblesse I should, therefore, call truly architectural; and it is not until this has been secured that the accessory power of painting may be called in, for the delight of the immediate²⁶⁶ time; nor this, as I think, until every resource of a more stable kind has been exhausted²⁶⁷. The true colors of architecture are those of natural stone, and [Pg 55] I would fain see these taken advantage of to the full. Every variety of hue²⁶⁸, from pale yellow to purple, passing through orange, red, and brown, is entirely at our command; nearly every kind of green and gray is also attainable²⁶⁹: and with these, and pure white, what harmonies might we not achieve? Of stained and variegated²⁷⁰ stone, the quantity is unlimited²⁷¹, the kinds innumerable; where brighter colors are required, let glass, and gold protected by glass, be used in mosaic—a kind of work as durable²⁷² as the solid stone, and incapable²⁷³ of losing its lustre²⁷⁴ by time—and let the painter's work be reserved for the shadowed loggia and inner chamber²⁷⁵. This is the true and faithful way of building; where this cannot be, the device of external coloring may, indeed, be employed without dishonor; but it must be with the warning reflection, that a time will come when such aids must pass away, and when the building will be judged in its lifelessness, dying the death of the dolphin. Better the less bright, more enduring fabric²⁷⁶. The transparent²⁷⁷ alabasters of San Miniato, and the mosaics²⁷⁸ of St. Mark's, are more warmly filled, and more brightly touched, by every return of morning and evening rays; while the hues²⁷⁹ of our cathedrals have died like the iris²⁸⁰ out of the cloud; and the temples whose azure²⁸¹ and purple once flamed above the Grecian promontories²⁸², stand in their faded whiteness, like snows which the sunset has left cold.

 

PLATE II. PLATE II.—(Page 55—Vol. V.)

Part of the Cathedral of St. Lo, Normandy.

XIX. The last form of fallacy which it will be remembered we had to deprecate, was the substitution of cast or machine work for that of the hand, generally expressible as Operative Deceit.

 

There are two reasons, both weighty, against this practice; one, that all cast and machine work is bad, as work; the other, that it is dishonest. Of its badness, I shall speak in another place, that being evidently no efficient reason against its use when other cannot be had. Its dishonesty, however, which, to my mind, is of the grossest kind, is, I think, a sufficient reason to determine absolute and unconditional²⁸³ rejection²⁸⁴ of it.

 

Ornament, as I have often before observed, has two entirely distinct sources of agreeableness: one, that of the ab[Pg 56]stract beauty of its forms, which, for the present, we will suppose to be the same whether they come from the hand or the machine; the other, the sense of human labor and care spent upon it. How great this latter influence we may perhaps judge, by considering that there is not a cluster of weeds growing in any cranny of ruin which has not a beauty in all respects nearly equal, and, in some, immeasurably superior, to that of the most elaborate sculpture of its stones: and that all our interest in the carved work, our sense of its richness, though it is tenfold less rich than the knots of grass beside it; of its delicacy, though it is a thousand fold less delicate; of its admirableness, though a millionfold less admirable; results from our consciousness of its being the work of poor, clumsy, toilsome man. Its true delightfulness²⁸⁵ depends on our discovering in it the record of thoughts, and intents, and trials, and heart-breakings—of recoveries and joyfulnesses of success: all this can be traced by a practised eye; but, granting it even obscure, it is presumed or understood; and in that is the worth of the thing, just as much as the worth of anything else we call precious. The worth of a diamond is simply the understanding of the time it must take to look for it before it can be cut. It has an intrinsic value besides, which the diamond has not (for a diamond has no more real beauty than a piece of glass); but I do not speak of that at present; I place the two on the same ground; and I suppose that hand-wrought²⁸⁶ ornament can no more be generally known from machine work, than a diamond can be known from paste; nay²⁸⁷, that the latter may deceive, for a moment, the mason's, as the other the jeweller's eye; and that it can be detected only by the closest examination. Yet exactly as a woman of feeling would not wear false jewels, so would a builder of honor disdain²⁸⁸ false ornaments. The using of them is just as downright and inexcusable a lie. You use that which pretends to a worth which it has not; which pretends to have cost, and to be, what it did not, and is not; it is an imposition, a vulgarity, an impertinence, and a sin. Down with it to the ground, grind it to powder, leave its ragged²⁸⁹ place upon the wall, rather; you have not paid for it, you[Pg 57] have no business with it, you do not want it. Nobody wants ornaments in this world, but everybody wants integrity. All the fair devices that ever were fancied, are not worth a lie. Leave your walls as bare as a planed board, or build them of baked mud and chopped straw, if need be; but do not rough-cast them with falsehood.

 

This, then, being our general law, and I hold it for a more imperative²⁹⁰ one than any other I have asserted; and this kind of dishonesty the meanest, as the least necessary; for ornament is an extravagant and inessential thing; and, therefore, if fallacious, utterly base—this, I say, being our general law, there are, nevertheless, certain exceptions respecting particular substances and their uses.

 

XX. Thus in the use of brick; since that is known to be originally moulded, there is no reason why it should not be moulded into diverse forms. It will never be supposed to have been cut, and therefore, will cause no deception; it will have only the credit it deserves. In flat countries, far from any quarry²⁹¹ of stone, cast brick may be legitimately, and most successfully, used in decoration, and that elaborate, and even refined. The brick mouldings of the Palazzo Pepoli at Bologna, and those which run round the market-place of Vercelli, are among the richest in Italy. So also, tile and porcelain²⁹² work, of which the former is grotesquely²⁹³, but successfully, employed in the domestic architecture of France, colored tiles being inserted in the diamond spaces between the crossing timbers; and the latter admirably in Tuscany, in external bas-reliefs, by the Robbia family, in which works, while we cannot but sometimes regret the useless and ill-arranged colors, we would by no means blame the employment of a material which, whatever its defects, excels every other in permanence, and, perhaps, requires even greater skill in its management than marble. For it is not the material, but the absence of the human labor, which makes the thing worthless; and a piece of terra cotta, or of plaster of Paris, which has been wrought by human hand, is worth all the stone in Carrara, cut by machinery²⁹⁴. It is, indeed, possible, and even usual, for men to sink into machines themselves, so[Pg 58] that even hand-work has all the characters of mechanism²⁹⁵; of the difference between living and dead hand-work I shall speak presently; all that I ask at present is, what it is always in our power to secure—the confession of what we have done, and what we have given; so that when we use stone at all, since all stone is naturally supposed to be carved by hand, we must not carve it by machinery; neither must we use any artificial stone cast into shape, nor any stucco ornaments of the color of stone, or which might in anywise be mistaken for it, as the stucco mouldings in the cortile of the Palazzo Vecchio at Florence, which cast a shame and suspicion over every part of the building. But for ductile²⁹⁶ and fusible materials, as clay, iron, and bronze, since these will usually be supposed to have been cast or stamped, it is at our pleasure to employ them as we will; remembering that they become precious, or otherwise, just in proportion to the hand-work upon them, or to the clearness of their reception of the hand-work of their mould.

 

But I believe no cause to have been more active in the degradation of our natural feeling for beauty, than the constant use of cast iron ornaments. The common iron work of the middle ages was as simple as it was effective, composed of leafage cut flat out of sheet iron, and twisted at the workman's will. No ornaments, on the contrary, are so cold, clumsy, and vulgar, so essentially incapable of a fine line, or shadow, as those of cast iron; and while, on the score of truth, we can hardly allege²⁵⁹ anything against them, since they are always distinguishable, at a glance, from wrought and hammered work, and stand only for what they are, yet I feel very strongly that there is no hope of the progress of the arts of any nation which indulges in these vulgar and cheap substitutes for real decoration. Their inefficiency²⁹⁷ and paltriness²⁹⁸ I shall endeavor to show more conclusively²⁹⁹ in another place, enforcing only, at present, the general conclusion that, if even honest or allowable, they are things in which we can never take just pride or pleasure, and must never be employed in any place wherein they might either themselves obtain the credit of being other and better than they are, or be asso[Pg 59]ciated with the downright work to which it would be a disgrace to be found in their company.

 

Such are, I believe, the three principal kinds of fallacy by which architecture is liable to be corrupted³⁰⁰; there are, however, other and more subtle forms of it, against which it is less easy to guard by definite law, than by the watchfulness³⁰¹ of a manly³¹ and unaffected spirit. For, as it has been above noticed, there are certain kinds of deception which extend to impressions and ideas only; of which some are, indeed, of a noble use, as that above referred to, the arborescent look of lofty Gothic aisles; but of which the most part have so much of legerdemain³⁰² and trickery about them, that they will lower any style in which they considerably³⁰³ prevail; and they are likely to prevail when once they are admitted, being apt to catch the fancy alike of uninventive architects and feelingless spectators; just as mean and shallow minds are, in other matters, delighted with the sense of over-reaching, or tickled³⁰⁴ with the conceit³⁰⁵ of detecting the intention to over-reach; and when subtleties³⁰⁶ of this kind are accompanied by the display of such dextrous stone-cutting, or architectural sleight³⁰⁷ of hand, as may become, even by itself, a subject of admiration, it is a great chance if the pursuit of them do not gradually draw us away from all regard and care for the nobler character of the art, and end in its total paralysis³⁰⁸ or extinction³⁰⁹. And against this there is no guarding, but by stern disdain of all display of dexterity³¹⁰ and ingenious device, and by putting the whole force of our fancy into the arrangement of masses and forms, caring no more how these masses and forms are wrought out, than a great painter cares which way his pencil strikes. It would be easy to give many instances of the danger of these tricks and vanities; but I shall confine myself to the examination of one which has, as I think, been the cause of the fall of Gothic architecture throughout Europe. I mean the system of intersectional³¹² mouldings, which, on account of its great importance, and for the sake of the general reader, I may, perhaps, be pardoned for explaining elementarily.

 

XXI. I must, in the first place, however, refer to Professor[Pg 60] Willis's account of the origin of tracery, given in the sixth chapter of his Architecture of the Middle Ages; since the publication of which I have been not a little amazed to hear of any attempts made to resuscitate³¹³ the inexcusably absurd theory of its derivation from imitated vegetable form—inexcusably, I say, because the smallest acquaintance with early Gothic architecture would have informed the supporters of that theory of the simple fact, that, exactly in proportion to the antiquity³¹⁴ of the work, the imitation of such organic forms is less, and in the earliest examples does not exist at all. There cannot be the shadow of a question, in the mind of a person familiarised with any single series of consecutive³¹⁵ examples, that tracery arose from the gradual enlargement of the penetrations³¹⁶ of the shield of stone which, usually supported by a central pillar, occupied the head of early windows. Professor Willis, perhaps, confines his observations somewhat too absolutely to the double sub-arch. I have given, in Plate VII. fig. 2, an interesting case of rude penetration³¹⁷ of a high and simply trefoiled shield, from the church of the Eremitani at Padua. But the more frequent and typical form is that of the double sub-arch, decorated with various piercings of the space between it and the superior arch; with a simple trefoil under a round arch, in the Abbaye aux Hommes, Caen9 (Plate III. fig. 1); with a very beautifully proportioned quatrefoil, in the triforium of Eu, and that of the choir of Lisieux; with quatrefoils, sixfoils, and septfoils, in the transept towers of Rouen (Plate III. fig. 2); with a trefoil awkwardly, and very small quatrefoil above, at Coutances, (Plate III. fig. 3); then, with multiplications³¹⁸ of the same figures, pointed¹⁹⁹ or round, giving very clumsy shapes of the intermediate stone (fig. 4, from one of the nave chapels of Rouen, fig. 5, from one of the nave chapels of Bayeaux), and finally, by thinning out the stony³¹⁹ ribs, reaching conditions like that of the glorious typical form of the clerestory of the apse of Beauvais (fig. 6).

 

PLATE III. PLATE III.—(Page 60—Vol. V.)

Traceries From Caen, Bayeux, Rouen, and Beavais.

XXII. Now, it will be noticed that, during the whole of this process, the attention is kept fixed on the forms of the penetrations, that is to say, of the lights as seen from the interior, not of the intermediate stone. All the grace of the [Pg 61] window is in the outline of its light; and I have drawn³²⁰ all these traceries as seen from within, in order to show the effect of the light thus treated, at first in far off and separate stars, and then gradually enlarging, approaching, until they come and stand over us, as it were, filling the whole space with their effulgence³²¹. And it is in this pause of the star, that we have the great, pure, and perfect form of French Gothic; it was at the instant when the rudeness of the intermediate space had been finally conquered, when the light had expanded to its fullest, and yet had not lost its radiant unity³²², principality, and visible first causing of the whole, that we have the most exquisite¹²⁸ feeling and most faultless judgments³²³ in the management alike of the tracery and decorations. I have given, in Plate X., an exquisite example of it, from a panel decoration of the buttresses of the north door of Rouen; and in order that the reader may understand what truly fine Gothic work is, and how nobly it unites fantasy and law, as well as for our immediate purpose, it will be well that he should examine its sections and mouldings in detail (they are described in the fourth Chapter, § xxvii.), and that the more carefully, because this design belongs to a period in which the most important change took place in the spirit of Gothic architecture, which, perhaps, ever resulted from the natural progress of any art. That tracery marks a pause between the laying aside of one great ruling principle, and the taking up of another; a pause as marked, as clear, as conspicuous²³⁴ to the distant view of after times, as to the distant glance of the traveller is the culminating ridge¹¹⁷ of the mountain chain over which he has passed. It was the great watershed³²⁴ of Gothic art. Before it, all had been ascent³²⁵; after it, all was decline; both, indeed, by winding³²⁶ paths and varied³²⁷ slopes; both interrupted, like the gradual rise and fall of the passes of the Alps, by great mountain outliers, isolated³²⁸ or branching from the central chain, and by retrograde or parallel directions of the valleys of access. But the track of the human mind is traceable up to that glorious ridge, in a continuous line, and thence downwards³²⁹. Like a silver zone[Pg 62]—

 

"Flung about carelessly, it shines afar,

Catching³³⁰ the eye in many a broken link,

In many a turn and traverse, as it glides³³¹.

And oft above, and oft below, appears—

* * * * to him who journeys up

As though it were another."

And at that point, and that instant, reaching the place that was nearest heaven, the builders looked back, for the last time, to the way by which they had come, and the scenes through which their early course had passed. They turned away from them and their morning light, and descended³³² towards a new horizon, for a time in the warmth of western sun, but plunging³³³ with every forward step into more cold and melancholy shade.

 

XXIII. The change of which I speak, is inexpressible in few words, but one more important, more radically³³⁴ influential³³⁵, could not be. It was the substitution of the line for the mass, as the element of decoration.

