He was one of those universal characters who have a way of drifting finally to farms. And he had not abridged5 his tales of sprightly6 adventure in imparting them to Westy. He had been to sea on a New Bedford whaler. He had shot big game in the Rockies. He had lived on a ranch7. His star performance had been a liberal participation8 in the kidnapping of a despotic king in a small South Sea island.
Naturally, so lively an adventurer had nothing but contempt for a pasteboard target. And though he did not wilfully9 undertake to alienate10 Westy from his code of conduct, he had so continually represented to him the thrilling glories of the chase, that Aunt Mira had very naturally suffered some haunting apprehensions11 that her nephew might depart impulsively12 on some piratical cruise or Indian killing enterprise.
These vague fears had simmered down at the last to the ludicrous dread13 that her departing nephew (whom she had come to know and love) might, under the inspiration of the satanic Ira, celebrate his departure from the country by laying low some innocent cow in attempting to “drop” an undesirable14 woodchuck. She had come to have a very horror of the word drop which occurred so frequently in Ira’s tales of adventure....
But Aunt Mira’s fears were needless. Westy had been Ira’s companion without being his disciple15. In his quiet way he had understood Ira thoroughly16, the same as in his quiet way he understood Roy Blakeley and Pee-wee Harris thoroughly. The cows, even the woodchucks, were safe. The shot which turned the tide of Westy Martin’s life was not out of his own precious rifle.
He had not taken many steps after hearing the shot when he came upon the effect of it. A small deer lay a few feet off the trail. The beautiful creature was quite motionless and though it lay prone17 on its side with the head flat upon the ground, its gracefulness18 was apparent, even striking. It lay in a sort of bower19 of low hanging foliage20 and had a certain harmony with the forest which even its stricken state and somewhat unnatural21 attitude could not destroy.
As Westy first glimpsed this silent, uncomplaining victim, a feeling (which could hardly be called a thought) came to him. It was just this, that the cruelty which had wrought22 this piteous spectacle was doubly cruel for that the creature had been laid low in its own home. The friendly, enveloping23 foliage revealed this helpless denizen24 of the woods as a sorrowing mother might show her dead child to a sympathizing friend. Such thoughts did not take form in the mind of the tremulous boy but he had some such feeling. He was thoughtful enough, even at the moment, to wonder how he could have taken such delight in stories of wholesale25 killings26. One sight of the actual thing aroused his anger and pity.
He approached a little nearer, this scout27 with a rifle over his shoulder, and beheld28 something which startled, almost unnerved him. He could see only one of the eyes, for the deer lay on its side, but this eye was soft and seemed not unfriendly; it was not a startled eye. The beautiful animal was not dead. He did not know how much it might be suffering, but at all events its suffering was not over, and there was a kind of resignation in the soft look of that single eye; just a kind of silent acceptance of its plight29 which went to the boy’s heart.
Who had done this thing, against the good law of the state, and in disregard of every humane30 obligation? Who had fled leaving this beautiful inhabitant of the quiet woods in agony? The leaves stirred gently above it in the soothing31 breeze. A gay little bird chirped32 a melody in the overhanging branches as if to beguile33 it in its suffering. And the soft, gentle eye seemed full of an infinite patience as it looked at Westy.
He was face to face with one of the sporting exploits of that horrible toy, the rifle. For just a moment it seemed as if the stricken deer were looking at his own rifle as if in quiet curiosity. Then he noticed a tiny wound and a little trickle34 of blood on the creature’s side. It made a striking contrast, the crimson35 and the dull gray....
点击收听单词发音
1 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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2 dime | |
n.(指美国、加拿大的钱币)一角 | |
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3 confided | |
v.吐露(秘密,心事等)( confide的过去式和过去分词 );(向某人)吐露(隐私、秘密等) | |
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4 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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5 abridged | |
削减的,删节的 | |
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6 sprightly | |
adj.愉快的,活泼的 | |
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7 ranch | |
n.大牧场,大农场 | |
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8 participation | |
n.参与,参加,分享 | |
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9 wilfully | |
adv.任性固执地;蓄意地 | |
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10 alienate | |
vt.使疏远,离间;转让(财产等) | |
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11 apprehensions | |
疑惧 | |
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12 impulsively | |
adv.冲动地 | |
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13 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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14 undesirable | |
adj.不受欢迎的,不良的,不合意的,讨厌的;n.不受欢迎的人,不良分子 | |
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15 disciple | |
n.信徒,门徒,追随者 | |
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16 thoroughly | |
adv.完全地,彻底地,十足地 | |
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17 prone | |
adj.(to)易于…的,很可能…的;俯卧的 | |
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18 gracefulness | |
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19 bower | |
n.凉亭,树荫下凉快之处;闺房;v.荫蔽 | |
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20 foliage | |
n.叶子,树叶,簇叶 | |
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21 unnatural | |
adj.不自然的;反常的 | |
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22 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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23 enveloping | |
v.包围,笼罩,包住( envelop的现在分词 ) | |
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24 denizen | |
n.居民,外籍居民 | |
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25 wholesale | |
n.批发;adv.以批发方式;vt.批发,成批出售 | |
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26 killings | |
谋杀( killing的名词复数 ); 突然发大财,暴发 | |
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27 scout | |
n.童子军,侦察员;v.侦察,搜索 | |
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28 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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29 plight | |
n.困境,境况,誓约,艰难;vt.宣誓,保证,约定 | |
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30 humane | |
adj.人道的,富有同情心的 | |
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31 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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32 chirped | |
鸟叫,虫鸣( chirp的过去式 ) | |
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33 beguile | |
vt.欺骗,消遣 | |
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34 trickle | |
vi.淌,滴,流出,慢慢移动,逐渐消散 | |
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35 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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