To you (whom I take to be as familiar with the Manuelian cycle of romance as is any person now alive) it has for some while appeared, I know, a not uncurious circumstance that in the Key to the Popular Tales of Poictesme there should have been included so little directly relative to Manuel himself. No reader of the Popular Tales (as I recall your saying at the Alum when we talked over, among so many other matters, this monumental book) can fail to note that always Dom Manuel looms1 obscurely in the background, somewhat as do King Arthur and white-bearded Charlemagne in their several cycles, dispensing2 justice and bestowing3 rewards, and generally arranging the future, for the survivors4 of the outcome of stories which more intimately concern themselves with Anavalt and Coth and Holden, and with Kerin and Ninzian and Gonfal and Donander, and with Miramon (in his rôle of Manuel's seneschal), or even with Sclaug and Thragnar, than with the liege-lord of Poictesme. Except in the old sixteenth-century chapbook (unknown to you, I believe, and never reprinted since 1822, and not ever modernized5 into any cognizable spelling), there seems to have been nowhere an English rendering6 of the legends in which Dom Manuel is really the main figure.
Well, this book attempts to supply that desideratum, and is, so far as the writer is aware, the one fairly complete epitome7 in modern English of the Manuelian historiography not included by Lewistam which has yet been prepared.
It is obvious, of course, that in a single volume of this bulk there could not be included more than a selection from the great body of myths which, we may assume, have accumulated gradually round the mighty9 though shadowy figure of Manuel the Redeemer. Instead, my aim has been to make choice of such stories and traditions as seemed most fit to be cast into the shape of a connected narrative10 and regular sequence of events; to lend to all that wholesome11, edifying12 and optimistic tone which in reading-matter is so generally preferable to mere13 intelligence; and meanwhile to preserve as much of the quaint14 style of the gestes as is consistent with clearness. Then, too, in the original mediaeval romances, both in their prose and metrical form, there are occasional allusions15 to natural processes which make these stories unfit to be placed in the hands of American readers, who, as a body, attest16 their respectability by insisting that their parents were guilty of unmentionable conduct; and such passages of course necessitate17 considerable editing.
II
No schoolboy (and far less the scholastic18 chronicler of those last final upshots for whose furtherance "Hannibal invaded Rome and Erasmus wrote in Oxford19 cloisters") needs nowadays to be told that the Manuel of these legends is to all intents a fictitious20 person. That in the earlier half of the thirteenth century there was ruling over the Poictoumois a powerful chieftain named Manuel, nobody has of late disputed seriously. But the events of the actual human existence of this Lord of Poictesme—very much as the Emperor Frederick Barbarossa has been identified with the wood-demon Barbatos, and the prophet Elijah, "caught up into the chariot of the Vedic Vayu," has become one with the Slavonic Perun,—have been inextricably blended with the legends of the Dirghic Manu-Elul, Lord of August.
Thus, even the irregularity in Manuel's eyes is taken by Vanderhoffen, in his Tudor Tales, to be a myth connecting Manuel with the Vedic Rudra and the Russian Magarko and the Servian Vii,—"and every beneficent storm-god represented with his eye perpetually winking21 (like sheet lightning), lest his concentrated look (the thunderbolt) should reduce the universe to ashes.... His watery22 parentage, and the storm-god's relationship with a swan-maiden of the Apsarasas (typifying the mists and clouds), and with Freydis the fire queen, are equally obvious: whereas Niafer is plainly a variant23 of Nephthys, Lady of the House, whose personality Dr. Budge24 sums up as 'the goddess of the death which is not eternal,' or Nerthus, the Subterranean25 Earth, which the warm rainstorm quickens to life and fertility."
All this seems dull enough to be plausible26. Yet no less an authority than Charles Garnier has replied, in rather indignant rebuttal: "Qu'ont étè en réalité Manuel et Siegfried, Achille et Rustem? Par8 quels exploits ont-ils mérité l'éternelle admiration27 que leur ont vouée les hommes de leur race? Nul ne répondra jamais à ces questions.... Mais Poictesme croit à la réalité de cette figure que ses romans ont faite si belle28, car le pays n'a pas d'autre histoire. Cette figure du Comte Manuel est réelle d'ailleurs, car elle est l'image purifiée de la race qui l'a produite, et, si on peut s'exprimer ainsi, l'incarnation de son génie."