 

We have seen the mode in which the openings or penetration of the window expanded, until what were, at first, awkward forms of intermediate stone, became delicate lines of tracery: and I have been careful in pointing out the peculiar³³⁶ attention bestowed³³⁷ on the proportion and decoration of the mouldings of the window at Rouen, in Plate X., as compared with earlier mouldings, because that beauty and care are singularly significant. They mark that the traceries had caught the eye of the architect. Up to that time, up to the very last instant in which the reduction and thinning of the intervening stone was consummated³³⁸, his eye had been on the openings only, on the stars of light. He did not care about the stone, a rude border of moulding was all he needed, it was the penetrating³³⁹ shape which he was watching. But when that shape had received its last possible expansion, and when the stone-work became an arrangement of graceful³⁴⁰ and parallel lines, that arrangement, like some form in a picture, unseen and accidentally developed, struck suddenly, inevitably³⁴¹, on the sight. It had literally not been seen before. It flashed out in an instant as an independent form. It became a feature of the[Pg 63] work. The architect took it under his care, thought over it, and distributed its members as we see.

 

Now, the great pause was at the moment when the space and the dividing stone-work were both equally considered. It did not last fifty years. The forms of the tracery were seized with a childish delight in the novel source of beauty; and the intervening space was cast aside, as an element of decoration, for ever. I have confined myself, in following this change, to the window, as the feature in which it is clearest. But the transition is the same in every member of architecture; and its importance can hardly be understood, unless we take the pains to trace it in the universality, of which illustrations, irrelevant³⁴² to our present purpose, will be found in the third Chapter. I pursue here the question of truth, relating to the treatment of the mouldings.

 

XXIV. The reader will observe that, up to the last expansion of the penetrations, the stone-work was necessarily considered, as it actually is, stiff, and unyielding. It was so, also, during the pause of which I have spoken, when the forms of the tracery were still severe and pure; delicate indeed, but perfectly firm.

 

At the close of the period of pause, the first sign of serious change was like a low breeze, passing through the emaciated tracery, and making it tremble. It began to undulate like the threads of a cobweb lifted by the wind. It lost its essence as a structure of stone. Reduced to the slenderness of threads, it began to be considered as possessing also their flexibility³⁴³. The architect was pleased with this his new fancy, and set himself to carry it out; and in a little time, the bars of tracery were caused to appear to the eye as if they had been woven together like a net. This was a change which sacrificed a great principle of truth; it sacrificed the expression of the qualities of the material; and, however delightful its results in their first developments, it was ultimately ruinous.

 

For, observe the difference between the supposition of ductility³⁴⁴, and that of elastic⁹⁵ structure noticed above in the resemblance to tree form. That resemblance was not sought, but necessary; it resulted from the natural conditions of strength[Pg 64] in the pier or trunk, and slenderness in the ribs or branches, while many of the other suggested conditions of resemblance were perfectly true. A tree branch, though in a certain sense flexible, is not ductile; it is as firm in its own form as the rib⁸⁶ of stone; both of them will yield up to certain limits, both of them breaking when those limits are exceeded; while the tree trunk will bend no more than the stone pillar. But when the tracery is assumed to be as yielding as a silken cord; when the whole fragility, elasticity, and weight of the material are to the eye, if not in terms, denied; when all the art of the architect is applied³⁴⁵ to disprove the first conditions of his working, and the first attributes of his materials; this is a deliberate treachery, only redeemed³⁴⁶ from the charge of direct falsehood by the visibility of the stone surface, and degrading all the traceries it affects exactly in the degree of its presence.

 

XXV. But the declining and morbid³⁴⁷ taste of the later architects, was not satisfied with thus much deception. They were delighted with the subtle charm they had created, and thought only of increasing its power. The next step was to consider and represent the tracery, as not only ductile, but penetrable³⁴⁸; and when two mouldings met each other, to manage their intersection³¹¹, so that one should appear to pass through the other, retaining its independence; or when two ran parallel to each other, to represent the one as partly contained within the other, and partly apparent above it. This form of falsity was that which crushed the art. The flexible traceries were often beautiful, though they were ignoble³⁴⁹; but the penetrated³⁵⁰ traceries, rendered, as they finally were, merely the means of exhibiting the dexterity of the stone-cutter, annihilated³⁵¹ both the beauty and dignity of the Gothic types. A system so momentous³⁵² in its consequences deserves some detailed³⁵³ examination.

 

XXVI. In the drawing of the shafts of the door at Lisieux, under the spandril, in Plate VII., the reader will see the mode of managing the intersection of similar mouldings, which was universal in the great periods. They melted into each other, and became one at the point of crossing, or of contact; and even the suggestion of so sharp intersection as this of Lisieux[Pg 65] is usually avoided (this design being, of course, only a pointed form of the earlier Norman arcade²²⁹, in which the arches are interlaced, and lie each over the preceding, and under the following, one, as in Anselm's tower at Canterbury), since, in the plurality of designs, when mouldings meet each other, they coincide through some considerable portion of their curves, meeting by contact, rather than by intersection; and at the point of coincidence the section of each separate moulding becomes common to the two thus melted into each other. Thus, in the junction³⁵⁴ of the circles of the window of the Palazzo Foscari, Plate VIII., given accurately in fig. 8, Plate IV., the section across the line s, is exactly the same as that across any break of the separated moulding above, as s. It sometimes, however, happens, that two different mouldings meet each other. This was seldom permitted in the great periods, and, when it took place, was most awkwardly managed. Fig. 1, Plate IV. gives the junction of the mouldings of the gable and vertical, in the window of the spire of Salisbury. That of the gable is composed of a single, and that of the vertical of a double cavetto, decorated with ball-flowers; and the larger single moulding swallows up one of the double ones, and pushes forward among the smaller balls with the most blundering and clumsy simplicity³⁵⁵. In comparing the sections it is to be observed that, in the upper one, the line a b represents an actual vertical in the plane of the window; while, in the lower one, the line c d represents the horizontal, in the plane of the window, indicated by the perspective line d e.

 

XXVII. The very awkwardness with which such occurrences of difficulty are met by the earlier builder, marks his dislike of the system, and unwillingness³⁵⁶ to attract the eye to such arrangements. There is another very clumsy one, in the junction of the upper and sub-arches of the triforium of Salisbury; but it is kept in the shade, and all the prominent junctions³⁵⁷ are of mouldings like each other, and managed with perfect simplicity. But so soon as the attention of the builders became, as we have just seen, fixed upon the lines of mouldings instead of the enclosed spaces, those lines began to preserve an independent existence wherever they met; and different mould[Pg 66]ings were studiously associated, in order to obtain variety of intersectional line. We must, however, do the late builders the justice to note that, in one case, the habit grew out of a feeling of proportion, more refined than that of earlier workmen. It shows itself first in the bases of divided pillars, or arch mouldings, whose smaller shafts had originally bases formed by the continued base of the central, or other larger, columns with which they were grouped; but it being felt, when the eye of the architect became fastidious, that the dimension of moulding which was right for the base of a large shaft, was wrong for that of a small one, each shaft had an independent base; at first, those of the smaller died simply down on that of the larger; but when the vertical sections of both became complicated, the bases of the smaller shafts were considered to exist within those of the larger, and the places of their emergence³⁵⁸, on this supposition, were calculated with the utmost nicety, and cut with singular precision; so that an elaborate late base of a divided column, as, for instance, of those in the nave of Abbeville, looks exactly as if its smaller shafts had all been finished to the ground first, each with its complete and intricate base, and then the comprehending base of the central pier had been moulded over them in clay, leaving their points and angles sticking out here and there, like the edges of sharp crystals out of a nodule of earth. The exhibition of technical dexterity in work of this kind is often marvellous, the strangest possible shapes of sections being calculated to a hair's-breadth, and the occurrence of the under and emergent forms being rendered, even in places where they are so slight that they can hardly be detected but by the touch. It is impossible to render a very elaborate example of this kind intelligible³⁵⁹, without some fifty measured sections; but fig. 6, Plate IV. is a very interesting and simple one, from the west gate of Rouen. It is part of the base of one of the narrow piers between its principal niches³⁶⁰. The square column k, having a base with the profile p r, is supposed to contain within itself another similar one, set diagonally, and lifted so far above the inclosing one, as that the recessed³⁶¹ part of its profile p r shall fall behind the projecting part of the outer one. The angle of its upper portion exactly meets the plane of the side of the upper inclosing shaft 4, and would, therefore, not be seen, unless two vertical cuts were made to exhibit it, which form two dark lines the whole way up the shaft. Two small pilasters are run, like fastening stitches, through the junction on the front of the shafts. The sections k n taken respectively at the levels k, n, will explain the hypothetical construction of the whole. Fig. 7 is a base, or joint⁹⁹ rather (for passages of this form occur again and again, on the shafts of flamboyant work), of one of the smallest piers of the pedestals which support the lost statues of the porch; its section below would be the same as n, and its construction, after what has been said of the other base, will be at once perceived.

 

PLATE IV. PLATE IV.—(Page 66—Vol. V.)

Intersectional Mouldings.

[Pg 67]

 

XXVIII. There was, however, in this kind of involution, much to be admired as well as reprehended, the proportions of quantities were always as beautiful as they were intricate; and, though the lines of intersection were harsh, they were exquisitely opposed to the flower-work of the interposing mouldings. But the fancy did not stop here; it rose from the bases into the arches; and there, not finding room enough for its exhibition, it withdrew the capitals from the heads even of cylindrical³⁶² shafts, (we cannot but admire, while we regret, the boldness of the men who could defy the authority and custom of all the nations of the earth for a space of some three thousand years,) in order that the arch mouldings might appear to emerge from the pillar, as at its base they had been lost in it, and not to terminate on the abacus³⁶³ of the capital; then they ran the mouldings across and through each other, at the point of the arch; and finally, not finding their natural directions enough to furnish as many occasions of intersection as they wished, bent¹⁶³ them hither and thither³⁶⁴, and cut off their ends short, when they had passed the point of intersection. Fig. 2, Plate IV. is part of a flying buttress from the apse of St. Gervais at Falaise, in which the moulding whose section is rudely given above at f, (taken vertically³⁶⁵ through the point f,) is carried thrice through itself, in the cross-bar and two arches; and the flat fillet is cut off sharp at the end of the cross-bar, for the mere pleasure of the truncation³⁶⁶. Fig. 3 is[Pg 68] half of the head of a door in the Stadthaus of Sursee, in which the shaded part of the section of the joint g g, is that of the arch-moulding, which is three times reduplicated, and six times intersected by itself, the ends being cut off when they become unmanageable. This style is, indeed, earlier exaggerated in Switzerland and Germany, owing to the imitation in stone of the dovetailing of wood, particularly of the intersecting of beams at the angles of chalets; but it only furnishes the more plain instance of the danger of the fallacious system which, from the beginning, repressed the German, and, in the end, ruined the French Gothic. It would be too painful a task to follow further the caricatures of form, and eccentricities³⁶⁷ of treatment, which grow out of this singular abuse—the flattened³⁶⁸ arch, the shrunken pillar, the lifeless ornament, the liny moulding, the distorted and extravagant foliation, until the time came when, over these wrecks³⁶⁹ and remnants, deprived of all unity and principle, rose the foul⁴³ torrent³⁷⁰ of the renaissance³⁷¹, and swept them all away. So fell the great dynasty of medi?val architecture. It was because it had lost its own strength, and disobeyed its own laws—because its order, and consistency, and organization, had been broken through—that it could oppose no resistance to the rush of overwhelming innovation. And this, observe, all because it had sacrificed a single truth. From that one surrender of its integrity, from that one endeavor to assume the semblance of what it was not, arose the multitudinous forms of disease and decrepitude³⁷², which rotted away the pillars of its supremacy³⁷³. It was not because its time was come; it was not because it was scorned by the classical Romanist, or dreaded³⁷⁴ by the faithful Protestant. That scorn and that fear it might have survived, and lived; it would have stood forth in stern comparison with the enervated³⁷⁵ sensuality of the renaissance; it would have risen in renewed and purified honor, and with a new soul, from the ashes into which it sank, giving up its glory, as it had received it, for the honor of God—but its own truth was gone, and it sank forever. There was no wisdom nor strength left in it, to raise it from the dust; and the error of zeal, and the softness of luxury smote³⁷⁶ it down and dissolved it away.[Pg 69] It is good for us to remember this, as we tread upon the bare ground of its foundations, and stumble over its scattered³⁷⁷ stones. Those rent skeletons of pierced wall, through which our sea-winds moan and murmur³⁷⁸, strewing³⁷⁹ them joint by joint, and bone by bone, along the bleak³⁸⁰ promontories on which the Pharos lights came once from houses of prayer—those grey arches and quiet isles¹²³ under which the sheep of our valleys feed and rest on the turf that has buried their altars—those shapeless heaps, that are not of the Earth, which lift our fields into strange and sudden banks of flowers, and stay our mountain streams with stones that are not their own, have other thoughts to ask from us than those of mourning for the rage that despoiled³⁸¹, or the fear that forsook³⁸² them. It was not the robber, not the fanatic³⁸³, not the blasphemer, who sealed the destruction that they had wrought; the war, the wrath³⁸⁴, the terror, might have worked their worst, and the strong walls would have risen, and the slight pillars would have started again, from under the hand of the destroyer. But they could not rise out of the ruins of their own violated truth.

