On this unsatisfactory manner the penultimate message of Cavor dies out. One seems to see him away there in the blue obscurity amidst his apparatus1 intently signalling us to the last, all unaware2 of the curtain of confusion that drops between us; all unaware, too, of the final dangers that even then must have been creeping upon him. His disastrous3 want of vulgar common sense had utterly4 betrayed him. He had talked of war, he had talked of all the strength and irrational5 violence of men, of their insatiable aggressions, their tireless futility6 of conflict. He had filled the whole moon world with this impression of our race, and then I think it is plain that he made the most fatal admission that upon himself alone hung the possibility--at least for a long time--of any further men reaching the moon. The line the cold, inhuman7 reason of the moon would take seems plain enough to me, and a suspicion of it, and then perhaps some sudden sharp realisation of it, must have come to him. One imagines him about the moon with the remorse8 of this fatal indiscretion growing in his mind. During a certain time I am inclined to guess the Grand Lunar was deliberating the new situation, and for all that time Cavor may have gone as free as ever he had gone. But obstacles of some sort prevented his getting to his electromagnetic apparatus again after that message I have just given. For some days we received nothing. Perhaps he was having fresh audiences, and trying to evade9 his previous admissions. Who can hope to guess?
And then suddenly, like a cry in the night, like a cry that is followed by a stillness, came the last message. It is the briefest fragment, the broken beginnings of two sentences.
The first was: "I was mad to let the Grand Lunar know--"
There was an interval10 of perhaps a minute. One imagines some interruption from without. A departure from the instrument--a dreadful hesitation11 among the looming12 masses of apparatus in that dim, blue-lit cavern--a sudden rush back to it, full of a resolve that came too late. Then, as if it were hastily transmitted came: "Cavorite made as follows: take--"
There followed one word, a quite unmeaning word as it stands: "uless."
And that is all.
It may be he made a hasty attempt to spell "useless" when his fate was close upon him. Whatever it was that was happening about that apparatus we cannot tell. Whatever it was we shall never, I know, receive another message from the moon. For my own part a vivid dream has come to my help, and I see, almost as plainly as though I had seen it in actual fact, a blue-lit shadowy dishevelled Cavor struggling in the grip of these insect Selenites, struggling ever more desperately13 and hopelessly as they press upon him, shouting, expostulating, perhaps even at last fighting, and being forced backwards14 step by step out of all speech or sign of his fellows, for evermore into the Unknown--into the dark, into that silence that has no end....
The End
1 apparatus | |
n.装置,器械;器具,设备 | |
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2 unaware | |
a.不知道的,未意识到的 | |
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3 disastrous | |
adj.灾难性的,造成灾害的;极坏的,很糟的 | |
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4 utterly | |
adv.完全地,绝对地 | |
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5 irrational | |
adj.无理性的,失去理性的 | |
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6 futility | |
n.无用 | |
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7 inhuman | |
adj.残忍的,不人道的,无人性的 | |
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8 remorse | |
n.痛恨,悔恨,自责 | |
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9 evade | |
vt.逃避,回避;避开,躲避 | |
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10 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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11 hesitation | |
n.犹豫,踌躇 | |
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12 looming | |
n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近 | |
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13 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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14 backwards | |
adv.往回地,向原处,倒,相反,前后倒置地 | |
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