These pictures were the curse of Lena's existence. They were to be found everywhere: on the desks, the walls, the floor, the blackboard, the window casings. Outside they decorated the whitewashed4 wall of the school building, the tops of big flat stones, the fences, the trunks of trees where the bark had been stripped away, every place where a piece of chalk or a bit of black crayon could function.
The pictures, invariably of human beings or animals, were usually comic, satirical or derisive5. That they showed great vigor6 and clarity of vision would have meant nothing to Lena
[Pg 26]
even if she had known it. They were, in her phraseology, "not nice!" They were frequently disrespectful. The morning after the visit of the county superintendent7, a large picture in white chalk was found on the blackboard wickedly caricaturing the features of that august personage. The picture was done in profile and exaggerated irreverently the large, bulbous nose, the receding8 forehead, and the many chins reaching around to a fleshy, pendulous9 ear. Poor Lena was hard put to it to find a way to control this unruly member of her school. Having much less force of character than her pupil, the advantage of years and vested authority availed her little.
When asked why she had done thus and so, Judith's almost invariable reply was: "Cuz I had to."
"Judy, why hain't you a better gal10 at school?" Bill asked one morning, trying to look sternly at his favorite daughter across the mush and milk. "Lizzie May says the teacher has a heap o' grief with you. Why don't you mind the teacher, Judy?"
"I do mind her, dad—all I can," Judith returned without looking up. She had the syrup12 pitcher13 in her hand and was absorbed in pouring sorghum14 onto her plate in a very thin stream. Presently she set the pitcher down and handed the plate across the table to her father.
"There, dad, ain't that a good mule15? I drawed 'im with the blackstrap. Lizzie May couldn't draw a mule like that."
"Ner I don't want to neither," put in Lizzie May disdainfully. "You otta see, dad, sech pitchers16 as she draws all raound the school, an' makes fun of everybody: the teacher an' the sup'rintendent an' her own relations an' all. She'd otta think shame to herse'f!"
Bill was proud of his girl's ability to draw, but felt it his duty to discourage her choice of subjects, seeing that the same seemed to be so universally condemned17.
"What makes you draw them kind o' pitchers, Judy?" he asked.
"Cuz I want to," replied Judith a little sullenly18. "I see things; an' when I see 'em I want to draw 'em."
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"O law, she don't see no sech things, dad! Haow kin11 she? Nobody else sees 'em!" exclaimed Lizzie May, outraged19. "Why, the idea of her sayin' she sees sech things!"
"Aw, shet up, Liz, an' tend yer own business!" snapped Judith, flushing red with sudden anger. "Jest cuz you don't see nuthin don't mean nobody else does."
She pushed her chair back from the table and began to gather together her school books, slamming them on top of each other with angry energy. Bill said no more; he was not a disciplinarian.
"It's your turn to wash the dishes, Judy," reminded Luella, who was busy helping20 her mother put up the midday lunch. "Lizzie May washed 'em yestiddy an' I did 'en day before."
"Why don't Craw have to take his turn washin' dishes?" inquired Judith, who was still nettled21 from the recent argument.
"Craw's a boy. Boys don't wash dishes," adjudged Luella in a tone of dead finality.
"I don't see why he hadn't otta," continued Judith, as she slapped the plates together. "Far's I c'n see he ain't no good fer nuthin else."
The subject of this conversation, engaged in his favorite occupation of doing nothing in a rocking chair by the stove, looked at his sisters with a mild, impartial22 eye and said nothing. He was safe and aloof23 in his masculinity.
"Land, hain't that a nice pattern this platter is burned into, Elly!" exclaimed Judith, examining a small platter which she had just picked up from the table. "Look here at all the nice squares an' di'monds—an' all jes as even!"
"I don't see nothing nice about it," said Luella with a half glance at the platter. "It's burned so's it won't never come white agin. It was you done that, Judy, puttin' it in the oven with them slices o' hog24 meat on it an' fergittin it till the grease was all burnt into smoke. An' sech a stink25 as it made when mammy opened the oven door! A person could hardly git their breath."
"Well, I like it anyway," said Judith cheerfully. "It's a good thing somebody likes these old, cracked-over plates, cuz
[Pg 28]
most all of 'em is cracked over. I have lots o' fun lookin' at 'em an' seein' all the diff'rent patterns they git burnt into."
"Yes, an' that's why it takes you so long to wash up the dishes. If you don't hurry you're a-goin' to be tardy26 for school. The rest of us is a-fixin' to start naow, an' you'll have to run to ketch up."
"I ain't a-goin' to ketch up if I don't want to," returned Judith. "An' if I'm tardy, you hain't got no call to be a-frettin' yo'se'f."
点击收听单词发音
1 moss | |
n.苔,藓,地衣 | |
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2 munched | |
v.用力咀嚼(某物),大嚼( munch的过去式和过去分词 ) | |
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3 slate | |
n.板岩,石板,石片,石板色,候选人名单;adj.暗蓝灰色的,含板岩的;vt.用石板覆盖,痛打,提名,预订 | |
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4 whitewashed | |
粉饰,美化,掩饰( whitewash的过去式和过去分词 ) | |
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5 derisive | |
adj.嘲弄的 | |
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6 vigor | |
n.活力,精力,元气 | |
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7 superintendent | |
n.监督人,主管,总监;(英国)警务长 | |
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8 receding | |
v.逐渐远离( recede的现在分词 );向后倾斜;自原处后退或避开别人的注视;尤指问题 | |
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9 pendulous | |
adj.下垂的;摆动的 | |
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10 gal | |
n.姑娘,少女 | |
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11 kin | |
n.家族,亲属,血缘关系;adj.亲属关系的,同类的 | |
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12 syrup | |
n.糖浆,糖水 | |
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13 pitcher | |
n.(有嘴和柄的)大水罐;(棒球)投手 | |
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14 sorghum | |
n.高粱属的植物,高粱糖浆,甜得发腻的东西 | |
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15 mule | |
n.骡子,杂种,执拗的人 | |
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16 pitchers | |
大水罐( pitcher的名词复数 ) | |
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17 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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18 sullenly | |
不高兴地,绷着脸,忧郁地 | |
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19 outraged | |
a.震惊的,义愤填膺的 | |
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20 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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21 nettled | |
v.拿荨麻打,拿荨麻刺(nettle的过去式与过去分词形式) | |
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22 impartial | |
adj.(in,to)公正的,无偏见的 | |
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23 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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24 hog | |
n.猪;馋嘴贪吃的人;vt.把…占为己有,独占 | |
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25 stink | |
vi.发出恶臭;糟透,招人厌恶;n.恶臭 | |
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26 tardy | |
adj.缓慢的,迟缓的 | |
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