You remember Maimoune, in the story of Prince Camaralzaman, and what she said to Danhasch, the genie6 who had just arrived from the farthest limits of China? "Be sure thou tellest me nothing but what is true or I shall clip thy wings!" This is what the modern child sometimes says to the genies7 of literature, and his own wings are too often clipped in consequence.
"The Empire of the Fairies is no more.
Steam has outstripped9 their dragons and their cars,
Gas has eclipsed their glow-worms and their stars."
édouard Laboulaye says in his introduction to Nouveaux Contes Bleus: "Mothers who love your children, do not set them too soon to the study of history; let them dream while they are young. Do not close the soul to the first breath of poetry. Nothing affrights me so much as the reasonable, practical child who believes in nothing that he cannot touch. These sages10 of ten years are, at twenty, dullards, or what is still worse, egoists."
When a child has once read of Prince Agib, of Gulnare or Periezade, Sinbad or Codadad, in this or any other volume of its kind, the magic will have been instilled11 into the blood, for the Oriental flavour in the Arab tales is like nothing so much as magic. True enough they are a vast storehouse of information concerning the manners and the customs, the spirit and the life of the Moslem12 East (and the youthful reader does not have to study Lane's learned foot-notes to imbibe13 all this), but beyond and above the knowledge of history and geography thus gained, there comes something finer and subtler as well as something more vital. The scene is Indian, Egyptian, Arabian, Persian; but Bagdad and Balsora, Grand Cairo, the silver Tigris, and the blooming gardens of Damascus, though they can be found indeed on the map, live much more truly in that enchanted14 realm that rises o'er "the foam15 of perilous16 seas in faery lands forlorn." What craft can sail those perilous seas like the book that has been called a great three-decker to carry tired people to Islands of the Blest? "The immortal17 fragment," says Sir Richard Burton, who perhaps knew the Arabian Nights as did no other European, "will never be superseded18 in the infallible judgment19 of childhood. The marvellous imaginativeness of the Tales produces an insensible brightness of mind and an increase of fancy-power, making one dream that behind them lies the new and unseen, the strange and unexpected—in fact, all the glamour21 of the unknown."
It would be a delightful task to any boy or girl to begin at the beginning and read the first English version of these famous stories, made from the collection of M. Galland, Professor of Arabic in the Royal College of Paris. The fact that they had passed from Arabic into French and from French into English did not prevent their instantaneous popularity. This was in 1704 or thereabouts, and the world was not so busy as it is nowadays, or young men would not have gathered in the middle of the night under M. Galland's window and cried: "O vous, qui savez de si jolis contes, et qui les racontez si bien, racontez nous en un!"
You can also read them in Scott's edition or in Lane's (both of which, but chiefly the former, we have used as the foundation of our text), while your elders—philologists or Orientalists—are studying the complete versions of John Payne or Sir Richard Burton. You may leave the wiseacres to wonder which were told in China or India, Arabia or Persia, and whether the first manuscript dates back to 1450 or earlier.
We, like many other editors, have shortened the stories here and there, omitting some of the tedious repetitions that crept in from time to time when Arabian story-tellers were adding to the text to suit their purposes.
Mr. Andrew Lang says amusingly that he has left out of his special versions "all the pieces that are suitable only for Arabs and old gentlemen," and we have done the same; but we have taken no undue22 liberties. We have removed no genies nor magicians, however terrible; have cut out no base deed of Vizier nor noble deed of Sultan; have diminished the size of no roc's egg, nor omitted any single allusion23 to the great and only Haroun Al-raschid, Caliph of Bagdad, Commander of the Faithful, who must have been a great inspirer of good stories.
Enter into this "treasure house of pleasant things," then, and make yourself at home in the golden palaces, the gem-studded caves, the bewildering gardens. Sit by its mysterious fountains, hear the plash of its gleaming cascades24, unearth25 its magic lamps and talismans26, behold27 its ensorcelled princes and princesses.
Nowhere in the whole realm of literature will you find such a Marvel20, such a Wonder, such a Nonesuch of a book; nowhere will you find impossibilities so real and so convincing; nowhere but in what Henley calls:
"... that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance.
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and Calenders,
And ghouls, and genies—O so huge
They might have overed the tall Minster Tower,
Hands down, as schoolboys take a post;
In truth the Book of Camaralzaman,
Schemselnihar and Sinbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk—
Of Kaf ... That centre of miracles
The sole, unparalleled Arabian Nights."
Kate Douglas Wiggin.
August, 1909.
点击收听单词发音
1 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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2 enlist | |
vt.谋取(支持等),赢得;征募;vi.入伍 | |
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3 delightful | |
adj.令人高兴的,使人快乐的 | |
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4 enticed | |
诱惑,怂恿( entice的过去式和过去分词 ) | |
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5 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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6 genie | |
n.妖怪,神怪 | |
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7 genies | |
n.(阿拉伯神话故事中的)神怪,妖怪( genie的名词复数 );(形容将对人们的生活造成永久性的、尤指负面影响的事件已经发生)妖怪已经放出魔瓶了 | |
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8 banished | |
v.放逐,驱逐( banish的过去式和过去分词 ) | |
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9 outstripped | |
v.做得比…更好,(在赛跑等中)超过( outstrip的过去式和过去分词 ) | |
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10 sages | |
n.圣人( sage的名词复数 );智者;哲人;鼠尾草(可用作调料) | |
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11 instilled | |
v.逐渐使某人获得(某种可取的品质),逐步灌输( instill的过去式和过去分词 ) | |
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12 Moslem | |
n.回教徒,穆罕默德信徒;adj.回教徒的,回教的 | |
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13 imbibe | |
v.喝,饮;吸入,吸收 | |
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14 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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15 foam | |
v./n.泡沫,起泡沫 | |
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16 perilous | |
adj.危险的,冒险的 | |
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17 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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18 superseded | |
[医]被代替的,废弃的 | |
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19 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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20 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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21 glamour | |
n.魔力,魅力;vt.迷住 | |
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22 undue | |
adj.过分的;不适当的;未到期的 | |
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23 allusion | |
n.暗示,间接提示 | |
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24 cascades | |
倾泻( cascade的名词复数 ); 小瀑布(尤指一连串瀑布中的一支); 瀑布状物; 倾泻(或涌出)的东西 | |
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25 unearth | |
v.发掘,掘出,从洞中赶出 | |
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26 talismans | |
n.护身符( talisman的名词复数 );驱邪物;有不可思议的力量之物;法宝 | |
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27 behold | |
v.看,注视,看到 | |
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28 isled | |
使成为岛屿(isle的过去式与过去分词形式) | |
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