It was just a month after our story opened that July afternoon. Roy was fishing from the tree trunk over the creek1 again, but he was alone this time and the expression on his face was almost as discontented as Reginald's had been on that former occasion.
His float bobbed under two or three times, but he paid no attention to the fact. He was too deeply absorbed in thought. Now and then he would glance up at the trestle far above him, and something very like a sigh would pass his lips.
There was a snapping of twigs2 on the Marley end of the log and Roy turned his head quickly to find a young man regarding him attentively3. He might have been anywhere from twenty-five to thirty. He had a small brown mustache and rather a dark complexion4.
He held a small oblong box in both his hands. Roy at once recognized it as a camera and realized at the same instant that it was pointed5 at him.
As their eyes met, the stranger flushed slightly, but said in a pleasant voice:
"I hope you don't mind being taken?"
Roy did mind. He was in a mood just now to object to everything, but the other's voice was such an agreeable one, the glance of his eye so kindly6 that the boy's real self came to the surface through his temporarily baser one, and he replied:
"Oh, I s'pose not, but I haven't got the pleasant look the photographers tell you to put on. Aren't you afraid I'll break your camera?"
The answer was a quick snap and then the young man slung7 the camera over his shoulder and stepping out on the tree trunk slipped down to a seat beside Roy.
"You have a very cozy8 retreat here," he remarked, "how's the fishing?"
"I don't know. To tell the truth I wasn't thinking of my line at all and I'm almost sorry I let you take that picture. I don't see what you wanted it for any way, I hope you won't show it around much. You don't live in Marley, do you?"
"No."
"I'm glad of that"
"Why?" with a smile.
"Because nobody I know will be apt to see the picture."
"You're quite a modest young man."
"Oh, it isn't that, but I must have looked so disagreeable at that particular moment. At least I must have done so if my looks were anything like my feelings."
"No, if I remember rightly you were smiling at the instant I pressed the button. You know you were saying something about fearing you would break the camera, and a smile usually goes with that remark."
Roy looked up quickly. The stranger was an odd one. He had a queer way of putting things. Roy began to be interested.
"Have you taken many pictures around here?"
"Quite a number. It's a very pretty place."
"Isn't it?"
"That bridge quite adds to the attractiveness of the landscape. In fact that is the reason I am here. I was coming through on the train and as we crossed, the prospect9 of this little valley was so tempting10 that I decided11 to stop off and explore. I am very glad I did now, for it gave me the added pleasure of meeting you."
"That sounds as though you were talking to a girl," said Roy.
"Does it? Well, as I am particularly fond of boys I suppose I may be allowed to say the same sort of things to them."
"You're fond of boys? That's queer. I didn't know any one liked boys except their mothers and now and then a girl or two."
Roy laughed a little as he added this last, and the stranger joined in heartily12.
"You're very frank," he remarked; "but that's what boys usually are, and it's one of the reasons I like them. They generally say right out just what they think."
"What's another reason?"
The man with the camera hesitated an instant before replying. Then he said:
"Well, I'm going to be frank, too. Another reason I like boys is because I find them useful to me."
"Useful to you?" repeated Roy, perplexed13.
"Yes, as a matter of study. You see, I write about them sometimes."
"Why, are you an author?"
Roy turned full around on the log as he put the question, his face all aglow14 with animation15.
"I suppose that's what I must call myself even if I'm not a particularly famous one."
"Please tell me the names of some of your books. Perhaps I've read them."
The young man smiled at his companion's eagerness and mentioned a story which had been Roy's Christmas present two years before.
"Did you write that?" he exclaimed. "Why, then you are Mr. Charles Keeler!"
"Yes, I am Mr. Keeler. I suppose you are disappointed in me. Most people are when they see the people who write books they have read."
"That was a splendid story," Roy drew in a long breath before he made this reply. He was still looking at Mr. Keeler as if he could not yet quite comprehend the thing. "I'm awfully16 glad to meet you and I'd like to shake hands."
"With the greatest of pleasure. I'm very glad you liked my book; I know you wouldn't say so if you didn't. That's where boys are superior to grown people. They are almost always sincere in the expression of their opinions."
