No; London is in this matter attacked upon its strongest ground. London is the largest of the bloated modern cities; London is the smokiest; London is the dirtiest; London is, if you will, the most sombre; London is, if you will, the most miserable16. But London is certainly the most amusing and the most amused. You may prove that we have the most tragedy; the fact remains17 that we have the most comedy, that we have the most farce18. We have at the very worst a splendid hypocrisy19 of humour. We conceal20 our sorrow behind a screaming derision. You speak of people who laugh through their tears; it is our boast that we only weep through our laughter. There remains always this great boast, perhaps the greatest boast that is possible to human nature. I mean the great boast that the most unhappy part of our population is also the most hilarious21 part. The poor can forget that social problem which we (the moderately rich) ought never to forget. Blessed are the poor; for they alone have not the poor always with them. The honest poor can sometimes forget poverty. The honest rich can never forget it.
I believe firmly in the value of all vulgar notions, especially of vulgar jokes. When once you have got hold of a vulgar joke, you may be certain that you have got hold of a subtle and spiritual idea. The men who made the joke saw something deep which they could not express except by something silly and emphatic22. They saw something delicate which they could only express by something indelicate. I remember that Mr. Max Beerbohm (who has every merit except democracy) attempted to analyse the jokes at which the mob laughs. He divided them into three sections: jokes about bodily humiliation23, jokes about things alien, such as foreigners, and jokes about bad cheese. Mr. Max Beerbohm thought he understood the first two forms; but I am not sure that he did. In order to understand vulgar humour it is not enough to be humorous. One must also be vulgar, as I am. And in the first case it is surely obvious that it is not merely at the fact of something being hurt that we laugh (as I trust we do) when a Prime Minister sits down on his hat. If that were so we should laugh whenever we saw a funeral. We do not laugh at the mere24 fact of something falling down; there is nothing humorous about leaves falling or the sun going down. When our house falls down we do not laugh. All the birds of the air might drop around us in a perpetual shower like a hailstorm without arousing a smile. If you really ask yourself why we laugh at a man sitting down suddenly in the street you will discover that the reason is not only recondite25, but ultimately religious. All the jokes about men sitting down on their hats are really theological jokes; they are concerned with the Dual26 Nature of Man. They refer to the primary paradox27 that man is superior to all the things around him and yet is at their mercy.
Quite equally subtle and spiritual is the idea at the back of laughing at foreigners. It concerns the almost torturing truth of a thing being like oneself and yet not like oneself. Nobody laughs at what is entirely28 foreign; nobody laughs at a palm tree. But it is funny to see the familiar image of God disguised behind the black beard of a Frenchman or the black face of a Negro. There is nothing funny in the sounds that are wholly inhuman29, the howling of wild beasts or of the wind. But if a man begins to talk like oneself, but all the syllables30 come out different, then if one is a man one feels inclined to laugh, though if one is a gentleman one resists the inclination31.
Mr. Max Beerbohm, I remember, professed32 to understand the first two forms of popular wit, but said that the third quite stumped33 him. He could not see why there should be anything funny about bad cheese. I can tell him at once. He has missed the idea because it is subtle and philosophical34, and he was looking for something ignorant and foolish. Bad cheese is funny because it is (like the foreigner or the man fallen on the pavement) the type of the transition or transgression35 across a great mystical boundary. Bad cheese symbolises the change from the inorganic36 to the organic. Bad cheese symbolises the startling prodigy37 of matter taking on vitality38. It symbolises the origin of life itself. And it is only about such solemn matters as the origin of life that the democracy condescends39 to joke. Thus, for instance, the democracy jokes about marriage, because marriage is a part of mankind. But the democracy would never deign40 to joke about Free Love, because Free Love is a piece of priggishness.
