For what reason?—for no reason at all, so far as she was aware; only, apparently2 without knowing it, to help out the decisions of fate. There was a stream of other people going home, some of them walking too, as it was so lovely an evening. The air was the softest balm of summer, cool, the sun going down, soft shadows stealing over the sky, the river still lit with magical reflections—those reflections which are nothing, such stuff as dreams are made of, and yet more beautiful than anything in earth or heaven. The rose tints3 were in the atmosphere as well as the sky. When you turned a corner, the resistance of the soft air meeting you was as a caress—like the kiss with which one loving creature meets another as they pass upon their happy way. It was no longer spring indeed, but matured and full-blown summer, ready any morning, by a touch of north wind or early frost, to become autumn in a moment, but making the very best of her last radiant evening. The well-dressed crowd streamed out of the gates of Sir Samuel’s great house on the hill, and then separated, flowing in little rills of white and bright dresses, of pleasant voices and talk, upon their several ways. Till then, of course, they had all kept together. Afterwards the little accidents, the natural effect of unequal steps and different pace, so arranged it that the older pair dragged behind, having still some good-byes to make, and that the other two, who had fallen together without any intention, went on before.
Joyce was always shy, but she had never been embarrassed by the presence of Norman Bellendean. She had been able even to laugh with him when the gloom of her arrival in this new sphere, and of her severance4 from the old, was heaviest upon her. She had the reassuring5 consciousness that he knew all about her, and could not be in any way deceived. No need of fictions to account for her, nor apologies for her ignorance, were necessary with him.
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And she gave him from the first that most flattering proof of preference by being at her ease with him, when she was so with no one else. But there was something in the air to-night which suggested embarrassment—something too familiar, over-sweet. Mrs. Hayward and the Colonel did not feel this. They said to each other that it was a lovely evening, and then they talked of their own concerns. Joyce was not like them—the rose-tinted vapours on the sky had got into her very soul.
‘Was there ever such a sunset?’ said Norman Bellendean. ‘And yet, Miss Joyce, you and I remember something better still,—the long, long lingering of the warm days——’
‘In summer,’ she said, with a little catching6 of her breath, ‘when you never could tell whether there was any night at all.’
‘And when the night was better than the day, if better could be, and morning and evening ran into each other.’
‘And it was all like paradise,’ said Joyce, chiming in. Their voices were full of emotion, though they were speaking only of such unexciting things as the atmosphere and the twilight7—two safe subjects surely, if any subjects could be safe.
‘It is not like that,’ Joyce added, with a little reluctance8; ‘but still the river when the last flash of the sun is upon it, and all the clouds hanging like roses upon the sky, and the water glimmering9 like a glass, and making everything double like the swan——’
Norman was one of the unread. He did not know what swan it was that floated ‘double, swan and shadow,’ for ever and ever, since that day the poet saw it: but he understood the scene and the little failure of breath in the enthusiasm of her description with which Joyce spoke10.
‘Yes,’ he said, ‘it was like that the other night—but there was a charm wanting.’
‘Oh,’ Joyce said, still breathless; and she added, with an impulse that was involuntary, beyond her power of control, not what she meant or wished to say— ‘When you were up the river—the other night—passing——’
Did she mean it as a reproach? He looked at her quickly. ‘Yes,’ he said, ‘it is true I passed—the very lawn, the enchanted11 place—and looked and looked, but did not see you.’
‘Ah,’ she said, ‘but I saw you, Captain Bellendean. I saw you go below the bridge steering12. It was strange, among all the strange folk, and the boats coming and going, suddenly to see—a kent face.’
She laughed, in a curious embarrassed way, as if laughing at herself, yet with a rising colour, and eyes that did not turn to him,
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rather avoided him. Norman had a sudden gleam of perception, and understood more or less the little fanciful shock which Joyce had received to see him pass.
‘You could not think it more strange than I did,’ he said, in an unconscious tone of self-defence, ‘nor half so disagreeable. To pass with people I cared nothing for, the same way that has become associated to me with—with—— And to look perhaps as if it were just the same whether it was they or—others.’
He began with self-defence, but ended with an inflection of half complaint and subdued13 indignation in his tone.
