This was not the way, they said, to treat princes in their splendour and mysterious troubadours concealing4 kingly names; it was not in accordance with fable5; myth had no precedent6 for it. She should have thrown her glove, they said, into some lion's den7, she should have asked for a score of venomous heads of the serpents of Licantara, or demanded the death of any notable dragon, or sent them all upon some deadly quest, but that she could not love them—! It was unheard of—it had no parallel in the annals of romance.
And then she said that if they must needs have a quest she would offer her hand to him who first should move her to tears: and the quest should be called, for reference in histories or song, the Quest of the Queen's Tears, and he that achieved them she would wed8, be he only a petty duke of lands unknown to romance.
And many were moved to anger, for they hoped for some bloody9 quest; but the old lords chamberlain said, as they muttered among themselves in a far, dark end of the chamber10, that the quest was hard and wise, for that if she could ever weep she might also love. They had known her all her childhood; she had never sighed. Many men had she seen, suitors and courtiers, and had never turned her head after one went by. Her beauty was as still sunsets of bitter evenings when all the world is frore, a wonder and a chill. She was as a sun-stricken mountain uplifted alone, all beautiful with ice, a desolate11 and lonely radiance late at evening far up beyond the comfortable world, not quite to be companioned by the stars, the doom12 of the mountaineer.
If she could weep, they said, she could love, they said.
Then one by one they told, each suitor prince the story of his love, with outstretched hands and kneeling on the knee; and very sorry and pitiful were the tales, so that often up in the galleries some maid of the palace wept. And very graciously she nodded her head like a listless magnolia in the deeps of the night moving idly to all the breezes its glorious bloom.
And when the princes had told their desperate loves and had departed away with no other spoil than of their own tears only, even then there came the unknown troubadours and told their tales in song, concealing their gracious names.
And there was one, Ackronnion, clothed with rags, on which was the dust of roads, and underneath14 the rags was war-scarred armour15 whereon were the dints of blows; and when he stroked his harp16 and sang his song, in the gallery above maidens17 wept, and even old lords chamberlain whimpered among themselves and thereafter laughed through their tears and said: "It is easy to make old people weep and to bring idle tears from lazy girls; but he will not set a-weeping the Queen of the Woods."
And graciously she nodded, and he was the last. And disconsolate19 went away those dukes and princes, and troubadours in disguise. Yet Ackronnion pondered as he went away.
King he was of Afarmah, Lool and Haf, over-lord of Zeroora and hilly Chang, and duke of the dukedoms of Molong and Mlash, none of them unfamiliar20 with romance or unknown or overlooked in the making of myth. He pondered as he went in his thin disguise.
Now by those that do not remember their childhood, having other things to do, be it understood that underneath fairyland, which is, as all men know, at the edge of the world, there dwelleth the Gladsome Beast. A synonym21 he for joy.
It is known how the lark22 in its zenith, children at play out-of-doors, good witches and jolly old parents have all been compared—how aptly!—with this very same Gladsome Beast. Only one "crab23" he has (if I may use slang for a moment to make myself perfectly24 clear), only one drawback, and that is that in the gladness of his heart he spoils the cabbages of the Old Man Who Looks After Fairyland,—and of course he eats men.
It must further be understood that whoever may obtain the tears of the Gladsome Beast in a bowl, and become drunken upon them, may move all persons to shed tears of joy so long as he remains25 inspired by the potion to sing or to make music.
