The sight of him gave the sensitive girl a curious shock. She
{227}
knew very well that his life was altogether apart from hers, that he must be engaged in many scenes and many pleasures with which she had nothing to do, and that the point at which their two lives came in contact at all was a very narrow one. She knew all this as well as it was possible to know such an evident matter of fact; and yet, somehow, this sudden proof of it, and sight of him passing her by, unconscious of her existence, in the society to which, and not to her, he belonged, had an effect upon Joyce altogether out of proportion to the easiness of the incident. Where had he been? Who were the people who were with him? Had it been as delightful to him as when he had made it a scene of enchantment and delight to her? She did not ask herself these questions. She only recognised in one swift moment that there he was in his own life, altogether unaware12 of, and unconcerned by, hers. The shock, the recognition, the instant identification of all these facts, were complete in a moment—the moment which it took the boat, propelled by four strong pairs of arms, to shoot within the shadow of the bridge—and no more.
‘Why! wasn’t that your friend, Captain Bellendean, standing up steering that big boat?’ Mrs. Sitwell said.
Joyce had a curious sensation as if she were standing quite alone, separate from all the world, and that this was some ‘airy tongue that syllables13 men’s names’ echoing in her ears. She heard herself murmur14 as if she too were but a voice, ‘Yes, I think so’—while the glowing river and the drooping15 trees, and all the gleams of mingled16 colour, melted and ran into each other confusedly like the mists of a dream.
‘I am sure it is. What a wonderful thing when one has all sorts of things to do, to watch those people who have nothing to do but amuse themselves! He has been philandering17 about with his ladies all day, and probably he will be out at half-a-dozen parties, or lounging in his club half the night—and the same thing to-morrow and to-morrow. Well, on the whole, you know I think it must be dull, and not half so good as our own hard-working life,’ Mrs. Sitwell said; but she sighed. Then turning upon Joyce with a sudden laugh— ‘I forgot you were one of the butterflies too.’
‘Oh no,’ said Joyce, ‘only twice’—thinking of those enchanted18 afternoons upon the water, and having only half emerged from the curious haze19 of enlightenment, of realisation, if such a paradox20 may be, which had surrounded her. She thought, but was not sure, that her companion laughed at this inconsequent reply. Only twice! How strange it was that these two frivolous21
{228}
water-parties—mere22 pleasure, meaning nothing—should have taken such a place in her life, more than all the hard work of which Mrs. Sitwell (with a sigh) asserted the superiority! The school, the labours in which Joyce had delighted, her aspirations24, her Shakespeare class, had all melted away and left no trace; while the Thames with its pleasure-boats, the mingled voices of the rowers and their companions, the tinkle25 of the oars, the sunshine on the water, appeared to her like the only realities in the haze of her present life. They came back to her with the most astonishing distinctness when this sudden glimpse, which felt like a revelation, but was not—how could it be so?—rather the most ordinary circumstance, the most natural accident, befell her. It was at least a revelation to her; for it showed her how distinctly she remembered every incident, every detail, every word that had been spoken; how the Captain had handed her into the boat; how she had been placed near him, her father on the other side; how he had bent27 over his oar6, speaking to her from time to time; how the others had called to him by the name of Stroke—which at first Joyce had supposed to be a playful nickname, not knowing what it meant—to mind his business, to take care what he was about. Joyce did not know why, but had a curious dazzled sense of his eyes upon her face, of his attention to her every movement, of the curious change in everything when she was drawn28 into the other boat on the way back, and the cloud that had come over his eyes. All these things were as a picture or a dream to her, not things she remembered as having been, but which seemed to go on and continue and be, like an enchanted world, which, having once come into existence, could never cease.
Only twice! but remaining always—so that she could go back at her pleasure, and float again upon the enchanted stream, and hear again the merry mingled voices, the one of deeper tone sounding through. She recognised with a strange confusion that this sudden, unexpected sight of Captain Bellendean steering another boat, with another crew, disturbed the previous image in her mind in some unexplainable way. It was like the sudden plunge29 of a stone into the midst of a still water full of reflections, breaking up the reflected images, spreading vague circles of confusion through the lovely unreal world that had been there. It was unreal altogether, everything, both that which had been before and that which now was.
