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besieger12; not absolutely at discretion13, but very unequivocally from resistless impulse.
This lady was Miss Fanny Macartney, the third daughter of Mr. Macartney, a gentleman of large fortune, and of an ancient Irish family.
In Horace Walpole’s Beauties, Miss Fanny Macartney was the Flora14.
In Greville’s Maxims15, Characters, and Reflections, she was also Flora, contrasted with Camilla, who was meant for Mrs. Garrick.
Miss Fanny Macartney was of a character which, at least in its latter stages, seems to demand two pencils to delineate; so diversely was it understood, or appreciated.
To many she passed for being pedantic16, sarcastic17, and supercilious18: as such, she affrighted the timid, who shrunk into silence; and braved the bold, to whom she allowed no quarter. The latter, in truth, seemed to stimulate19 exertions20 which brought her faculties21 into play; and which—besides creating admiration22 in all who escaped her shafts—appeared to offer to herself a mental exercise, useful to her health, and agreeable to her spirits.
Her understanding was truly masculine; not from being harsh or rough, but from depth, soundness, and
[Pg 57]
capacity; yet her fine small features, and the whole style of her beauty, looked as if meant by Nature for the most feminine delicacy23: but her voice, which had something in it of a croak24; and her manner, latterly at least, of sitting, which was that of lounging completely at her ease, in such curves as she found most commodious25, with her head alone upright; and her eyes commonly fixed26, with an expression rather alarming than flattering, in examination of some object that caught her attention; probably caused, as they naturally excited, the hard general notion to her disadvantage above mentioned.
This notion, nevertheless, though almost universally harboured in the circle of her public acquaintance, was nearly reversed in the smaller circles that came more in contact with her feelings. By this last must be understood, solely27, the few who were happy enough to possess her favour; and to them she was a treasure of ideas and of variety. The keenness of her satire28 yielded its asperity29 to the zest30 of her good-humour, and the kindness of her heart. Her noble indifference31 to superior rank, if placed in opposition32 to superior merit; and her delight in comparing notes with those with whom she desired to balance opinions, established her, in her own
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elected set, as one of the first of women. And though the fame of her beauty must pass away in the same oblivious33 rotation34 which has withered35 that of her rival contemporaries, the fame of her intellect must ever live, while sensibility may be linked with poetry, and the Ode to Indifference shall remain to shew their union.
The various incidents that incited36 and led to the connexion that resulted from this impassioned opening, appertain to the history of Mr. Greville; but, in its solemn ratification37, young Burney took a part so essential, as to produce a striking and pleasing consequence to much of his after-life.
The wedding, though no one but the bride and bridegroom themselves knew why, was a stolen one; and kept profoundly secret; which, notwithstanding the bride was under age, was by no means, at that time, difficult, the marriage act having not yet passed. Young Burney, though the most juvenile38 of the party, was fixed upon to give the lady away;[9] which evinced a trust and a partiality in the bridegroom, that were immediately adopted by his fair
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partner; and by her unremittingly sustained, with the frankest confidence, and the sincerest esteem40, through the whole of a long and varied life. With sense and taste such as hers, it was not, indeed, likely she should be slack to discern and develop a merit so formed to meet their perceptions.
When the new married pair went through the customary routine of matrimonial elopers, namely, that of returning home to demand pardon and a blessing41, Mr. Macartney coolly said: “Mr. Greville has chosen to take a wife out of the window, whom he might just as well have taken out of the door.”
The immediate39 concurrence42 of the lovely new mistress of Wilbury House, in desiring the society, even more than enjoying the talents, of her lord and master’s favourite, occasioned his residence there to be nearly as unbroken as their own. And the whole extensive neighbourhood so completely joined in this kindly43 partiality, that no engagement, no assemblage whatsoever44 took place, from the most selectly private, to the most gorgeously public, to which the Grevilles were invited, in which he was not included: and he formed at that period many connections of lasting45 and honourable46 intimacy47; particularly with Dr. Hawkesworth, Mr. Boone, and Mr. Cox.
