小说搜索     点击排行榜   最新入库
首页 » 英文短篇小说 » The Little Violinist » The Little Violinist
选择底色: 选择字号:【大】【中】【小】
The Little Violinist
关注小说网官方公众号(noveltingroom),原版名著免费领。
     Weep with me, all you that read
          This little story;
     And know, for whom a tear you shed,
          Death's self is sorry.
 
          Ben Jonson.
This story is no invention of mine. I could not invent anything half so lovely and pathetic as seems to me the incident which has come ready-made to my hand.
 
Some of you, doubtless, have heard of James Speaight, the infant violinist, or Young Americus, as he was called. He was born in London, I believe, and was only four years old when his father brought him to this country, less than three years ago. Since that time he has appeared in concerts and various entertainments in many of our principal cities, attracting unusual attention by his musical skill. I confess, however, that I had not heard of him until last month, though it seems he had previously1 given two or three public performances in the city where I live. I had not heard of him, I say, until last month; but since then I do not think a day has passed when this child's face has not risen up in my memory—the little half-sad face, as I saw it once, with its large, serious eyes and infantile mouth.
 
I have, I trust, great tenderness for all children; but I know that I have a special place in my heart for those poor little creatures who figure in circuses and shows, or elsewhere, as "infant prodigies2." Heaven help such little folk! It was an unkind fate that did not make them commonplace, stupid, happy girls and boys like our own Fannys and Charleys and Harrys. Poor little waifs, that never know any babyhood or childhood—sad human midges, that flutter for a moment in the glare of the gaslights, and are gone. Pitiful little children, whose tender limbs and minds are so torn and strained by thoughtless task-masters, that it seems scarcely a regrettable thing when the circus caravan3 halts awhile on its route to make a small grave by the wayside.
 
I never witness a performance of child-acrobats, or the exhibition of any forced talent, physical or mental, on the part of children, without protesting, at least in my own mind, against the blindness and cruelty of their parents or guardians4, or whoever has care of them.
 
I saw at the theatre, the other night, two tiny girls—mere babies they were—doing such feats5 upon a bar of wood suspended from the ceiling as made my blood run cold. They were twin sisters, these mites6, with that old young look on their faces which all such unfortunates have. I hardly dared glance at them, up there in the air, hanging by their feet from the swinging bar, twisting their fragile spines7 and distorting their poor little bodies, when they ought to have been nestled in soft blankets in a cosey chamber8, with the angels that guard the sleep of little children hovering10 above them. I hope that the father of those two babies will read and ponder this page, on which I record not alone my individual protest, but the protest of hundreds of men and women who took no pleasure in that performance, but witnessed it with a pang11 of pity.
 
There is a Society for the Prevention of Cruelty to Dumb Animals. There ought to be a Society for the Prevention of Cruelty to Little Children; and a certain influential12 gentleman, who does some things well and other things very badly, ought to attend to it. The name of this gentleman is Public Opinion.{1}
 
     1  This sketch13 was written in 1874. The author claims for it
     no other merit than that of having been among the earliest
     appeals for the formation of such a Society as now exists—
     the Massachusetts Society for the Prevention of Cruelty to
     Children.
But to my story.
 
One September morning, about five years and a half ago, there wandered to my fireside, hand in hand, two small personages who requested in a foreign language, which I understood at once, to be taken in and fed and clothed and sent to school and loved and tenderly cared for. Very modest of them—was it not?—in view of the fact that I had never seen either of them before. To all intents and purposes they were perfect strangers to me. What was my surprise when it turned out (just as if it were in a fairy legend) that these were my own sons! When I say they came hand in hand, it is to advise you that these two boys were twins, like that pair of tiny girls I just mentioned.
 
These young gentlemen are at present known as Charley and Talbot, in the household, and to a very limited circle of acquaintances outside; but as Charley has declared his intention to become a circus-rider, and Talbot, who has not so soaring an ambition, has resolved to be a policeman, it is likely the world will hear of them before long. In the mean time, and with a view to the severe duties of the professions selected, they are learning the alphabet, Charley vaulting14 over the hard letters with an agility15 which promises well for his career as circus-rider, and Talbot collaring the slippery S's and pursuing the suspicious X Y Z's with the promptness and boldness of a night-watchman.
 
