HANS CHRISTIAN ANDERSEN

What a great thing it is in this perplexed¹, confused, and, if not unhappy at least unrestful time, to come across a thing which is cleanly itself! What a pleasure it is amid our entwining controversies² to find straightness, and among our confused noises a chord. Hans Christian³ Andersen is a good type of that simplicity⁴; and his own generation recognised him at once; now, when those contemporaries who knew him best are for the most part dead, their recognition is justified⁵. Of men for whom so much and more is said by their contemporaries, how many can stand the test which his good work now stands, and stands with a sort of sober triumph? Contemporary praise has a way of gathering⁶ dross⁷. We all know why. There is the fear of this, the respect for that; there is the genuine unconscious attachment⁸ to a hundred unworthy and ephemeral things; there is the chance philosophy of the moment over-weighing the praise-giver. In a word, perhaps not half-a-dozen of the great men who wrote in the generation before our own would properly stand this test of a neat and unfringed tradition. It is not to[Pg 150] be pretended that according to that test so must men be judged. Many of the very greatest, Hugo for instance, and in his line, Huxley (a master of English); or, again, to go further back, the great Byron, would not pass the test.

Things have been said about most men, great or little, in our fevered time, so exaggerated, so local and so lacking balance, whether of experience or of the fear of posterity⁹, that contemporary opinion should not be allowed by its misfortunes to weigh them down. But a man has a quality of his own when he is so made that even his contemporaries do him justice, and that was the case with Hans Christian Andersen. I will bargain that if our letters survive five hundred years, this excellent writer will quietly survive. Even the French may incorporate him. And next it is the business of one who praises so much to ask in what the excellence¹⁰ of this writer consists. It is threefold: in the first place, he always said what he thought; in the second place, he was full of all sorts of ways of saying it; and, in the third place, he said only what he had to say.

To say what one thinks, that is, to tell the truth, is so exceedingly rare that one may almost call it a grace in a man. Just those same manifold strings¹¹ which pull contemporary criticism hither and thither¹², and which have made me suggest above that contemporary criticism commonly belittles¹³ a man in the long run, just those same strings pull at every writer to make him conform to what he knows to be false[Pg 151] in his time. But some men—with limitations, it is true, and only by choosing a particular framework—manage to tell the truth all their lives; those men, if they have other literary qualities, are secure of the future.

And this leads me to the second point, which is that Andersen could not only tell the truth but tell it in twenty different ways, and of a hundred different things. Now this character has been much exaggerated among literary men in importance, because literary men, perceiving it to be the differentiation¹⁴ which marks out the great writer from the little, think it to be the main criterion of letters. It is not the main criterion; but it is a permanent necessity in great writing. There is no great writing without this multiplicity, which is sometimes called imagination, sometimes experience, and sometimes judgment¹⁵, but which is in its essence a proper survey of the innumerable world. This quality it is which makes the great writers create what are called "characters"; and whether we recognise those "characters" as portraits drawn¹⁶ from the real world (they are such in Balzac), or as figments (they are such in Dickens), or as heroines and heroes (they are such in Shakespeare and in Homer, if you will excuse me), yet that they exist and live in the pages of the writer means that he had in him that quality of contemplation which corresponds in our limited human nature to the creative power.

Lastly, I say that Andersen said what he had to[Pg 152] say and no more. This quality in writers is not restraint—a futile¹⁷ word dear to those who cannot write—it is rather a sort of chastity in the pen. The writer of this kind is one who unconsciously does not add; if any one were to ask him why he should not add an ornament¹⁸ or anything supposititious, he would be bewildered and perhaps might answer: "Why should I?" The instinct behind it is that which produces all terseness¹⁹, all exactitude, and all economy in style.

Andersen, then, had all those three things which make a great writer, and a very great writer he is.

Note that he chose his framework, or, at any rate, that he was persuaded to it. He could not have been so complete had he not addressed himself to children, and it is his glory that he is read in childhood. There is no child but can read Hans Christian Andersen, and I at least have come across no man who, having read him in childhood, does not continue to read him throughout life. He wrote nothing that was not for the enlivening or the sustenance²⁰ or the guiding of the human soul; he wrote nothing that suggested questions only. If one may speak of him in terms a trifle antiquated²¹ (or rather for the moment old-fashioned), he was instinct with charity, and therefore he is still full of life.

Having said so much of Andersen in general, something should be said of him in particular. He was Northern; you always feel as you read him that if his scene is laid in the open air, the air is fresh[Pg 153] and often frosty; that if he is talking indoors the room is cosy²² and often old. Certain passions which the North lacks are lacking in him, both upon their good and upon their evil side. He is never soldierly, and he is never revengeful; he is never acute with the desire for life, but, again, he is never envious²³. Those who read him and who are also Northern may well be in love with Denmark. It is a triumph of our civilisation²⁴ that this little land, quite outside the limits of the Roman Empire, not riven by any of the Empires' great vital resurrections, undisturbed by the vision of the Twelfth and of the Thirteenth Centuries, spared from the march of Napoleon's armies, should be so completely European. What could be more European to-day than that well-organised, contented²⁵, peasant State? It is a good irony²⁶ to put against the blundering prophecies of barbaric people that beyond the Germanies this secure and happy State exists. One might put it in a phrase a little too epigrammatic and say that as one reads Hans Christian Andersen one remembers Elsinore, and one recalls the good architecture of Copenhagen. If ever any misfortune again shall threaten that State, and if barbarism attempts to play the fool with it, something that really is the conscience of Europe and not the empty and sham²⁷ organisation²⁸ to which that phrase is too often prostituted will arise and protect the Danes.