 

1 likeness   

n.相像，相似（之处）

参考例句：

• I think the painter has produced a very true likeness.我认为这位画家画得非常逼真。
• She treasured the painted likeness of her son.她珍藏她儿子的画像。

2 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

3 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

4 vigor   

n.活力，精力，元气

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• She didn't want to be reminded of her beauty or her former vigor.现在，她不愿人们提起她昔日的美丽和以前的精力充沛。

5 domains   

n.范围( domain的名词复数 )；领域；版图；地产

参考例句：

• The theory of thermodynamics links the macroscopic and submicroscopic domains. 热力学把宏观世界同亚微观世界联系起来。 来自辞典例句
• All three flow domains are indicated by shading. 所有三个流动区域都是用阴影部分表示的。 来自辞典例句

6 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

7 zeal   

n.热心，热情，热忱

参考例句：

• Revolutionary zeal caught them up,and they joined the army.革命热情激励他们，于是他们从军了。
• They worked with great zeal to finish the project.他们热情高涨地工作，以期完成这个项目。

8 impatience   

n.不耐烦，急躁

参考例句：

• He expressed impatience at the slow rate of progress.进展缓慢，他显得不耐烦。
• He gave a stamp of impatience.他不耐烦地跺脚。

9 superstition   

n.迷信，迷信行为

参考例句：

• It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
• Superstition results from ignorance.迷信产生于无知。

10 prudence   

n.谨慎，精明，节俭

参考例句：

• A lack of prudence may lead to financial problems.不够谨慎可能会导致财政上出现问题。
• The happy impute all their success to prudence or merit.幸运者都把他们的成功归因于谨慎或功德。

11 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

12 hostility   

n.敌对，敌意；抵制［pl.］交战，战争

参考例句：

• There is open hostility between the two leaders.两位领导人表现出公开的敌意。
• His hostility to your plan is well known.他对你的计划所持的敌意是众所周知的。

13 disorders   

n.混乱( disorder的名词复数 )；凌乱；骚乱；（身心、机能）失调

参考例句：

• Reports of anorexia and other eating disorders are on the increase. 据报告，厌食症和其他饮食方面的功能紊乱发生率正在不断增长。 来自《简明英汉词典》
• The announcement led to violent civil disorders. 这项宣布引起剧烈的骚乱。 来自《简明英汉词典》

14 violation   

n.违反(行为)，违背(行为)，侵犯

参考例句：

• He roared that was a violation of the rules.他大声说，那是违反规则的。
• He was fined 200 dollars for violation of traffic regulation.他因违反交通规则被罚款200美元。

15 violations   

违反( violation的名词复数 )； 冒犯； 违反（行为、事例）； 强奸

参考例句：

• This is one of the commonest traffic violations. 这是常见的违反交通规则之例。
• These violations of the code must cease forthwith. 这些违犯法规的行为必须立即停止。

16 dread   

vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧

参考例句：

• We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
• Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。

17 profess   

v.声称，冒称，以...为业，正式接受入教，表明信仰

参考例句：

• I profess that I was surprised at the news.我承认这消息使我惊讶。
• What religion does he profess?他信仰哪种宗教？

18 malicious   

adj.有恶意的，心怀恶意的

参考例句：

• You ought to kick back at such malicious slander. 你应当反击这种恶毒的污蔑。
• Their talk was slightly malicious.他们的谈话有点儿心怀不轨。

19 calumny   

n.诽谤，污蔑，中伤

参考例句：

• Calumny is answered best with silence.沉默可以止谤。
• Calumny require no proof.诽谤无需证据。

20 hypocrisy   

n.伪善，虚伪

参考例句：

• He railed against hypocrisy and greed.他痛斥伪善和贪婪的行为。
• He accused newspapers of hypocrisy in their treatment of the story.他指责了报纸在报道该新闻时的虚伪。

21 detraction   

n.减损；诽谤

参考例句：

• Envy has no other quality But that of detraction from virtue.嫉妒除了损坏美德外，别无可取之处。
• Faced with such detraction,scientists characteristically retort that science,unlike witchcraft,works.面对诋毁，科学家们出于天性给予反驳，宣称科学不是巫术，确实有效。

22 mischief   

n.损害，伤害，危害；恶作剧，捣蛋，胡闹

参考例句：

• Nobody took notice of the mischief of the matter. 没有人注意到这件事情所带来的危害。
• He seems to intend mischief.看来他想捣蛋。

23 glistening   

adj.闪耀的，反光的v.湿物闪耀，闪亮( glisten的现在分词 )

参考例句：

• Her eyes were glistening with tears. 她眼里闪着晶莹的泪花。
• Her eyes were glistening with tears. 她眼睛中的泪水闪着柔和的光。 来自《用法词典》

24 amiable   

adj.和蔼可亲的，友善的，亲切的

参考例句：

• She was a very kind and amiable old woman.她是个善良和气的老太太。
• We have a very amiable companionship.我们之间存在一种友好的关系。

25 patriotic   

adj.爱国的，有爱国心的

参考例句：

• His speech was full of patriotic sentiments.他的演说充满了爱国之情。
• The old man is a patriotic overseas Chinese.这位老人是一位爱国华侨。

26 provident   

adj.为将来做准备的，有先见之明的

参考例句：

• A provident father plans for his children's education.有远见的父亲为自己孩子的教育做长远打算。
• They are provident statesmen.他们是有远见的政治家。

27 zealous   

adj.狂热的，热心的

参考例句：

• She made zealous efforts to clean up the classroom.她非常热心地努力清扫教室。
• She is a zealous supporter of our cause.她是我们事业的热心支持者。

28 pier   

n.码头；桥墩，桥柱；[建]窗间壁，支柱

参考例句：

• The pier of the bridge has been so badly damaged that experts worry it is unable to bear weight.这座桥的桥桩破损厉害，专家担心它已不能负重。
• The ship was making towards the pier.船正驶向码头。

29 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

30 wilfully   

adv.任性固执地；蓄意地

参考例句：

• Don't wilfully cling to your reckless course. 不要一意孤行。 来自辞典例句
• These missionaries even wilfully extended the extraterritoriality to Chinese converts and interfered in Chinese judicial authority. 这些传教士还肆意将"治外法权"延伸至中国信徒，干涉司法。 来自汉英非文学 - 白皮书

31 manly   

adj.有男子气概的；adv.男子般地，果断地

参考例句：

• The boy walked with a confident manly stride.这男孩以自信的男人步伐行走。
• He set himself manly tasks and expected others to follow his example.他给自己定下了男子汉的任务，并希望别人效之。

32 culpability   

n.苛责，有罪

参考例句：

• As if the estrangement between them had come of any culpability of hers. 姐弟俩疏远的责任竟仿佛落到了她的身上！ 来自英汉文学 - 双城记
• The offence, as now defined in English law, covers a wide spectrum of culpability. 英国法律规定，违法包括很多种过失行为。 来自互联网

33 esteeming   

v.尊敬( esteem的现在分词 )；敬重；认为；以为

参考例句：

34 esteem   

n.尊敬，尊重；vt.尊重，敬重；把…看作

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• The veteran worker ranks high in public love and esteem.那位老工人深受大伙的爱戴。

35 scrupulous   

adj.审慎的，小心翼翼的，完全的，纯粹的

参考例句：

• She is scrupulous to a degree.她非常谨慎。
• Poets are not so scrupulous as you are.诗人并不像你那样顾虑多。

36 mingled   

混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系]

参考例句：

• The sounds of laughter and singing mingled in the evening air. 笑声和歌声交织在夜空中。
• The man and the woman mingled as everyone started to relax. 当大家开始放松的时候，这一男一女就开始交往了。

37 soot   

n.煤烟，烟尘；vt.熏以煤烟

参考例句：

• Soot is the product of the imperfect combustion of fuel.煤烟是燃料不完全燃烧的产物。
• The chimney was choked with soot.烟囱被煤灰堵塞了。

38 meritorious   

adj.值得赞赏的

参考例句：

• He wrote a meritorious theme about his visit to the cotton mill.他写了一篇关于参观棉纺织厂的有价值的论文。
• He was praised for his meritorious service.他由于出色地工作而受到称赞。

39 intimidation   

n.恐吓，威胁

参考例句：

• The Opposition alleged voter intimidation by the army.反对党声称投票者受到军方的恐吓。
• The gang silenced witnesses by intimidation.恶帮用恐吓的手段使得证人不敢说话。

40 almighty   

adj.全能的，万能的；很大的，很强的

参考例句：

• Those rebels did not really challenge Gods almighty power.这些叛徒没有对上帝的全能力量表示怀疑。
• It's almighty cold outside.外面冷得要命。

41 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

42 insolence   

n.傲慢；无礼；厚颜；傲慢的态度

参考例句：

• I've had enough of your insolence, and I'm having no more. 我受够了你的侮辱，不能再容忍了。 来自《现代汉英综合大词典》
• How can you suffer such insolence? 你怎么能容忍这种蛮横的态度？ 来自《简明英汉词典》

43 foul   

adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规

参考例句：

• Take off those foul clothes and let me wash them.脱下那些脏衣服让我洗一洗。
• What a foul day it is!多么恶劣的天气！

44 foulness   

n. 纠缠, 卑鄙

参考例句：

• The meeting is delayed by the foulness of the weather. 会议被恶劣的天气耽搁了。
• In his book, he lay bare the foulness of man. 在他的著作中，他揭露人类的卑鄙。

45 semblance   

n.外貌，外表

参考例句：

• Her semblance of anger frightened the children.她生气的样子使孩子们感到害怕。
• Those clouds have the semblance of a large head.那些云的形状像一个巨大的人头。

46 semblances   

n.外表，外观（semblance的复数形式）

参考例句：

47 serenity   

n.宁静，沉着，晴朗

参考例句：

• Her face,though sad,still evoked a feeling of serenity.她的脸色虽然悲伤，但仍使人感觉安详。
• She escaped to the comparative serenity of the kitchen.她逃到相对安静的厨房里。

48 thereby   

adv.因此，从而

参考例句：

• I have never been to that city,,ereby I don't know much about it.我从未去过那座城市，因此对它不怎么熟悉。
• He became a British citizen,thereby gaining the right to vote.他成了英国公民，因而得到了投票权。

49 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

50 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

51 chivalry   

n.骑士气概，侠义；（男人）对女人彬彬有礼，献殷勤

参考例句：

• The Middle Ages were also the great age of chivalry.中世纪也是骑士制度盛行的时代。
• He looked up at them with great chivalry.他非常有礼貌地抬头瞧她们。

52 manifestation   

n.表现形式；表明；现象

参考例句：

• Her smile is a manifestation of joy.她的微笑是她快乐的表现。
• What we call mass is only another manifestation of energy.我们称之为质量的东西只是能量的另一种表现形态。

53 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

54 deception   

n.欺骗，欺诈；骗局，诡计

参考例句：

• He admitted conspiring to obtain property by deception.他承认曾与人合谋骗取财产。
• He was jailed for two years for fraud and deception.他因为诈骗和欺诈入狱服刑两年。

55 faculty   

n.才能；学院，系；(学院或系的)全体教学人员

参考例句：

• He has a great faculty for learning foreign languages.他有学习外语的天赋。
• He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。

56 insanity   

n.疯狂，精神错乱；极端的愚蠢，荒唐

参考例句：

• In his defense he alleged temporary insanity.他伪称一时精神错乱，为自己辩解。
• He remained in his cell,and this visit only increased the belief in his insanity.他依旧还是住在他的地牢里，这次视察只是更加使人相信他是个疯子了。

57 confession   

n.自白，供认，承认

参考例句：

• Her confession was simply tantamount to a casual explanation.她的自白简直等于一篇即席说明。
• The police used torture to extort a confession from him.警察对他用刑逼供。

58 behold   

v.看，注视，看到

参考例句：

• The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
• The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。

59 realization   

n.实现；认识到，深刻了解

参考例句：

• We shall gladly lend every effort in our power toward its realization.我们将乐意为它的实现而竭尽全力。
• He came to the realization that he would never make a good teacher.他逐渐认识到自己永远不会成为好老师。

60 contemptible   

adj.可鄙的，可轻视的，卑劣的

参考例句：

• His personal presence is unimpressive and his speech contemptible.他气貌不扬，言语粗俗。
• That was a contemptible trick to play on a friend.那是对朋友玩弄的一出可鄙的把戏。

61 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

62 reprobation   

n.斥责

参考例句：

• Nearly everyone had something to say in reprobation of the views suggested by Owen. 几乎每个人都说几句话来表示反对欧文的见解。 来自辞典例句

63 probity   

n.刚直；廉洁，正直

参考例句：

• Probity and purity will command respect everywhere.为人正派到处受人尊敬。
• Her probity and integrity are beyond question.她的诚实和正直是无可争辩的。

64 withdrawal   

n.取回，提款；撤退，撤军；收回，撤销

参考例句：

• The police were forced to make a tactical withdrawal.警方被迫进行战术撤退。
• They insisted upon a withdrawal of the statement and a public apology.他们坚持要收回那些话并公开道歉。

65 conscientiousness   

责任心

参考例句：

• Conscientiousness is expected of a student. 学生要诚实。 来自《简明英汉词典》
• Only has the conscientiousness, diligently works, can make a more splendid result! 只有脚踏实地，努力工作，才能做出更出色的成绩！ 来自互联网

66 faculties   

n.能力( faculty的名词复数 )；全体教职员；技巧；院

参考例句：

• Although he's ninety, his mental faculties remain unimpaired. 他虽年届九旬，但头脑仍然清晰。
• All your faculties have come into play in your work. 在你的工作中，你的全部才能已起到了作用。 来自《简明英汉词典》

67 nugatory   

adj.琐碎的，无价值的

参考例句：

• Your efforts shall have been nugatory.你的努力也就没有价值了。
• These are all nugatory comment.这些都是空洞的评论。

68 pretence   

n.假装，作假；借口，口实；虚伪；虚饰

参考例句：

• The government abandoned any pretence of reform. 政府不再装模作样地进行改革。
• He made a pretence of being happy at the party.晚会上他假装很高兴。

69 concealment   

n.隐藏, 掩盖，隐瞒

参考例句：

• the concealment of crime 对罪行的隐瞒
• Stay in concealment until the danger has passed. 把自己藏起来，待危险过去后再出来。

70 exertion   

n.尽力，努力

参考例句：

• We were sweating profusely from the exertion of moving the furniture.我们搬动家具大费气力，累得大汗淋漓。
• She was hot and breathless from the exertion of cycling uphill.由于用力骑车爬坡，她浑身发热。

71 deceptive   

adj.骗人的，造成假象的，靠不住的

参考例句：

• His appearance was deceptive.他的外表带有欺骗性。
• The storyline is deceptively simple.故事情节看似简单，其实不然。

72 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

73 ornaments   

n.装饰( ornament的名词复数 )；点缀；装饰品；首饰v.装饰，点缀，美化( ornament的第三人称单数 )

参考例句：

• The shelves were chock-a-block with ornaments. 架子上堆满了装饰品。
• Playing the piano sets up resonance in those glass ornaments. 一弹钢琴那些玻璃饰物就会产生共振。 来自《简明英汉词典》

74 expedient   

adj.有用的，有利的；n.紧急的办法，权宜之计

参考例句：

• The government found it expedient to relax censorship a little.政府发现略微放宽审查是可取的。
• Every kind of expedient was devised by our friends.我们的朋友想出了各种各样的应急办法。

75 expedients   

n.应急有效的，权宜之计的( expedient的名词复数 )

参考例句：

• He is full of [fruitful in] expedients. 他办法多。 来自《现代英汉综合大词典》
• Perhaps Calonne might return too, with fresh financial expedients. 或许卡洛纳也会回来，带有新的财政机谋。 来自辞典例句

