Chapter 5

"Yes," said Walkham, the sculptor¹, "it's a most curious thing."

"What is?" asked Ernest, who had been dreaming over the Sphinx that was looking at him from its corner with the sarcastic² smile of five thousand years.

"How our dreams of yesterday stare at us like strangers to-day."

"On the contrary," remarked Reginald, "it would be strange if they were still to know us. In fact, it would be unnatural³. The skies above us and the earth underfoot are in perpetual motion. Each atom of our physical nature is vibrating with unimaginable rapidity. Change is identical with life."

"It sometimes seems," said the sculptor, "as if thoughts evaporated like water."

"Why not, under favorable conditions?"

"But where do they go? Surely they cannot perish utterly⁴?"

"Yes, that is the question. Or, rather, it is not a question. Nothing is ever lost in the spiritual universe."

"But what," inquired Ernest, "is the particular reason for your reflection?"

"It is this," the sculptor replied; "I had a striking motive⁵ and lost it."

"Do you remember," he continued, speaking to Reginald, "the Narcissus I was working on the last time when you called at my studio?"

"Yes; it was a striking thing and impressed me very much, though I cannot recall it at the moment."

"Well, it was a commission. An eccentric young millionaire had offered me eight thousand dollars for it. I had an absolutely original conception. But I cannot execute it. It's as if a breeze had carried it away."

"That is very regrettable."

"Well, I should say so," replied the sculptor.

Ernest smiled. For everybody knew of Walkham's domestic troubles. Having twice figured in the divorce court, he was at present defraying the expenses of three households.

The sculptor had meanwhile seated himself at Reginald's writing-table, unintentionally scanning a typewritten page that was lying before him. Like all artists, something of a madman and something of a child, he at first glanced over its contents distractedly, then with an interest so intense that he was no longer aware of the impropriety of his action.

"By Jove!" he cried. "What is this?"

"It's an epic⁷ of the French Revolution," Reginald replied, not without surprise.

"But, man, do you know that I have discovered my motive in it?"

"What do you mean?" asked Ernest, looking first at Reginald and then at Walkham, whose sanity⁸ he began to doubt.

"Listen!"

And the sculptor read, trembling with emotion, a long passage whose measured cadence⁹ delighted Ernest's ear, without, however, enlightening his mind as to the purport¹⁰ of Walkham's cryptic¹¹ remark.

Reginald said nothing, but the gleam in his eye showed that this time, at least, his interest was alert.

Walkham saw the hopelessness of making clear his meaning without an explanation.

"I forget you haven't a sculptor's mind. I am so constituted that, with me, all impressions are immediately translated into the sense of form. I do not hear music; I see it rise with domes⁶ and spires¹², with painted windows and Arabesques¹³. The scent¹⁴ of the rose is to me tangible¹⁵. I can almost feel it with my hand. So your prose suggested to me, by its rhythmic¹⁶ flow, something which, at first indefinite, crystallised finally into my lost conception of Narcissus."

"It is extraordinary," murmured Reginald. "I had not dreamed of it."

"So you do not think it rather fantastic?" remarked Ernest, circumscribing¹⁷ his true meaning.

"No, it is quite possible. Perhaps his Narcissus was engaging the sub-conscious strata¹⁸ of my mind while I was writing this passage. And surely it would be strange if the undercurrents of our mind were not reflected in our style."

"Do you mean, then, that a subtle psychologist ought to be able to read beneath and between our lines, not only what we express, but also what we leave unexpressed?"

"Undoubtedly¹⁹."

"Even if, while we are writing, we are unconscious of our state of mind? That would open a new field to psychology²⁰."

"Only to those that have the key, that can read the hidden symbols. It is to me a matter-of-course that every mind-movement below or above the threshold of consciousness must, of a necessity, leave its imprint²¹ faintly or clearly, as the case may be, upon our activities."

"This may explain why books that seem intolerably dull to the majority, delight the hearts of the few," Ernest interjected.

"Yes, to the few that possess the key. I distinctly remember how an uncle of mine once laid down a discussion on higher mathematics and blushed fearfully when his innocent wife looked over his shoulder. The man who had written it was a roue."

"Then the seemingly most harmless books may secretly possess the power of scattering²² in young minds the seed of corruption," Walkham remarked.

"If they happen to understand," Clarke observed thoughtfully. "I can very well conceive of a lecherous²³ text-book of the calculus²⁴, or of a reporter's story of a picnic in which burnt, under the surface, undiscoverable, save to the initiate²⁵, the tragic²⁶ passion of Tristram and Iseult."

