The freakish little leader of the orchestra, newly imported from Sicily to New York, tossed his conductor's wand excitedly through the air, drowning with musical thunders the hum of conversation and the clatter1 of plates.
Yet neither his apish demeanour nor the deafening2 noises that responded to every movement of his agile3 body detracted attention from the figure of Reginald Clarke and the young man at his side as they smilingly wound their way to the exit.
The boy's expression was pleasant, with an inkling of wistfulness, while the soft glimmer4 of his lucid5 eyes betrayed the poet and the dreamer. The smile of Reginald Clarke was the smile of a conqueror6. A suspicion of silver in his crown of dark hair only added dignity to his bearing, while the infinitely7 ramified lines above the heavy-set mouth spoke8 at once of subtlety9 and of strength. Without stretch of the imagination one might have likened him to a Roman cardinal10 of the days of the Borgias, who had miraculously11 stepped forth12 from the time-stained canvas and slipped into twentieth century evening-clothes.
With the affability of complete self-possession he nodded in response to greetings from all sides, inclining his head with special politeness to a young woman whose sea-blue eyes were riveted13 upon his features with a look of mingled14 hate and admiration15.
The woman, disregarding his silent salutation, continued to stare at him wild-eyed, as a damned soul in purgatory16 might look at Satan passing in regal splendour through the seventy times sevenfold circles of hell.
Reginald Clarke walked on unconcernedly through the rows of gay diners, still smiling, affable, calm. But his companion bethought himself of certain rumours17 he had heard concerning Ethel Brandenbourg's mad love for the man from whose features she could not even now turn her eyes. Evidently her passion was unreciprocated. It had not always been so. There was a time in her career, some years ago in Paris, when it was whispered that she had secretly married him and, not much later, obtained a divorce. The matter was never cleared up, as both preserved an uncompromising silence upon the subject of their matrimonial experience. Certain it was that, for a space, the genius of Reginald Clarke had completely dominated her brush, and that, ever since he had thrown her aside, her pictures were but plagiarisms18 of her former artistic19 self.
The cause of the rupture20 between them was a matter only of surmise21; but the effect it had on the woman testified clearly to the remarkable22 power of Reginald Clarke. He had entered her life and, behold23! the world was transfixed on her canvases in myriad24 hues25 of transcending26 radiance; he had passed from it, and with him vanished the brilliancy of her colouring, as at sunset the borrowed amber27 and gold fade from the face of the clouds.
The glamour28 of Clarke's name may have partly explained the secret of his charm, but, even in circles where literary fame is no passport, he could, if he chose, exercise an almost terrible fascination29. Subtle and profound, he had ransacked30 the coffers of mediaeval dialecticians and plundered31 the arsenals32 of the Sophists. Many years later, when the vultures of misfortune had swooped33 down upon him, and his name was no longer mentioned without a sneer34, he was still remembered in New York drawing-rooms as the man who had brought to perfection the art of talking. Even to dine with him was a liberal education.
Clarke's marvellous conversational35 power was equalled only by his marvellous style. Ernest Fielding's heart leaped in him at the thought that henceforth he would be privileged to live under one roof with the only writer of his generation who could lend to the English language the rich strength and rugged36 music of the Elizabethans.
Reginald Clarke was a master of many instruments. Milton's mighty37 organ was no less obedient to his touch than the little lute38 of the troubadour. He was never the same; that was his strength. Clarke's style possessed39 at once the chiselled40 chasteness41 of a Greek marble column and the elaborate deviltry of the late Renaissance42. At times his winged words seemed to flutter down the page frantically43 like Baroque angels; at other times nothing could have more adequately described his manner than the timeless calm of the gaunt pyramids.
The two men had reached the street. Reginald wrapped his long spring coat round him.
"I shall expect you to-morrow at four," he said.
The tone of his voice was deep and melodious44, suggesting hidden depths and cadences45.
"I shall be punctual."
The younger man's voice trembled as he spoke.
"I look forward to your coming with much pleasure. I am interested in you."
The glad blood mounted to Ernest's cheeks at praise from the austere46 lips of this arbiter47 of literary elegance48.