76 gilding   

n.贴金箔，镀金

参考例句：

• The dress is perfect. Don't add anything to it at all. It would just be gilding the lily. 这条裙子已经很完美了，别再作任何修饰了，那只会画蛇添足。
• The gilding is extremely lavish. 这层镀金极为奢华。

77 reprehended   

v.斥责，指摘，责备( reprehend的过去式和过去分词 )

参考例句：

• His conduct deserves to be reprehended. 他的行为应受谴责。 来自《简明英汉词典》

78 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

79 structural   

adj.构造的，组织的，建筑（用）的

参考例句：

• The storm caused no structural damage.风暴没有造成建筑结构方面的破坏。
• The North American continent is made up of three great structural entities.北美大陆是由三个构造单元组成的。

80 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

81 concealing   

v.隐藏，隐瞒，遮住( conceal的现在分词 )

参考例句：

• Despite his outward display of friendliness, I sensed he was concealing something. 尽管他表现得友善，我还是感觉到他有所隐瞒。 来自《简明英汉词典》
• SHE WAS BREAKING THE COMPACT, AND CONCEALING IT FROM HIM. 她违反了他们之间的约定，还把他蒙在鼓里。 来自英汉文学 - 三万元遗产

82 anatomy   

n.解剖学，解剖；功能，结构，组织

参考例句：

• He found out a great deal about the anatomy of animals.在动物解剖学方面，他有过许多发现。
• The hurricane's anatomy was powerful and complex.对飓风的剖析是一项庞大而复杂的工作。

83 concealed   

a.隐藏的，隐蔽的

参考例句：

• The paintings were concealed beneath a thick layer of plaster. 那些画被隐藏在厚厚的灰泥层下面。
• I think he had a gun concealed about his person. 我认为他当时身上藏有一支枪。

84 vault   

n.拱形圆顶，地窖，地下室

参考例句：

• The vault of this cathedral is very high.这座天主教堂的拱顶非常高。
• The old patrician was buried in the family vault.这位老贵族埋在家族的墓地里。

85 vaulting   

n.（天花板或屋顶的）拱形结构

参考例句：

• The vaulting horse is a difficult piece of apparatus to master. 鞍马是很难掌握的器械。
• Sallie won the pole vaulting. 莎莉撑杆跳获胜。

86 rib   

n.肋骨，肋状物

参考例句：

• He broke a rib when he fell off his horse.他从马上摔下来折断了一根肋骨。
• He has broken a rib and the doctor has strapped it up.他断了一根肋骨，医生已包扎好了。

87 ribs   

n.肋骨( rib的名词复数 )；（船或屋顶等的）肋拱；肋骨状的东西；（织物的）凸条花纹

参考例句：

• He suffered cracked ribs and bruising. 他断了肋骨还有挫伤。
• Make a small incision below the ribs. 在肋骨下方切开一个小口。

88 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

89 whitewash   

v.粉刷，掩饰；n.石灰水，粉刷，掩饰

参考例句：

• They tried hard to whitewash themselves.他们力图粉饰自己。
• What he said was a load of whitewash.他所说的是一大堆粉饰之词。

90 whit   

n.一点，丝毫

参考例句：

• There's not a whit of truth in the statement.这声明里没有丝毫的真实性。
• He did not seem a whit concerned.他看来毫不在乎。

91 whitewashed   

粉饰，美化，掩饰( whitewash的过去式和过去分词 )

参考例句：

• The wall had been whitewashed. 墙已粉过。
• The towers are in the shape of bottle gourds and whitewashed. 塔呈圆形，状近葫芦，外敷白色。 来自汉英文学 - 现代散文

92 shaft   

n.(工具的)柄，杆状物

参考例句：

• He was wounded by a shaft.他被箭击中受伤。
• This is the shaft of a steam engine.这是一个蒸汽机主轴。

93 shafts   

n.轴( shaft的名词复数 )；（箭、高尔夫球棒等的）杆；通风井；一阵（疼痛、害怕等）

参考例句：

• He deliberately jerked the shafts to rock him a bit. 他故意的上下颠动车把，摇这个老猴子几下。 来自汉英文学 - 骆驼祥子
• Shafts were sunk, with tunnels dug laterally. 竖井已经打下，并且挖有横向矿道。 来自辞典例句

94 speculation   

n.思索，沉思；猜测；投机

参考例句：

• Her mind is occupied with speculation.她的头脑忙于思考。
• There is widespread speculation that he is going to resign.人们普遍推测他要辞职。

95 elastic   

n.橡皮圈，松紧带；adj.有弹性的；灵活的

参考例句：

• Rubber is an elastic material.橡胶是一种弹性材料。
• These regulations are elastic.这些规定是有弹性的。

96 elasticity   

n.弹性，伸缩力

参考例句：

• The skin eventually loses its elasticity.皮肤最终会失去弹性。
• Every sort of spring has a definite elasticity.每一种弹簧都有一定的弹性。

97 upwards   

adv.向上，在更高处...以上

参考例句：

• The trend of prices is still upwards.物价的趋向是仍在上涨。
• The smoke rose straight upwards.烟一直向上升。

98 jointed   

有接缝的

参考例句：

• To embrace her was like embracing a jointed wooden image. 若是拥抱她，那感觉活像拥抱一块木疙瘩。 来自英汉文学
• It is possible to devise corresponding systematic procedures for rigid jointed frames. 推导出适合于钢架的类似步骤也是可能的。

99 joint   

adj.联合的，共同的；n.关节，接合处；v.连接，贴合

参考例句：

• I had a bad fall,which put my shoulder out of joint.我重重地摔了一跤，肩膀脫臼了。
• We wrote a letter in joint names.我们联名写了封信。

100 outwards   

adj.外面的，公开的，向外的；adv.向外；n.外形

参考例句：

• Does this door open inwards or outwards?这门朝里开还是朝外开？
• In lapping up a fur,they always put the inner side outwards.卷毛皮时，他们总是让内层朝外。

101 buttress   

n.支撑物；v.支持

参考例句：

• I don't think they have any buttress behind them.我认为他们背后没有什么支持力量。
• It was decided to buttress the crumbling walls.人们决定建造扶壁以支撑崩塌中的墙。

102 buttresses   

n.扶壁，扶垛( buttress的名词复数 )v.用扶壁支撑，加固( buttress的第三人称单数 )

参考例句：

• Flying buttresses were constructed of vertical masonry piers with arches curving out from them like fingers. 飞梁结构，灵感来自于带拱形的垂直石质桥墩，外形像弯曲的手指。 来自互联网
• GOTHIC_BUTTRESSES_DESC;Gothic construction, particularly in its later phase, is characterized by lightness and soaring spaces. 哥特式建筑，尤其是其发展的后期，以轻灵和高耸的尖顶为标志。 来自互联网

103 legitimate   

adj.合法的，合理的，合乎逻辑的；v.使合法

参考例句：

• Sickness is a legitimate reason for asking for leave.生病是请假的一个正当的理由。
• That's a perfectly legitimate fear.怀有这种恐惧完全在情理之中。

104 contemplating   

深思，细想，仔细考虑( contemplate的现在分词 )； 注视，凝视； 考虑接受（发生某事的可能性）； 深思熟虑，沉思，苦思冥想

参考例句：

• You're too young to be contemplating retirement. 你考虑退休还太年轻。
• She stood contemplating the painting. 她站在那儿凝视那幅图画。

105 luminous   

adj.发光的，发亮的；光明的；明白易懂的；有启发的

参考例句：

• There are luminous knobs on all the doors in my house.我家所有门上都安有夜光把手。
• Most clocks and watches in this shop are in luminous paint.这家商店出售的大多数钟表都涂了发光漆。

106 flakes   

小薄片( flake的名词复数 )； （尤指）碎片； 雪花； 古怪的人

参考例句：

• It's snowing in great flakes. 天下着鹅毛大雪。
• It is snowing in great flakes. 正值大雪纷飞。

107 irresistibly   

adv.无法抵抗地，不能自持地；极为诱惑人地

参考例句：

• Her gaze was drawn irresistibly to the scene outside. 她的目光禁不住被外面的风景所吸引。 来自《简明英汉词典》
• He was irresistibly attracted by her charm. 他不能自已地被她的魅力所吸引。 来自《简明英汉词典》

108 joints   

接头( joint的名词复数 )； 关节； 公共场所（尤指价格低廉的饮食和娱乐场所） （非正式）； 一块烤肉 （英式英语）

参考例句：

• Expansion joints of various kinds are fitted on gas mains. 各种各样的伸缩接头被安装在煤气的总管道上了。
• Expansion joints of various kinds are fitted on steam pipes. 各种各样的伸缩接头被安装在蒸气管道上了。

109 artifice   

n.妙计，高明的手段；狡诈，诡计

参考例句：

• The use of mirrors in a room is an artifice to make the room look larger.利用镜子装饰房间是使房间显得大一点的巧妙办法。
• He displayed a great deal of artifice in decorating his new house.他在布置新房子中表现出富有的技巧。

110 artifices   

n.灵巧( artifice的名词复数 )；诡计；巧妙办法；虚伪行为

参考例句：

• These pure verbal artifices do not change the essence of the matter. 这些纯粹是文词上的花样，并不能改变问题的实质。 来自互联网
• There are some tools which realise this kind of artifices. 一些工具实现了这些方法。 来自互联网

111 reprehensible   

adj.该受责备的

参考例句：

• Lying is not seen as being morally reprehensible in any strong way.人们并不把撒谎当作一件应该大加谴责的事儿。
• It was reprehensible of him to be so disloyal.他如此不忠，应受谴责。

112 inadequate   

adj.(for,to)不充足的，不适当的

参考例句：

• The supply is inadequate to meet the demand.供不应求。
• She was inadequate to the demands that were made on her.她还无力满足对她提出的各项要求。

113 affectedly   

参考例句：

• Two people affectedly bashful half talent says: "Without. " 两人扭捏了半天才说：“没有。” 来自互联网
• The officials don't accept people's petition, if they do, they just affectedly. 这些官员不会接受人民的请愿，如果他们会接受，那也只是在做作而已。 来自互联网

114 reprehends   

v.斥责，指摘，责备( reprehend的第三人称单数 )

参考例句：

115 piers   

n.水上平台( pier的名词复数 )；（常设有娱乐场所的）突堤；柱子；墙墩

参考例句：

• Most road bridges have piers rising out of the vally. 很多公路桥的桥墩是从河谷里建造起来的。 来自辞典例句
• At these piers coasters and landing-craft would be able to discharge at all states of tide. 沿岸航行的海船和登陆艇，不论潮汐如何涨落，都能在这种码头上卸载。 来自辞典例句

116 chapel   

n.小教堂，殡仪馆

参考例句：

• The nimble hero,skipped into a chapel that stood near.敏捷的英雄跳进近旁的一座小教堂里。
• She was on the peak that Sunday afternoon when she played in chapel.那个星期天的下午，她在小教堂的演出，可以说是登峰造极。

117 ridge   

n.山脊；鼻梁；分水岭

参考例句：

• We clambered up the hillside to the ridge above.我们沿着山坡费力地爬上了山脊。
• The infantry were advancing to attack the ridge.步兵部队正在向前挺进攻打山脊。

118 juggling   

n. 欺骗, 杂耍(=jugglery) adj. 欺骗的, 欺诈的 动词juggle的现在分词

参考例句：

• He was charged with some dishonest juggling with the accounts. 他被指控用欺骗手段窜改账目。
• The accountant went to prison for juggling his firm's accounts. 会计因涂改公司的帐目而入狱。

119 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

120 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

121 chapels   

n.小教堂， （医院、监狱等的）附属礼拜堂( chapel的名词复数 )；（在小教堂和附属礼拜堂举行的）礼拜仪式

参考例句：

• Both castles had their own chapels too, which was incredible to see. 两个城堡都有自己的礼拜堂，非常华美。 来自互联网
• It has an ambulatory and seven chapels. 它有一条走廊和七个小教堂。 来自互联网

122 aisles   

n. (席位间的)通道, 侧廊

参考例句：

• Aisles were added to the original Saxon building in the Norman period. 在诺曼时期，原来的萨克森风格的建筑物都增添了走廊。
• They walked about the Abbey aisles, and presently sat down. 他们走到大教堂的走廊附近，并且很快就坐了下来。

123 isles   

岛( isle的名词复数 )

参考例句：

• the geology of the British Isles 不列颠群岛的地质
• The boat left for the isles. 小船驶向那些小岛。

124 nave   

n.教堂的中部；本堂

参考例句：

• People gathered in the nave of the house.人们聚拢在房子的中间。
• The family on the other side of the nave had a certain look about them,too.在中殿另一边的那一家人，也有着自己特有的相貌。

125 choir   

n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• The church choir is singing tonight.今晚教堂歌唱队要唱诗。

126 vertical   

adj.垂直的，顶点的，纵向的；n.垂直物，垂直的位置

参考例句：

• The northern side of the mountain is almost vertical.这座山的北坡几乎是垂直的。
• Vertical air motions are not measured by this system.垂直气流的运动不用这种系统来测量。

127 pinnacle   

n.尖塔，尖顶，山峰；(喻)顶峰

参考例句：

• Now he is at the very pinnacle of his career.现在他正值事业中的顶峰时期。
• It represents the pinnacle of intellectual capability.它代表了智能的顶峰。

128 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

129 exquisitely   

adv.精致地；强烈地；剧烈地；异常地

参考例句：

• He found her exquisitely beautiful. 他觉得她异常美丽。 来自《简明英汉词典》
• He wore an exquisitely tailored gray silk and accessories to match. 他穿的是做工非常考究的灰色绸缎衣服，还有各种配得很协调的装饰。 来自教父部分

130 decorative   

adj.装饰的，可作装饰的

参考例句：

• This ware is suitable for decorative purpose but unsuitable for utility.这种器皿中看不中用。
• The style is ornate and highly decorative.这种风格很华丽，而且装饰效果很好。

131 lawful   

adj.法律许可的，守法的，合法的

参考例句：

• It is not lawful to park in front of a hydrant.在消火栓前停车是不合法的。
• We don't recognised him to be the lawful heir.我们不承认他为合法继承人。

132 secondly   

adv.第二，其次

参考例句：

• Secondly,use your own head and present your point of view.第二，动脑筋提出自己的见解。
• Secondly it is necessary to define the applied load.其次，需要确定所作用的载荷。

133 partially   

adv.部分地，从某些方面讲

参考例句：

• The door was partially concealed by the drapes.门有一部分被门帘遮住了。
• The police managed to restore calm and the curfew was partially lifted.警方设法恢复了平静，宵禁部分解除。

