The first of these is the deep and genuine love of nature. The psalmists delight in the vision of the world, and their joy quickens their senses to read both the larger hieroglyphs4 of glory written in the stars and the delicate tracings of transient beauty on leaf and flower; to hear both the mighty5 roaring of the sea and the soft sweet laughter of the rustling6 corn-fields. But in all these they see the handwriting and hear the voice of God. It is His presence that makes the world sublime7 and beautiful. The direct, piercing, elevating sense of this presence simplifies, enlarges, and enables their style, and
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makes it different from other nature-poetry. They never lose themselves, as Theocritus and Wordsworth and Shelley and Tennyson sometimes do, in the contemplation and description of natural beauty. They see it, but they always see beyond it. Compare, for example, a modern versified translation with the psalm3 itself:
The spacious8 firmament9 on high,
With all the blue ethereal sky
And spangled heavens, a shining frame,
Their Great Original proclaim.[9]
Addison’s descriptive epithets10 betray a conscious effort to make a splendid picture. But the psalmist felt no need of this; a larger impulse lifted him at once into “the grand style:”
The heavens declare the glory of God;
And the firmament showeth his handiwork.
The second quality of the poetry in the Psalms is their passionate11 sense of the beauty of holiness. Keats was undoubtedly12 right in his suggestion that the poet must always see truth in the form of beauty. Otherwise he may be a philosopher, or a critic, or a
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moralist, but he is not a true poet. But we must go on from this standpoint to the Platonic13 doctrine14 that the highest form of beauty is spiritual and ethical15. The poet must also see beauty in the light of truth. It is the harmony of the soul with the eternal music of the Good. And the highest poets are those who, like the psalmists, are most ardently16 enamoured of righteousness. This fills their songs with sweetness and fire incomparable and immortal17:
The fear of the Lord is clean, enduring for ever:
The judgments18 of the Lord are true and righteous altogether.
More to be desired are they than gold, yea, than much fine gold:
Sweeter also than honey and the honeycomb.
The third quality of the poetry of the Psalms is their intense joy in God. No lover ever poured out the longings19 of his heart toward his mistress more eagerly than the Psalmist voices his desire and thirst for God. No conqueror20 ever sang of victory more exultantly21 than the Psalmist rejoices in the Lord, who is his light and his salvation22, the strength of his life and his portion forever.
After all, the true mission of poetry is to increase
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joy. It must, indeed, be sensitive to sorrow and acquainted with grief. But it has wings given to it in order that it may bear us up into the air of gladness.
There is no perfect joy without love. Therefore love-poetry is the best. But the highest of all love-poetry is that which celebrates, with the Psalms,
that Love which is and was
My Father and my Brother and my God.
点击收听单词发音
1 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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2 psalms | |
n.赞美诗( psalm的名词复数 );圣诗;圣歌;(中的) | |
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3 psalm | |
n.赞美诗,圣诗 | |
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4 hieroglyphs | |
n.象形字(如古埃及等所用的)( hieroglyph的名词复数 );秘密的或另有含意的书写符号 | |
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5 mighty | |
adj.强有力的;巨大的 | |
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6 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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7 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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8 spacious | |
adj.广阔的,宽敞的 | |
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9 firmament | |
n.苍穹;最高层 | |
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10 epithets | |
n.(表示性质、特征等的)词语( epithet的名词复数 ) | |
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11 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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12 undoubtedly | |
adv.确实地,无疑地 | |
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13 platonic | |
adj.精神的;柏拉图(哲学)的 | |
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14 doctrine | |
n.教义;主义;学说 | |
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15 ethical | |
adj.伦理的,道德的,合乎道德的 | |
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16 ardently | |
adv.热心地,热烈地 | |
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17 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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18 judgments | |
判断( judgment的名词复数 ); 鉴定; 评价; 审判 | |
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19 longings | |
渴望,盼望( longing的名词复数 ) | |
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20 conqueror | |
n.征服者,胜利者 | |
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21 exultantly | |
adv.狂欢地,欢欣鼓舞地 | |
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22 salvation | |
n.(尤指基督)救世,超度,拯救,解困 | |
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