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CHAPTER XI DIDO IN THE CIRCUS
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“What in the world is the matter with that man?” thought Dido, as the dancing bear kept on climbing up the pole. “He acts so funny, just as if he did not want me to come near him. My master does not act so. For, though I know I used to be cross and growl1 at my master, and though I was afraid of all men, I am not that way any more. I like men. He looks like a nice man, up on the pole, and I want to see him. I never before saw a man who could climb a telegraph pole as well as I can.”
So Dido kept on climbing up, and the man continued to yell and shout. He went as far up the pole as he could get, and sat down on a stick of wood that stuck out crossways. There were wires made fast to glass knobs on the ends of these pieces of wood.
“He certainly is a queer man,” thought Dido. “He acts just as if he didn’t like me. Well, I’ll soon show him that I won’t hurt him. I wonder if he has a bun in his pocket?”
[101]
Then, all of a sudden, Dido saw the man throw something down.
“Ah! Perhaps that is a bun,” thought Dido.
But Dido felt the thing the man had thrown down hit him hard on his nose, and it hurt so that the dancing bear gave a growl and a howl. It was a hard screwdriver2 that had hit Dido on the nose. The telephone lineman had thrown his screwdriver at the bear.
“Ouch!” said Dido to himself. “That was not nice! I wonder if he did that on purpose?”
Dido stopped climbing for a moment, and looked up at the man. Then the dancing bear rubbed his nose with his paw. A bear’s nose is very soft and tender, and when he is hit there it hurts him very much.
Then, as Dido was rubbing his sore nose, all of a sudden, Bang! something else was thrown by the man. It was a pair of pliers, for cutting wire, and they hit Dido on the paw he was holding up.
“Ha!” thought the dancing bear. “It is a good thing I had my paw over my nose, or I would be hurt worse than ever. I wonder why that man is throwing things at me, and shouting so?”
Just then Tom and George, the keepers of the bear, came running out of the field where they had been asleep under the haystack. They had
[102]
 awakened, missed Dido, and had come to search for him.
“Why, look at our bear!” cried George. “He is up the pole.”
“So he is!” exclaimed Tom, in surprise.
Then the telephone lineman on the pole saw the other two men.
“Hi, there!” he called to them. “Is this your bear?”
“Surely that is our bear,” answered George.
“Well, then, I wish you’d call him down!” went on the lineman. “He chased up here after me to bite and scratch me. Call him down.”
“Ha! No!” laughed George. “Dido would never climb up to bite or scratch you. He is too good a bear for that. He is just climbing the pole, as that is one of his tricks.”
“What! Is this a trick bear? Is he tame?” asked the man high up on the pole.
“Of course he is tame,” said George.
“And he won’t hurt me?”
“Not a bit. He just wants to be friends with you.”
“Oh, then I am very sorry,” said the lineman quickly.
“Sorry for what?” asked Tom, curiously3.
“That I threw my screwdriver and my pliers at your bear,” answered the man on the telegraph pole. “I hit him on the nose. I thought he was
[103]
 a wild bear after me, or I never would have done it. I did not see any men with him.”
“Well, I guess Dido will forgive you for hitting him,” spoke4 George. “Come on down, Dido, if the man is afraid of you.”
“Oh, I am not afraid any more,” the telephone man said, laughing.
Dido came down, and had his breakfast with George and Tom. Afterward5 the telephone man climbed down, and gave Dido a piece of pie from his dinner pail.
“That is to pay you because I hit you on the nose,” said the man. “I am very sorry, and so I give you this little treat.”
And I think Dido understood, and forgave the man. For the dancing bear ate the pie, and then, when George told him to, Dido let the lineman pat him on the head.
“Now we will travel on again,” said George after a bit, and away he and Tom went with Dido, blowing nice tooting tunes7 on the brass8 horn, and giving a dancing-bear show wherever they could find a crowd of persons with money to toss into the hat.