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They acted, also, sundry48 proverbs, interludes, and farces50, in which young Burney was always a principal personage. In one, amongst others, he played his part with a humour so entertaining, that its nick-name was fastened upon him for many years after its appropriate representation. It would be difficult, indeed, not to accord him theatrical51 talents, when he could perform with success a character so little congenial with his own, as that of a finical, conceited52 coxcomb53, a paltry54 and illiterate55 poltroon56; namely, Will Fribble, Esq., in Garrick’s farce49 of Miss in her Teens. Mr. Greville himself was Captain Flash, and the beautiful Mrs. Greville was Miss Biddy Bellair; by which three names, from the great diversion their adoption57 had afforded, they corresponded with one another during several years.
The more serious honour that had been conferred upon young Burney, of personating the part of father to Mrs. Greville, was succeeded, in due season after these gay espousals, by that of personating the part of god-father to her daughter; in standing3, as the representative of the Duke of Beaufort, at the baptism of Miss Greville, afterwards the all-admired, and indescribably beautiful Lady Crewe.
Little could he then foresee, that he was bringing
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into the christian58 community a permanent blessing for his own after-life, in one of the most cordial, confidential59, open-hearted, and unalterable of his friends.
点击收听单词发音
1 celebrity | |
n.名人,名流;著名,名声,名望 | |
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2 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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3 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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4 potent | |
adj.强有力的,有权势的;有效力的 | |
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5 varied | |
adj.多样的,多变化的 | |
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6 barter | |
n.物物交换,以货易货,实物交易 | |
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7 boundless | |
adj.无限的;无边无际的;巨大的 | |
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8 desultory | |
adj.散漫的,无方法的 | |
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9 bondage | |
n.奴役,束缚 | |
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10 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
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11 inflamed | |
adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
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12 besieger | |
n. 围攻者, 围攻军 | |
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13 discretion | |
n.谨慎;随意处理 | |
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14 flora | |
n.(某一地区的)植物群 | |
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15 maxims | |
n.格言,座右铭( maxim的名词复数 ) | |
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16 pedantic | |
adj.卖弄学问的;迂腐的 | |
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17 sarcastic | |
adj.讥讽的,讽刺的,嘲弄的 | |
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18 supercilious | |
adj.目中无人的,高傲的;adv.高傲地;n.高傲 | |
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19 stimulate | |
vt.刺激,使兴奋;激励,使…振奋 | |
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20 exertions | |
n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使 | |
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21 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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22 admiration | |
n.钦佩,赞美,羡慕 | |
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23 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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24 croak | |
vi.嘎嘎叫,发牢骚 | |
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25 commodious | |
adj.宽敞的;使用方便的 | |
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26 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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27 solely | |
adv.仅仅,唯一地 | |
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28 satire | |
n.讽刺,讽刺文学,讽刺作品 | |
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29 asperity | |
n.粗鲁,艰苦 | |
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30 zest | |
n.乐趣;滋味,风味;兴趣 | |
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31 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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32 opposition | |
n.反对,敌对 | |
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33 oblivious | |
adj.易忘的,遗忘的,忘却的,健忘的 | |
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34 rotation | |
n.旋转;循环,轮流 | |
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35 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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36 incited | |
刺激,激励,煽动( incite的过去式和过去分词 ) | |
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37 ratification | |
n.批准,认可 | |
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38 juvenile | |
n.青少年,少年读物;adj.青少年的,幼稚的 | |
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39 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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40 esteem | |
n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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41 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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42 concurrence | |
n.同意;并发 | |
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43 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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44 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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45 lasting | |
adj.永久的,永恒的;vbl.持续,维持 | |
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46 honourable | |
adj.可敬的;荣誉的,光荣的 | |
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47 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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48 sundry | |
adj.各式各样的,种种的 | |
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49 farce | |
n.闹剧,笑剧,滑稽戏;胡闹 | |
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50 farces | |
n.笑剧( farce的名词复数 );闹剧;笑剧剧目;作假的可笑场面 | |
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51 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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52 conceited | |
adj.自负的,骄傲自满的 | |
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53 coxcomb | |
n.花花公子 | |
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54 paltry | |
adj.无价值的,微不足道的 | |
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55 illiterate | |
adj.文盲的;无知的;n.文盲 | |
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56 poltroon | |
n.胆怯者;懦夫 | |
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57 adoption | |
n.采用,采纳,通过;收养 | |
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58 Christian | |
adj.基督教徒的;n.基督教徒 | |
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59 confidential | |
adj.秘(机)密的,表示信任的,担任机密工作的 | |
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