—Which is quite just, and, when you come to think it over, proves Dom Manuel to be nowadays, for practical purposes, at least as real as Dr. Paul Vanderhoffen.
III
Between the two main epic29 cycles of Poictesme, as embodied30 in Les Gestes de Manuel and La Haulte Histoire de Jurgen, more or less comparison is inevitable31. And Codman, I believe, has put the gist32 of the matter succinctly33 enough.
Says Codman: "The Gestes are mundane34 stories, the History is a cosmic affair, in that, where Manuel faces the world, Jurgen considers the universe.... Dom Manuel is the Achilles of Poictesme, as Jurgen is its Ulysses."
And, roughly, the distinction serves. Yet minute consideration discovers, I think, in these two sets of legends a more profound, if subtler, difference, in the handling of the protagonist35: with Jurgen all of the physical and mental man is rendered as a matter of course; whereas in dealing36 with Manuel there is, always, I believe, a certain perceptible and strange, if not inexplicable37, aloofness38. Manuel did thus and thus, Manuel said so and so, these legends recount: yes, but never anywhere have I detected any firm assertion as to Manuel's thoughts and emotions, nor any peep into the workings of this hero's mind. He is "done" from the outside, always at arm's length. It is not merely that Manuel's nature is tinctured with the cool unhumanness of his father the water-demon: rather, these old poets of Poictesme would seem, whether of intention or no, to have dealt with their national hero as a person, howsoever admirable in many of his exploits, whom they have never been able altogether to love, or entirely39 to sympathize with, or to view quite without distrust.
There are several ways of accounting40 for this fact,—ranging from the hurtful as well as beneficent aspect of the storm-god, to the natural inability of a poet to understand a man who succeeds in everything: but the fact is, after all, of no present importance save that it may well have prompted Lewistam to scamp his dealings with this always somewhat ambiguous Manuel, and so to omit the hereinafter included legends, as unsuited to the clearer and sunnier atmosphere of the Popular Tales.
For my part, I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them."
I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy41 name of heroism42.
Dumbarton Grange
October, 1920
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1 looms | |
n.织布机( loom的名词复数 )v.隐约出现,阴森地逼近( loom的第三人称单数 );隐约出现,阴森地逼近 | |
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2 dispensing | |
v.分配( dispense的现在分词 );施与;配(药) | |
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3 bestowing | |
砖窑中砖堆上层已烧透的砖 | |
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4 survivors | |
幸存者,残存者,生还者( survivor的名词复数 ) | |
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5 modernized | |
使现代化,使适应现代需要( modernize的过去式和过去分词 ); 现代化,使用现代方法 | |
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6 rendering | |
n.表现,描写 | |
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7 epitome | |
n.典型,梗概 | |
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8 par | |
n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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9 mighty | |
adj.强有力的;巨大的 | |
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10 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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11 wholesome | |
adj.适合;卫生的;有益健康的;显示身心健康的 | |
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12 edifying | |
adj.有教训意味的,教训性的,有益的v.开导,启发( edify的现在分词 ) | |
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13 mere | |
adj.纯粹的;仅仅,只不过 | |
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14 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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15 allusions | |
暗指,间接提到( allusion的名词复数 ) | |
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16 attest | |
vt.证明,证实;表明 | |
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17 necessitate | |
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18 scholastic | |
adj.学校的,学院的,学术上的 | |
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19 Oxford | |
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20 fictitious | |
adj.虚构的,假设的;空头的 | |
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21 winking | |
n.瞬眼,目语v.使眼色( wink的现在分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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22 watery | |
adj.有水的,水汪汪的;湿的,湿润的 | |
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23 variant | |
adj.不同的,变异的;n.变体,异体 | |
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24 budge | |
v.移动一点儿;改变立场 | |
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25 subterranean | |
adj.地下的,地表下的 | |
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26 plausible | |
adj.似真实的,似乎有理的,似乎可信的 | |
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27 admiration | |
n.钦佩,赞美,羡慕 | |
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28 belle | |
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29 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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30 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
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31 inevitable | |
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32 gist | |
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33 succinctly | |
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35 protagonist | |
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36 dealing | |
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37 inexplicable | |
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38 aloofness | |
超然态度 | |
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39 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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40 accounting | |
n.会计,会计学,借贷对照表 | |
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41 gaudy | |
adj.华而不实的;俗丽的 | |
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42 heroism | |
n.大无畏精神,英勇 | |
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