Joyce walked back very soberly by Mrs. Sitwell’s side, vaguely30 listening to the lively strain of talk, which conveyed scarcely any idea to her mind—hearing, answering, knowing nothing, feeling
{229}
as if the many-sided practical life in which her companion was so busy, was an unfortunate and troublesome unreality, breaking into experiences so far more vivid and true. She was glad to be rid of Mrs. Sitwell for a moment when they reached the house, where Joyce was to be entertained at tea.
While its mistress flew about seeing that all was ready, Joyce sat down, thankful to be alone, very happy to find silence and stillness round her, even in the little shabby sitting-room31, with the faded ornamental32 desk and the mystery of the photographs at the other end. She wanted to think, to make it all out, to realise what had happened. What had happened! and yet nothing had happened at all. She had seen a boat floating down, with a score of others, passing under the bridge; and what was that to her or to any one? A boat passing, a water-party going down the river, and nothing more. But this was not how it appeared to Joyce: thinking is one thing and seeing another. Whatever she might say to herself, what she continued to see was the Captain standing up in the stern of the long boat, with the steerage-ropes in his vigorous hands, with that pretty group of ladies in the shadow of his erect33 figure,—another world, another life of which she knew nothing at all. Norman Bellendean had by no means neglected his new friends. Only two days before he had appeared in the afternoon, and had filled the place with that something which Joyce did not understand—that influence and personality which seemed to soften34 all tones and warm all tints35, and charm the common day into miraculous36 brightness. She said to herself that this was society—that interchange of thoughts and feelings which had always appeared to her the most desirable thing in the world. That she should have found the charm in the sole possession of a cavalry37 officer—who was, it is true, at the same time, a country gentleman, and the lord and superior of the place which had been her early home, and in which everybody regarded him with an interest half feudal38, half friendly—did not surprise her, though a cooler head might have found it a very surprising thing. Joyce believed that Mrs. Bellendean produced the same charmed atmosphere around her. They were the symbols of all higher intelligence and finer breeding, and she was not as yet in any way undeceived, nor suspected any other influence in the delightfulness39 of the Captain’s visits—a delight which had begun with the very first of them, and which had never failed. It was not, therefore, any kind of jealousy40 which had sprung up in her mind, even unconsciously. She did not suspect among the ladies in that boat some special one who might have all his best looks and words
{230}
aside. Her mind was not at all in that conscious phase. She only realised with a curious consternation41 that he lived his life in another world—that the days when he was absent were to him the same as other days, though to her lost in mystery and the unknown. Where he spent them, with whom he was, mattered nothing. She was not even curious as to who his companions were. The wonder, the shock, consisted in the fact that his life had another side to her absolutely unknown.
In all this there was no pang42 of jealous love. She was unaware that there was love in it, or anything save wonder and disappointment, and a strange realisation of difference and separation. She did not know where he had been, or who were with him: he might have passed her very door—the other side of the hedge—and she would have been none the wiser. She knew him so well, and yet not at all. Something of the astonishment43 with which the primitive44 traveller recognises the existence of a hundred circles of human creatures altogether beyond his ken23, who must have gone on living for all those years totally outside of his knowledge, filled her now. The thought affected45 her with fantastic pain, and yet she had not a word to say against it. Her heart made a claim all unconsciously upon those people who had first awakened46 its sympathies; and to pass him on the road, as it were, like this, he not even seeing her, unexpectant of her appearance, like two strangers, out of reach of even a passing salutation, was more strange, more overpowering, more enlightening, than anything, she thought, that had ever happened before.
The tea after this was bewildering and rather tedious to Joyce. She wanted to get away to think over her new discovery by herself, and instead she was compelled to share in an evening of lively wit and laughter, solidified47 by much parish talk. A churchwarden, who was no more than a local tradesman—though one of the ‘best people’—and much overawed by finding himself there—and good Miss Marsham, were of the party. Mrs. Sitwell’s voice ran through the whole like the motif48 of a piece of music, never lost sight of. ‘You must sing, Mr. Bright, as soon as you have recovered your voice a little after tea. Eating, we all know, is very bad for the voice: we will give a little time for tired nature to restore herself, and then the songster must be heard. Miss Hayward has never heard you, don’t you know.’