134 spires   

n.（教堂的） 塔尖，尖顶( spire的名词复数 )

参考例句：

• Her masts leveled with the spires of churches. 船的桅杆和教堂的塔尖一样高。 来自《简明英汉词典》
• White church spires lift above green valleys. 教堂的白色尖顶耸立在绿色山谷中。 来自《简明英汉词典》

135 spire   

n.(教堂)尖顶，尖塔，高点

参考例句：

• The church spire was struck by lightning.教堂的尖顶遭到了雷击。
• They could just make out the spire of the church in the distance.他们只能辨认出远处教堂的尖塔。

136 willow   

n.柳树

参考例句：

• The river was sparsely lined with willow trees.河边疏疏落落有几棵柳树。
• The willow's shadow falls on the lake.垂柳的影子倒映在湖面上。

137 pinnacles   

顶峰( pinnacle的名词复数 )； 顶点； 尖顶； 小尖塔

参考例句：

• What would be the pinnacles of your acting and music? 对你而言什麽代表你的演技和音乐的巅峰？
• On Skye's Trotternish Peninsula, basalt pinnacles loom over the Sound of Raasay. 在斯开岛的特洛登尼许半岛，玄武岩尖塔俯瞰着拉塞海峡。

138 whatsoever   

adv.（用于否定句中以加强语气）任何；pron.无论什么

参考例句：

• There's no reason whatsoever to turn down this suggestion.没有任何理由拒绝这个建议。
• All things whatsoever ye would that men should do to you,do ye even so to them.你想别人对你怎样，你就怎样对人。

139 buttressing   

v.用扶壁支撑，加固( buttress的现在分词 )

参考例句：

• This way of asset-pricing lacks buttressing by solid theory. 这一资产定价方法缺乏扎实的理论根基。 来自互联网

140 lavished   

v.过分给予，滥施( lavish的过去式和过去分词 )

参考例句：

• I lavished all the warmth of my pent-up passion. 我把憋在心里那一股热烈的情感尽量地倾吐出来。 来自辞典例句
• An enormous amount of attention has been lavished on these problems. 在这些问题上，我们已经花费了大量的注意力。 来自辞典例句

141 lavish   

adj.无节制的；浪费的；vt.慷慨地给予，挥霍

参考例句：

• He despised people who were lavish with their praises.他看不起那些阿谀奉承的人。
• The sets and costumes are lavish.布景和服装极尽奢华。

142 flamboyant   

adj.火焰般的，华丽的，炫耀的

参考例句：

• His clothes were rather flamboyant for such a serious occasion.他的衣着在这种严肃场合太浮夸了。
• The King's flamboyant lifestyle is well known.国王的奢华生活方式是人尽皆知的。

143 serene   

adj. 安详的，宁静的，平静的

参考例句：

• He has entered the serene autumn of his life.他已进入了美好的中年时期。
• He didn't speak much,he just smiled with that serene smile of his.他话不多，只是脸上露出他招牌式的淡定的微笑。

144 emaciated   

adj.衰弱的，消瘦的

参考例句：

• A long time illness made him sallow and emaciated.长期患病使他面黄肌瘦。
• In the light of a single candle,she can see his emaciated face.借着烛光，她能看到他的被憔悴的面孔。

145 phantoms   

n.鬼怪，幽灵( phantom的名词复数 )

参考例句：

• They vanished down the stairs like two phantoms. 他们像两个幽灵似的消失在了楼下。 来自辞典例句
• The horrible night that he had passed had left phantoms behind it. 他刚才度过的恐布之夜留下了种种错觉。 来自辞典例句

146 corruption   

n.腐败，堕落，贪污

参考例句：

• The people asked the government to hit out against corruption and theft.人民要求政府严惩贪污盗窃。
• The old man reviled against corruption.那老人痛斥了贪污舞弊。

147 questionable   

adj.可疑的，有问题的

参考例句：

• There are still a few questionable points in the case.这个案件还有几个疑点。
• Your argument is based on a set of questionable assumptions.你的论证建立在一套有问题的假设上。

148 metallic   

adj.金属的；金属制的；含金属的；产金属的；像金属的

参考例句：

• A sharp metallic note coming from the outside frightened me.外面传来尖锐铿锵的声音吓了我一跳。
• He picked up a metallic ring last night.昨夜他捡了一个金属戒指。

149 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

150 consistency   

n.一贯性，前后一致，稳定性；(液体的)浓度

参考例句：

• Your behaviour lacks consistency.你的行为缺乏一贯性。
• We appreciate the consistency and stability in China and in Chinese politics.我们赞赏中国及其政策的连续性和稳定性。

151 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

152 constructive   

adj.建设的，建设性的

参考例句：

• We welcome constructive criticism.我们乐意接受有建设性的批评。
• He is beginning to deal with his anger in a constructive way.他开始用建设性的方法处理自己的怒气。

153 legitimately   

ad.合法地；正当地，合理地

参考例句：

• The radio is legitimately owned by the company. 该电台为这家公司所合法拥有。
• She looked for nothing save what might come legitimately and without the appearance of special favour. 她要的并不是男人们的额外恩赐，而是合法正当地得到的工作。 来自英汉文学 - 嘉莉妹妹

154 rivets   

铆钉( rivet的名词复数 )

参考例句：

• Straighten the rivets, please. 请把那铆钉铆直。
• Instead of rivets there came an invasion, an infliction, and a visitation. 但是铆钉并没有运来，来的却是骚扰、混乱和视察。

155 dome   

n.圆屋顶，拱顶

参考例句：

• The dome was supported by white marble columns.圆顶由白色大理石柱支撑着。
• They formed the dome with the tree's branches.他们用树枝搭成圆屋顶。

156 binding   

有约束力的，有效的，应遵守的

参考例句：

• The contract was not signed and has no binding force. 合同没有签署因而没有约束力。
• Both sides have agreed that the arbitration will be binding. 双方都赞同仲裁具有约束力。

157 sophistry   

n.诡辩

参考例句：

• Sophistry cannot alter history.诡辩改变不了历史。
• No one can be persuaded by sophistry.强词夺理不能折服人。

158 adherence   

n.信奉，依附，坚持，固着

参考例句：

• He was well known for his adherence to the rules.他因遵循这些规定而出名。
• The teacher demanded adherence to the rules.老师要求学生们遵守纪律。

159 exterior   

adj.外部的，外在的；表面的

参考例句：

• The seed has a hard exterior covering.这种子外壳很硬。
• We are painting the exterior wall of the house.我们正在给房子的外墙涂漆。

160 superseded   

[医]被代替的，废弃的

参考例句：

• The theory has been superseded by more recent research. 这一理论已为新近的研究所取代。
• The use of machinery has superseded manual labour. 机器的使用已经取代了手工劳动。

161 propped   

支撑，支持，维持( prop的过去式和过去分词 )

参考例句：

• He sat propped up in the bed by pillows. 他靠着枕头坐在床上。
• This fence should be propped up. 这栅栏该用东西支一支。

162 lateral   

adj.侧面的，旁边的

参考例句：

• An airfoil that controls lateral motion.能够控制横向飞行的机翼。
• Mr.Dawson walked into the court from a lateral door.道森先生从一个侧面的门走进法庭。

163 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

164 supersedes   

取代，接替( supersede的第三人称单数 )

参考例句：

• The new supersedes the old. 新陈代谢。
• No sooner do you buy a computer than they bring out a new one which supersedes it. 你买电脑后不久他们就会推出新产品取代它。

165 lawfulness   

法制，合法

参考例句：

• Einstein declared that randomness rather than lawfulness is the characteristic of natural events. 爱因斯坦宣称自然现象的特征为不可测性而不是规律化。 来自辞典例句
• Does the Lawfulness of War Matter? 战争的合法性有关系吗？ 来自互联网

166 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

167 derogate   

v.贬低，诽谤

参考例句：

• Such conduct will derogate from your reputation.那样的行为有损你的名誉。
• The parties may not derogate from or vary the effect of this article.各当事人不得减损本条或改变其效力。

168 mortar   

n.灰浆，灰泥；迫击炮；v.把…用灰浆涂接合

参考例句：

• The mason flushed the joint with mortar.泥工用灰浆把接缝处嵌平。
• The sound of mortar fire seemed to be closing in.迫击炮的吼声似乎正在逼近。

169 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

170 verging   

接近，逼近（verge的现在分词形式）

参考例句：

• He vowed understanding, verging on sympathy, for our approach. 他宣称对我们提出的做法很理解，而且近乎同情。
• He's verging on 80 now and needs constant attention. 他已近80岁，需要侍候左右。

171 delicacy   

n.精致，细微，微妙，精良；美味，佳肴

参考例句：

• We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
• He sensed the delicacy of the situation.他感觉到了形势的微妙。

172 edifices   

n.大建筑物( edifice的名词复数 )

参考例句：

• They complain that the monstrous edifices interfere with television reception. 他们抱怨说，那些怪物般的庞大建筑，干扰了电视接收。 来自辞典例句
• Wealthy officials and landlords built these queer edifices a thousand years ago. 有钱的官吏和地主在一千年前就修建了这种奇怪的建筑物。 来自辞典例句

173 masonry   

n.砖土建筑；砖石

参考例句：

• Masonry is a careful skill.砖石工艺是一种精心的技艺。
• The masonry of the old building began to crumble.旧楼房的砖石结构开始崩落。

174 slovenly   

adj.懒散的，不整齐的，邋遢的

参考例句：

• People were scandalized at the slovenly management of the company.人们对该公司草率的经营感到愤慨。
• Such slovenly work habits will never produce good products.这样马马虎虎的工作习惯决不能生产出优质产品来。

175 license   

n.执照，许可证，特许；v.许可，特许

参考例句：

• The foreign guest has a license on the person.这个外国客人随身携带执照。
• The driver was arrested for having false license plates on his car.司机由于使用假车牌而被捕。

176 nourishment   

n.食物，营养品；营养情况

参考例句：

• Lack of proper nourishment reduces their power to resist disease.营养不良降低了他们抵抗疾病的能力。
• He ventured that plants draw part of their nourishment from the air.他大胆提出植物从空气中吸收部分养分的观点。

177 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

178 riddle   

n.谜，谜语，粗筛；vt.解谜，给…出谜，筛，检查，鉴定，非难，充满于；vi.出谜

参考例句：

• The riddle couldn't be solved by the child.这个谜语孩子猜不出来。
• Her disappearance is a complete riddle.她的失踪完全是一个谜。

179 delightful   

adj.令人高兴的，使人快乐的

参考例句：

• We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
• Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。

180 necromantic   

降神术的，妖术的

参考例句：

• Lorekeep, the great city of necromantic magic, lies in ruins. 学识要塞，伟大的巫术魔法之城，现在已是一片废墟。

181 fig   

n.无花果(树)

参考例句：

• The doctor finished the fig he had been eating and selected another.这位医生吃完了嘴里的无花果，又挑了一个。
• You can't find a person who doesn't know fig in the United States.你找不到任何一个在美国的人不知道无花果的。

182 serpentine   

adj.蜿蜒的，弯曲的

参考例句：

• One part of the Serpentine is kept for swimmers.蜿蜒河的一段划为游泳区。
• Tremolite laths and serpentine minerals are present in places.有的地方出现透闪石板条及蛇纹石。

183 submission   

n.服从，投降；温顺，谦虚；提出

参考例句：

• The defeated general showed his submission by giving up his sword.战败将军缴剑表示投降。
• No enemy can frighten us into submission.任何敌人的恐吓都不能使我们屈服。

184 providence   

n.深谋远虑，天道，天意；远见；节约；上帝

参考例句：

• It is tempting Providence to go in that old boat.乘那艘旧船前往是冒大险。
• To act as you have done is to fly in the face of Providence.照你的所作所为那样去行事，是违背上帝的意志的。

185 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

186 omnipotence   

n.全能，万能，无限威力

参考例句：

• Central bankers have never had any illusions of their own omnipotence. 中行的银行家们已经不再对于他们自己的无所不能存有幻想了。 来自互联网
• Introduce an omnipotence press automatism dividing device, explained it operation principle. 介绍了冲压万能自动分度装置，说明了其工作原理。 来自互联网

187 ordinances   

n.条例，法令( ordinance的名词复数 )

参考例句：

• These points of view, however, had not been generally accepted in building ordinances. 然而，这些观点仍未普遍地为其他的建筑条例而接受。 来自辞典例句
• Great are Your mercies, O Lord; Revive me according to Your ordinances. 诗119:156耶和华阿、你的慈悲本为大．求你照你的典章将我救活。 来自互联网

188 countless   

adj.无数的，多得不计其数的

参考例句：

• In the war countless innocent people lost their lives.在这场战争中无数无辜的人丧失了性命。
• I've told you countless times.我已经告诉你无数遍了。

189 infringed   

v.违反（规章等）( infringe的过去式和过去分词 )；侵犯（某人的权利）；侵害（某人的自由、权益等）

参考例句：

• Wherever the troops went, they never infringed on the people's interests. 大军过处，秋毫无犯。 来自《现代汉英综合大词典》
• He was arrested on a charge of having infringed the Election Law. 他因被指控触犯选举法而被拘捕。 来自《现代汉英综合大词典》

190 costly   

adj.昂贵的，价值高的，豪华的

参考例句：

• It must be very costly to keep up a house like this.维修这么一幢房子一定很昂贵。
• This dictionary is very useful,only it is a bit costly.这本词典很有用，左不过贵了些。

191 necessitate   

v.使成为必要，需要

参考例句：

• Your proposal would necessitate changing our plans.你的提议可能使我们的计划必须变更。
• The conversion will necessitate the complete rebuilding of the interior.转变就必需完善内部重建。

192 accomplishment   

n.完成，成就，（pl.）造诣，技能

参考例句：

• The series of paintings is quite an accomplishment.这一系列的绘画真是了不起的成就。
• Money will be crucial to the accomplishment of our objectives.要实现我们的目标，钱是至关重要的。

193 secreting   

v.（尤指动物或植物器官）分泌( secrete的现在分词 )；隐匿，隐藏

参考例句：

• It is also an endocrine gland secreting at least two important hormones. 它也是一种内分泌腺，至少分泌二种重要的激素。 来自辞典例句
• And some calcite-secreting organisms also add magnesium to the mix. 有些分泌方解石的生物，会在分泌物中加入镁。 来自互联网

194 adamant   

adj.坚硬的，固执的

参考例句：

• We are adamant on the building of a well-off society.在建设小康社会这一点上，我们是坚定不移的。
• Veronica was quite adamant that they should stay on.维罗妮卡坚信他们必须继续留下去。