An almost imperceptible smile crept over the other man's features.
"I am proud that my work interests you," was all the boy could say.
"I think it is quite amazing, but at present," here Clarke drew out a watch set with jewels, "I am afraid I must bid you good-bye."
He held Ernest's hand for a moment in a firm genial49 grasp, then turned away briskly, while the boy remained standing50 open-mouthed. The crowd jostling against him carried him almost off his feet, but his eyes followed far into the night the masterful figure of Reginald Clarke, toward whom he felt himself drawn51 with every fiber52 of his body and the warm enthusiasm of his generous youth.
1 clatter | |
v./n.(使)发出连续而清脆的撞击声 | |
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2 deafening | |
adj. 振耳欲聋的, 极喧闹的 动词deafen的现在分词形式 | |
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3 agile | |
adj.敏捷的,灵活的 | |
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4 glimmer | |
v.发出闪烁的微光;n.微光,微弱的闪光 | |
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5 lucid | |
adj.明白易懂的,清晰的,头脑清楚的 | |
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6 conqueror | |
n.征服者,胜利者 | |
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7 infinitely | |
adv.无限地,无穷地 | |
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8 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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9 subtlety | |
n.微妙,敏锐,精巧;微妙之处,细微的区别 | |
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10 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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11 miraculously | |
ad.奇迹般地 | |
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12 forth | |
adv.向前;向外,往外 | |
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13 riveted | |
铆接( rivet的过去式和过去分词 ); 把…固定住; 吸引; 引起某人的注意 | |
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14 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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15 admiration | |
n.钦佩,赞美,羡慕 | |
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16 purgatory | |
n.炼狱;苦难;adj.净化的,清洗的 | |
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17 rumours | |
n.传闻( rumour的名词复数 );风闻;谣言;谣传 | |
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18 plagiarisms | |
n.剽窃( plagiarism的名词复数 );抄袭;剽窃物;抄袭物 | |
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19 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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20 rupture | |
n.破裂;(关系的)决裂;v.(使)破裂 | |
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21 surmise | |
v./n.猜想,推测 | |
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22 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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23 behold | |
v.看,注视,看到 | |
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24 myriad | |
adj.无数的;n.无数,极大数量 | |
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25 hues | |
色彩( hue的名词复数 ); 色调; 信仰; 观点 | |
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26 transcending | |
超出或超越(经验、信念、描写能力等)的范围( transcend的现在分词 ); 优于或胜过… | |
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27 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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28 glamour | |
n.魔力,魅力;vt.迷住 | |
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29 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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30 ransacked | |
v.彻底搜查( ransack的过去式和过去分词 );抢劫,掠夺 | |
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31 plundered | |
掠夺,抢劫( plunder的过去式和过去分词 ) | |
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32 arsenals | |
n.兵工厂,军火库( arsenal的名词复数 );任何事物的集成 | |
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33 swooped | |
俯冲,猛冲( swoop的过去式和过去分词 ) | |
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34 sneer | |
v.轻蔑;嘲笑;n.嘲笑,讥讽的言语 | |
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35 conversational | |
adj.对话的,会话的 | |
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36 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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37 mighty | |
adj.强有力的;巨大的 | |
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38 lute | |
n.琵琶,鲁特琴 | |
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39 possessed | |
adj.疯狂的;拥有的,占有的 | |
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40 chiselled | |
adj.凿过的,凿光的; (文章等)精心雕琢的v.凿,雕,镌( chisel的过去式 ) | |
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41 chasteness | |
n.贞操,纯洁,简洁 | |
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42 renaissance | |
n.复活,复兴,文艺复兴 | |
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43 frantically | |
ad.发狂地, 发疯地 | |
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44 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
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45 cadences | |
n.(声音的)抑扬顿挫( cadence的名词复数 );节奏;韵律;调子 | |
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46 austere | |
adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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47 arbiter | |
n.仲裁人,公断人 | |
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48 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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49 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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50 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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51 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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52 fiber | |
n.纤维,纤维质 | |
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