‘I am not very much to hear. Miss Hayward would not lose much if she remained in that state of deprivation49.’
‘Oh, we don’t think so,—do we, Mr. Cosham? What would the choir50 do without him? By the way, that dear boy of yours is
{231}
coming on famously. He must have a solo in the anthem51 on our Saint’s day. He is quite like a cherub52 in his white surplice. That is one thing the Canon envies us. He would give his little finger to have a surpliced choir—but they won’t let him! Though he is so tyrannical to us, he has to knock under to all the old women who sit upon him. They call it sitting under him, but I don’t. Do you, Mr. Cosham?’
‘Really, ma’am,’ said the churchwarden, with his mouth full, ‘you put it so funnily, one can’t help laughing;’ and with humility53, putting up his hand to conceal54 it, he indulged in an apologetic roar.
‘Oh, let’s laugh a little—it does nobody any harm,’ said the parson’s wife. ‘What I should delight in would be to have a band for the festival: it might be amateur, you know; there are so many amateurs about the world that want nothing for it—that are too glad to be allowed to play.’
‘And oh, so badly,’ said Mr. Bright.
‘Not always so very badly—especially when it is strings55. Don’t you think we might have a band, Mr. Cosham, so long as it was strings? it would be such an attraction—with a solo from your dear little boy.’
‘I think it would be a great attraction; what do you think, sir?’ said the churchwarden, looking towards the chief authority. Mr. Sitwell shook his head.
‘Perhaps we think too much of outside attractions when our minds should be set upon higher influences; but if you think the people would like it——’
‘It helps a deal with the collection—does a band,’ said the churchwarden. ‘There’s a church I know where they have the military band, and the place is crowded, with people standing outside the doors.’
‘Not from the best of motives56, I fear,’ said the parson, still shaking his head; ‘but to get them to come is something, by whatever means.’
‘That’s what I think—like Mrs. Sitwell; and a brass58 band——’
‘Oh no, Mr. Cosham!—strings! strings!’ cried the lady. ‘A brass band is a deal too noisy.’ She turned upon the unsuspecting man eyes which had suddenly become dull round orbs59 like his own, and spoke26 with the very echo of his voice. ‘It would drown Johnny’s voice, bless him!’ the little mimic60 cried. Mr. Cosham, good man, thought there was something a little strange and thick in this utterance61; but he did not understand the convulsion of
{232}
suppressed laughter on the curate’s face, nor the smile that curled about the corners of Mr. Sitwell’s mouth. These signs of merriment disturbed him a little, but he did not suspect how. He turned to the ladies, who were quite grave, and replied with much sincerity——
‘That’s quite true, ma’am—it’s wonderful how you do see things; it would drown Johnny’s voice—and he’s got a sweet little pipe of his own, and pleased and proud his mother would be to hear him in church.’
‘The boys’ voices are like angels,’ said Miss Marsham; ‘they’re sometimes naughty little things, but their voices are like heaven. But I can’t help saying, though I don’t like to disagree with you, that I’m not fond of a band in church.’
‘What! not strings?’ cried Mrs. Sitwell, with such an air of ingenuous62 and indeed plaintive63 surprise, that the tender-hearted woman was moved in spite of herself.
‘Well—perhaps strings are different,’ she answered, with hesitation64.
‘We never thought of anything else: when our kind friend said brass, it was only a slip of the tongue. You meant violins all the time, Mr. Cosham, didn’t you?’ said the parson’s wife, with her appealing gaze, which made the churchwarden blush with emotion and pleasure.
‘I believe I did, ma’am,’ he said doubtfully. ‘I’m sure that’s what’s right if you say so: for naturally being so musical yourself, you know about these things better than me.’
‘Dear,’ said Mrs. Sitwell, addressing Joyce, whom she no longer called Miss Hayward, but whom she did not yet venture, in sight of a certain dignity of silence and reserve about that young woman, to call, except in her absence, by her Christian66 name,—‘you never give us your opinion on anything. Do give us your opinion; we have all said our say.’