195 rhinoceros   

n.犀牛

参考例句：

• The rhinoceros has one horn on its nose.犀牛鼻子上有一个角。
• The body of the rhinoceros likes a cattle and the head likes a triangle.犀牛的形体像牛，头呈三角形。

196 agile   

adj.敏捷的，灵活的

参考例句：

• She is such an agile dancer!她跳起舞来是那么灵巧！
• An acrobat has to be agile.杂技演员必须身手敏捷。

197 grasshoppers   

n.蚱蜢( grasshopper的名词复数 )；蝗虫；蚂蚱；（孩子）矮小的

参考例句：

• Grasshoppers die in fall. 蚱蜢在秋天死去。 来自《简明英汉词典》
• There are usually a lot of grasshoppers in the rice fields. 稻田里通常有许多蚱蜢。 来自辞典例句

198 colossal   

adj.异常的，庞大的

参考例句：

• There has been a colossal waste of public money.一直存在巨大的公款浪费。
• Some of the tall buildings in that city are colossal.那座城市里的一些高层建筑很庞大。

199 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

200 jaw   

n.颚，颌，说教，流言蜚语；v.喋喋不休，教训

参考例句：

• He delivered a right hook to his opponent's jaw.他给了对方下巴一记右钩拳。
• A strong square jaw is a sign of firm character.强健的方下巴是刚毅性格的标志。

201 riveted   

铆接( rivet的过去式和过去分词 )； 把…固定住； 吸引； 引起某人的注意

参考例句：

• I was absolutely riveted by her story. 我完全被她的故事吸引住了。
• My attention was riveted by a slight movement in the bushes. 我的注意力被灌木丛中的轻微晃动吸引住了。

202 skull   

n.头骨；颅骨

参考例句：

• The skull bones fuse between the ages of fifteen and twenty-five.头骨在15至25岁之间长合。
• He fell out of the window and cracked his skull.他从窗子摔了出去，跌裂了颅骨。

203 lizard   

n.蜥蜴，壁虎

参考例句：

• A chameleon is a kind of lizard.变色龙是一种蜥蜴。
• The lizard darted out its tongue at the insect.蜥蜴伸出舌头去吃小昆虫。

204 authoritative   

adj.有权威的，可相信的；命令式的；官方的

参考例句：

• David speaks in an authoritative tone.大卫以命令的口吻说话。
• Her smile was warm but authoritative.她的笑容很和蔼，同时又透着威严。

205 obedience   

n.服从，顺从

参考例句：

• Society has a right to expect obedience of the law.社会有权要求人人遵守法律。
• Soldiers act in obedience to the orders of their superior officers.士兵们遵照上级军官的命令行动。

206 degradation   

n.降级；低落；退化；陵削；降解；衰变

参考例句：

• There are serious problems of land degradation in some arid zones.在一些干旱地带存在严重的土地退化问题。
• Gambling is always coupled with degradation.赌博总是与堕落相联系。

207 fresco   

n.壁画；vt.作壁画于

参考例句：

• This huge fresco is extremely clear and just like nature itself.It is very harmonious.这一巨幅壁画，清晰有致且又浑然天成，十分和谐。
• So it is quite necessary to study the influence of visual thinking over fresco.因此，研究视觉思维对壁画的影响和作用是十分必要的。

208 frescoes   

n.壁画( fresco的名词复数 )；温壁画技法，湿壁画

参考例句：

• The Dunhuang frescoes are gems of ancient Chinese art. 敦煌壁画是我国古代艺术中的瑰宝。 来自《现代汉英综合大词典》
• The frescoes in these churches are magnificent. 这些教堂里的壁画富丽堂皇。 来自《简明英汉词典》

209 distinctive   

adj.特别的，有特色的，与众不同的

参考例句：

• She has a very distinctive way of walking.她走路的样子与别人很不相同。
• This bird has several distinctive features.这个鸟具有几种突出的特征。

210 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

211 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

212 accurately   

adv.准确地，精确地

参考例句：

• It is hard to hit the ball accurately.准确地击中球很难。
• Now scientists can forecast the weather accurately.现在科学家们能准确地预报天气。

213 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

214 splendor   

n.光彩；壮丽，华丽；显赫，辉煌

参考例句：

• Never in his life had he gazed on such splendor.他生平从没有见过如此辉煌壮丽的场面。
• All the splendor in the world is not worth a good friend.人世间所有的荣华富贵不如一个好朋友。

215 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

216 groves   

树丛，小树林( grove的名词复数 )

参考例句：

• The early sun shone serenely on embrowned groves and still green fields. 朝阳宁静地照耀着已经发黄的树丛和还是一片绿色的田地。
• The trees grew more and more in groves and dotted with old yews. 那里的树木越来越多地长成了一簇簇的小丛林，还点缀着几棵老紫杉树。

217 soothe   

v.安慰；使平静；使减轻；缓和；奉承

参考例句：

• I've managed to soothe him down a bit.我想方设法使他平静了一点。
• This medicine should soothe your sore throat.这种药会减轻你的喉痛。

218 primal   

adj.原始的；最重要的

参考例句：

• Jealousy is a primal emotion.嫉妒是最原始的情感。
• Money was a primal necessity to them.对于他们，钱是主要的需要。

219 arbor   

n.凉亭；树木

参考例句：

• They sat in the arbor and chatted over tea.他们坐在凉亭里，边喝茶边聊天。
• You may have heard of Arbor Day at school.你可能在学校里听过植树节。

220 luscious   

adj.美味的；芬芳的；肉感的，引与性欲的

参考例句：

• The watermelon was very luscious.Everyone wanted another slice.西瓜很可口，每个人都想再来一片。
• What I like most about Gabby is her luscious lips!我最喜欢的是盖比那性感饱满的双唇！

221 covert   

adj.隐藏的；暗地里的

参考例句：

• We should learn to fight with enemy in an overt and covert way.我们应学会同敌人做公开和隐蔽的斗争。
• The army carried out covert surveillance of the building for several months.军队对这座建筑物进行了数月的秘密监视。

222 redeem   

v.买回，赎回，挽回，恢复，履行（诺言等）

参考例句：

• He had no way to redeem his furniture out of pawn.他无法赎回典当的家具。
• The eyes redeem the face from ugliness.这双眼睛弥补了他其貌不扬之缺陷。

223 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

224 precludes   

v.阻止( preclude的第三人称单数 )；排除；妨碍；使…行不通

参考例句：

• Lack of time precludes any further discussion. 由于时间不足，不可能进行深入的讨论。
• The surface reactivity of many nonblack fillers generally precludes strong bonding with this type of matrix. 许多非碳黑填料的表面反应性一般阻碍与该种基质形成牢固的粘结。 来自辞典例句

225 enchant   

vt.使陶醉，使入迷；使着魔，用妖术迷惑

参考例句：

• The spectacle of the aurora may appear to dazzle and enchant the observer's eyes.极光的壮丽景色的出现,会使观察者为之眩目和迷惑。
• Her paintings possess the power to enchant one if one is fortunate enough to see her work and hear her music.如果你有幸能欣赏她的作品，“聆听”她的音乐，她的作品将深深地迷住你。

226 villa   

n.别墅，城郊小屋

参考例句：

• We rented a villa in France for the summer holidays.我们在法国租了一幢别墅消夏。
• We are quartered in a beautiful villa.我们住在一栋漂亮的别墅里。

227 extremities   

n.端点( extremity的名词复数 )；尽头；手和足；极窘迫的境地

参考例句：

• She was most noticeable, I thought, in respect of her extremities. 我觉得她那副穷极可怜的样子实在太惹人注目。 来自辞典例句
• Winters may be quite cool at the northwestern extremities. 西北边区的冬天也可能会相当凉。 来自辞典例句

228 alleys   

胡同，小巷( alley的名词复数 )； 小径

参考例句：

• I followed him through a maze of narrow alleys. 我紧随他穿过一条条迂迴曲折的窄巷。
• The children lead me through the maze of alleys to the edge of the city. 孩子们领我穿过迷宫一般的街巷，来到城边。

229 arcade   

n.拱廊；(一侧或两侧有商店的)通道

参考例句：

• At this time of the morning,the arcade was almost empty.在早晨的这个时候，拱廊街上几乎空无一人。
• In our shopping arcade,you can find different kinds of souvenir.在我们的拱廊市场，你可以发现许多的纪念品。

230 arcades   

n.商场( arcade的名词复数 )；拱形走道（两旁有商店或娱乐设施）；连拱廊；拱形建筑物

参考例句：

• Clothes are on sale in several shopping arcades these days. 近日一些服装店的服装正在大减价。 来自轻松英语会话---联想4000词(下)
• The Plaza Mayor, with its galleries and arcades, is particularly impressive. 市长大厦以其别具风格的走廊和拱廊给人留下十分深刻的印象。 来自互联网

231 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

232 sweeping   

adj.范围广大的，一扫无遗的

参考例句：

• The citizens voted for sweeping reforms.公民投票支持全面的改革。
• Can you hear the wind sweeping through the branches?你能听到风掠过树枝的声音吗？

233 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

234 conspicuous   

adj.明眼的，惹人注目的；炫耀的，摆阔气的

参考例句：

• It is conspicuous that smoking is harmful to health.很明显，抽烟对健康有害。
• Its colouring makes it highly conspicuous.它的色彩使它非常惹人注目。

235 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

236 granite   

adj.花岗岩，花岗石

参考例句：

• They squared a block of granite.他们把一块花岗岩加工成四方形。
• The granite overlies the older rocks.花岗岩躺在磨损的岩石上面。

237 erect   

n./v.树立，建立，使竖立；adj.直立的，垂直的

参考例句：

• She held her head erect and her back straight.她昂着头，把背挺得笔直。
• Soldiers are trained to stand erect.士兵们训练站得笔直。

238 fictitious   

adj.虚构的，假设的；空头的

参考例句：

• She invented a fictitious boyfriend to put him off.她虚构出一个男朋友来拒绝他。
• The story my mother told me when I was young is fictitious.小时候妈妈对我讲的那个故事是虚构的。

239 recollect   

v.回忆，想起，记起，忆起，记得

参考例句：

• He tried to recollect things and drown himself in them.他极力回想过去的事情而沉浸于回忆之中。
• She could not recollect being there.她回想不起曾经到过那儿。

240 smoothly   

adv.平滑地，顺利地，流利地，流畅地

参考例句：

• The workmen are very cooperative,so the work goes on smoothly.工人们十分合作，所以工作进展顺利。
• Just change one or two words and the sentence will read smoothly.这句话只要动一两个字就顺了。

241 panes   

窗玻璃( pane的名词复数 )

参考例句：

• The sun caught the panes and flashed back at him. 阳光照到窗玻璃上，又反射到他身上。
• The window-panes are dim with steam. 玻璃窗上蒙上了一层蒸汽。

242 gilded   

a.镀金的，富有的

参考例句：

• The golden light gilded the sea. 金色的阳光使大海如金子般闪闪发光。
• "Friends, they are only gilded disks of lead!" "朋友们，这只不过是些镀金的铅饼！ 来自英汉文学 - 败坏赫德莱堡

243 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

244 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

245 tolerance   

n.宽容；容忍，忍受；耐药力；公差

参考例句：

• Tolerance is one of his strengths.宽容是他的一个优点。
• Human beings have limited tolerance of noise.人类对噪音的忍耐力有限。

246 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

247 dispense   

vt.分配，分发；配(药)，发(药)；实施

参考例句：

• Let us dispense the food.咱们来分发这食物。
• The charity has been given a large sum of money to dispense as it sees fit.这个慈善机构获得一大笔钱，可自行适当分配。

248 burnished   

adj.抛光的，光亮的v.擦亮（金属等），磨光( burnish的过去式和过去分词 )；被擦亮，磨光

参考例句：

• The floor was spotless; the grate and fire-irons were burnished bright. 地板上没有污迹；炉栅和火炉用具擦得发亮。 来自辞典例句
• The woods today are burnished bronze. 今天的树林是一片发亮的青铜色。 来自辞典例句

249 expedience   

n.方便，私利，权宜

参考例句：

• This system has universality, expedience to use, and expansibility in practice. 该系统在使用中具有广泛性、高效性、使用方便性和可扩展性。 来自互联网
• Moral convictions must out-weigh expedience and buck passing. 道德的信念必须重于权宜之计和逃避责任。 来自互联网

250 mosaic   

n./adj.镶嵌细工的，镶嵌工艺品的，嵌花式的

参考例句：

• The sky this morning is a mosaic of blue and white.今天早上的天空是幅蓝白相间的画面。
• The image mosaic is a troublesome work.图象镶嵌是个麻烦的工作。

251 insufficient   

adj.(for，of)不足的，不够的

参考例句：

• There was insufficient evidence to convict him.没有足够证据给他定罪。
• In their day scientific knowledge was insufficient to settle the matter.在他们的时代，科学知识还不能足以解决这些问题。

252 renovation   

n.革新，整修

参考例句：

• The cinema will reopen next week after the renovation.电影院修缮后，将于下星期开业。
• The building has undergone major renovation.这座大楼已进行大整修。

253 zigzag   

n.曲折，之字形；adj.曲折的，锯齿形的；adv.曲折地，成锯齿形地；vt.使曲折；vi.曲折前行

参考例句：

• The lightning made a zigzag in the sky.闪电在天空划出一道Z字形。
• The path runs zigzag up the hill.小径向山顶蜿蜒盘旋。

254 veins   

n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理

参考例句：

• The blood flows from the capillaries back into the veins. 血从毛细血管流回静脉。 来自《简明英汉词典》
• I felt a pleasant glow in all my veins from the wine. 喝过酒后我浑身的血都热烘烘的，感到很舒服。 来自《简明英汉词典》

255 alabaster   

adj.雪白的；n.雪花石膏；条纹大理石

参考例句：

• The floor was marble tile,and the columns alabaster.地板是由大理石铺成的，柱子则是雪花石膏打造而成。
• Her skin was like alabaster.她的皮肤光洁雪白。

256 projections   

预测( projection的名词复数 )； 投影； 投掷； 突起物

参考例句：

• Their sales projections are a total thumbsuck. 他们的销售量预测纯属估计。
• The council has revised its projections of funding requirements upwards. 地方议会调高了对资金需求的预测。

257 slabs   

n.厚板，平板，厚片( slab的名词复数 )；厚胶片

参考例句：

• The patio was made of stone slabs. 这天井是用石板铺砌而成的。 来自《简明英汉词典》
• The slabs of standing stone point roughly toward the invisible notch. 这些矗立的石块，大致指向那个看不见的缺口。 来自辞典例句

