The room was small, but it was papered, it was rugged1, its floor was painted and waxed, its window--opening into the court, by the way--was hung with chintz and net curtains, its bed was garnished2 with sheets and counterpane, its chairs were upholstered and in perfect repair and polish. It was not Arizona, emphatically not, but rather the sweet and garnished and lavendered respectability of a Connecticut village. My dirty old _cantinas_ lay stacked against the washstand. At sight of them I had to grin. Of course I travelled cowboy fashion. They contained a toothbrush, a comb, and a change of underwear. The latter item was sheer, rank pride of caste.
It was all most incongruous and strange. But the strangest part, of course, was the fact that I found myself where I was at that moment. Why was I thus received? Why was I, an ordinary and rather dirty cowpuncher, not sent as usual to the men's bunk3 house? It could not be possible that Old Man Hooper extended this sort of hospitality to every chance wayfarer4. Arizona is a democratic country, Lord knows: none more so! But owners are not likely to invite in strange cowboys unless they themselves mess with their own men. I gave it up, and tried unsuccessfully to shrug5 it off my mind, and sought distraction6 in looking about me. There was not much to see. The one door and one window opened into the court. The other side was blank except that near the ceiling ran a curious, long, narrow opening closed by a transom-like sash. I had never seen anything quite like it, but concluded that it must be a sort of loop hole for musketry in the old days. Probably they had some kind of scaffold to stand on.
I pulled off my shirt and took a good wash: shook the dust out of my clothes as well as I could; removed my spurs and _chaps_; knotted my silk handkerchief necktie fashion; slicked down my wet hair, and tried to imagine myself decently turned out for company. I took off my gun belt also; but after some hesitation7 thrust the revolver inside the waistband of my drawers. Had no reason; simply the border instinct to stick to one's weapon.
Then I sat down to wait. The friendly little noises of my own movements left me. I give you my word, never before nor since have I experienced such stillness. In vain I told myself that with adobe8 walls two feet thick, a windless evening, and an hour after sunset, stillness was to be expected. That did not satisfy. Silence is made up of a thousand little noises so accustomed that they pass over the consciousness. Somehow these little noises seemed to lack. I sat in an aural9 vacuum. This analysis has come to me since. At that time I only knew that most uneasily I missed something, and that my ears ached from vain listening.
At the end of the half hour I returned to the parlour. Old Man Hooper was there waiting. A hanging lamp had been lighted. Out of the shadows cast from it a slender figure rose and came forward.
"My daughter, Mr.----" he paused.
"Sanborn," I supplied.
"My dear, Mr. Sanborn has most kindly10 dropped in to relieve the tedium11 of our evening with his company--his distinguished12 company." He pronounced the words suavely13, without a trace of sarcastic14 emphasis, yet somehow I felt my face flush. And all the time he was staring at me blankly with his wide, unblinking, wildcat eyes.
The girl was very pale, with black hair and wide eyes under a fair, wide brow. She was simply dressed in some sort of white stuff. I thought she drooped15 a little. She did not look at me, nor speak to me; only bowed slightly.
We went at once into a dining room at the end of the little dark hall. It was lighted by a suspended lamp that threw the illumination straight down on a table perfect in its appointments of napery, silver, and glass. I felt very awkward and dusty in my cowboy rig; and rather too large. The same Mexican served us, deftly16. We had delightful17 food, well cooked. I do not remember what it was. My attention was divided between the old man and his daughter. He talked, urbanely18, of a wide range of topics, displaying a cosmopolitan19 taste, employing a choice of words and phrases that was astonishing. The girl, who turned out to be very pretty in a dark, pale, sad way, never raised her eyes from her plate.
It was the cool of the evening, and a light breeze from the open window swung the curtains. From the blackness outside a single frog began to chirp20. My host's flow of words eddied21, ceased. He raised his head uneasily; then, without apology, slipped from his chair and glided22 from the room. The Mexican remained, standing23 bolt upright in the dimness.
For the first time the girl spoke24. Her voice was low and sweet, but either I or my aroused imagination detected a strained under quality.
"Ramon," she said in Spanish, "I am chilly25. Close the window."
The servant turned his back to obey. With a movement rapid as a snake's dart26 the girl's hand came from beneath the table, reached across, and thrust into mine a small, folded paper. The next instant she was back in her place, staring down as before in apparent apathy27. So amazed was I that I recovered barely soon enough to conceal28 the paper before Ramon turned back from his errand.
The next five minutes were to me hours of strained and bewildered waiting. I addressed one or two remarks to my companion, but received always monosyllabic answers. Twice I caught the flash of lanterns beyond the darkened window; and a subdued29, confused murmur30 as though several people were walking about stealthily. Except for this the night had again fallen deathly still. Even the cheerful frog had hushed.
At the end of a period my host returned, and without apology or explanation resumed his seat and took up his remarks where he had left them.
The girl disappeared somewhere between the table and the sitting room. Old Man Hooper offered me a cigar, and sat down deliberately31 to entertain me. I had an uncomfortable feeling that he was also amusing himself, as though I were being played with and covertly32 sneered33 at. Hooper's politeness and suavity34 concealed35, and well concealed, a bitter irony36. His manner was detached and a little precise. Every few moments he burst into a flurry of activity with the fly whacker37, darting38 here and there as his eyes fell upon one of the insects; but returning always calmly to his discourse39 with an air of never having moved from his chair. He talked to me of Praxiteles, among other things. What should an Arizona cowboy know of Praxiteles? and why should any one talk to him of that worthy40 Greek save as a subtle and hidden expression of contempt? That was my feeling. My senses and mental apperceptions were by now a little on the raw.