1 perplexed   

adj.不知所措的

参考例句：

• The farmer felt the cow,went away,returned,sorely perplexed,always afraid of being cheated.那农民摸摸那头牛，走了又回来，犹豫不决，总怕上当受骗。
• The child was perplexed by the intricate plot of the story.这孩子被那头绪纷繁的故事弄得迷惑不解。

2 controversies   

争论

参考例句：

• We offer no comment on these controversies here. 对于这些争议，我们在这里不作任何评论。 来自英汉非文学 - 历史
• The controversies surrounding population growth are unlikely to subside soon. 围绕着人口增长问题的争论看来不会很快平息。 来自辞典例句

3 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

4 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

5 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。

6 gathering   

n.集会，聚会，聚集

参考例句：

• He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
• He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。

7 dross   

n.渣滓；无用之物

参考例句：

• Caroline felt the value of the true ore,and knew the deception of the flashy dross.卡罗琳辨别出了真金的价值，知道那种炫耀的铁渣只有迷惑人的外表。
• The best players go off to the big clubs,leaving us the dross.最好的队员都投奔大俱乐部去了，就只给我们剩下些不中用的人。

8 attachment   

n.附属物，附件；依恋；依附

参考例句：

• She has a great attachment to her sister.她十分依恋她的姐姐。
• She's on attachment to the Ministry of Defense.她现在隶属于国防部。

9 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

10 excellence   

n.优秀，杰出，(pl.)优点，美德

参考例句：

• His art has reached a high degree of excellence.他的艺术已达到炉火纯青的地步。
• My performance is far below excellence.我的表演离优秀还差得远呢。

11 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

12 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

13 belittles   

使显得微小，轻视，贬低( belittle的第三人称单数 )

参考例句：

• The size of the office tower belittles the surrounding buildings. 这座办公楼的规模使周围的建筑物相形见小。
• The bulk of the warehouse belittles the houses around it. 货栈的庞大使周围的房屋显得矮小了。

14 differentiation   

n.区别，区分

参考例句：

• There can be no differentiation without contrast. 有比较才有差别。
• The operation that is the inverse of differentiation is called integration. 与微分相反的运算叫做积分。

15 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

16 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

17 futile   

adj.无效的，无用的，无希望的

参考例句：

• They were killed,to the last man,in a futile attack.因为进攻失败，他们全部被杀，无一幸免。
• Their efforts to revive him were futile.他们对他抢救无效。

18 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

19 terseness   

简洁，精练

参考例句：

• If the main purpose of menus were to execute commands, terseness would be a virtue. 如果菜单的主要目的是执行命令，那么就应该精练。 来自About Face 3交互设计精髓
• What strikes at a first reading is its vividness and terseness. 初读时它给人的印象是生动和简洁。

20 sustenance   

n.食物，粮食；生活资料；生计

参考例句：

• We derive our sustenance from the land.我们从土地获取食物。
• The urban homeless are often in desperate need of sustenance.城市里无家可归的人极其需要食物来维持生命。

21 antiquated   

adj.陈旧的，过时的

参考例句：

• Many factories are so antiquated they are not worth saving.很多工厂过于陈旧落后，已不值得挽救。
• A train of antiquated coaches was waiting for us at the siding.一列陈旧的火车在侧线上等着我们。

22 cosy   

adj.温暖而舒适的，安逸的

参考例句：

• We spent a cosy evening chatting by the fire.我们在炉火旁聊天度过了一个舒适的晚上。
• It was so warm and cosy in bed that Simon didn't want to get out.床上温暖而又舒适，西蒙简直不想下床了。

23 envious   

adj.嫉妒的，羡慕的

参考例句：

• I don't think I'm envious of your success.我想我并不嫉妒你的成功。
• She is envious of Jane's good looks and covetous of her car.她既忌妒简的美貌又垂涎她的汽车。

24 civilisation   

n.文明，文化，开化，教化

参考例句：

• Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
• This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。

25 contented   

adj.满意的，安心的，知足的

参考例句：

• He won't be contented until he's upset everyone in the office.不把办公室里的每个人弄得心烦意乱他就不会满足。
• The people are making a good living and are contented,each in his station.人民安居乐业。

26 irony   

n.反语，冷嘲；具有讽刺意味的事，嘲弄

参考例句：

• She said to him with slight irony.她略带嘲讽地对他说。
• In her voice we could sense a certain tinge of irony.从她的声音里我们可以感到某种讥讽的意味。

27 sham   

n./adj.假冒(的)，虚伪(的)

参考例句：

• They cunningly played the game of sham peace.他们狡滑地玩弄假和平的把戏。
• His love was a mere sham.他的爱情是虚假的。

28 organisation   

n.组织，安排，团体，有机休

参考例句：

• The method of his organisation work is worth commending.他的组织工作的方法值得称道。
• His application for membership of the organisation was rejected.他想要加入该组织的申请遭到了拒绝。