Now it is my pleasure not only to feed and clothe Masters Charley and Talbot as if they were young princes or dukes, but to look to it that they do not wear out their ingenious minds by too much study. So I occasionally take them to a puppet-show or a musical entertainment, and always in holiday time to see a pantomime. This last is their especial delight. It is a fine thing to behold16 the business-like air with which they climb into their seats in the parquet17, and the gravity with which they immediately begin to read the play-bill upside down. Then, between the acts, the solemnity with which they extract the juice from an orange, through a hole made with a lead-pencil, is also a noticeable thing.
 
Their knowledge of the mysteries of Fairyland is at once varied18 and profound. Everything delights, but nothing astonishes them. That people covered with spangles should dive headlong through the floor; that fairy queens should step out of the trunks of trees; that the poor wood-cutter's cottage should change, in the twinkling of an eye, into a glorious palace or a goblin grotto19 under the sea, with crimson20 fountains and golden staircases and silver foliage—all that is a matter of course. This is the kind of world they live in at present. If these things happened at home they would not be astonished.
 
The other day, it was just before Christmas, I saw the boys attentively21 regarding a large pumpkin22 which lay on the kitchen floor, waiting to be made into pies. If that pumpkin had suddenly opened, if wheels had sprouted23 out on each side, and if the two kittens playing with an onion-skin by the range had turned into milk-white ponies24 and harnessed themselves to this Cinderella coach, neither Charley nor Talbot would have considered it an unusual circumstance.
 
The pantomime which is usually played at the Boston Theatre during the holidays is to them positive proof that the stories of Cinderella and Jack25 of the Beanstalk and Jack the Giant-Killer have historical solidity. They like to be reassured26 on that point. So one morning last January, when I informed Charley and Talbot, at the breakfast-table, that Prince Rupert and his court had come to town,
 
          "Some in jags,
          Some in rags,
     And some in velvet27 gown,"
the news was received with great satisfaction; for this meant that we were to go to the play.
 
For the sake of the small folk, who could not visit him at night, Prince Rupert was gracious enough to appear every Saturday afternoon during the month. We decided28 to wait upon his Highness at one of his matinées.
 
You would never have dreamed that the sun was shining brightly outside, if you had been with us in the theatre that afternoon. All the window-shutters were closed, and the great glass chandelier hanging from the gayly painted dome29 was one blaze of light.
 
But brighter even than the jets of gas were the ruddy, eager faces of countless30 boys and girls, fringing the balconies and crowded into the seats below, longing31 for the play to begin. And nowhere were there two merrier or more eager faces than those of Charley and Talbot, pecking now and then at a brown paper cone32 filled with white grapes, which I held, and waiting for the solemn green curtain to roll up, and disclose the coral realm of the Naiad Queen.
 
I shall touch very lightly on the literary aspects of the play. Its plot, like that of the modern novel, was of so subtile a nature as not to be visible to the naked eye. I doubt if the dramatist himself could have explained it, even if he had been so condescending33 as to attempt to do so. There was a bold young prince—Prince Rupert, of course—who went into Wonderland in search of adventures. He reached Wonderland by leaping from the castle of Drachenfels into the Rhine. Then there was one Snaps, the prince's valet, who did not in the least want to go, but went, and got terribly frightened by the Green Demons34 of the Chrysolite Cavern35, which made us all laugh—it being such a pleasant thing to see somebody else scared nearly to death. Then there were knights36 in brave tin armor, and armies of fair pre-Raphaelite amazons in all the colors of the rainbow, and troops of unhappy slave-girls, who did nothing but smile and wear beautiful dresses, and dance continually to the most delightful37 music. Now you were in an enchanted38 castle on the banks of the Rhine, and now you were in a cave of amethysts39 and diamonds at the bottom of the river—scene following scene with such bewildering rapidity that finally you did not quite know where you were.
 
But what interested me most, and what pleased Charley and Talbot even beyond the Naiad Queen herself, was the little violinist who came to the German Court, and played before Prince Rupert and his bride.
 