‘Indeed I don’t know anything at all,’ said Joyce—‘nothing at all. I was never used to music—of that kind, in the church.’
‘And yet,’ said Mr. Sitwell, ‘the Scottish Church has a fine ceremonial of her own, where she has not been deadened by contact with Dissent67. I have always heard there were things in her service which went further and were more perfect than anything attempted here—until quite recently. But of course there is always a tendency to be deadened by the atmosphere of Dissent.’
The party all listened very respectfully to this, which had almost the weight of an oracular statement. Joyce, for her part, was more bewildered than ever. The words he used bore to her
{233}
a completely different meaning, and she was not sufficiently68 instructed to be aware of that which he intended to express. She understood the Canon when he asked her if she was a horrid69 little Presbyterian, but she had no comprehension of what Mr. Sitwell meant. She was wise enough, however, to be silent, and keep her ignorance to herself.
‘But we all believe the same in the chief points, after all,’ said Miss Marsham, laying her thin hand caressingly70 on Joyce’s arm. This kind lady could not bear the girl to be distressed71 if, perhaps, she might happen to be one of those who had been deadened by the atmosphere of Dissent.
‘Well, now that this great question is settled, and we are to have the band and Johnny’s solo—and mind you keep him in good voice, Mr. Cosham—let us go upstairs and have “Angels ever Bright and Fair.” We are so fond of “Angels ever Bright and Fair,"—aren’t we, Austin?’ cried the parson’s wife, putting her hand through her husband’s arm and looking up in his face. He laughed and put her away with a little pat. ‘You are incorrigible72, Dora,’ he said. Mr. Bright lifted his eyebrows73 and looked at the others, asking why.
And then there followed songs and sallies, and bits of that involuntary mimicry74 of everybody in turn which the lively mistress of the house seemed to be unable to keep under. Joyce saw her assume a serious aspect, with a grave face and a little movement about her lips, as she said something in slow and soft tones, at which Miss Marsham did not laugh, but once more laid her thin hand tenderly upon Joyce’s arm, while the gentlemen did,—the churchwarden bursting out in a short abashed75 roar, while Mr. Bright went off to a corner, and Mr. Sitwell hid his face with his hand. This little pantomime perplexed76 Joyce much, but it was not till after that she realised how she herself had been ‘taken off’ for the amusement of her friends.
She got home at last in the dusk of the summer night, feeling as if the world were full of a babble77 of voices, and of jests, and of calculations and little intrigues78, and attempts to do something unnamed by means of something else. Joyce had not been altogether unaware that all was not perfectly79 straightforward80 and true in the world before. She had been fully65 acquainted with the extraordinary little deceptions81 and stories made up by children to save themselves from punishment, or to procure82 some pleasure, or even for nothing at all—out of pleasure apparently83 in the mere invention; but these little falsities were of altogether a different kind, and her brain throbbed84 with the contact of so many unac
{234}
customed trifles which were like the buzz of the flies in the air. The piquancy85 of mimicking86 an individual in his own presence, though she was not insensible to the fact, was strange to her serious soul: it helped to increase the queer unreality of this world in which she found herself, where there were droll87 little plays going on on all sides upon somebody’s weakness, from the silly correspondents of the Pictorial88 to the rich soap-boiler who was to be wheedled89 by praise of his house, and the humble90 churchwarden who was bound hand and foot in reverential servility by praise of his boy—and people who were to be brought to church by the attraction of a band as being better than not going at all. And what was it for? For the parsonage? Joyce was not so hard a critic as to believe this. She saw the good parson tired with his day’s work, and she had seen that kind mischievous91 little woman as good as an angel to the poor people. Their meaning at the bottom was good, and the parsonage only an incident in the strong desire they both had to make the district of St. Augustine’s as near perfection as possible, and chase all sorrow and sickness and trouble out of it, and set up a beautiful service, and steal the people’s hearts with angelic voices in the choir and celestial92 thrilling of violin-strings—to steal their hearts, but only for God, or for what they thought God,—for the Church at least. This part of it Joyce but faintly comprehended, yet more or less divined.