258 serpentines   

n.像蛇般蜷曲的，蜿蜒的( serpentine的名词复数 )v.像蛇般蜷曲的，蜿蜒的( serpentine的第三人称单数 )

参考例句：

• These fearsome beasts have small cannons, comparable to serpentines, mounted on their backs. 这些恐怖巨兽背负著类似蛇炮的小型加农炮。 来自互联网
• The Serpentine: Serpentines make excellent exercises for suppling the sides on the horse. 蛇形型路线，是很好的练习，帮助马匹柔软。 来自互联网

259 allege   

vt.宣称，申述，主张，断言

参考例句：

• The newspaper reporters allege that the man was murdered but they have given no proof.新闻记者们宣称这个男人是被谋杀的，但他们没提出证据。
• Students occasionally allege illness as the reason for absence.学生时不时会称病缺课。

260 durability   

n.经久性，耐用性

参考例句：

• Nylons have the virtue of durability.尼龙丝袜有耐穿的优点。

261 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

262 agate   

n.玛瑙

参考例句：

• He saw before him a flight of agate steps.他看到前面有一段玛瑙做的台阶。
• It is round,like the size of a small yellow agate.它是圆的，大小很像一个小的黄色的玛瑙。

263 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

264 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

265 lavishly   

adv.慷慨地，大方地

参考例句：

• His house was lavishly adorned.他的屋子装饰得很华丽。
• The book is lavishly illustrated in full colour.这本书里有大量全彩插图。

266 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

267 exhausted   

adj.极其疲惫的，精疲力尽的

参考例句：

• It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长，到家时我们已筋疲力尽。
• Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。

268 hue   

n.色度；色调；样子

参考例句：

• The diamond shone with every hue under the sun.金刚石在阳光下放出五颜六色的光芒。
• The same hue will look different in different light.同一颜色在不同的光线下看起来会有所不同。

269 attainable   

a.可达到的，可获得的

参考例句：

• They set the limits of performance attainable. 它们确定着可达到的运行限度。
• If objectives are to be meaningful to people, they must be clear, attainable, actionable, and verifiable. 如果目标对人们是具有意义的，则目标必须是清晰的，能达到的，可以行动的，以及可供检验的。

270 variegated   

adj.斑驳的，杂色的

参考例句：

• This plant has beautifully variegated leaves.这种植物的叶子色彩斑驳，非常美丽。
• We're going to grow a variegated ivy up the back of the house.我们打算在房子后面种一棵杂色常春藤。

271 unlimited   

adj.无限的，不受控制的，无条件的

参考例句：

• They flew over the unlimited reaches of the Arctic.他们飞过了茫茫无边的北极上空。
• There is no safety in unlimited technological hubris.在技术方面自以为是会很危险。

272 durable   

adj.持久的，耐久的

参考例句：

• This raincoat is made of very durable material.这件雨衣是用非常耐用的料子做的。
• They frequently require more major durable purchases.他们经常需要购买耐用消费品。

273 incapable   

adj.无能力的，不能做某事的

参考例句：

• He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
• Computers are incapable of creative thought.计算机不会创造性地思维。

274 lustre   

n.光亮，光泽；荣誉

参考例句：

• The sun was shining with uncommon lustre.太阳放射出异常的光彩。
• A good name keeps its lustre in the dark.一个好的名誉在黑暗中也保持它的光辉。

275 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

276 fabric   

n.织物，织品，布；构造，结构，组织

参考例句：

• The fabric will spot easily.这种织品很容易玷污。
• I don't like the pattern on the fabric.我不喜欢那块布料上的图案。

277 transparent   

adj.明显的，无疑的；透明的

参考例句：

• The water is so transparent that we can see the fishes swimming.水清澈透明，可以看到鱼儿游来游去。
• The window glass is transparent.窗玻璃是透明的。

278 mosaics   

n.马赛克( mosaic的名词复数 )；镶嵌；镶嵌工艺；镶嵌图案

参考例句：

• The panel shows marked similarities with mosaics found elsewhere. 这块嵌板和在其他地方找到的镶嵌图案有明显的相似之处。 来自《简明英汉词典》
• The unsullied and shining floor was paved with white mosaics. 干净明亮的地上镶嵌着白色图案。 来自辞典例句

279 hues   

色彩( hue的名词复数 )； 色调； 信仰； 观点

参考例句：

• When the sun rose a hundred prismatic hues were reflected from it. 太阳一出，更把它映得千变万化、异彩缤纷。
• Where maple trees grow, the leaves are often several brilliant hues of red. 在枫树生长的地方，枫叶常常呈现出数种光彩夺目的红色。

280 iris   

n.虹膜，彩虹

参考例句：

• The opening of the iris is called the pupil.虹膜的开口处叫做瞳孔。
• This incredible human eye,complete with retina and iris,can be found in the Maldives.又是在马尔代夫，有这样一只难以置信的眼睛，连视网膜和虹膜都刻画齐全了。

281 azure   

adj.天蓝色的，蔚蓝色的

参考例句：

• His eyes are azure.他的眼睛是天蓝色的。
• The sun shone out of a clear azure sky.清朗蔚蓝的天空中阳光明媚。

282 promontories   

n.岬，隆起，海角( promontory的名词复数 )

参考例句：

283 unconditional   

adj.无条件的，无限制的，绝对的

参考例句：

• The victorious army demanded unconditional surrender.胜方要求敌人无条件投降。
• My love for all my children is unconditional.我对自己所有孩子的爱都是无条件的。

284 rejection   

n.拒绝，被拒，抛弃，被弃

参考例句：

• He decided not to approach her for fear of rejection.他因怕遭拒绝决定不再去找她。
• The rejection plunged her into the dark depths of despair.遭到拒绝使她陷入了绝望的深渊。

285 delightfulness   

n.delightful（令人高兴的，使人愉快的，给人快乐的，讨人喜欢的）的变形

参考例句：

286 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

287 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

288 disdain   

n.鄙视，轻视；v.轻视，鄙视，不屑

参考例句：

• Some people disdain labour.有些人轻视劳动。
• A great man should disdain flatterers.伟大的人物应鄙视献媚者。

289 ragged   

adj.衣衫褴褛的，粗糙的，刺耳的

参考例句：

• A ragged shout went up from the small crowd.这一小群人发出了刺耳的喊叫。
• Ragged clothing infers poverty.破衣烂衫意味着贫穷。

290 imperative   

n.命令，需要；规则；祈使语气；adj.强制的；紧急的

参考例句：

• He always speaks in an imperative tone of voice.他老是用命令的口吻讲话。
• The events of the past few days make it imperative for her to act.过去这几天发生的事迫使她不得不立即行动。

291 quarry   

n.采石场；v.采石；费力地找

参考例句：

• Michelangelo obtained his marble from a quarry.米开朗基罗从采石场获得他的大理石。
• This mountain was the site for a quarry.这座山曾经有一个采石场。

292 porcelain   

n.瓷；adj.瓷的，瓷制的

参考例句：

• These porcelain plates have rather original designs on them.这些瓷盘的花纹很别致。
• The porcelain vase is enveloped in cotton.瓷花瓶用棉花裹着。

293 grotesquely   

adv. 奇异地,荒诞地

参考例句：

• Her arched eyebrows and grotesquely powdered face were at once seductive and grimly overbearing. 眉棱棱着，在一脸的怪粉上显出妖媚而霸道。 来自汉英文学 - 骆驼祥子
• Two faces grotesquely disfigured in nylon stocking masks looked through the window. 2张戴尼龙长袜面罩的怪脸望着窗外。

294 machinery   

n.(总称)机械，机器；机构

参考例句：

• Has the machinery been put up ready for the broadcast?广播器材安装完毕了吗？
• Machinery ought to be well maintained all the time.机器应该随时注意维护。

295 mechanism   

n.机械装置；机构，结构

参考例句：

• The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
• The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。

296 ductile   

adj.易延展的，柔软的

参考例句：

• Steel in this class is tough，ductile and easily machined.这种钢强韧，延展性好，而且容易加工。
• The metal is very hard and strong and less ductile than before.金属会非常坚硬、坚固，并比以前减少了韧性。

297 inefficiency   

n.无效率，无能；无效率事例

参考例句：

• Conflict between management and workers makes for inefficiency in the workplace. 资方与工人之间的冲突使得工厂生产效率很低。 来自《简明英汉词典》
• This type of inefficiency arises because workers and management are ill-equipped. 出现此种低效率是因为工人与管理层都能力不足。 来自《简明英汉词典》

298 paltriness   

n.不足取，无价值

参考例句：

299 conclusively   

adv.令人信服地，确凿地

参考例句：

• All this proves conclusively that she couldn't have known the truth. 这一切无可置疑地证明她不可能知道真相。 来自《简明英汉词典》
• From the facts,he was able to determine conclusively that the death was not a suicide. 根据这些事实他断定这起死亡事件并非自杀。 来自《简明英汉词典》

300 corrupted   

（使）败坏( corrupt的过去式和过去分词 )； （使）腐化； 引起（计算机文件等的）错误； 破坏

参考例句：

• The body corrupted quite quickly. 尸体很快腐烂了。
• The text was corrupted by careless copyists. 原文因抄写员粗心而有讹误。

301 watchfulness   

警惕，留心； 警觉（性）

参考例句：

• The escort and the universal watchfulness had completely isolated him. 护送和普遍一致的监视曾经使他完全孤立。
• A due watchfulness on the movements of the enemy was maintained. 他们对敌人的行动还是相当警惕的。

302 legerdemain   

n.戏法，诈术

参考例句：

• The lawyer confused the jury with his legal legerdemain.那律师以他合法的把戏把陪审团搞糊涂了。
• Some accused the White House of legerdemain.有人谴责白宫在玩花招。

303 considerably   

adv.极大地；相当大地；在很大程度上

参考例句：

• The economic situation has changed considerably.经济形势已发生了相当大的变化。
• The gap has narrowed considerably.分歧大大缩小了。

304 tickled   

（使）发痒( tickle的过去式和过去分词 )； （使）愉快，逗乐

参考例句：

• We were tickled pink to see our friends on television. 在电视中看到我们的一些朋友，我们高兴极了。
• I tickled the baby's feet and made her laugh. 我胳肢孩子的脚，使她发笑。

305 conceit   

n.自负，自高自大

参考例句：

• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。
• She seems to be eaten up with her own conceit.她仿佛已经被骄傲冲昏了头脑。

306 subtleties   

细微( subtlety的名词复数 )； 精细； 巧妙； 细微的差别等

参考例句：

• I think the translator missed some of the subtleties of the original. 我认为译者漏掉了原著中一些微妙之处。
• They are uneducated in the financial subtleties of credit transfer. 他们缺乏有关信用转让在金融方面微妙作用的知识。

307 sleight   

n.技巧，花招

参考例句：

• With a little statistical sleight of hand they could make things look all right.只要在统计上耍些小小的花招，他们就能瞒天过海。
• In the theater of the media there is an economic sleight of hand.传播媒介在经济上耍了一个大花招。

308 paralysis   

n.麻痹(症)；瘫痪(症)

参考例句：

• The paralysis affects his right leg and he can only walk with difficulty.他右腿瘫痪步履维艰。
• The paralysis affects his right leg and he can only walk with difficulty.他右腿瘫痪步履维艰。

309 extinction   

n.熄灭，消亡，消灭，灭绝，绝种

参考例句：

• The plant is now in danger of extinction.这种植物现在有绝种的危险。
• The island's way of life is doomed to extinction.这个岛上的生活方式注定要消失。

310 dexterity   

n.(手的)灵巧，灵活

参考例句：

• You need manual dexterity to be good at video games.玩好电子游戏手要灵巧。
• I'm your inferior in manual dexterity.论手巧，我不如你。

311 intersection   

n.交集，十字路口，交叉点；[计算机] 交集

参考例句：

• There is a stop sign at an intersection.在交叉路口处有停车标志。
• Bridges are used to avoid the intersection of a railway and a highway.桥用来避免铁路和公路直接交叉。

312 intersectional   

adj.交叉（点）的，区际的

参考例句：

• Psychology as an intersectional science is affected by the time spirit apparently. 作为交叉学科的心理学，受时代精神或者社会思潮的影响是很明显的。 来自互联网

313 resuscitate   

v.使复活，使苏醒

参考例句：

• A policeman and then a paramedic tried to resuscitate her.一名警察和一位护理人员先后试图救活她。
• As instructed by Rinpoche,we got the doctors to resuscitate him.遵照仁波切的指示，我们找来医生帮他进行急救。

314 antiquity   

n.古老；高龄；古物，古迹

参考例句：

• The museum contains the remains of Chinese antiquity.博物馆藏有中国古代的遗物。
• There are many legends about the heroes of antiquity.有许多关于古代英雄的传说。

315 consecutive   

adj.连续的，联贯的，始终一贯的

参考例句：

• It has rained for four consecutive days.已连续下了四天雨。
• The policy of our Party is consecutive.我党的政策始终如一。

316 penetrations   

渗透( penetration的名词复数 )； 穿透； 突破； （男人阴茎的）插入

参考例句：

• Accept my warmest congratulations on your new set of victories and penetrations on your main front. 你们在主要战线上获得一系列新的胜利和突破，请接受我们最热烈的祝贺。
• Provides adjustable alignment, eliminates body wall penetrations. 具有可调整定位功能，避免阀体壳壁被穿透。

317 penetration   

n.穿透，穿人，渗透

参考例句：

• He is a man of penetration.他是一个富有洞察力的人。
• Our aim is to achieve greater market penetration.我们的目标是进一步打入市场。

318 multiplications   

增多( multiplication的名词复数 )； 增加； 乘； 繁殖

参考例句：

• The optimum paths for multiplications of 7 and 8 are depicted in Figure 6.17. 图6．17中描绘了倍增7倍和8倍的最优路径。

319 stony   

adj.石头的，多石头的，冷酷的，无情的

参考例句：

• The ground is too dry and stony.这块地太干，而且布满了石头。
• He listened to her story with a stony expression.他带着冷漠的表情听她讲经历。

320 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

321 effulgence   

n.光辉

参考例句：

• The effulgence of algorithm will shine the dark future brightly! 这句不知道翻译的好不好，我的原意是：算法之光辉将照亮黑暗前路！ 来自互联网

322 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

323 judgments   

判断( judgment的名词复数 )； 鉴定； 评价； 审判

参考例句：

• A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
• He is swift with his judgments. 他判断迅速。

324 watershed   

n.转折点，分水岭，分界线

参考例句：

• Our marriage was at a watershed.我们的婚姻到了一个转折关头。
• It forms the watershed between the two rivers.它成了两条河流的分水岭。

