The writer begs to remind his readers again that he has not felt called upon to invest his story with the dignity of history, or in all cases to mingle2 fiction with actual historic occurrences. He believes that all the scenes of the story are not only possible, but probable, and that just such events as he has narrated3 really and frequently occurred in the days of the Rebellion.
The historian is forbidden to make his work more palatable4 or more interesting by the intermixture of fiction with fact, while the story-writer, though required to be reasonably consistent with the spirit 8 and the truth of history, may wander from veritable details, and use his imagination in the creation of incidents upon which the grand result is reached. It would not be allowable to make the Rebellion a success, if the writer so desired, even on the pages of romance; and it would not be fair or just to ignore the bravery, the self-sacrifice, and the heroic endurance of the Southern people in a cause they believed to be holy and patriotic5, as almost universally admitted at the present time, any more than it would be to lose sight of the magnificent spirit, the heroism6, the courage, and the persistence7, of the Northern people in accomplishing what they believed then, and still believe, was a holy and patriotic duty in the preservation8 of the union.
Incidents not inconsistent with the final result, or with the spirit of the people on either side in the great conflict are of comparatively little consequence. That General Lee or General Grant turned this or that corner in reaching Appomattox may be important, but the grand historical tableau9 is the Christian10 hero, noble in the midst of defeat, disaster, and ruin, formally rendering11 his sword to the impassible but magnanimous conqueror12 9 as the crowning event of a long and bloody13 war. The details are historically important, though overshadowed by the mighty14 result of the great conflict.
Many of the personages of the preceding volumes have been introduced in the present one, and the central figure remains15 the same. The writer is willing to admit that his hero is an ideal character, though his lofty tone and patriotic spirit were fully16 paralleled by veritable individuals during the war; and he is not prepared to apologize for the abundant success which attended the career of Christy Passford. Those who really struggled as earnestly and faithfully deserved his good fortune, though they did not always obtain it.
Dorchester, Mass., April 24, 1890.
点击收听单词发音
1 naval | |
adj.海军的,军舰的,船的 | |
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2 mingle | |
vt.使混合,使相混;vi.混合起来;相交往 | |
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3 narrated | |
v.故事( narrate的过去式和过去分词 ) | |
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4 palatable | |
adj.可口的,美味的;惬意的 | |
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5 patriotic | |
adj.爱国的,有爱国心的 | |
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6 heroism | |
n.大无畏精神,英勇 | |
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7 persistence | |
n.坚持,持续,存留 | |
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8 preservation | |
n.保护,维护,保存,保留,保持 | |
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9 tableau | |
n.画面,活人画(舞台上活人扮的静态画面) | |
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10 Christian | |
adj.基督教徒的;n.基督教徒 | |
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11 rendering | |
n.表现,描写 | |
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12 conqueror | |
n.征服者,胜利者 | |
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13 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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14 mighty | |
adj.强有力的;巨大的 | |
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15 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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16 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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