It was such a little fellow! He was not more than a year older than my own boys, and not much taller. He had a very sweet, sensitive face, with large gray eyes, in which there was a deep-settled expression that I do not like to see in a child. Looking at his eyes alone, you would have said he was sixteen or seventeen, and he was merely a baby!
 
I do not know enough of music to assert that he had wonderful genius, or any genius at all; but it seemed to me he played charmingly, and with the touch of a natural musician.
 
At the end of his piece, he was lifted over the foot-lights of the stage into the orchestra, where, with the conductor's bâton in his hand, he directed the band in playing one or two difficult compositions. In this he evinced a carefully trained ear and a perfect understanding of the music.
 
I wanted to hear the little violin again; but as he made his bow to the audience and ran off, it was with a half-wearied air, and I did not join with my neighbors in calling him back. "There 's another performance to-night," I reflected, "and the little fellow is n't very strong." He came out, however, and bowed, but did not play again.
 
All the way home from the theatre my children were full of the little violinist, and as they went along, chattering40 and frolicking in front of me, and getting under my feet like a couple of young spaniels (they did not look unlike two small brown spaniels, with their fur-trimmed overcoats and sealskin caps and ear-lappets), I could not help thinking how different the poor little musician's lot was from theirs.
 
He was only six years and a half old, and had been before the public nearly three years. What hours of toil41 and weariness he must have been passing through at the very time when my little ones were being rocked and petted and shielded from every ungentle wind that blows! And what an existence was his now—travelling from city to city, practising at every spare moment, and performing night after night in some close theatre or concert-room when he should be drinking in that deep, refreshing42 slumber43 which childhood needs! However much he was loved by those who had charge of him, and they must have treated him kindly44, it was a hard life for the child.
 
He ought to have been turned out into the sunshine; that pretty violin—one can easily understand that he was fond of it himself—ought to have been taken away from him, and a kite-string placed in his hand instead. If God had set the germ of a great musician or a great composer in that slight body, surely it would have been wise to let the precious gift ripen45 and flower in its own good season.
 
This is what I thought, walking home In the amber9 glow of the wintry sunset; but my boys saw only the bright side of the tapestry46, and would have liked nothing better than to change places with little James Speaight. To stand in the midst of Fairyland, and play beautiful tunes47 on a toy fiddle48, while all the people clapped their hands—what could quite equal that? Charley began to think it was no such grand thing to be a circus-rider, and the dazzling career of policeman had lost something of its glamour49 in the eyes of Talbot.
 
It is my custom every night, after the children are snug50 in their nests and the gas is turned down, to sit on the side of the bed and chat with them five or ten minutes. If anything has gone wrong through the day, it is never alluded51 to at this time. None but the most agreeable topics are discussed. I make it a point that the boys shall go to sleep with untroubled hearts. When our chat is ended, they say their prayers. Now, among the pleas which they offer up for the several members of the family, they frequently intrude52 the claims of rather curious objects for Divine compassion53. Sometimes it is the rocking-horse that has broken a leg, sometimes it is Shem or Japhet, who has lost an arm in disembarking from Noah's ark; Pinky and Inky, the kittens, and Bob, the dog, are never forgotten.
 
So it did not surprise me at all this Saturday night when both boys prayed God to watch over and bless the little violinist.
 
The next morning at the breakfast-table, when I unfolded the newspaper, the first paragraph my eyes fell upon was this:—
 
     "James Speaight, the infant violinist, died in this city
     late on Saturday night. At the matinée of the 'Naiad
     Queen' on the afternoon of that day, when little James
     Speaight came off the stage, after giving his usual violin
     performance, Mr. Shewell {1} noticed that he appeared
     fatigued, and asked if he felt ill. He replied that he had a
     pain in his heart, and then Mr. Shewell suggested that he
     remain away from the evening performance. He retired54 quite
     early, and about midnight his father heard him say,
     'Gracious God, make room for another little child in
     Heaven.' No sound was heard after this, and his father
     spoke to him soon afterwards; he received no answer, but
     found his child dead."
 