1 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

2 sarcastic   

adj.讥讽的，讽刺的，嘲弄的

参考例句：

• I squashed him with a sarcastic remark.我说了一句讽刺的话把他给镇住了。
• She poked fun at people's shortcomings with sarcastic remarks.她冷嘲热讽地拿别人的缺点开玩笑。

3 unnatural   

adj.不自然的；反常的

参考例句：

• Did her behaviour seem unnatural in any way?她有任何反常表现吗？
• She has an unnatural smile on her face.她脸上挂着做作的微笑。

4 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

5 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

6 domes   

n.圆屋顶( dome的名词复数 )；像圆屋顶一样的东西；圆顶体育场

参考例句：

• The domes are circular or ovoid in cross-section. 穹丘的横断面为圆形或卵圆形。 来自辞典例句
• Parks. The facilities highlighted in text include sport complexes and fabric domes. 本书重点讲的设施包括运动场所和顶棚式结构。 来自互联网

7 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

8 sanity   

n.心智健全，神智正常，判断正确

参考例句：

• I doubt the sanity of such a plan.我怀疑这个计划是否明智。
• She managed to keep her sanity throughout the ordeal.在那场磨难中她始终保持神志正常。

9 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

10 purport   

n.意义，要旨，大要；v.意味著，做为...要旨，要领是...

参考例句：

• Many theories purport to explain growth in terms of a single cause.许多理论都标榜以单一的原因解释生长。
• Her letter may purport her forthcoming arrival.她的来信可能意味着她快要到了。

11 cryptic   

adj.秘密的，神秘的，含义模糊的

参考例句：

• She made a cryptic comment about how the film mirrored her life.她隐晦地表示说这部电影是她人生的写照。
• The new insurance policy is written without cryptic or mysterious terms.新的保险单在编写时没有隐秘条款或秘密条款。

12 spires   

n.（教堂的） 塔尖，尖顶( spire的名词复数 )

参考例句：

• Her masts leveled with the spires of churches. 船的桅杆和教堂的塔尖一样高。 来自《简明英汉词典》
• White church spires lift above green valleys. 教堂的白色尖顶耸立在绿色山谷中。 来自《简明英汉词典》

13 arabesques   

n.阿拉伯式花饰( arabesque的名词复数 )；错综图饰；阿拉伯图案；阿拉贝斯克芭蕾舞姿（独脚站立，手前伸，另一脚一手向后伸）

参考例句：

14 scent   

n.气味，香味，香水，线索，嗅觉；v.嗅，发觉

参考例句：

• The air was filled with the scent of lilac.空气中弥漫着丁香花的芬芳。
• The flowers give off a heady scent at night.这些花晚上散发出醉人的芳香。

15 tangible   

adj.有形的，可触摸的，确凿的，实际的

参考例句：

• The policy has not yet brought any tangible benefits.这项政策还没有带来任何实质性的好处。
• There is no tangible proof.没有确凿的证据。

16 rhythmic   

adj.有节奏的，有韵律的

参考例句：

• Her breathing became more rhythmic.她的呼吸变得更有规律了。
• Good breathing is slow,rhythmic and deep.健康的呼吸方式缓慢深沉而有节奏。

17 circumscribing   

v.在…周围划线( circumscribe的现在分词 )；划定…范围；限制；限定

参考例句：

• There are laws circumscribing the right of individual citizens to cause bodily harm to others. 有多项法律限制公民的权利，使其不得对他人进行人身伤害。 来自柯林斯例句

18 strata   

n.地层（复数）；社会阶层

参考例句：

• The older strata gradually disintegrate.较老的岩层渐渐风化。
• They represent all social strata.他们代表各个社会阶层。

19 undoubtedly   

adv.确实地，无疑地

参考例句：

• It is undoubtedly she who has said that.这话明明是她说的。
• He is undoubtedly the pride of China.毫无疑问他是中国的骄傲。

20 psychology   

n.心理，心理学，心理状态

参考例句：

• She has a background in child psychology.她受过儿童心理学的教育。
• He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。

21 imprint   

n.印痕，痕迹；深刻的印象；vt.压印，牢记

参考例句：

• That dictionary is published under the Longman imprint.那本词典以朗曼公司的名义出版。
• Her speech left its imprint on me.她的演讲给我留下了深刻印象。

22 scattering   

n.[物]散射；散乱，分散；在媒介质中的散播adj.散乱的；分散在不同范围的；广泛扩散的；（选票）数量分散的v.散射(scatter的ing形式)；散布；驱散

参考例句：

• The child felle into a rage and began scattering its toys about. 这孩子突发狂怒，把玩具扔得满地都是。 来自《简明英汉词典》
• The farmers are scattering seed. 农夫们在播种。 来自《简明英汉词典》

23 lecherous   

adj.好色的；淫邪的

参考例句：

• Her husband was described in court as a lecherous scoundrel.她的丈夫在法庭上被描绘成一个好色的无赖。
• Men enjoy all the beautiful bones,but do not mistake him lecherous.男人骨子里全都喜欢美女，但千万别误以为他好色。

24 calculus   

n.微积分；结石

参考例句：

• This is a problem where calculus won't help at all.对于这一题，微积分一点也用不上。
• After studying differential calculus you will be able to solve these mathematical problems.学了微积分之后，你们就能够解这些数学题了。

25 initiate   

vt.开始，创始，发动；启蒙，使入门；引入

参考例句：

• A language teacher should initiate pupils into the elements of grammar.语言老师应该把基本语法教给学生。
• They wanted to initiate a discussion on economics.他们想启动一次经济学讨论。

26 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。