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CONCERNING THE PICTURES
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CONCERNING THE PICTURES OF THIS BOOK AND A FEW WORDS ABOUT THE BIBLIOGRAPHY1.

The day of the historical textbook without illustrations has gone. Pictures and photographs of famous personages and equally famous occurrences cover the pages of Breasted and Robinson and Beard. In this volume the photographs have been omitted to make room for a series of home-made drawings which represent ideas rather than events.

While the author lays no claim to great artistic2 excellence3 (being possessed4 of a decided5 leaning towards drawing as a child, he was taught to play the violin as a matter of discipline,) he prefers to make his own maps and sketches6 because he knows exactly what he wants to say and cannot possibly explain this meaning to his more proficient7 brethren in the field of art. Besides, the pictures were all drawn8 for children and their ideas of art are very different from those of their parents.

To all teachers the author would give this advice—let your boys and girls draw their history after their own desire just as often as you have a chance. You can show a class a photograph of a Greek temple or a mediaeval castle and the class will dutifully say, "Yes, Ma'am," and proceed to forget all about it. But make the Greek temple or the Roman castle the centre of an event, tell the boys to make their own picture of "the building of a temple," or "the storming of the castle," and they will stay after school-hours to finish the job. Most children, before they are taught how to draw from plaster casts, can draw after a fashion, and often they can draw remarkably9 well. The product of their pencil may look a bit prehistoric10. It may even resemble the work of certain native tribes from the upper Congo. But the child is quite frequently prehistoric or upper-Congoish in his or her own tastes, and expresses these primitive11 instincts with a most astonishing accuracy.

The main thing in teaching history, is that the pupil shall remember certain events "in their proper sequence." The experiments of many years in the Children's School of New York has convinced the author that few children will ever forget what they have drawn, while very few will ever remember what they have merely read.

It is the same with the maps. Give the child an ordinary conventional map with dots and lines and green seas and tell him to revaluate that geographic12 scene in his or her own terms. The mountains will be a bit out of gear and the cities will look astonishingly mediaeval. The outlines will be often very imperfect, but the general effect will be quite as truthful13 as that of our conventional maps, which ever since the days of good Gerardus Mercator have told a strangely erroneous story. Most important of all, it will give the child a feeling of intimacy14 with historical and geographic facts which cannot be obtained in any other way.

Neither the publishers nor the author claim that "The Story of Mankind" is the last word to be said upon the subject of history for children. It is an appetizer15. The book tries to present the subject in such a fashion that the average child shall get a taste for History and shall ask for more.

To facilitate the work of both parents and teachers, the publishers have asked Miss Leonore St. John Power (who knows more upon this particular subject than any one else they could discover) to compile a list of readable and instructive books.

The list was made and was duly printed.

The parents who live near our big cities will experience no difficulty in ordering these volumes from their booksellers. Those who for the sake of fresh air and quiet, dwell in more remote spots, may not find it convenient to go to a book-store. In that case, Boni and Liveright will be happy to act as middle-man and obtain the books that are desired. They want it to be distinctly understood that they have not gone into the retail16 book business, but they are quite willing to do their share towards a better and more general historical education, and all orders will receive their immediate17 attention.


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1 bibliography NNzzM     
n.参考书目;(有关某一专题的)书目
参考例句:
  • There is a useful bibliography at the end of each chapter.在每一章后附有一份有用的参考书目。
  • The production of this bibliography is totally automated.这个目录的编制过程全是自动化的。
2 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
3 excellence ZnhxM     
n.优秀,杰出,(pl.)优点,美德
参考例句:
  • His art has reached a high degree of excellence.他的艺术已达到炉火纯青的地步。
  • My performance is far below excellence.我的表演离优秀还差得远呢。
4 possessed xuyyQ     
adj.疯狂的;拥有的,占有的
参考例句:
  • He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
  • He behaved like someone possessed.他行为举止像是魔怔了。
5 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
6 sketches 8d492ee1b1a5d72e6468fd0914f4a701     
n.草图( sketch的名词复数 );素描;速写;梗概
参考例句:
  • The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
  • You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》
7 proficient Q1EzU     
adj.熟练的,精通的;n.能手,专家
参考例句:
  • She is proficient at swimming.她精通游泳。
  • I think I'm quite proficient in both written and spoken English.我认为我在英语读写方面相当熟练。
8 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
9 remarkably EkPzTW     
ad.不同寻常地,相当地
参考例句:
  • I thought she was remarkably restrained in the circumstances. 我认为她在那种情况下非常克制。
  • He made a remarkably swift recovery. 他康复得相当快。
10 prehistoric sPVxQ     
adj.(有记载的)历史以前的,史前的,古老的
参考例句:
  • They have found prehistoric remains.他们发现了史前遗迹。
  • It was rather like an exhibition of prehistoric electronic equipment.这儿倒像是在展览古老的电子设备。
11 primitive vSwz0     
adj.原始的;简单的;n.原(始)人,原始事物
参考例句:
  • It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
  • His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。
12 geographic tgsxb     
adj.地理学的,地理的
参考例句:
  • The city's success owes much to its geographic position. 这座城市的成功很大程度上归功于它的地理位置。 来自《简明英汉词典》
  • Environmental problems pay no heed to these geographic lines. 环境问题并不理会这些地理界限。 来自英汉非文学 - 环境法 - 环境法
13 truthful OmpwN     
adj.真实的,说实话的,诚实的
参考例句:
  • You can count on him for a truthful report of the accident.你放心,他会对事故作出如实的报告的。
  • I don't think you are being entirely truthful.我认为你并没全讲真话。
14 intimacy z4Vxx     
n.熟悉,亲密,密切关系,亲昵的言行
参考例句:
  • His claims to an intimacy with the President are somewhat exaggerated.他声称自己与总统关系密切,这有点言过其实。
  • I wish there were a rule book for intimacy.我希望能有个关于亲密的规则。
15 appetizer jvczu     
n.小吃,开胃品
参考例句:
  • We served some crackers and cheese as an appetizer.我们上了些饼干和奶酪作为开胃品。
  • I would like a cucumber salad for an appetizer.我要一份黄瓜沙拉作开胃菜。
16 retail VWoxC     
v./n.零售;adv.以零售价格
参考例句:
  • In this shop they retail tobacco and sweets.这家铺子零售香烟和糖果。
  • These shoes retail at 10 yuan a pair.这些鞋子零卖10元一双。
17 immediate aapxh     
adj.立即的;直接的,最接近的;紧靠的
参考例句:
  • His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
  • We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。


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