     1  The stage-manager.
The printed letters grew dim and melted into each other, as I tried to re-read them.
 
I glanced across the table at Charley and Talbot eating their breakfast, with the slanted55 sunlight from the window turning their curls into real gold, and I had not the heart to tell them what had happened.
 
Of all the prayers that floated up to heaven, that Saturday night, from the bedsides of sorrowful men and women, or from the cots of innocent children, what accents could have fallen more piteously and tenderly upon the ear of a listening angel than the prayer of little James Speaight! He knew he was dying. The faith he had learned, perhaps while running at his mother's side, in some green English lane, came to him then. He remembered it was Christ who said, "Suffer the little children to come unto me;" and the beautiful prayer rose to his lips, "Gracious God, make room for another little child in Heaven."
 
I folded up the newspaper silently, and throughout the day I did not speak before the boys of the little violinist's death; but when the time came for our customary chat in the nursery, I told the story to Charley and Talbot. I do not think that they understood it very well, and still less did they understand why I lingered so much longer than usual by their bedside that Sunday night.
 
As I sat there in the dimly lighted room, it seemed to me that I could hear, in the pauses of the winter wind, faintly and doubtfully somewhere in the distance, the sound of the little violin.
 
Ah, that little violin!—a cherished relic56 now. Perhaps it plays soft, plaintive57 airs all by itself, in the place where it is kept, missing the touch of the baby fingers which used to waken it into life!
 