As a matter of fact, it will be generally found that the popular joke is not true to the letter, but is true to the spirit. The vulgar joke is generally in the oddest way the truth and yet not the fact. For instance, it is not in the least true that mothers-in-law are as a class oppressive and intolerable; most of them are both devoted41 and useful. All the mothers-in-law I have ever had were admirable. Yet the legend of the comic papers is profoundly true. It draws attention to the fact that it is much harder to be a nice mother-in-law than to be nice in any other conceivable relation of life. The caricatures have drawn42 the worst mother-in-law a monster, by way of expressing the fact that the best mother-in-law is a problem. The same is true of the perpetual jokes in comic papers about shrewish wives and henpecked husbands. It is all a frantic43 exaggeration, but it is an exaggeration of a truth; whereas all the modern mouthings about oppressed women are the exaggerations of a falsehood. If you read even the best of the intellectuals of to-day you will find them saying that in the mass of the democracy the woman is the chattel44 of her lord, like his bath or his bed. But if you read the comic literature of the democracy you will find that the lord hides under the bed to escape from the wrath45 of his chattel. This is not the fact, but it is much nearer the truth. Every man who is married knows quite well, not only that he does not regard his wife as a chattel, but that no man can conceivably ever have done so. The joke stands for an ultimate truth, and that is a subtle truth. It is one not very easy to state correctly. It can, perhaps, be most correctly stated by saying that, even if the man is the head of the house, he knows he is the figurehead.
But the vulgar comic papers are so subtle and true that they are even prophetic. If you really want to know what is going to happen to the future of our democracy, do not read the modern sociological prophecies, do not read even Mr. Wells's Utopias for this purpose, though you should certainly read them if you are fond of good honesty and good English. If you want to know what will happen, study the pages of Snaps or Patchy Bits as if they were the dark tablets graven with the oracles46 of the gods. For, mean and gross as they are, in all seriousness, they contain what is entirely absent from all Utopias and all the sociological conjectures47 of our time: they contain some hint of the actual habits and manifest desires of the English people. If we are really to find out what the democracy will ultimately do with itself, we shall surely find it, not in the literature which studies the people, but in the literature which the people studies.
I can give two chance cases in which the common or Cockney joke was a much better prophecy than the careful observations of the most cultured observer. When England was agitated48, previous to the last General Election, about the existence of Chinese labour, there was a distinct difference between the tone of the politicians and the tone of the populace. The politicians who disapproved49 of Chinese labour were most careful to explain that they did not in any sense disapprove50 of Chinese. According to them, it was a pure question of legal propriety51, of whether certain clauses in the contract of indenture52 were not inconsistent with our constitutional traditions: according to them, the case would have been the same if the people had been Kaffirs or Englishmen. It all sounded wonderfully enlightened and lucid53; and in comparison the popular joke looked, of course, very poor. For the popular joke against the Chinese labourers was simply that they were Chinese; it was an objection to an alien type; the popular papers were full of gibes54 about pigtails and yellow faces. It seemed that the Liberal politicians were raising an intellectual objection to a doubtful document of State; while it seemed that the Radical55 populace were merely roaring with idiotic56 laughter at the sight of a Chinaman's clothes. But the popular instinct was justified57, for the vices58 revealed were Chinese vices.
But there is another case more pleasant and more up to date. The popular papers always persisted in representing the New Woman or the Suffragette as an ugly woman, fat, in spectacles, with bulging59 clothes, and generally falling off a bicycle. As a matter of plain external fact, there was not a word of truth in this. The leaders of the movement of female emancipation60 are not at all ugly; most of them are extraordinarily61 good-looking. Nor are they at all indifferent to art or decorative62 costume; many of them are alarmingly attached to these things. Yet the popular instinct was right. For the popular instinct was that in this movement, rightly or wrongly, there was an element of indifference63 to female dignity, of a quite new willingness of women to be grotesque64. These women did truly despise the pontifical65 quality of woman. And in our streets and around our Parliament we have seen the stately woman of art and culture turn into the comic woman of Comic Bits. And whether we think the exhibition justifiable66 or not, the prophecy of the comic papers is justified: the healthy and vulgar masses were conscious of a hidden enemy to their traditions who has now come out into the daylight, that the scriptures67 might be fulfilled. For the two things that a healthy person hates most between heaven and hell are a woman who is not dignified68 and a man who is.