"Do you know I've never seen an author before?" went on Roy, who had wound up his line and had given himself over to a full enjoyment17 of this unexpected opportunity. "I don't see how you do it. I hate to write compositions at school. Nearly every boy I know does. Did you?"
"Yes, when I had to write on subjects that were assigned by the teacher I used to count the lines then just the same as the rest of the fellows. But when they let me write a story I didn't mind."
"I don't see how you can. I should think you'd never know what to say next."
Mr. Keeler smiled, showing his white teeth which contrasted so strongly with the deep tan on his complexion.
"Oh, that all comes when you have your scheme arranged," he said. "But of course you have to possess a natural taste for the work. You can't suddenly decide that you would like to be an author and then study for it as you might learn to be a carpenter or a mason."
"Oh, it's like poets, then, who are 'born, not made,'" returned Roy.
"Precisely18, and that being the case it comes natural to write, although there is a great deal of hard work about it."
"You said you studied boys. How do you mean?"
"Well, take yourself for example. When I saw you sitting here fishing I wanted your picture so I could look at it some day and perhaps make up a story about you."
"A story about me!" exclaimed Roy. Then he added in a sober tone, "I don't believe you could make up a more wonderful story than something that has really happened to me."
"Is that so? I remember now you said you were very much disturbed over something that you thought would make you look disagreeable."
"Yes, I came down here because I was at odds19 with myself and everybody else, I wonder what you'd do with a hero who was just in my position. I've half a mind to tell you all about it. You don't know who I am, so it won't matter. Do you live in Philadelphia?"
"No, in New York just at present."
"Good, then I believe I'll tell you, but you must promise you won't use it in a book unless I tell you you can."
"Here's my hand on it," and once more hands were clasped over the tree trunk.
"And you must promise, too, to believe everything I tell you. Some of it will seem pretty steep."
"Oh, well, you know, that fact is stranger than fiction, so don't worry about that."
"I won't tell you everything," began Roy, with a quick glance up at the trestle, "but first I'll have to go back a little and say that almost as far back as I can remember we've lived in that house you can see down yonder with the peaked roof. We had only about enough money to keep us comfortable, for father died when I was a little fellow, and there were five of us children. But we had good times and I was looking forward to the future when I would be a man and Rex and I-- that's my twin brother-- could give mother some of the luxuries with what we should earn, for I expected that by that time Sydney would be married and have a home of his own. You're not bored listening to all this, are you? There's a more exciting part coming?"
"I never was so absorbed in a story in my life, my dear fellow. Go on, please."
"Well, over yonder, not far from the end of the trestle, lived an old man-- but never mind the name. At any rate he was sort of a miser20, or rather he had lots of money which he never spent and when he died he left it all to my mother."
"You've left something out I think," interrupted Mr. Keeler, and there was a smile about the corners of his mouth that caused Roy to flush deeply.
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creek
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| n.小溪，小河，小湾 | |
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twigs
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| 细枝，嫩枝( twig的名词复数 ) | |
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attentively
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| adv.聚精会神地；周到地；谛；凝神 | |
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complexion
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| n.肤色；情况，局面；气质，性格 | |
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pointed
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| adj.尖的，直截了当的 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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slung
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| 抛( sling的过去式和过去分词 )； 吊挂； 遣送； 押往 | |
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cozy
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| adj.亲如手足的，密切的，暖和舒服的 | |
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prospect
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| n.前景，前途；景色，视野 | |
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tempting
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| a.诱人的, 吸引人的 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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heartily
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| adv.衷心地，诚恳地，十分，很 | |
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perplexed
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| adj.不知所措的 | |
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aglow
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| adj.发亮的；发红的；adv.发亮地 | |
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animation
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| n.活泼，兴奋，卡通片／动画片的制作 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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enjoyment
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| n.乐趣；享有；享用 | |
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precisely
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| adv.恰好，正好，精确地，细致地 | |
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odds
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| n.让步，机率，可能性，比率；胜败优劣之别 | |
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miser
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| n.守财奴，吝啬鬼 (adj.miserly) | |
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