All through the long summer days Dido traveled about with his masters, and then one day there came a change. One night, after he had danced many times that day, Dido and his masters stopped at a hotel. Dido was allowed to
[104]
 sleep out in the stable where there were no horses to be frightened, while Tom and George went in the hotel to eat.
The next morning Dido saw a strange man with his masters when they came out to the stable to feed him.
“There is our dancing bear,” said George to the new man. “Do you think you would like to buy him?”
“If he can do all the tricks you say he can I may,” answered the other man.
“I will show you what tricks he can do,” spoke George. “Come, Dido, here is a sweet cracker9 for you. Now do your tricks.”
So out in front of the stable Dido danced, marched like a soldier and turned somersaults.
“Those are good tricks,” said the strange man. “I will buy your bear and take him to a circus. There I will have him do tricks in the ring. Do you think he will?”
“Oh, yes,” answered George. “He was in a circus once before, but for only a little while. Perhaps he may remember about it.”
The three men went back to the hotel, leaving some buns for Dido to eat. And the dancing bear wondered what was going to happen to him.
Pretty soon George came out to where Dido was chained in the stable. George gave Dido a piece of berry pie, and said:
[105]
“Good-by, Dido. Tom and I are going to sell you to this circus man. But he will be good and kind to you, and teach you new tricks. So go with him and be a good bear. Tom and I are going back to the mountains of our own country, and perhaps we will catch more bears. Good-by, Dido.”
Tom came out, and blew a sad little tune6 on the brass horn. Then he too said good-by to Dido, and the two men who had traveled around with Dido so many months went away. Dido ran after them as far as his chain would let him, and then he lay down and put his head between his paws.
Animals don’t cry, of course, but they can feel sad when their kind masters or mistresses go away, and I am sure Dido felt sad. Dogs sometimes feel so badly at being parted from their masters that they will not eat.
But Dido was not that way. A little later, when the circus man came out to the stable with a nice piece of fish for the dancing bear, Dido ate it and was very glad to get it.
“Now, Dido,” said the man, “you are my bear, and I will be good to you. We are not going about the country any more, to let you go dancing in the streets and fields. You are going to perform in a circus ring, under a tent, something like you did before, and I think you will like it.”
[106]
Then came a not very happy time for Dido. He was put in a big box, something like the trap in which he had been caught. But this box was larger, as Dido was a big bear now, and the box had water in it, and nice things to eat.
Then the box, with Dido in, was put on a wagon10 and taken to the railroad station, where it was lifted on a train. Dido slept as much as he could, for he did not like to travel that way. He would much rather have tramped through the woods and over the fields. But soon his journey was at an end.
Still in his box he was taken from the train, and when the box was opened Dido found himself in what he thought at first was a big white house. In it were many other animals, in cages, as Dido could see, and he could smell other animals whom he could not see.
Dido walked out and rolled over in a pile of straw. It felt so good to be out of that cage, that he wanted to laugh—and that is the way all animals laugh. Then the dancing bear heard a voice saying close to his ear:
“Well, I do believe it’s my old friend Dido, whom I met in Madison Square Garden, New York City! Aren’t you Dido, the dancing bear?”
“That’s who I am,” answered Dido, standing11 up, “and you are—”
[107]
“Tum Tum, the jolly elephant,” was the answer. “I’m glad to see you again.”
Dido looked around, and there, surely enough, was Tum Tum, holding out his long nose, or trunk. Dido rubbed noses with him.
“How did you get here?” asked Tum Tum.
“Oh, my masters sold me to another man, and he said he was going to put me in a circus. I guess this is it.”
“Yes, this is the circus,” answered Tum Tum. “Only it is traveling around now, instead of staying for weeks at a time in New York. We go to a new city every day, and we have a big tent instead of Madison Square Garden to act in. This white house you see over us is a tent.”
“Oh, a tent, eh?” said Dido. “Well, it is quite nice.”
