So much for the plea of us average-novel-readers; and our plea, we think, is rational. We are "in the market" for a specified1 article; and human ingenuity2, co-operating with human nature, will inevitably3 insure the manufacture of that article as long as any general demand for it endures.
Meanwhile, it is small cause for grief that the purchaser of American novels prefers Central Park to any "wood near Athens," and is more at home in the Tenderloin than in Camelot. People whose tastes happen to be literary are entirely4 too prone5 to too much long-faced prattle6 about literature, which, when all is said, is never a controlling factor in anybody's life. The automobile7 and the telephone, the accomplishments8 of Mr. Edison and Mr. Burbank, and it would be permissible9 to add of Mr. Rockefeller, influence nowadays, in one fashion or another, every moment of every living American's existence; whereas had America produced, instead, a second Milton or a Dante, it would at most have caused a few of us to spend a few spare evenings rather differently.
Besides, we know—even we average-novel-readers—that America is in fact producing her enduring literature day by day, although, as rarely fails to be the case, those who are contemporaneous with the makers10 of this literature cannot with any certainty point them out. To voice a hoary11 truism, time alone is the test of "vitality12." In our present flood of books, as in any other flood, it is the froth and scum which shows most prominently. And the possession of "vitality," here as elsewhere, postulates13 that its possessor must ultimately perish.
Nay14, by the time these printed pages are first read as printed pages, allusion15 to those modern authors whom these pages cite—the pre-eminent literary personages of that hour wherein these pages were written—will inevitably have come to savor16 somewhat of antiquity17: so that sundry18 references herein to the "vital" books now most in vogue19 will rouse much that vague shrugging recollection as wakens, say, at a mention of Dorothy Vernon or Three Weeks or Beverly of Graustark. And while at first glance it might seem expedient—in revising the last proof-sheets of these pages—somewhat to "freshen them up" by substituting, for the books herein referred to, the "vital" and more widely talked-of novels of the summer of 1916, the task would be but wasted labor20; since even these fascinating chronicles, one comprehends forlornly, must needs be equally obsolete21 by the time these proof-sheets have been made into a volume. With malice22 aforethought, therefore, the books and authors named herein stay those which all of three years back our reviewers and advertising23 pages, with perfect gravity, acclaimed24 as of enduring importance. For the quaintness25 of that opinion, nowadays, may profitably round the moral that there is really nothing whereto one may fittingly compare a successful contribution to "vital" reading-matter, as touches evanescence.
And this is as it should be. Tout26 passe.—L'art robust27 seul a l'éternité, precisely28 as Gautier points out, with bracing29 common-sense; and it is excellent thus to comprehend that to-day, as always, only through exercise of the auctorial virtues30 of distinction and clarity, of beauty and symmetry, of tenderness and truth and urbanity, may a man in reason attempt to insure his books against oblivion's voracity31.
Yet the desire to write perfectly32 of beautiful happenings is, as the saying runs, old as the hills—and as immortal33. Questionless, there was many a serviceable brick wasted in Nineveh because finicky persons must needs be deleting here and there a phrase in favor of its cuneatic synonym34; and it is not improbable that when the outworn sun expires in clinkers its final ray will gild35 such zealots tinkering with their "style." This, then, is the conclusion of the whole matter. Some few there must be in every age and every land of whom life claims nothing very insistently36 save that they write perfectly of beautiful happenings. And even we average-novel-readers know it is such folk who are to-day making in America that portion of our literature which may hope for permanency.
Dumbarton Grange
1914-1916
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1 specified | |
adj.特定的 | |
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2 ingenuity | |
n.别出心裁;善于发明创造 | |
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3 inevitably | |
adv.不可避免地;必然发生地 | |
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4 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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5 prone | |
adj.(to)易于…的,很可能…的;俯卧的 | |
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6 prattle | |
n.闲谈;v.(小孩般)天真无邪地说话;发出连续而无意义的声音 | |
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7 automobile | |
n.汽车,机动车 | |
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8 accomplishments | |
n.造诣;完成( accomplishment的名词复数 );技能;成绩;成就 | |
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9 permissible | |
adj.可允许的,许可的 | |
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10 makers | |
n.制造者,制造商(maker的复数形式) | |
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11 hoary | |
adj.古老的;鬓发斑白的 | |
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12 vitality | |
n.活力,生命力,效力 | |
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13 postulates | |
v.假定,假设( postulate的第三人称单数 ) | |
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14 nay | |
adv.不;n.反对票,投反对票者 | |
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15 allusion | |
n.暗示,间接提示 | |
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16 savor | |
vt.品尝,欣赏;n.味道,风味;情趣,趣味 | |
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17 antiquity | |
n.古老;高龄;古物,古迹 | |
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18 sundry | |
adj.各式各样的,种种的 | |
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19 Vogue | |
n.时髦,时尚;adj.流行的 | |
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20 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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21 obsolete | |
adj.已废弃的,过时的 | |
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22 malice | |
n.恶意,怨恨,蓄意;[律]预谋 | |
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23 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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24 acclaimed | |
adj.受人欢迎的 | |
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25 quaintness | |
n.离奇有趣,古怪的事物 | |
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26 tout | |
v.推销,招徕;兜售;吹捧,劝诱 | |
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27 robust | |
adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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28 precisely | |
adv.恰好,正好,精确地,细致地 | |
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29 bracing | |
adj.令人振奋的 | |
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30 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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31 voracity | |
n.贪食,贪婪 | |
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32 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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33 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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34 synonym | |
n.同义词,换喻词 | |
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35 gild | |
vt.给…镀金,把…漆成金色,使呈金色 | |
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36 insistently | |
ad.坚持地 | |
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