Now Ackronnion pondered in this wise: that if he could obtain the tears of the Gladsome Beast by means of his art, withholding26 him from violence by the spell of music, and if a friend should slay27 the Gladsome Beast before his weeping ceased—for an end must come to weeping even with men—that so he might get safe away with the tears, and drink them before the Queen of the Woods and move her to tears of joy. He sought out therefore a humble28 knightly29 man who cared not for the beauty of Sylvia, Queen of the Woods, but had found a woodland maiden18 of his own once long ago in summer. And the man's name was Arrath, a subject of Ackronnion, a knight-at-arms of the spear-guard: and together they set out through the fields of fable until they came to Fairyland, a kingdom sunning itself (as all men know) for leagues along the edges of the world. And by a strange old pathway they came to the land they sought, through a wind blowing up the pathway sheer from space with a kind of metallic30 taste from the roving stars. Even so they came to the windy house of thatch31 where dwells the Old Man Who Looks After Fairyland sitting by parlour windows that look away from the world. He made them welcome in his star-ward parlour, telling them tales of Space, and when they named to him their perilous32 quest he said it would be a charity to kill the Gladsome Beast; for he was clearly one of those that liked not its happy ways. And then he took them out through his back door, for the front door had no pathway nor even a step—from it the old man used to empty his slops sheer on to the Southern Cross—and so they came to the garden wherein his cabbages were, and those flowers that only blow in Fairyland, turning their faces always towards the comet, and he pointed33 them out the way to the place he called Underneath, where the Gladsome Beast had his lair34. Then they manoeuvred. Ackronnion was to go by the way of the steps with his harp and an agate35 bowl, while Arrath went round by a crag on the other side. Then the Old Man Who Looks After Fairyland went back to his windy house, muttering angrily as he passed his cabbages, for he did not love the ways of the Gladsome Beast; and the two friends parted on their separate ways.
At first there was dangerous climbing, and then Ackronnion gained the smooth, broad steps that led from the edge to the lair, and at that moment heard at the top of the steps the continuous chuckles39 of the Gladsome Beast.
He feared then that its mirth might be insuperable, not to be saddened by the most grievous song; nevertheless he did not turn back then, but softly climbed the stairs and, placing the agate bowl upon a step, struck up the chaunt called Dolorous40. It told of desolate, regretted things befallen happy cities long since in the prime of the world. It told of how the gods and beasts and men had long ago loved beautiful companions, and long ago in vain. It told of the golden host of happy hopes, but not of their achieving. It told how Love scorned Death, but told of Death's laughter. The contented41 chuckles of the Gladsome Beast suddenly ceased in his lair. He rose and shook himself. He was still unhappy. Ackronnion still sang on the chaunt called Dolorous. The Gladsome Beast came mournfully up to him. Ackronnion ceased not for the sake of his panic, but still sang on. He sang of the malignity42 of time. Two tears welled large in the eyes of the Gladsome Beast. Ackronnion moved the agate bowl to a suitable spot with his foot. He sang of autumn and of passing away. Then the beast wept as the frore hills weep in the thaw43, and the tears splashed big into the agate bowl. Ackronnion desperately44 chaunted on; he told of the glad unnoticed things men see and do not see again, of sunlight beheld45 unheeded on faces now withered46 away. The bowl was full. Ackronnion was desperate: the Beast was so close. Once he thought that its mouth was watering!—but it was only the tears that had run on the lips of the Beast. He felt as a morsel47! The Beast was ceasing to weep! He sang of worlds that had disappointed the gods. And all of a sudden, crash! and the staunch spear of Arrath went home behind the shoulder, and the tears and the joyful48 ways of the Gladsome Beast were ended and over for ever.
And carefully they carried the bowl of tears away, leaving the body of the Gladsome Beast as a change of diet for the ominous crow; and going by the windy house of thatch they said farewell to the Old Man Who Looks After Fairyland, who when he heard of the deed rubbed his hands together and mumbled49 again and again, "And a very good thing, too. My cabbages! My cabbages!"
And not long after Ackronnion sang again in the sylvan50 palace of the Queen of the Woods, having first drunk all the tears in his agate bowl. And it was a gala night, and all the court were there and ambassadors from the lands of legend and myth, and even some from Terra Cognita.
And Ackronnion sang as he never sang before, and will not sing again. O, but dolorous, dolorous, are all the ways of man, few and fierce are his days, and the end trouble, and vain, vain his endeavour: and woman—who shall tell of it?—her doom is written with man's by listless, careless gods with their faces to other spheres.