And then from the conception she dimly attained93 of this real and great motive57, her mind came down again to the laughter and the mimicry and the photographs, and that perplexing utterance about an atmosphere deadened by Dissent. What a strange world it was! making good things look bad by dint94 of trying to get good out of evil! Joyce wondered whether it would not succeed better to reject the artifices95, and try what simple means would do. And then having shaken off that coil, her mind suddenly returned with a spring to what was for herself the central event of this day—the Captain standing up in that boat among those unknown people, in that other world. Strange! and he was her friend—but yet belonged to her no more than the river itself flowing on its way, with so many other lawns to reflect besides that little bit of green which Joyce, watching the stream go by, had begun to think of as her own. But it was not hers, and neither was he. Bellendean had been hers, and her old people, and—— Joyce hurried her steps to get refuge in her father’s house from that shadow which began to start up in her path and look at her, and filled her with alarm—a shadow demure96 and serious, with no thought of other worlds or other influences strong enough to eclipse his own.
点击
收听单词发音
收听单词发音 |
1
flannels
|
|
| 法兰绒男裤； 法兰绒( flannel的名词复数 ) | |
参考例句： |
|
|
|
|
2
behold
|
|
| v.看，注视，看到 | |
参考例句： |
|
|
|
|
3
tranquil
|
|
| adj. 安静的, 宁静的, 稳定的, 不变的 | |
参考例句： |
|
|
|
|
4
steadfast
|
|
| adj.固定的，不变的，不动摇的；忠实的；坚贞不移的 | |
参考例句： |
|
|
|
|
5
delightful
|
|
| adj.令人高兴的，使人快乐的 | |
参考例句： |
|
|
|
|
6
oar
|
|
| n.桨，橹，划手；v.划行 | |
参考例句： |
|
|
|
|
7
oars
|
|
| n.桨，橹( oar的名词复数 )；划手v.划（行）( oar的第三人称单数 ) | |
参考例句： |
|
|
|
|
8
enchantment
|
|
| n.迷惑，妖术，魅力 | |
参考例句： |
|
|
|
|
9
standing
|
|
| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
参考例句： |
|
|
|
|
10
steering
|
|
| n.操舵装置 | |
参考例句： |
|
|
|
|
11
entirely
|
|
| ad.全部地，完整地；完全地，彻底地 | |
参考例句： |
|
|
|
|
12
unaware
|
|
| a.不知道的，未意识到的 | |
参考例句： |
|
|
|
|
13
syllables
|
|
| n.音节( syllable的名词复数 ) | |
参考例句： |
|
|
|
|
14
murmur
|
|
| n.低语，低声的怨言；v.低语，低声而言 | |
参考例句： |
|
|
|
|
15
drooping
|
|
| adj. 下垂的，无力的 动词droop的现在分词 | |
参考例句： |
|
|
|
|
16
mingled
|
|
| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
参考例句： |
|
|
|
|
17
philandering
|
|
| v.调戏，玩弄女性( philander的现在分词 ) | |
参考例句： |
|
|
|
|
18
enchanted
|
|
| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
参考例句： |
|
|
|
|
19
haze