‘Indeed,’ said Joyce, startled, ‘I did not think——’
‘Perhaps,’ he said, ‘you did not think about me at all, and I am a fool for supposing you did; but if you thought for a moment that it was any pleasure to me to be there, apart from all that had made it delightful——’
‘Oh,’ cried Joyce, in an anxious effort not to understand this inference which flooded all her veins14 with a sudden rush of indescribable celestial15 delight, ‘but the river was as bright as ever I saw it, and the sky like heaven; and why should you not be happy—with your friends?’
He had given her a sensation more exquisite16 than any she had ever known in all her life; and on her side she was giving him pain, and knew it, and was not ill-pleased to have it so. Such, as the old moralists would say, are the strange contradictions of human feeling! He turned upon her an aggrieved17 expostulating glance.
‘You think it was the same, whoever my companions might be? You don’t understand what it was to me to be bound to the oar18 like the galley19 slaves, to listen to all their inane20 nonsense and their jokes, when my heart was in—oh, a very different place.’
‘You have been all over the world, Captain Bellendean, you must remember so many other places—more beautiful than this.’
‘Do you think that is what I mean?’ he said quickly, in a tone almost of irritation21. Joyce knew very well it was not what he meant. But she had to defend herself with the first weapons that came in her way.
‘Don’t you know,’ he said, after a pause, ‘that this has been such a summer as I never had before? I have been a great deal about the world, as you say. I have had many experiences: but never yet have I felt as I have felt this year. I never was romantic, nor had I much poetry in me. But I begin to think the poets are the fellows, after all, who understand best.’
‘That is true, I am sure,’ said Joyce in a subdued voice. She
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was thankful to find something that she could say. She walked along mechanically by the Captain’s side, feeling as if she were floating in some vague enchantment22, not able to pause or realise anything, not able to escape, carried along by the delicious soft air which was breathing within her being as well as without, a rapture23 that could not be explained.
‘I believe it is true—but I never thought so before. And the cause is that I never knew—you before,’ the Captain said.
Did the people know who were passing? could they see in the faces of those two walking—nay, floating by, surrounded by a golden mist—what was being said between them? A vague wonder stole into Joyce’s mind as she perceived dimly through that mist the face of a wayfarer24 going by. She herself but vaguely25 realised the meaning of the words. She understood their sentiment well enough,—felt it in that silent ecstasy26 that swept her along, but had no power to think or exercise her own faculties27 at all, only to let herself be carried on, and away.
‘You have been the enchantment to me,’ he said hurriedly; ‘and now it is almost over, and I shall have to go away. The charm will be gone from everything. I don’t know how I am to reconcile myself to the dull world and the long days—unless——’
‘Captain Bellendean——’ Joyce said faintly, hearing her own voice, as if it came from a long distance, feeling a vague necessity for a pause.
‘Unless I may—come back,’ he said. ‘I must go home and put things in order—but it need not be for very long—if I may come back?’
There was something vaguely defective28 in these words, she could not tell what. For that very reason they relieved her, because they were not what they might have been. She came to herself as if she had touched the earth after that vague swaying, floating, in realms above the earth, in the soft delicious air.
‘Surely,’ she said, ‘you will come back. There is no reason for not coming back.’
He, it seemed, had not felt that touch of reality which had brought Joyce out of her rapture. He was confused and floating still. ‘I mean,’ he said, ‘not to return merely to town or—but to come back to this moment, to those days. I have never known anything like them. They have opened a new world to me: Joyce——’
‘Captain Bellendean!’
‘I mean no familiarity—no want of respect; could you think
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so? The name came out without intention—only because I say it over, and over—— Joyce—I may come back?’
Surely the passers-by must see! He had turned and was looking at her with pleading eyes; while she, with the red of the western sky in her face, with the mist in her eyes, did not look at him, or make him any reply.
‘I don’t ask you to say more. This is not the place. I don’t want to disturb your mind,—only say I may come, and that you will not send me away?’
Her heart had sprung up and was beating loud. A terror of what the people on the road would think took possession of her. ‘No, it is not the place,’ she murmured, scarcely knowing what she said.
‘What could I do? there was no other: say I may——’
‘Bellendean!’ cried Colonel Hayward’s cheerful voice from behind; ‘are you coming in to have some dinner? You had better. Why, you are taking the way to the river, Joyce and you.’
‘I beg your pardon!’ cried Captain Bellendean, with a startled air. ‘I beg your pardon! I did not observe——’
‘Joyce should have observed,’ said Mrs. Hayward quietly. ‘It is nearly half-past seven. You cannot do less than stay to dinner—especially as I hear you are going away.’
‘I will, with many thanks,’ said Norman. He looked like a man waked out of a dream; and Mrs. Hayward hastened on, not without a sense of Christian29 charity, to let them have it out, as she said to herself. But they were now both awakened30. The charm was broken, and the golden air dispersed31. They walked on behind the elder pair to the door, and went in very gravely both of them, without another word said.
A more extraordinary evening never was. Joyce had known many agitated32 and unhappy ones within the last six months, but none like this, during which she saw everything through a haze33 of excitement, with something weighing on her eyelids—something murmuring in her ears—something which made it impossible for her to meet the light or clearly realise what was going on. There seemed a sort of dumb expectation in the air besides that curious sense of something arrested and untold34 that was in her own mind. Her step-mother looked at her with a question in her eyes, and even touched her with a half-caress as she went upstairs to prepare for dinner. Joyce did not know why, and yet had a sort of far-off perception of some meaning and kindness in it, which notwithstanding was half an offence. And when she came downstairs the haze had filled the dining-room, so that she could not see clearly
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the face on the other side of the table—the face which did not look at her any more than she looked at him, and yet was keenly aware of every movement on her part, as she was of his. She herself scarcely spoke a word during the whole meal, and he not much,—not more than was necessary. The others went on with their ordinary conversation, which seemed to drift about upon the haze; names—the names with which Joyce’s mind had been busy a little while before—floating about, falling now and then like stones, catching her vague attention. Sir Sam, the Canon, the Sitwells—who were they, all these people? It seemed so strange that any one could concern themselves with their vague affairs.
The dinner was very long, and yet flew like a dream; and then came the twilight drawing-room, the dimness outside, the evening chilled out of that heavenly warmth and calm. Joyce did not go out to-night as was her wont35, though she could not tell why. She kept by Mrs. Hayward, sedately36 seated near a table, upon which there was work, as if that were her object. Captain Bellendean stood near her when the gentlemen came from the dining-room. There was not much light, and he stood up like a tall pillar, slightly inclining over her, a sort of Pisan tower, leaning, yet firm. If he had anything more to say to her, it was clear that was not the place, any more than the road with the Colonel and his wife behind. But he lingered there still, saying little, until Colonel Hayward had to say, ‘I don’t want to hurry you, Bellendean. You’re always welcome, and my wife would give you a bed with pleasure; but if you are going by that train——’ Then Captain Bellendean roused himself like a man startled out of a dream, and shook hands with them all. He said Good-bye, not Good-night; and when Joyce had seated herself again, all trembling after that pressure of her hand, which almost hurt her, he suddenly came back, and looked in at the door. Mrs. Hayward’s back was turned: she had indeed gone out to the verandah to look at the moon, as she said afterwards. He looked in, then made one step to where Joyce was sitting, and took her hand and kissed it. ‘Remember I am to come back!’ he said, and then was gone.
‘What did Bellendean forget? his gloves, or a book, or what was it?’ the Colonel said, with some curiosity, when the door was closed and the visitor departed.
‘I don’t know,—I was in the verandah,’ said Mrs. Hayward. ‘What did he forget, Joyce?’
Joyce looked at them with a startled, guilty countenance37, know
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ing what they had said, yet not knowing, and made no reply. She dared not move, nor speak, lest she should betray—what? There was nothing to betray, except that he was coming back, and that was no information—for of course he was coming back. She was very glad to escape to her room when the lawful38 time came for that, and Mrs. Hayward gave the signal, but had not the strength or courage even to rise from her seat till that signal was given, not knowing whether she would be able to walk straight, or to preserve her ordinary appearance if she relinquished39, with both those eyes upon her, the support of her chair. She was vaguely sensible of Mrs. Hayward’s inquiring looks, which were half indignant, half angry, as well. When they said good-night, her step-mother took her hand with a quick monitory touch. ‘Have you anything to tell me, or would you like to speak to your father?’ she said. Joyce gave her a wondering look, and said ‘No.’ ‘I am not thrusting myself into your confidence: but tell your father,’ Mrs. Hayward said again imperatively40, with a gleam of excitement in her blue eyes. Then as Joyce made no response, her step-mother flung past her, flushed and indignant. ‘I might have known better than to make any such appeal,’ she cried angrily, and shut her door with a clang that rang through the silent house.
Joyce stole away very silently into her room, disturbed and full of trouble. What could she tell? there was nothing to tell. She felt guilty without having any reason for it, and very sorry to offend without knowing how to help it. Tell her father!—but when she had nothing to tell him! There was a grieved look on his countenance, too, when he said good-night. It was all a confusion, and wrong somehow; but what could she do? Disturbed by this, there was a moment of troubled uncertainty41 in Joyce’s mind a longing42 to be pardoned, to say that she was sorry, that she was concealing43 nothing, which was, however, contradicted by the desire she had to be alone, and the shrinking even from a look which might penetrate44 her seclusion45, and read the secret of her heart before she had spelled it out to herself. Softly, apologetically, with a sense of asking pardon, she closed her door and then sat down and came face to face with herself.
It was a very strange agitated meeting, as with some one she was unwilling46 to see and still more unwilling to question—some one who had a story to tell which would crush all the beginnings of peace and all the gleams of happiness that had been in Joyce’s life. She thought in the confusion of her mind of De Musset’s spectre, whom he had seen sitting by him in all the conjunctions
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of his life—the being, qui me ressemblait comme un frère; but Joyce’s meeting with herself was more important than anything recorded by the poet. All trembling with the sensations she had gone through, her nerves vibrating with the strain, her energies all melted in the exquisite sense of happiness which had floated her away, and in the chill check of the real which had brought her to earth again, she had questions to revolve47 and discoveries to make such as she knew now she had avoided and turned away from. She was afraid to look into those eyes which were her own, and find out the secret there. She sat down, putting her candle on the table, without lighting48 any other, conscious that she preferred the darkness, and not even to see, if she could help it, what she must see,—what could not be hidden any more. What had she done? She had meant no harm, thought of nothing that was wrong, nor of injuring any one, nor of failing in her faith. If Joyce had been made to disclose her opinion of herself, she would have described herself as true and faithful—faithful above all things. She would not have claimed excellence49, though she might think perhaps that there was that in her which was above the multitude; but she would have claimed to be faithful and constant, not variable in her affections, true to the last, whatever temptation might come upon her.
Oh, strange delusion50! oh, failure beyond example! when all the time she had failed, failed without knowing it, without meaning it, helplessly, like a fool and a traitor51! It all came upon her in a sudden scathing52 flash of consciousness, which seemed to scorch53 her drooping54 face. She, in whom Joyce had always felt such confidence, herself—she, betrothed55 and bound and beyond all possibilities of other sentiment—almost as much as a wife already in solemn promise and engagement—she! heaven help her! what had she done? Her veins all swelled56 to bursting with the rush of her guilty blood. Horror and darkness enveloped57 her all around; she hid her face in her hands, and her lips gave forth58 a low quivering cry. She—loved another man. It was all the worse for her that she had felt herself superior to all vagaries59 of passion, thought herself above them, and believed that her own half-shrinking acceptance of love was all that was consistent with a woman’s dignity. She had thought this, and she thought it still—yet discovered that she had departed from it, thrown all those restraints to the winds, and loved—loved—Norman Bellendean! The discovery horrified60, humiliated61, crushed her to the ground, and yet sprang with an impulse of warmer life than she had ever known before through all the throbbing62 of her veins.
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1
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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apparently
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| adv.显然地；表面上，似乎 | |
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tints
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| 色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹 | |
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severance
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| n.离职金；切断 | |
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reassuring
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| a.使人消除恐惧和疑虑的，使人放心的 | |
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catching
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| adj.易传染的，有魅力的，迷人的，接住 | |
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7
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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reluctance
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| n.厌恶，讨厌，勉强，不情愿 | |
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glimmering
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| n.微光，隐约的一瞥adj.薄弱地发光的v.发闪光，发微光( glimmer的现在分词 ) | |
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10
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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11
enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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12
steering
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| n.操舵装置 | |
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subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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veins
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| n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理 | |
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celestial
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| adj.天体的；天上的 | |
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exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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aggrieved
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| adj.愤愤不平的，受委屈的；悲痛的；（在合法权利方面）受侵害的v.令委屈，令苦恼，侵害( aggrieve的过去式)；令委屈，令苦恼，侵害( aggrieve的过去式和过去分词) | |
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oar
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| n.桨，橹，划手；v.划行 | |
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galley
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| n.（飞机或船上的）厨房单层甲板大帆船；军舰舰长用的大划艇； | |
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inane
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| adj.空虚的，愚蠢的，空洞的 | |
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irritation
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| n.激怒，恼怒，生气 | |
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enchantment
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| n.迷惑，妖术，魅力 | |
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rapture
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| n.狂喜；全神贯注；着迷；v.使狂喜 | |
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wayfarer
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| n.旅人 | |
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vaguely
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| adv.含糊地，暖昧地 | |
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ecstasy
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| n.狂喜，心醉神怡，入迷 | |
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faculties
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| n.能力( faculty的名词复数 )；全体教职员；技巧；院 | |
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defective
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| adj.有毛病的，有问题的，有瑕疵的 | |
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Christian
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| adj.基督教徒的；n.基督教徒 | |
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awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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dispersed
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| adj. 被驱散的, 被分散的, 散布的 | |
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agitated
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| adj.被鼓动的，不安的 | |
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haze
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| n.霾，烟雾；懵懂，迷糊；vi.(over)变模糊 | |
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untold
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| adj.数不清的，无数的 | |
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wont
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| adj.习惯于；v.习惯；n.习惯 | |
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sedately
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| adv.镇静地，安详地 | |
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countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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lawful
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| adj.法律许可的，守法的，合法的 | |
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relinquished
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| 交出，让给( relinquish的过去式和过去分词 )； 放弃 | |
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imperatively
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| adv.命令式地 | |
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uncertainty
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| n.易变，靠不住，不确知，不确定的事物 | |
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longing
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| n.（for）渴望 | |
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concealing
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| v.隐藏，隐瞒，遮住( conceal的现在分词 ) | |
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penetrate
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| v.透(渗)入；刺入，刺穿；洞察，了解 | |
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seclusion
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| n.隐遁，隔离 | |
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46
unwilling
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| adj.不情愿的 | |
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47
revolve
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| vi.(使)旋转；循环出现 | |
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48
lighting
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| n.照明，光线的明暗，舞台灯光 | |
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49
excellence
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| n.优秀，杰出，(pl.)优点，美德 | |
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50
delusion
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| n.谬见，欺骗，幻觉，迷惑 | |
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51
traitor
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| n.叛徒，卖国贼 | |
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52
scathing
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| adj.（言词、文章）严厉的，尖刻的；不留情的adv.严厉地，尖刻地v.伤害，损害（尤指使之枯萎）( scathe的现在分词) | |
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53
scorch
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| v.烧焦，烤焦；高速疾驶；n.烧焦处，焦痕 | |
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54
drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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55
betrothed
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| n. 已订婚者 动词betroth的过去式和过去分词 | |
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56
swelled
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| 增强( swell的过去式和过去分词 )； 肿胀； （使）凸出； 充满（激情） | |
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57
enveloped
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| v.包围，笼罩，包住( envelop的过去式和过去分词 ) | |
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58
forth
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| adv.向前；向外，往外 | |
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59
vagaries
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| n.奇想( vagary的名词复数 )；异想天开；异常行为；难以预测的情况 | |
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60
horrified
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| a.(表现出)恐惧的 | |
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61
humiliated
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| 感到羞愧的 | |
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62
throbbing
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| a. 跳动的,悸动的 | |
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