点击收听单词发音
1 taverns | |
n.小旅馆,客栈,酒馆( tavern的名词复数 ) | |
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2 pathos | |
n.哀婉,悲怆 | |
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3 intelligible | |
adj.可理解的,明白易懂的,清楚的 | |
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4 sufficiently | |
adv.足够地,充分地 | |
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5 quaintest | |
adj.古色古香的( quaint的最高级 );少见的,古怪的 | |
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6 mermaid | |
n.美人鱼 | |
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7 noted | |
adj.著名的,知名的 | |
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8 humane | |
adj.人道的,富有同情心的 | |
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9 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
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10 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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11 strenuous | |
adj.奋发的,使劲的;紧张的;热烈的,狂热的 | |
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12 apocalyptic | |
adj.预示灾祸的,启示的 | |
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13 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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14 labyrinths | |
迷宫( labyrinth的名词复数 ); (文字,建筑)错综复杂的 | |
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15 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
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16 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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17 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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18 farce | |
n.闹剧,笑剧,滑稽戏;胡闹 | |
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19 hypocrisy | |
n.伪善,虚伪 | |
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20 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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21 hilarious | |
adj.充满笑声的,欢闹的;[反]depressed | |
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22 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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23 humiliation | |
n.羞辱 | |
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24 mere | |
adj.纯粹的;仅仅,只不过 | |
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25 recondite | |
adj.深奥的,难解的 | |
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26 dual | |
adj.双的;二重的,二元的 | |
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27 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
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28 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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29 inhuman | |
adj.残忍的,不人道的,无人性的 | |
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30 syllables | |
n.音节( syllable的名词复数 ) | |
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31 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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32 professed | |
公开声称的,伪称的,已立誓信教的 | |
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33 stumped | |
僵直地行走,跺步行走( stump的过去式和过去分词 ); 把(某人)难住; 使为难; (选举前)在某一地区作政治性巡回演说 | |
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34 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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35 transgression | |
n.违背;犯规;罪过 | |
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36 inorganic | |
adj.无生物的;无机的 | |
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37 prodigy | |
n.惊人的事物,奇迹,神童,天才,预兆 | |
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38 vitality | |
n.活力,生命力,效力 | |
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39 condescends | |
屈尊,俯就( condescend的第三人称单数 ); 故意表示和蔼可亲 | |
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40 deign | |
v. 屈尊, 惠允 ( 做某事) | |
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41 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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42 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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43 frantic | |
adj.狂乱的,错乱的,激昂的 | |
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44 chattel | |
n.动产;奴隶 | |
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45 wrath | |
n.愤怒,愤慨,暴怒 | |
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46 oracles | |
神示所( oracle的名词复数 ); 神谕; 圣贤; 哲人 | |
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47 conjectures | |
推测,猜想( conjecture的名词复数 ) | |
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48 agitated | |
adj.被鼓动的,不安的 | |
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49 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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50 disapprove | |
v.不赞成,不同意,不批准 | |
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51 propriety | |
n.正当行为;正当;适当 | |
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52 indenture | |
n.契约;合同 | |
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53 lucid | |
adj.明白易懂的,清晰的,头脑清楚的 | |
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54 gibes | |
vi.嘲笑,嘲弄(gibe的第三人称单数形式) | |
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55 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
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56 idiotic | |
adj.白痴的 | |
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57 justified | |
a.正当的,有理的 | |
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58 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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59 bulging | |
膨胀; 凸出(部); 打气; 折皱 | |
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60 emancipation | |
n.(从束缚、支配下)解放 | |
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61 extraordinarily | |
adv.格外地;极端地 | |
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62 decorative | |
adj.装饰的,可作装饰的 | |
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63 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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64 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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65 pontifical | |
adj.自以为是的,武断的 | |
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66 justifiable | |
adj.有理由的,无可非议的 | |
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67 scriptures | |
经文,圣典( scripture的名词复数 ); 经典 | |
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68 dignified | |
a.可敬的,高贵的 | |
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