|
|
| n.霾，烟雾；懵懂，迷糊；vi.(over)变模糊 | |
参考例句： |
|
|
|
|
20
paradox
|
|
| n.似乎矛盾却正确的说法；自相矛盾的人(物) | |
参考例句： |
|
|
|
|
21
frivolous
|
|
| adj.轻薄的；轻率的 | |
参考例句： |
|
|
|
|
22
mere
|
|
| adj.纯粹的；仅仅，只不过 | |
参考例句： |
|
|
|
|
23
ken
|
|
| n.视野，知识领域 | |
参考例句： |
|
|
|
|
24
aspirations
|
|
| 强烈的愿望( aspiration的名词复数 )； 志向； 发送气音； 发 h 音 | |
参考例句： |
|
|
|
|
25
tinkle
|
|
| vi.叮当作响；n.叮当声 | |
参考例句： |
|
|
|
|
26
spoke
|
|
| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
参考例句： |
|
|
|
|
27
bent
|
|
| n.爱好，癖好；adj.弯的；决心的，一心的 | |
参考例句： |
|
|
|
|
28
drawn
|
|
| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
参考例句： |
|
|
|
|
29
plunge
|
|
| v.跳入，(使)投入，(使)陷入；猛冲 | |
参考例句： |
|
|
|
|
30
vaguely
|
|
| adv.含糊地，暖昧地 | |
参考例句： |
|
|
|
|
31
sitting-room
|
|
| n.（BrE）客厅，起居室 | |
参考例句： |
|
|
|
|
32
ornamental
|
|
| adj.装饰的；作装饰用的；n.装饰品；观赏植物 | |
参考例句： |
|
|
|
|
33
erect
|
|
| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
参考例句： |
|
|
|
|
34
soften
|
|
| v.(使)变柔软；(使)变柔和 | |
参考例句： |
|
|
|
|
35
tints
|
|
| 色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹 | |
参考例句： |
|
|
|
|
36
miraculous
|
|
| adj.像奇迹一样的，不可思议的 | |
参考例句： |
|
|
|
|
37
cavalry
|
|
| n.骑兵；轻装甲部队 | |
参考例句： |
|
|
|
|
38
feudal
|
|
| adj.封建的，封地的，领地的 | |
参考例句： |
|
|
|
|
39
delightfulness
|
|
| n.delightful（令人高兴的，使人愉快的，给人快乐的，讨人喜欢的）的变形 | |
参考例句： |
|
|
|
|
|
40
jealousy
|
|
| n.妒忌，嫉妒，猜忌 | |
参考例句： |
|
|
|
|
41
consternation
|
|
| n.大为吃惊，惊骇 | |
参考例句： |
|
|
|
|
42
pang
|
|
| n.剧痛，悲痛，苦闷 | |
参考例句： |
|
|
|
|
43
astonishment
|
|
| n.惊奇，惊异 | |
参考例句： |
|
|
|
|
44
primitive
|
|
| adj.原始的；简单的；n.原(始)人，原始事物 | |
参考例句： |
|
|
|
|
45
affected
|
|
| adj.不自然的，假装的 | |
参考例句： |
|
|
|
|
46
awakened
|
|
| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
参考例句： |
|
|
|
|
47
solidified
|
|
| （使）成为固体，（使）变硬，（使）变得坚固( solidify的过去式和过去分词 )； 使团结一致； 充实，巩固； 具体化 | |
参考例句： |
|
|
|
|
48
motif
|
|
| n.(图案的)基本花纹，(衣服的)花边；主题 | |
参考例句： |
|
|
|
|
49
deprivation
|
|
| n.匮乏；丧失；夺去，贫困 | |
参考例句： |
|
|
|
|
50
choir
|
|
| n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱 | |
参考例句： |
|
|
|
|
51
anthem
|
|
| n.圣歌，赞美诗，颂歌 | |
参考例句： |
|
|
|
|
52
cherub
|
|
| n.小天使，胖娃娃 | |
参考例句： |
|
|
|
|
53
humility
|
|
| n.谦逊，谦恭 | |
参考例句： |
|
|
|
|
54
conceal
|
|
| v.隐藏，隐瞒，隐蔽 | |
参考例句： |
|
|
|
|
55
strings
|
|
| n.弦 | |
参考例句： |
|
|
|
|
56
motives
|
|
| n.动机，目的( motive的名词复数 ) | |
参考例句： |
|
|
|
|
57
motive
|
|
| n.动机，目的；adv.发动的，运动的 | |
参考例句： |
|
|
|
|
58
brass
|
|
| n.黄铜；黄铜器，铜管乐器 | |
参考例句： |
|
|
|
|
59
orbs
|
|
