Even while reading the Memoir, I felt sure that he was not always the tranquil4, patient, wise, serenely5 happy sage6 that he appeared in his later years,—sure that a joy in peace as deep and strong as his was, could only have been won through sharp conflict,—sure that the smooth portrait drawn7 by the reverent8 hand of the bishop did not fully9 and
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frankly depict10 the real man who wrote the deep and moving poetry of Wordsworth.
It was about this time that the valuable studies of Wordsworth’s early life which had been made by Professor Emile Legouis, (then of the University of Lyons, now of the Sorbonne,) were published in English. This volume threw a new light upon the poet’s nature, revealing its intense, romantic strain, and making clear at least some of the causes which led to the shipwreck11 of his first hopes and to the period of profound gloom which followed his return from residence in France in December 1792.
Shortly after reading Professor Legouis’ book, I met by chance a gentleman in Baltimore and was convinced by what he told me, (in a conversation which I do not feel at liberty to repeat in detail,) that Wordsworth had a grand “affair of the heart” while he lived in France, with a young French lady of excellent family and character. But they were parted. A daughter was born, (whom he legitimated12 according to French law,) and descendants of that daughter were living.
There was therefore solid ground for my feeling
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that the poet was not a man who had been always and easily decorous. He had passed through a time of storm and stress. He had lost not only his political dreams and his hopes of a career, but also his first love and his joy. The knowledge of this gave his poetry a new meaning for me, brought it nearer, made it seem more deeply human. It was under the influence of this feeling that this essay was written in a farmhouse13 in Tyringham Valley, where I was staying in the winter of 1897, with Richard Watson Gilder14 and his wife.
Since then Professor George McLean Harper has completed and published, (1916,) his classic book on William Wordsworth, His Life, Works, and Influence. This is undoubtedly15 the very best biography of the poet, and it contains much new material, particularly with reference to his life and connections in France. But there is nothing in it to shake, and on the contrary there is much to confirm, the opinion which was first put forth16 in this essay: namely, that the central theme, the great significance, of Wordsworth’s poetry is the recovery of joy.
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1 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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2 bishop | |
n.主教,(国际象棋)象 | |
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3 piety | |
n.虔诚,虔敬 | |
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4 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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5 serenely | |
adv.安详地,宁静地,平静地 | |
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6 sage | |
n.圣人,哲人;adj.贤明的,明智的 | |
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7 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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8 reverent | |
adj.恭敬的,虔诚的 | |
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9 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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10 depict | |
vt.描画,描绘;描写,描述 | |
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11 shipwreck | |
n.船舶失事,海难 | |
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12 legitimated | |
v.合情合理的( legitimate的过去式和过去分词 );合法的;法律认可的;法定的 | |
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13 farmhouse | |
n.农场住宅(尤指主要住房) | |
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14 gilder | |
镀金工人 | |
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15 undoubtedly | |
adv.确实地,无疑地 | |
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16 forth | |
adv.向前;向外,往外 | |
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