Remarkable4 as it may seem, were it not for photography and one life mask, this, with equal truth, might be said of a man who, as the ages run, has hardly gone from among us.
Lincoln, one of the greatest of observers, was himself the least truly observed. God had built him in the backyard of the nation and there, wrapped in homely5 guise6, had preserved and matured his pure humanity. He was heard, but seems rarely, if ever, to have been truly seen. The reports we have of him do not satisfy, do not justify7, are inconsistent. The eastern, old-world eye could not read beyond the queer hat, bad tailoring, and boots you could not now give away—and he was so long he fairly had to stoop to look the little world in the face. Never has bad tailoring, homely, deferential8 manner, so completely hidden seer, jester, master of men, as did these simple accoutrements this first great gift of the West. But it is surprising that professional observers, artists and writers alike, have drawn9 and redrawn the untrue picture.
A great portrait is always full of compelling presence, more even than is seen in the original at all times, for a great portrait depicts10 great moments and carries the record of the whole man. It is, therefore, not enough to draw a mask.
Lincoln is a comfort and a reality, an example, a living inspiration to every mother and every son in America. No mask will satisfy us; we want to see what we care for; we want to feel the private conscience that became public conduct. We love this man, because he was all in all one of us and made all the world peers. Now we begin to see him truly. Within his coming the West has steadily11 rolled back the East, and of his ways the world has many. The silk hat, the tall figure, the swing, the language and manner have become American, and we all understand.
Official Washington was shocked by his address. Men, who could have given us master pictures of a master man, remained unconvinced until he had passed away. The great portrait was never drawn, and now it is too late; we must wade12 through mountains of material and by some strange divination13 find in fragments the real man, and, patiently, lovingly, yet justly, piece them all together.
It was speculation14 of this kind that gradually led me to a careful analysis of Lincoln the man. The accepted portraits of him do not justify his record. His life, his labors16, his writings, made me feel some gross injustice17 had been done him in the blind, careless use of such phrases as ungainly, uncouth18, vulgar, rude, which were commonly applied19 to him by his contemporaries. These popular descriptions do not fit the master of polished Douglas—nor the man, whose intellectual arrogance20 academic Sumner resented.
I believed the healthy, powerful youth and frontiersman, the lover, lawyer of spotless record, legislator, the thrice candidate for President, had been falsely drawn. I believed if properly seen and truly read, the compelling and enduring greatness of the man would be found written in his actions, in his figure, in his deportment, in his face, and that some of this compelling greatness might be gotten into the stone. To do this, I read all or nearly all he had written, his own description of himself, the few immediate21 records of his coming and going. I then took the life mask, learned it by heart, measured it in every possible way—for it is infallible—then returned to the habits of his mind, which his writings gave me, and I recognized that five or six of the photographs indicated the man.
Whether Lincoln sat or stood, his was the ease of movement of a figure controlled by direct and natural development, without a hint of consciousness. Chairs were low for him and so Lincoln seemed when he sat down to go farther than was quite easy or graceful22. His walk was free and he moved with a long but rather slow swinging stride. His arms hung free, and he walked with an open hand. He was erect23; he did not stoop at the shoulders. He bent24 forward, but from the waistline. His face was large in its simple masses. His head was normal in size; his forehead high, regular and ideal in shape. His brow bushed25 and projected like a cliff. His eyebrows26 were very strong. His mouth was not coarse or heavy. His right side was determined27, developed, ancient. The left side was immature28, plain—and physically29 not impressive.
You will find written in his face literally30 all the complexness of his nature. We see a dual15 nature struggling with a dual problem, delivering a single result—to the whole. He was more deeply rooted in the home principles that are keeping us together than any man who was ever asked to make his heart-beat national—too great to become president, except by some extraordinary combination of circumstances.
GUTZON BORGLUM
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1 chiseled | |
adj.凿刻的,轮廓分明的v.凿,雕,镌( chisel的过去式 ) | |
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2 sculptor | |
n.雕刻家,雕刻家 | |
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3 gratitude | |
adj.感激,感谢 | |
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4 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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5 homely | |
adj.家常的,简朴的;不漂亮的 | |
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6 guise | |
n.外表,伪装的姿态 | |
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7 justify | |
vt.证明…正当(或有理),为…辩护 | |
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8 deferential | |
adj. 敬意的,恭敬的 | |
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9 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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10 depicts | |
描绘,描画( depict的第三人称单数 ); 描述 | |
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11 steadily | |
adv.稳定地;不变地;持续地 | |
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12 wade | |
v.跋涉,涉水;n.跋涉 | |
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13 divination | |
n.占卜,预测 | |
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14 speculation | |
n.思索,沉思;猜测;投机 | |
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15 dual | |
adj.双的;二重的,二元的 | |
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16 labors | |
v.努力争取(for)( labor的第三人称单数 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
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17 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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18 uncouth | |
adj.无教养的,粗鲁的 | |
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19 applied | |
adj.应用的;v.应用,适用 | |
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20 arrogance | |
n.傲慢,自大 | |
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21 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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22 graceful | |
adj.优美的,优雅的;得体的 | |
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23 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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24 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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25 bushed | |
adj.疲倦的 | |
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26 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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27 determined | |
adj.坚定的;有决心的 | |
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28 immature | |
adj.未成熟的,发育未全的,未充分发展的 | |
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29 physically | |
adj.物质上,体格上,身体上,按自然规律 | |
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30 literally | |
adv.照字面意义,逐字地;确实 | |
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