点击收听单词发音收听单词发音  

1 previously bkzzzC     
adv.以前,先前(地)
参考例句:
  • The bicycle tyre blew out at a previously damaged point.自行车胎在以前损坏过的地方又爆开了。
  • Let me digress for a moment and explain what had happened previously.让我岔开一会儿,解释原先发生了什么。
2 prodigies 352859314f7422cfeba8ad2800e139ec     
n.奇才,天才(尤指神童)( prodigy的名词复数 )
参考例句:
  • It'seldom happened that a third party ever witnessed any of these prodigies. 这类壮举发生的时候,难得有第三者在场目睹过。 来自辞典例句
  • She is by no means inferior to other prodigies. 她绝不是不如其他神童。 来自互联网
3 caravan OrVzu     
n.大蓬车;活动房屋
参考例句:
  • The community adviser gave us a caravan to live in.社区顾问给了我们一间活动住房栖身。
  • Geoff connected the caravan to the car.杰弗把旅行用的住屋拖车挂在汽车上。
4 guardians 648b3519bd4469e1a48dff4dc4827315     
监护人( guardian的名词复数 ); 保护者,维护者
参考例句:
  • Farmers should be guardians of the countryside. 农民应是乡村的保卫者。
  • The police are guardians of law and order. 警察是法律和秩序的护卫者。
5 feats 8b538e09d25672d5e6ed5058f2318d51     
功绩,伟业,技艺( feat的名词复数 )
参考例句:
  • He used to astound his friends with feats of physical endurance. 过去,他表现出来的惊人耐力常让朋友们大吃一惊。
  • His heroic feats made him a legend in his own time. 他的英雄业绩使他成了他那个时代的传奇人物。
6 mites d5df57c25d6a534a9cab886a451cde43     
n.(尤指令人怜悯的)小孩( mite的名词复数 );一点点;一文钱;螨
参考例句:
  • The only discovered animals are water bears, mites, microscopic rotifers. 能够发现的动物只有海蜘蛛、螨和微小的轮虫。 来自辞典例句
  • Mites are frequently found on eggs. 螨会经常出现在蛋上。 来自辞典例句
7 spines 2e4ba52a0d6dac6ce45c445e5386653c     
n.脊柱( spine的名词复数 );脊椎;(动植物的)刺;书脊
参考例句:
  • Porcupines use their spines to protect themselves. 豪猪用身上的刺毛来自卫。
  • The cactus has spines. 仙人掌有刺。 来自《现代英汉综合大词典》
8 chamber wnky9     
n.房间,寝室;会议厅;议院;会所
参考例句:
  • For many,the dentist's surgery remains a torture chamber.对许多人来说,牙医的治疗室一直是间受刑室。
  • The chamber was ablaze with light.会议厅里灯火辉煌。
9 amber LzazBn     
n.琥珀;琥珀色;adj.琥珀制的
参考例句:
  • Would you like an amber necklace for your birthday?你过生日想要一条琥珀项链吗?
  • This is a piece of little amber stones.这是一块小小的琥珀化石。
10 hovering 99fdb695db3c202536060470c79b067f     
鸟( hover的现在分词 ); 靠近(某事物); (人)徘徊; 犹豫
参考例句:
  • The helicopter was hovering about 100 metres above the pad. 直升机在离发射台一百米的上空盘旋。
  • I'm hovering between the concert and the play tonight. 我犹豫不决今晚是听音乐会还是看戏。
11 pang OKixL     
n.剧痛,悲痛,苦闷
参考例句:
  • She experienced a sharp pang of disappointment.她经历了失望的巨大痛苦。
  • She was beginning to know the pang of disappointed love.她开始尝到了失恋的痛苦。
12 influential l7oxK     
adj.有影响的,有权势的
参考例句:
  • He always tries to get in with the most influential people.他总是试图巴结最有影响的人物。
  • He is a very influential man in the government.他在政府中是个很有影响的人物。
13 sketch UEyyG     
n.草图;梗概;素描;v.素描;概述
参考例句:
  • My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
  • I will send you a slight sketch of the house.我将给你寄去房屋的草图。
14 vaulting d6beb2dc838180d7d10c4f3f14b1fb72     
n.(天花板或屋顶的)拱形结构
参考例句:
  • The vaulting horse is a difficult piece of apparatus to master. 鞍马是很难掌握的器械。
  • Sallie won the pole vaulting. 莎莉撑杆跳获胜。
15 agility LfTyH     
n.敏捷,活泼
参考例句:
  • The boy came upstairs with agility.那男孩敏捷地走上楼来。
  • His intellect and mental agility have never been in doubt.他的才智和机敏从未受到怀疑。
16 behold jQKy9     
v.看,注视,看到
参考例句:
  • The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
  • The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。
17 parquet wL9xr     
n.镶木地板
参考例句:
  • The parquet floors shone like mirrors.镶木地板亮得象镜子。
  • The snail left a trail of slime along the parquet floor.蜗牛在镶木地板上留下一道黏液。
18 varied giIw9     
adj.多样的,多变化的
参考例句:
  • The forms of art are many and varied.艺术的形式是多种多样的。
  • The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。
19 grotto h5Byz     
n.洞穴
参考例句:
  • We reached a beautiful grotto,whose entrance was almost hiden by the vine.我们到达了一个美丽的洞穴,洞的进口几乎被藤蔓遮掩著。
  • Water trickles through an underground grotto.水沿着地下岩洞流淌。
20 crimson AYwzH     
n./adj.深(绯)红色(的);vi.脸变绯红色
参考例句:
  • She went crimson with embarrassment.她羞得满脸通红。
  • Maple leaves have turned crimson.枫叶已经红了。
21 attentively AyQzjz     
adv.聚精会神地;周到地;谛;凝神
参考例句:
  • She listened attentively while I poured out my problems. 我倾吐心中的烦恼时,她一直在注意听。 来自《简明英汉词典》
  • She listened attentively and set down every word he said. 她专心听着,把他说的话一字不漏地记下来。 来自《简明英汉词典》
22 pumpkin NtKy8     
n.南瓜
参考例句:
  • They ate turkey and pumpkin pie.他们吃了火鸡和南瓜馅饼。
  • It looks like there is a person looking out of the pumpkin!看起来就像南瓜里有人在看着你!
23 sprouted 6e3d9efcbfe061af8882b5b12fd52864     
v.发芽( sprout的过去式和过去分词 );抽芽;出现;(使)涌现出
参考例句:
  • We can't use these potatoes; they've all sprouted. 这些土豆儿不能吃了,都出芽了。 来自《简明英汉词典》
  • The rice seeds have sprouted. 稻种已经出芽了。 来自《现代汉英综合大词典》
24 ponies 47346fc7580de7596d7df8d115a3545d     
矮种马,小型马( pony的名词复数 ); £25 25 英镑
参考例句:
  • They drove the ponies into a corral. 他们把矮种马赶进了畜栏。
  • She has a mania for ponies. 她特别喜欢小马。
25 jack 53Hxp     
n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克
参考例句:
  • I am looking for the headphone jack.我正在找寻头戴式耳机插孔。
  • He lifted the car with a jack to change the flat tyre.他用千斤顶把车顶起来换下瘪轮胎。
26 reassured ff7466d942d18e727fb4d5473e62a235     
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词)
参考例句:
  • The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
  • The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》
27 velvet 5gqyO     
n.丝绒,天鹅绒;adj.丝绒制的,柔软的
参考例句:
  • This material feels like velvet.这料子摸起来像丝绒。
  • The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。
28 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
29 dome 7s2xC     
n.圆屋顶,拱顶
参考例句:
  • The dome was supported by white marble columns.圆顶由白色大理石柱支撑着。
  • They formed the dome with the tree's branches.他们用树枝搭成圆屋顶。
30 countless 7vqz9L     
adj.无数的,多得不计其数的
参考例句:
  • In the war countless innocent people lost their lives.在这场战争中无数无辜的人丧失了性命。
  • I've told you countless times.我已经告诉你无数遍了。
31 longing 98bzd     
n.(for)渴望
参考例句:
  • Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
  • His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。
32 cone lYJyi     
n.圆锥体,圆锥形东西,球果
参考例句:
  • Saw-dust piled up in a great cone.锯屑堆积如山。
  • The police have sectioned off part of the road with traffic cone.警察用锥形路标把部分路面分隔开来。
33 condescending avxzvU     
adj.谦逊的,故意屈尊的
参考例句:
  • He has a condescending attitude towards women. 他对女性总是居高临下。
  • He tends to adopt a condescending manner when talking to young women. 和年轻女子说话时,他喜欢摆出一副高高在上的姿态。
34 demons 8f23f80251f9c0b6518bce3312ca1a61     
n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念
参考例句:
  • demons torturing the sinners in Hell 地狱里折磨罪人的魔鬼
  • He is plagued by demons which go back to his traumatic childhood. 他为心魔所困扰,那可追溯至他饱受创伤的童年。 来自《简明英汉词典》
35 cavern Ec2yO     
n.洞穴,大山洞
参考例句:
  • The cavern walls echoed his cries.大山洞的四壁回响着他的喊声。
  • It suddenly began to shower,and we took refuge in the cavern.天突然下起雨来,我们在一个山洞里避雨。
36 knights 2061bac208c7bdd2665fbf4b7067e468     
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马
参考例句:
  • stories of knights and fair maidens 关于骑士和美女的故事
  • He wove a fascinating tale of knights in shining armour. 他编了一个穿着明亮盔甲的骑士的迷人故事。
37 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。
38 enchanted enchanted     
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词
参考例句:
  • She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
  • He was enchanted by the idea. 他为这个主意而欣喜若狂。
39 amethysts 432845a066f6bcc0e55bed1212bf6282     