That, possibly, is why I noticed the very first chirp of another frog outside. It continued, and I found myself watching my host covertly. Sure enough, after a few repetitions I saw subtle signs of uneasiness, of divided attention; and soon, again without apology or explanation, he glided from the room. And at the same instant the old Mexican servitor came and pretended to fuss with the lamps.
My curiosity was now thoroughly41 aroused, but I could guess no means of satisfying it. Like the bedroom, this parlour gave out only on the interior court. The flash of lanterns against the ceiling above reached me. All I could do was to wander about looking at the objects in the cabinet and the pictures on the walls. There was, I remember, a set of carved ivory chessmen and an engraving42 of the legal trial of some English worthy of the seventeenth century. But my hearing was alert, and I thought to hear footsteps outside. At any rate, the chirp of the frog came to an abrupt43 end.
Shortly my host returned and took up his monologue44. It amounted to that. He seemed to delight in choosing unusual subjects and then backing me into a corner with an array of well-considered phrases that allowed me no opening for reply nor even comment. In one of my desperate attempts to gain even a momentary45 initiative I asked him, apropos46 of the piano, whether his daughter played.
"Do you like music?" he added, and without waiting for a reply seated himself at the instrument.
He played to me for half an hour. I do not know much about music; but I know he played well and that he played good things. Also that, for the first time, he came out of himself, abandoned himself to feeling. His close-cropped head swayed from side to side; his staring, wildcat eyes half closed----
He slammed shut the piano and arose, more drily precise than ever.
"I imagine all that is rather beyond your apperceptions," he remarked, "and that you are ready for your bed. Here is a short document I would have you take to your room for perusal47. Good-night."
He tendered me a small, folded paper which I thrust into the breast pocket of my shirt along with the note handed me earlier in the evening by the girl. Thus dismissed I was only too delighted to repair to my bedroom.
There I first carefully drew together the curtains; then examined the first of the papers I drew from my pocket. It proved to be the one from the girl, and read as follows:
I am here against my will. I am not this man's daughter. For God's sake if you can help me, do so. But be careful for he is a dangerous man. My room is the last one on the left wing of the court. I am constantly guarded. I do not know what you can do. The case is hopeless. I cannot write more. I am watched.
I unfolded the paper Hooper himself had given me. It was similar in appearance to the other, and read:
I am held a prisoner. This man Hooper is not my father but he is vindictive48 and cruel and dangerous. Beware for yourself. I live in the last room in the left wing. I am watched, so cannot write more.
The handwriting of the two documents was the same. I stared at one paper and then at the other, and for a half hour I thought all the thoughts appropriate to the occasion. They led me nowhere, and would not interest you.
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1
rugged
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| adj.高低不平的，粗糙的，粗壮的，强健的 | |
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garnished
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| v.给（上餐桌的食物）加装饰( garnish的过去式和过去分词 ) | |
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bunk
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| n.(车、船等倚壁而设的)铺位；废话 | |
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wayfarer
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| n.旅人 | |
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shrug
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| v.耸肩(表示怀疑、冷漠、不知等) | |
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distraction
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| n.精神涣散，精神不集中，消遣，娱乐 | |
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hesitation
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| n.犹豫，踌躇 | |
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adobe
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| n.泥砖，土坯，美国Adobe公司 | |
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aural
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| adj.听觉的，听力的 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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tedium
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| n.单调；烦闷 | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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suavely
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sarcastic
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| adj.讥讽的，讽刺的，嘲弄的 | |
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drooped
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| 弯曲或下垂，发蔫( droop的过去式和过去分词 ) | |
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deftly
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| adv.灵巧地，熟练地，敏捷地 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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urbanely
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| adv.都市化地，彬彬有礼地，温文尔雅地 | |
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cosmopolitan
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| adj.世界性的，全世界的，四海为家的，全球的 | |
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chirp
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| v.(尤指鸟)唧唧喳喳的叫 | |
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eddied
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| 起漩涡，旋转( eddy的过去式和过去分词 ) | |
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glided
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| v.滑动( glide的过去式和过去分词 )；掠过；（鸟或飞机 ） 滑翔 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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chilly
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| adj.凉快的，寒冷的 | |
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dart
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| v.猛冲，投掷；n.飞镖，猛冲 | |
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apathy
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| n.漠不关心，无动于衷；冷淡 | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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covertly
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| adv.偷偷摸摸地 | |
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33
sneered
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| 讥笑，冷笑( sneer的过去式和过去分词 ) | |
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suavity
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| n.温和；殷勤 | |
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concealed
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| a.隐藏的，隐蔽的 | |
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irony
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| n.反语，冷嘲；具有讽刺意味的事，嘲弄 | |
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whacker
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| n.异常巨大的东西或人 | |
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darting
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| v.投掷，投射( dart的现在分词 )；向前冲，飞奔 | |
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discourse
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| n.论文，演说；谈话；话语；vi.讲述，著述 | |
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40
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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thoroughly
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| adv.完全地，彻底地，十足地 | |
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42
engraving
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| n.版画；雕刻（作品）；雕刻艺术；镌版术v.在（硬物）上雕刻（字，画等）( engrave的现在分词 )；将某事物深深印在（记忆或头脑中） | |
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43
abrupt
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| adj.突然的，意外的；唐突的，鲁莽的 | |
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44
monologue
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| n.长篇大论，（戏剧等中的）独白 | |
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45
momentary
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| adj.片刻的，瞬息的；短暂的 | |
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apropos
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| adv.恰好地；adj.恰当的；关于 | |
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47
perusal
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| n.细读，熟读；目测 | |
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48
vindictive
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| adj.有报仇心的，怀恨的，惩罚的 | |
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