| abbr.off-reservation boarding school 在校寄宿学校n.球，天体，圆形物( orb的名词复数 ) | |
参考例句： |
|
|
|
|
60
mimic
|
|
| v.模仿，戏弄；n.模仿他人言行的人 | |
参考例句： |
|
|
|
|
61
utterance
|
|
| n.用言语表达，话语，言语 | |
参考例句： |
|
|
|
|
62
ingenuous
|
|
| adj.纯朴的，单纯的；天真的；坦率的 | |
参考例句： |
|
|
|
|
63
plaintive
|
|
| adj.可怜的，伤心的 | |
参考例句： |
|
|
|
|
64
hesitation
|
|
| n.犹豫，踌躇 | |
参考例句： |
|
|
|
|
65
fully
|
|
| adv.完全地，全部地，彻底地；充分地 | |
参考例句： |
|
|
|
|
66
Christian
|
|
| adj.基督教徒的；n.基督教徒 | |
参考例句： |
|
|
|
|
67
dissent
|
|
| n./v.不同意，持异议 | |
参考例句： |
|
|
|
|
68
sufficiently
|
|
| adv.足够地，充分地 | |
参考例句： |
|
|
|
|
69
horrid
|
|
| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
参考例句： |
|
|
|
|
70
caressingly
|
|
| 爱抚地，亲切地 | |
参考例句： |
|
|
|
|
71
distressed
|
|
| 痛苦的 | |
参考例句： |
|
|
|
|
72
incorrigible
|
|
| adj.难以纠正的，屡教不改的 | |
参考例句： |
|
|
|
|
73
eyebrows
|
|
| 眉毛( eyebrow的名词复数 ) | |
参考例句： |
|
|
|
|
74
mimicry
|
|
| n.（生物）拟态，模仿 | |
参考例句： |
|
|
|
|
75
abashed
|
|
| adj.窘迫的，尴尬的v.使羞愧，使局促，使窘迫( abash的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
76
perplexed
|
|
| adj.不知所措的 | |
参考例句： |
|
|
|
|
77
babble
|
|
| v.含糊不清地说，胡言乱语地说，儿语 | |
参考例句： |
|
|
|
|
78
intrigues
|
|
| n.密谋策划( intrigue的名词复数 )；神秘气氛；引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 )；激起…的好奇心 | |
参考例句： |
|
|
|
|
79
perfectly
|
|
| adv.完美地，无可非议地，彻底地 | |
参考例句： |
|
|
|
|
80
straightforward
|
|
| adj.正直的，坦率的；易懂的，简单的 | |
参考例句： |
|
|
|
|
81
deceptions
|
|
| 欺骗( deception的名词复数 )； 骗术，诡计 | |
参考例句： |
|
|
|
|
82
procure
|
|
| vt.获得，取得，促成；vi.拉皮条 | |
参考例句： |
|
|
|
|
83
apparently
|
|
| adv.显然地；表面上，似乎 | |
参考例句： |
|
|
|
|
84
throbbed
|
|
| 抽痛( throb的过去式和过去分词 )； （心脏、脉搏等）跳动 | |
参考例句： |
|
|
|
|
85
piquancy
|
|
| n.辛辣，辣味，痛快 | |
参考例句： |
|
|
|
|
86
mimicking
|
|
| v.（尤指为了逗乐而）模仿( mimic的现在分词 )；酷似 | |
参考例句： |
|
|
|
|
87
droll
|
|
| adj.古怪的，好笑的 | |
参考例句： |
|
|
|
|
88
pictorial
|
|
| adj.绘画的；图片的；n．画报 | |
参考例句： |
|
|
|
|
89
wheedled
|
|
| v.骗取（某物），哄骗（某人干某事）( wheedle的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
90
humble
|
|
| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
参考例句： |
|
|
|
|
91
mischievous
|
|
| adj.调皮的，恶作剧的，有害的，伤人的 | |
参考例句： |
|
|
|
|
92
celestial
|
|
| adj.天体的；天上的 | |
参考例句： |
|
|
|
|
93
attained
|
|
| （通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况） | |
参考例句： |
|
|
|
|
94
dint
|
|
| n.由于，靠；凹坑 | |
参考例句： |
|
|
|
|
95
artifices
|
|
| n.灵巧( artifice的名词复数 )；诡计；巧妙办法；虚伪行为 | |
参考例句： |
|
|
|
|
96
demure
|
|
| adj.严肃的；端庄的 | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |