He observed at this time the strictest incognito5 concerning all these productions, though no motive6 for it is found amongst his papers; nor does there remain any recollective explanation.
With regard to Queen Mab, it excited peculiar7 remark, from the extraordinary success of that diverting pantomime; for when the uncertainties8 of the representation were over, there was every stimulus9 to avowal10 that could urge a young author to come forward; not with adventurous11 boldness, nor yet with trembling timidity, but with the frank delight of unequivocal success.
Queen Mab had a run which, to that time, had never been equalled, save by the opening of
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the Beggar’s Opera; and which has not since been surpassed, save by the representation of the Duenna.
Its music, pleasing and natural, was soon so popular, that it was taught to all young ladies, set to all barrel organs, and played at all familiar music parties. It aimed not at Italian refinement12, nor at German science; but its sprightly13 melody, and utter freedom from vulgarity, made its way even with John Bull, who, while following the hairbreadth agility14 of Harlequin, the skittish15 coquetries of Columbine, and the merry dole16 of the disasters of the Clown and Pantaloon, found himself insensibly caught, and unconsciously beguiled17 into ameliorated musical taste.
In the present day, when English singers sometimes rise to the Italian opera, and when Italian singers are sometimes invited to the English, the music of Queen Mab could be received but in common with the feats18 of its pantomime; so rapidly has taste advanced, and so generally have foreign improvements become nearly indigenous19.
To give its due to merit, and its rights to invention, we must always go back to their origin, and
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judge them, not by any comparison with what has followed them, but by what they met when they first started, and by what they were preceded.
Why, when success was thus ascertained20, the name of the composer was concealed21, leaving him thus singularly as unknown as he was popular, may the more be regretted, as his disposition22, though chiefly domestic, was not of that effeminately sensitive cast that shrinks from the world’s notice with a dread23 of publicity24. His mind, on the contrary, belonged to his sex; and was eminently25 formed to expand with that manly26 ambition, which opens the portals of hope to the attainment27 of independence, through intellectual honours.
The music, when printed, made its appearance in the world as the offspring of a society of the sons of Apollo: and Oswald, a famous bookseller, published it by that title, and knew nothing of its real parentage.[5]
Sundry28 airs, ballads29, cantatas30, and other light musical productions, were put forth31 also, as from
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that imaginary society; but all sprang from the same source, and all were equally unacknowledged.
The sole conjecture32 to be formed upon a self-denial, to which no virtue33 seems attached; and from which reason withdraws its sanction, as tending to counteract34 the just balance between merit and recompense, is, that possibly the articles then in force with Dr. Arne, might disfranchise young Burney from the liberty of publication in his own name.
点击收听单词发音
1 cultivation | |
n.耕作,培养,栽培(法),养成 | |
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2 juvenile | |
n.青少年,少年读物;adj.青少年的,幼稚的 | |
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3 robin | |
n.知更鸟,红襟鸟 | |
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4 hood | |
n.头巾,兜帽,覆盖;v.罩上,以头巾覆盖 | |
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5 incognito | |
adv.匿名地;n.隐姓埋名;adj.化装的,用假名的,隐匿姓名身份的 | |
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6 motive | |
n.动机,目的;adv.发动的,运动的 | |
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7 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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8 uncertainties | |
无把握( uncertainty的名词复数 ); 不确定; 变化不定; 无把握、不确定的事物 | |
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9 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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10 avowal | |
n.公开宣称,坦白承认 | |
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11 adventurous | |
adj.爱冒险的;惊心动魄的,惊险的,刺激的 | |
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12 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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13 sprightly | |
adj.愉快的,活泼的 | |
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14 agility | |
n.敏捷,活泼 | |
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15 skittish | |
adj.易激动的,轻佻的 | |
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16 dole | |
n.救济,(失业)救济金;vt.(out)发放,发给 | |
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17 beguiled | |
v.欺骗( beguile的过去式和过去分词 );使陶醉;使高兴;消磨(时间等) | |
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18 feats | |
功绩,伟业,技艺( feat的名词复数 ) | |
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19 indigenous | |
adj.土产的,土生土长的,本地的 | |
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20 ascertained | |
v.弄清,确定,查明( ascertain的过去式和过去分词 ) | |
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21 concealed | |
a.隐藏的,隐蔽的 | |
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22 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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23 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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24 publicity | |
n.众所周知,闻名;宣传,广告 | |
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25 eminently | |
adv.突出地;显著地;不寻常地 | |
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26 manly | |
adj.有男子气概的;adv.男子般地,果断地 | |
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27 attainment | |
n.达到,到达;[常pl.]成就,造诣 | |
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28 sundry | |
adj.各式各样的,种种的 | |
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29 ballads | |
民歌,民谣,特别指叙述故事的歌( ballad的名词复数 ); 讴 | |
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30 cantatas | |
n.大合唱( cantata的名词复数 );清唱剧 | |
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31 forth | |
adv.向前;向外,往外 | |
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32 conjecture | |
n./v.推测,猜测 | |
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33 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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34 counteract | |
vt.对…起反作用,对抗,抵消 | |
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