325 ascent   

n.(声望或地位)提高；上升，升高；登高

参考例句：

• His rapid ascent in the social scale was surprising.他的社会地位提高之迅速令人吃惊。
• Burke pushed the button and the elevator began its slow ascent.伯克按动电钮，电梯开始缓慢上升。

326 winding   

n.绕，缠，绕组，线圈

参考例句：

• A winding lane led down towards the river.一条弯弯曲曲的小路通向河边。
• The winding trail caused us to lose our orientation.迂回曲折的小道使我们迷失了方向。

327 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

328 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

329 downwards   

adj./adv.向下的（地），下行的（地）

参考例句：

• He lay face downwards on his bed.他脸向下伏在床上。
• As the river flows downwards,it widens.这条河愈到下游愈宽。

330 catching   

adj.易传染的，有魅力的，迷人的，接住

参考例句：

• There are those who think eczema is catching.有人就是认为湿疹会传染。
• Enthusiasm is very catching.热情非常富有感染力。

331 glides   

n.滑行( glide的名词复数 )；滑音；音渡；过渡音v.滑动( glide的第三人称单数 )；掠过；（鸟或飞机 ） 滑翔

参考例句：

• The new dance consists of a series of glides. 这种新舞蹈中有一连串的滑步。 来自《简明英汉词典》
• The stately swan glides gracefully on the pond. 天鹅在池面上优美地游动。 来自《简明英汉词典》

332 descended   

a.为...后裔的，出身于...的

参考例句：

• A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
• The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。

333 plunging   

adj.跳进的，突进的v.颠簸( plunge的现在分词 )；暴跌；骤降；突降

参考例句：

• War broke out again, plunging the people into misery and suffering. 战祸复发，生灵涂炭。 来自《现代汉英综合大词典》
• He is plunging into an abyss of despair. 他陷入了绝望的深渊。 来自《简明英汉词典》

334 radically   

ad.根本地，本质地

参考例句：

• I think we may have to rethink our policies fairly radically. 我认为我们可能要对我们的政策进行根本的反思。
• The health service must be radically reformed. 公共医疗卫生服务必须进行彻底改革。

335 influential   

adj.有影响的，有权势的

参考例句：

• He always tries to get in with the most influential people.他总是试图巴结最有影响的人物。
• He is a very influential man in the government.他在政府中是个很有影响的人物。

336 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

337 bestowed   

赠给，授予( bestow的过去式和过去分词 )

参考例句：

• It was a title bestowed upon him by the king. 那是国王赐给他的头衔。
• He considered himself unworthy of the honour they had bestowed on him. 他认为自己不配得到大家赋予他的荣誉。

338 consummated   

v.使结束( consummate的过去式和过去分词 )；使完美；完婚；（婚礼后的）圆房

参考例句：

• The marriage lasted only a week and was never consummated. 那段婚姻仅维持了一星期，期间从未同房。
• We consummated an agreement after a year of negotiation. 经过一年的谈判，我们达成了协议。 来自《简明英汉词典》

339 penetrating   

adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的

参考例句：

• He had an extraordinarily penetrating gaze. 他的目光有股异乎寻常的洞察力。
• He examined the man with a penetrating gaze. 他以锐利的目光仔细观察了那个人。

340 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

341 inevitably   

adv.不可避免地；必然发生地

参考例句：

• In the way you go on,you are inevitably coming apart.照你们这样下去，毫无疑问是会散伙的。
• Technological changes will inevitably lead to unemployment.技术变革必然会导致失业。

342 irrelevant   

adj.不恰当的，无关系的，不相干的

参考例句：

• That is completely irrelevant to the subject under discussion.这跟讨论的主题完全不相关。
• A question about arithmetic is irrelevant in a music lesson.在音乐课上，一个数学的问题是风马牛不相及的。

343 flexibility   

n.柔韧性，弹性，（光的）折射性，灵活性

参考例句：

• Her great strength lies in her flexibility.她的优势在于她灵活变通。
• The flexibility of a man's muscles will lessen as he becomes old.人老了肌肉的柔韧性将降低。

344 ductility   

n.展延性，柔软性，顺从；韧性；塑性；展性

参考例句：

• It is evident that ductility is a desirable property of structural materials required to resist blast. 显然，为要抵抗爆震，结构材料的延性是一个重要的条件。 来自辞典例句
• Ductility allows a metal or alloy to be drawn into a wire. 延展性使金属或合金能被拉成丝。 来自互联网

345 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

346 redeemed   

adj. 可赎回的，可救赎的 动词redeem的过去式和过去分词形式

参考例句：

• She has redeemed her pawned jewellery. 她赎回了当掉的珠宝。
• He redeemed his watch from the pawnbroker's. 他从当铺赎回手表。

347 morbid   

adj.病的；致病的；病态的；可怕的

参考例句：

• Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
• It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。

348 penetrable   

adj.可穿透的

参考例句：

• soil that is easily penetrable with a fork 能轻易下耙的土壤
• Perhaps the most aspect of this technology is that it is intellectually penetrable. 这个技术最重要的地方在于它是可以被理解贯通的。 来自互联网

349 ignoble   

adj.不光彩的，卑鄙的；可耻的

参考例句：

• There's something cowardly and ignoble about such an attitude.这种态度有点怯懦可鄙。
• Some very great men have come from ignoble families.有些伟人出身低微。

350 penetrated   

adj. 击穿的，鞭辟入里的 动词penetrate的过去式和过去分词形式

参考例句：

• The knife had penetrated his chest. 刀子刺入了他的胸膛。
• They penetrated into territory where no man had ever gone before. 他们已进入先前没人去过的地区。

351 annihilated   

v.（彻底）消灭( annihilate的过去式和过去分词 )；使无效；废止；彻底击溃

参考例句：

• Our soldiers annihilated a force of three hundred enemy troops. 我军战士消灭了300名敌军。 来自《现代汉英综合大词典》
• We annihilated the enemy. 我们歼灭了敌人。 来自《简明英汉词典》

352 momentous   

adj.重要的，重大的

参考例句：

• I am deeply honoured to be invited to this momentous occasion.能应邀出席如此重要的场合，我深感荣幸。
• The momentous news was that war had begun.重大的新闻是战争已经开始。

353 detailed   

adj.详细的，详尽的，极注意细节的，完全的

参考例句：

• He had made a detailed study of the terrain.他对地形作了缜密的研究。
• A detailed list of our publications is available on request.我们的出版物有一份详细的目录备索。

354 junction   

n.连接，接合；交叉点，接合处，枢纽站

参考例句：

• There's a bridge at the junction of the two rivers.两河的汇合处有座桥。
• You must give way when you come to this junction.你到了这个路口必须让路。

355 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

356 unwillingness   

n. 不愿意，不情愿

参考例句：

• Her unwillingness to answer questions undermined the strength of her position. 她不愿回答问题，这不利于她所处的形势。
• His apparent unwillingness would disappear if we paid him enough. 如果我们付足了钱，他露出的那副不乐意的神情就会消失。

357 junctions   

联结点( junction的名词复数 )； 会合点； （公路或铁路的）交叉路口； （电缆等的）主结点

参考例句：

• Metals which were mutually soluble would tend to give strong junctions. 可互溶的金属趋向于产生牢固的结合点。
• Some adhering junctions are present as narrow bands connecting two cells. 有些粘附连接以一窄带的形式连接两个细胞。

358 emergence   

n.浮现，显现，出现，（植物）突出体

参考例句：

• The last decade saw the emergence of a dynamic economy.最近10年见证了经济增长的姿态。
• Language emerges and develops with the emergence and development of society.语言是随着社会的产生而产生，随着社会的发展而发展的。

359 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

360 niches   

壁龛( niche的名词复数 )； 合适的位置[工作等]； （产品的）商机； 生态位（一个生物所占据的生境的最小单位）

参考例句：

• Some larvae extend the galleries to form niches. 许多幼虫将坑道延伸扩大成壁龛。
• In his view differences in adaptation are insufficient to create niches commensurate in number and kind. 按照他的观点，适应的差异不足以在数量上和种类上形成同量的小生境。

361 recessed   

v.把某物放在墙壁的凹处( recess的过去式和过去分词 )；将（墙）做成凹形，在（墙）上做壁龛；休息，休会，休庭

参考例句：

• My rooms were large, with deeply recessed windows and painted, eighteenth-century panellin. 我住的房间很宽敞，有向里凹陷很深的窗户，油漆过的十八世纪的镶花地板。 来自辞典例句
• The Geneva meeting recessed while Kennety and Khrushchev met in Vienna. 肯尼迪同赫鲁晓夫在维也纳会晤时，日内瓦会议已经休会。 来自辞典例句

362 cylindrical   

adj.圆筒形的

参考例句：

• huge cylindrical gas tanks 巨大的圆柱形贮气罐
• Beer cans are cylindrical. 啤酒罐子是圆筒形的。

363 abacus   

n.算盘

参考例句：

• They also learned to use the abacus.他们还学习珠算。
• The abacus is the ancestor of the modern computer.算盘是现代电脑的原型。

364 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

365 vertically   

adv.垂直地

参考例句：

• Line the pages for the graph both horizontally and vertically.在这几页上同时画上横线和竖线，以便制作图表。
• The human brain is divided vertically down the middle into two hemispheres.人脑从中央垂直地分为两半球。

366 truncation   

n.切断；截短；缺棱；截尾

参考例句：

• Such truncation is evidence of an erosional hiatus. 这种削蚀现象是侵蚀沉积间断的证据。 来自辞典例句
• An example of information truncation may be helpful. 举一个信息截断的例子也许是有帮助的。 来自辞典例句

367 eccentricities   

n.古怪行为( eccentricity的名词复数 )；反常；怪癖

参考例句：

• My wife has many eccentricities. 我妻子有很多怪癖。 来自《简明英汉词典》
• His eccentricities had earned for him the nickname"The Madman". 他的怪癖已使他得到'疯子'的绰号。 来自辞典例句

368 flattened   

[医]（水）平扁的，弄平的

参考例句：

• She flattened her nose and lips against the window. 她把鼻子和嘴唇紧贴着窗户。
• I flattened myself against the wall to let them pass. 我身体紧靠着墙让他们通过。

369 wrecks   

n.沉船( wreck的名词复数 )；（事故中）遭严重毁坏的汽车（或飞机等）；（身体或精神上）受到严重损伤的人；状况非常糟糕的车辆（或建筑物等）v.毁坏[毁灭]某物( wreck的第三人称单数 )；使（船舶）失事，使遇难，使下沉

参考例句：

• The shores are strewn with wrecks. 海岸上满布失事船只的残骸。 来自《现代英汉综合大词典》
• My next care was to get together the wrecks of my fortune. 第二件我所关心的事就是集聚破产后的余财。 来自辞典例句

370 torrent   

n.激流，洪流；爆发，(话语等的)连发

参考例句：

• The torrent scoured a channel down the hillside. 急流沿着山坡冲出了一条沟。
• Her pent-up anger was released in a torrent of words.她压抑的愤怒以滔滔不绝的话爆发了出来。

371 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

372 decrepitude   

n.衰老；破旧

参考例句：

• Staying youth can be likened to climbing steep hill,while negligence will lead to decrepitude overnight. 保持青春已如爬坡，任由衰老会一泻千里。
• The building had a general air of decrepitude and neglect.这座建筑看上去破旧失修，无人照管。

373 supremacy   

n.至上；至高权力

参考例句：

• No one could challenge her supremacy in gymnastics.她是最优秀的体操运动员，无人能胜过她。
• Theoretically,she holds supremacy as the head of the state.从理论上说，她作为国家的最高元首拥有至高无上的权力。

374 dreaded   

adj.令人畏惧的；害怕的v.害怕，恐惧，担心( dread的过去式和过去分词)

参考例句：

• The dreaded moment had finally arrived. 可怕的时刻终于来到了。
• He dreaded having to spend Christmas in hospital. 他害怕非得在医院过圣诞节不可。 来自《用法词典》

375 enervated   

adj.衰弱的，无力的v.使衰弱，使失去活力( enervate的过去式和过去分词 )

参考例句：

• She was enervated from dissipation. 她由于生活放荡不羁而气虚体亏。 来自辞典例句
• The long march in the sun enervated the soldiers. 在太阳下长途的行军，使士兵们渐失精力。 来自互联网

376 smote   

v.猛打，重击，打击( smite的过去式 )

参考例句：

• Figuratively, he could not kiss the hand that smote him. 打个比方说，他是不能认敌为友。 来自英汉文学 - 嘉莉妹妹
• \"Whom Pearl smote down and uprooted, most unmercifully.\" 珠儿会毫不留情地将这些\"儿童\"踩倒，再连根拔起。 来自英汉 - 翻译样例 - 文学

377 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

378 murmur   

n.低语，低声的怨言；v.低语，低声而言

参考例句：

• They paid the extra taxes without a murmur.他们毫无怨言地交了附加税。
• There was a low murmur of conversation in the hall.大厅里有窃窃私语声。

379 strewing   

v.撒在…上( strew的现在分词 )；散落于；点缀；撒满

参考例句：

• What a mess! Look at the pajamas strewing on the bed. 真是乱七八糟！看看睡衣乱放在床上。 来自英汉 - 翻译样例 - 口语

380 bleak   

adj.(天气)阴冷的；凄凉的；暗淡的

参考例句：

• They showed me into a bleak waiting room.他们引我来到一间阴冷的会客室。
• The company's prospects look pretty bleak.这家公司的前景异常暗淡。

381 despoiled   

v.掠夺，抢劫( despoil的过去式和过去分词 )

参考例句：

• They despoiled the villagers of their belongings. 他们夺走了村民的财物。 来自《简明英汉词典》
• The victorious army despoiled the city of all its treasures. 得胜的军队把城里的财宝劫掠一空。 来自辞典例句

382 forsook   

forsake的过去式

参考例句：

• He faithlessly forsook his friends in their hour of need. 在最需要的时刻他背信弃义地抛弃朋友。
• She forsook her worldly possessions to devote herself to the church. 她抛弃世上的财物而献身教会。

383 fanatic   

n.狂热者，入迷者；adj.狂热入迷的

参考例句：

• Alexander is a football fanatic.亚历山大是个足球迷。
• I am not a religious fanatic but I am a Christian.我不是宗教狂热分子，但我是基督徒。

384 wrath   

n.愤怒，愤慨，暴怒

参考例句：

• His silence marked his wrath. 他的沉默表明了他的愤怒。
• The wrath of the people is now aroused. 人们被激怒了。