n.紫蓝色宝石( amethyst的名词复数 );紫晶;紫水晶;紫色
参考例句:
  • The necklace consisted of amethysts set in gold. 这是一条金镶紫水晶项链。 来自柯林斯例句
40 chattering chattering     
n. (机器振动发出的)咔嗒声,(鸟等)鸣,啁啾 adj. 喋喋不休的,啾啾声的 动词chatter的现在分词形式
参考例句:
  • The teacher told the children to stop chattering in class. 老师叫孩子们在课堂上不要叽叽喳喳讲话。
  • I was so cold that my teeth were chattering. 我冷得牙齿直打战。
41 toil WJezp     
vi.辛劳工作,艰难地行动;n.苦工,难事
参考例句:
  • The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
  • Every single grain is the result of toil.每一粒粮食都来之不易。
42 refreshing HkozPQ     
adj.使精神振作的,使人清爽的,使人喜欢的
参考例句:
  • I find it'so refreshing to work with young people in this department.我发现和这一部门的青年一起工作令人精神振奋。
  • The water was cold and wonderfully refreshing.水很涼,特别解乏提神。
43 slumber 8E7zT     
n.睡眠,沉睡状态
参考例句:
  • All the people in the hotels were wrapped in deep slumber.住在各旅馆里的人都已进入梦乡。
  • Don't wake him from his slumber because he needs the rest.不要把他从睡眠中唤醒,因为他需要休息。
44 kindly tpUzhQ     
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地
参考例句:
  • Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
  • A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。
45 ripen ph3yq     
vt.使成熟;vi.成熟
参考例句:
  • I'm waiting for the apples to ripen.我正在等待苹果成熟。
  • You can ripen the tomatoes on a sunny windowsill.把西红柿放在有阳光的窗台上可以让它们成熟。
46 tapestry 7qRy8     
n.挂毯,丰富多采的画面
参考例句:
  • How about this artistic tapestry and this cloisonne vase?这件艺术挂毯和这个景泰蓝花瓶怎么样?
  • The wall of my living room was hung with a tapestry.我的起居室的墙上挂着一块壁毯。
47 tunes 175b0afea09410c65d28e4b62c406c21     
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调
参考例句:
  • a potpourri of tunes 乐曲集锦
  • When things get a bit too much, she simply tunes out temporarily. 碰到事情太棘手时,她干脆暂时撒手不管。 来自《简明英汉词典》
48 fiddle GgYzm     
n.小提琴;vi.拉提琴;不停拨弄,乱动
参考例句:
  • She plays the fiddle well.她小提琴拉得好。
  • Don't fiddle with the typewriter.不要摆弄那架打字机了。
49 glamour Keizv     
n.魔力,魅力;vt.迷住
参考例句:
  • Foreign travel has lost its glamour for her.到国外旅行对她已失去吸引力了。
  • The moonlight cast a glamour over the scene.月光给景色增添了魅力。
50 snug 3TvzG     
adj.温暖舒适的,合身的,安全的;v.使整洁干净,舒适地依靠,紧贴;n.(英)酒吧里的私房
参考例句:
  • He showed us into a snug little sitting room.他领我们走进了一间温暖而舒适的小客厅。
  • She had a small but snug home.她有个小小的但很舒适的家。
51 alluded 69f7a8b0f2e374aaf5d0965af46948e7     
提及,暗指( allude的过去式和过去分词 )
参考例句:
  • In your remarks you alluded to a certain sinister design. 在你的谈话中,你提到了某个阴谋。
  • She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。
52 intrude Lakzv     
vi.闯入;侵入;打扰,侵扰
参考例句:
  • I do not want to intrude if you are busy.如果你忙我就不打扰你了。
  • I don't want to intrude on your meeting.我不想打扰你们的会议。
53 compassion 3q2zZ     
n.同情,怜悯
参考例句:
  • He could not help having compassion for the poor creature.他情不自禁地怜悯起那个可怜的人来。
  • Her heart was filled with compassion for the motherless children.她对于没有母亲的孩子们充满了怜悯心。
54 retired Njhzyv     
adj.隐退的,退休的,退役的
参考例句:
  • The old man retired to the country for rest.这位老人下乡休息去了。
  • Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。
55 slanted 628a904d3b8214f5fc02822d64c58492     
有偏见的; 倾斜的
参考例句:
  • The sun slanted through the window. 太阳斜照进窗户。
  • She had slanted brown eyes. 她有一双棕色的丹凤眼。
56 relic 4V2xd     
n.神圣的遗物,遗迹,纪念物
参考例句:
  • This stone axe is a relic of ancient times.这石斧是古代的遗物。
  • He found himself thinking of the man as a relic from the past.他把这个男人看成是过去时代的人物。
57 plaintive z2Xz1     
adj.可怜的,伤心的
参考例句:
  • Her voice was small and plaintive.她的声音微弱而哀伤。
  • Somewhere in the audience an old woman's voice began plaintive wail.观众席里,一位老太太伤心地哭起来。


欢迎访问英文小说网

©英文小说网 2005-2010

有任何问题,请给我们留言,管理员邮箱:[email protected]  站长QQ :点击发送消息和我们联系56065533