“Yes, it is nice except in cold weather,” said the elephant, who not having fur, could not stand cold as bears can. “In the winter there is no circus in a tent,” said Tum Tum.
“What do you do in winter?” asked Dido.
“Oh, when it is time for the snow and ice the circus goes, I have been told, up to a place where we stay in big, warm barns until summer comes again.”
Tum Tum told Dido many things about the circus, for which I have not space in this book. And Dido also learned many new things. He
[108]
 learned to sleep in a cage on wheels, in which he was drawn12 about the country, or put on big, flat railroad cars to be pulled from place to place. This was when the circus traveled, which was, nearly always, at night.
And Dido’s new master taught him many new tricks which the dancing bear did in the circus ring, besides doing the ones George had taught him. Dido learned to ride on a bicycle, he learned to walk across a long pole, that was resting on two barrels. He learned to roll over and over inside a barrel, and he learned to let a dog sit on his back and be given a ride.
Dido liked it very much in the circus, and he made many friends, not only among the animals but among the circus folk, for Dido was a gentle bear.
But best of all Dido liked Tum Tum, the jolly elephant.
“I met a friend of yours while I was out traveling,” said Dido to the circus elephant one day.
“Who was it?” asked Tum Tum.
“Don, the runaway13 dog.”
“Oh, do tell me about him,” begged Tum Tum, as he ate a bag of peanuts a little girl held out to him. So Dido told about meeting Don.


点击收听单词发音收听单词发音  

1 growl VeHzE     
v.(狗等)嗥叫,(炮等)轰鸣;n.嗥叫,轰鸣
参考例句:
  • The dog was biting,growling and wagging its tail.那条狗在一边撕咬一边低声吼叫,尾巴也跟着摇摆。
  • The car growls along rutted streets.汽车在车辙纵横的街上一路轰鸣。
2 screwdriver rDpza     
n.螺丝起子;伏特加橙汁鸡尾酒
参考例句:
  • He took a screwdriver and teased out the remaining screws.他拿出螺丝刀把其余的螺丝卸了下来。
  • The electric drill can also be used as a screwdriver.这把电钻也可用作螺丝刀。
3 curiously 3v0zIc     
adv.有求知欲地;好问地;奇特地
参考例句:
  • He looked curiously at the people.他好奇地看着那些人。
  • He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。
4 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
5 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
6 tune NmnwW     
n.调子;和谐,协调;v.调音,调节,调整
参考例句:
  • He'd written a tune,and played it to us on the piano.他写了一段曲子,并在钢琴上弹给我们听。
  • The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。
7 tunes 175b0afea09410c65d28e4b62c406c21     
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调
参考例句:
  • a potpourri of tunes 乐曲集锦
  • When things get a bit too much, she simply tunes out temporarily. 碰到事情太棘手时,她干脆暂时撒手不管。 来自《简明英汉词典》
8 brass DWbzI     
n.黄铜;黄铜器,铜管乐器
参考例句:
  • Many of the workers play in the factory's brass band.许多工人都在工厂铜管乐队中演奏。
  • Brass is formed by the fusion of copper and zinc.黄铜是通过铜和锌的熔合而成的。
9 cracker svCz5a     
n.(无甜味的)薄脆饼干
参考例句:
  • Buy me some peanuts and cracker.给我买一些花生和饼干。
  • There was a cracker beside every place at the table.桌上每个位置旁都有彩包爆竹。
10 wagon XhUwP     
n.四轮马车,手推车,面包车;无盖运货列车
参考例句:
  • We have to fork the hay into the wagon.我们得把干草用叉子挑进马车里去。
  • The muddy road bemired the wagon.马车陷入了泥泞的道路。
11 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
12 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
13 runaway jD4y5     
n.逃走的人,逃亡,亡命者;adj.逃亡的,逃走的
参考例句:
  • The police have not found the runaway to date.警察迄今没抓到逃犯。
  • He was praised for bringing up the runaway horse.他勒住了脱缰之马受到了表扬。


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