WHEN Heinrich Schliemann was a little boy his father told him the story of Troy. He liked that story better than anything else he had ever heard and he made up his mind, that as soon as he was big enough to leave home, he would travel to Greece and "find Troy." That he was the son of a poor country parson in a Mecklenburg village did not bother him. He knew that he would need money but he decided3 to gather a fortune first and do the digging afterwards. As a matter of fact, he managed to get a large fortune within a very short time, and as soon as he had enough money to equip an expedition, he went to the northwest corner of Asia Minor4, where he supposed that Troy had been situated5.
In that particular nook of old Asia Minor, stood a high mound6 covered with grainfields. According to tradition it had been the home of Priamus the king of Troy. Schliemann, whose enthusiasm was somewhat greater than his knowledge, wasted no time in preliminary explorations. At once he began to dig. And he dug with such zeal7 and such speed that his trench8 went straight through the heart of the city for which he was looking and carried him to the ruins of another buried town which was at least a thousand years older than the Troy of which Homer had written. Then something very interesting occurred. If Schliemann had found a few polished stone hammers and perhaps a few pieces of crude pottery9, no one would have been surprised. Instead of discovering such objects, which people had generally associated with the prehistoric10 men who had lived in these regions before the coming of the Greeks, Schliemann found beautiful statuettes and very costly11 jewelry12 and ornamented13 vases of a pattern that was unknown to the Greeks. He ventured the suggestion that fully14 ten centuries before the great Trojan war, the coast of the AEgean had been inhabited by a mysterious race of men who in many ways had been the superiors of the wild Greek tribes who had invaded their country and had destroyed their civilisation or absorbed it until it had lost all trace of originality15. And this proved to be the case. In the late seventies of the last century, Schliemann visited the ruins of Mycenae, ruins which were so old that Roman guide-books marvelled16 at their antiquity17. There again, beneath the flat slabs18 of stone of a small round enclosure, Schliemann stumbled upon a wonderful treasure-trove, which had been left behind by those mysterious people who had covered the Greek coast with their cities and who had built walls, so big and so heavy and so strong, that the Greeks called them the work of the Titans, those god-like giants who in very olden days had used to play ball with mountain peaks.
A very careful study of these many relics19 has done away with some of the romantic features of the story. The makers20 of these early works of art and the builders of these strong fortresses21 were no sorcerers, but simple sailors and traders. They had lived in Crete, and on the many small islands of the AEgean Sea. They had been hardy22 mariners23 and they had turned the AEgean into a center of commerce for the exchange of goods between the highly civilised east and the slowly developing wilderness of the European mainland.
For more than a thousand years they had maintained an island empire which had developed a very high form of art. Indeed their most important city, Cnossus, on the northern coast of Crete, had been entirely24 modern in its insistence25 upon hygiene26 and comfort. The palace had been properly drained and the houses had been provided with stoves and the Cnossians had been the first people to make a daily use of the hitherto unknown bathtub. The palace of their King had been famous for its winding27 staircases and its large banqueting hall. The cellars underneath28 this palace, where the wine and the grain and the olive-oil were stored, had been so vast and had so greatly impressed the first Greek visitors, that they had given rise to the story of the "labyrinth," the name which we give to a structure with so many complicated passages that it is almost impossible to find our way out, once the front door has closed upon our frightened selves.
But what finally became of this great AEgean Empire and what caused its sudden downfall, that I can not tell.
The Cretans were familiar with the art of writing, but no one has yet been able to decipher their inscriptions29. Their history therefore is unknown to us. We have to reconstruct the record of their adventures from the ruins which the AEgeans have left behind. These ruins make it clear that the AEgean world was suddenly conquered by a less civilised race which had recently come from the plains of northern Europe. Unless we are very much mistaken, the savages30 who were responsible for the destruction of the Cretan and the AEgean civilisation were none other than certain tribes of wandering shepherds who had just taken possession of the rocky peninsula between the Adriatic and the AEgean seas and who are known to us as Greeks.
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1 civilisation | |
n.文明,文化,开化,教化 | |
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2 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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3 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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4 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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5 situated | |
adj.坐落在...的,处于某种境地的 | |
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6 mound | |
n.土墩,堤,小山;v.筑堤,用土堆防卫 | |
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7 zeal | |
n.热心,热情,热忱 | |
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8 trench | |
n./v.(挖)沟,(挖)战壕 | |
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9 pottery | |
n.陶器,陶器场 | |
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10 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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11 costly | |
adj.昂贵的,价值高的,豪华的 | |
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12 jewelry | |
n.(jewllery)(总称)珠宝 | |
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13 ornamented | |
adj.花式字体的v.装饰,点缀,美化( ornament的过去式和过去分词 ) | |
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14 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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15 originality | |
n.创造力,独创性;新颖 | |
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16 marvelled | |
v.惊奇,对…感到惊奇( marvel的过去式和过去分词 ) | |
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17 antiquity | |
n.古老;高龄;古物,古迹 | |
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18 slabs | |
n.厚板,平板,厚片( slab的名词复数 );厚胶片 | |
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19 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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20 makers | |
n.制造者,制造商(maker的复数形式) | |
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21 fortresses | |
堡垒,要塞( fortress的名词复数 ) | |
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22 hardy | |
adj.勇敢的,果断的,吃苦的;耐寒的 | |
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23 mariners | |
海员,水手(mariner的复数形式) | |
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24 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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25 insistence | |
n.坚持;强调;坚决主张 | |
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26 hygiene | |
n.健康法,卫生学 (a.hygienic) | |
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27 winding | |
n.绕,缠,绕组,线圈 | |
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28 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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29 inscriptions | |
(作者)题词( inscription的名词复数 ); 献词; 碑文; 证劵持有人的登记 | |
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30 savages | |
未开化的人,野蛮人( savage的名词复数 ) | |
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