Somewhat thus he began, and then inspiration seized him, and all the trouble in the beauty of his song may not be set down by me: there was much of gladness in it, and all mingled51 with grief: it was like the way of man: it was like our destiny.
Sobs52 arose at his song, sighs came back along echoes: seneschals, soldiers, sobbed53, and a clear cry made the maidens; like rain the tears came down from gallery to gallery.
But no, she would not weep.
点击收听单词发音
1 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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2 caper | |
v.雀跃,欢蹦;n.雀跃,跳跃;续随子,刺山柑花蕾;嬉戏 | |
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3 salute | |
vi.行礼,致意,问候,放礼炮;vt.向…致意,迎接,赞扬;n.招呼,敬礼,礼炮 | |
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4 concealing | |
v.隐藏,隐瞒,遮住( conceal的现在分词 ) | |
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5 fable | |
n.寓言;童话;神话 | |
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6 precedent | |
n.先例,前例;惯例;adj.在前的,在先的 | |
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7 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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8 wed | |
v.娶,嫁,与…结婚 | |
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9 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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10 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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11 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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12 doom | |
n.厄运,劫数;v.注定,命定 | |
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13 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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14 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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15 armour | |
(=armor)n.盔甲;装甲部队 | |
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16 harp | |
n.竖琴;天琴座 | |
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17 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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18 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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19 disconsolate | |
adj.忧郁的,不快的 | |
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20 unfamiliar | |
adj.陌生的,不熟悉的 | |
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21 synonym | |
n.同义词,换喻词 | |
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22 lark | |
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏 | |
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23 crab | |
n.螃蟹,偏航,脾气乖戾的人,酸苹果;vi.捕蟹,偏航,发牢骚;vt.使偏航,发脾气 | |
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24 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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25 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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26 withholding | |
扣缴税款 | |
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27 slay | |
v.杀死,宰杀,杀戮 | |
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28 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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29 knightly | |
adj. 骑士般的 adv. 骑士般地 | |
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30 metallic | |
adj.金属的;金属制的;含金属的;产金属的;像金属的 | |
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31 thatch | |
vt.用茅草覆盖…的顶部;n.茅草(屋) | |
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32 perilous | |
adj.危险的,冒险的 | |
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33 pointed | |
adj.尖的,直截了当的 | |
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34 lair | |
n.野兽的巢穴;躲藏处 | |
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35 agate | |
n.玛瑙 | |
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36 ominous | |
adj.不祥的,不吉的,预兆的,预示的 | |
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37 glutted | |
v.吃得过多( glut的过去式和过去分词 );(对胃口、欲望等)纵情满足;使厌腻;塞满 | |
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38 bleak | |
adj.(天气)阴冷的;凄凉的;暗淡的 | |
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39 chuckles | |
轻声地笑( chuckle的名词复数 ) | |
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40 dolorous | |
adj.悲伤的;忧愁的 | |
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41 contented | |
adj.满意的,安心的,知足的 | |
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42 malignity | |
n.极度的恶意,恶毒;(病的)恶性 | |
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43 thaw | |
v.(使)融化,(使)变得友善;n.融化,缓和 | |
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44 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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45 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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46 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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47 morsel | |
n.一口,一点点 | |
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48 joyful | |
adj.欢乐的,令人欢欣的 | |
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49 mumbled | |
含糊地说某事,叽咕,咕哝( mumble的过去式和过去分词 ) | |
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50 sylvan | |
adj.森林的 | |
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51 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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52 sobs | |
啜泣(声),呜咽(声)( sob的名词复数 ) | |
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53 sobbed | |
哭泣,啜泣( sob的过去式和过去分词 ); 哭诉,呜咽地说 | |
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54 sobbing | |
<主方>Ⅰ adj.湿透的 | |
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