Preface

The following performance, as the title imports, was originally composed in the Welch language. Its style is elegant and pure. And if the translator has not, as many of his brethren have done, suffered the spirit of the original totally to evaporate, he apprehends¹ it will be found to contain much novelty of conception, much classical taste, and great spirit and beauty in the execution. It appears under the name of Cadwallo, an ancient bard², who probably lived at least one hundred years before the commencement of our common era. The manners of the primitive³ times seem to be perfectly⁴ understood by the author, and are described with the air of a man who was in the utmost degree familiar with them. It is impossible to discover in any part of it the slightest trace of Christianity. And we believe it will not be disputed, that in a country so pious⁵ as that of Wales, it would have been next to impossible for the poet, though ever so much upon his guard, to avoid all allusion⁶ to the system of revelation. On the contrary, every thing is Pagan, and in perfect conformity⁷ with the theology we are taught to believe prevailed at that time.

These reasons had induced us to admit, for a long time, that it was perfectly genuine, and justly ascribed to the amiable⁸ Druid. With respect to the difficulty in regard to the preservation⁹ of so long a work for many centuries by the mere¹⁰ force of memory, the translator, together with the rest of the world, had already got over that objection in the case of the celebrated¹¹ Poems of Ossian. And if he be not blinded by that partiality, which the midwife is apt to conceive for the productions, that she is the instrument of bringing into the world, the Pastoral Romance contains as much originality¹², as much poetical¹³ beauty, and is as happily calculated to make a deep impression upon the memory, as either Fingal, or Temora.

The first thing that led us to doubt its authenticity¹⁴, was the striking resemblance that appears between the plan of the work, and Milton’s celebrated Masque at Ludlow Castle. We do not mean however to hold forth¹⁵ this circumstance as decisive in its condemnation¹⁶. The pretensions¹⁷ of Cadwallo, or whoever was the author of the performance, are very high to originality. If the date of the Romance be previous to that of Comus, it may be truly said of the author, that he soared above all imitation, and derived¹⁸ his merits from the inexhaustible source of his own invention. But Milton, it is well known, proposed some classical model to himself in all his productions. The Paradise Lost is almost in every page an imitation of Virgil, or Homer. The Lycidas treads closely in the steps of the Daphnis and Gallus of Virgil. The Sampson Agonistes is formed upon the model of Sophocles. Even the little pieces, L’Allegro and Il Penseroso have their source in a song of Fletcher, and two beautiful little ballads¹⁹ that are ascribed to Shakespeare. But the classical model upon which Comus was formed has not yet been discovered. It is infinitely²⁰ unlike the Pastoral Comedies both of Italy and England. And if we could allow ourselves in that licence of conjecture²¹, which is become almost inseparable from the character of an editor, we should say: That Milton having written it upon the borders of Wales, might have had easy recourse to the manuscript whose contents are now first given to the public: And that the singularity of preserving the name of the place where it was first performed in the title of his poem, was intended for an ingenuous²² and well-bred acknowledgement of the source from whence he drew his choicest materials.

But notwithstanding the plausibility²³ of these conjectures²⁴, we are now inclined to give up our original opinion, and to ascribe the performance to a gentleman of Wales, who lived so late as the reign²⁵ of king William the third. The name of this amiable person was Rice ap Thomas. The romance was certainly at one time in his custody²⁶, and was handed down as a valuable legacy²⁷ to his descendants, among whom the present translator has the honour to rank himself. Rice ap Thomas, Esquire, was a man of a most sweet and inoffensive disposition²⁸, beloved and respected by all his neighbours and tenants²⁹, and “passing rich with ‘sixty’ pounds a year.” In his domestic he was elegant, hospitable³⁰, and even sumptuous³¹, for the time and country in which he lived. He was however naturally of an abstemious³² and recluse³³ disposition. He abounded³⁴ in singularities, which were pardoned to his harmlessness and his virtues³⁵; and his temper was full of sensibility, seriousness, and melancholy³⁶. He devoted³⁷ the greater part of his time to study; and he boasted that he had almost a complete collection of the manuscript remains³⁸ of our Welch bards³⁹. He was often heard to prefer even to Taliessin, Merlin, and Aneurim, the effusions of the immortal⁴⁰ Cadwallo, and indeed this was the only subject upon which he was ever known to dispute with eagerness and fervour. In the midst of the controversy⁴¹, he would frequently produce passages from the Pastoral Romance, as decisive of the question. And to confess the truth, I know not how to excuse this piece of jockeyship and ill faith, even in Rice ap Thomas, whom I regard as the father of my family, and the chief ornament⁴² of my beloved country.

Some readers will probably however be inclined to apologise for the conduct of Mr. Thomas, and to lay an equivalent blame to my charge. They will tell me, that nothing but the weakest partiality could blind me to the genuine air of antiquity⁴³ with which the composition is every where impressed, and to ascribe it to a modern writer. But I am conscious to my honesty and defy their malice⁴⁴. So far from being sensible of any improper⁴⁵ bias⁴⁶ in favour of my ancestor, I am content to strengthen their hands, by acknowledging that the manuscript, which I am not at all desirous of refusing to their inspection⁴⁷, is richly emblazoned with all the discoloration and rust⁴⁸ they can possibly desire. I confess that the wording has the purity of Taliessin, and the expressiveness⁴⁹ of Aneurim, and is such as I know of no modern Welchman who could write. And yet, in spite as they will probably tell me of evidence and common sense, I still aver⁵⁰ my persuasion⁵¹, that it is the production of Rice ap Thomas.

But enough, and perhaps too much, for the question of its antiquity. It would be unfair to send it into the world without saying something of the nature of its composition. It is unlike the Arcadia of sir Philip Sidney, and unlike, what I have just taken the trouble of running over, the Daphnis of Gessner. It neither on the one hand leaves behind it the laws of criticism, and mixes together the different stages of civilization; nor on the other will it perhaps be found frigid⁵², uninteresting, and insipid⁵³. The prevailing⁵⁴ opinion of Pastoral seems to have been, that it is a species of composition admirably fitted for the size of an eclogue, but that either its nature will not be preserved, or its simplicity⁵⁵ will become surfeiting⁵⁶ in a longer performance. And accordingly, the Pastoral Dramas of Tasso, Guarini, and Fletcher, however they may have been commended by the critics, and admired by that credulous⁵⁷ train who clap and stare whenever they are bid, have when the recommendation of novelty has subsided⁵⁸ been little attended to and little read. But the great Milton has proved that this objection is not insuperable. His Comus is a master-piece of poetical composition. It is at least equal in its kind even to the Paradise Lost. It is interesting, descriptive and pathetic. Its fame is continually increasing, and it will be admired wherever the name of Britain is repeated, and the language of Britain is understood.

If our hypothesis respecting the date of the present performance is admitted, it must be acknowleged that the ingenious Mr. Thomas has taken the Masque of Milton for a model; and the reader with whom Comus is a favourite, will certainly trace some literal imitations. With respect to any objections that may be made on this score to the Pastoral Romance, we will beg the reader to bear in mind, that the volumes before him are not an original, but a translation. Recollecting⁵⁹ this, we may, beside the authority of Milton himself, and others as great poets as ever existed who have imitated Homer and one another at least as much as our author has done Comus, suggest two very weighty apologies. In the first place, imitation in a certain degree, has ever been considered as lawful⁶⁰ when made from a different language: And in the second, these imitations come to the reader exaggerated, by being presented to him in English, and by a person who confesses, that he has long been conversant⁶¹ with our greatest poets. The translator has always admired Comus as much as the Pastoral Romance; he has read them together, and been used to consider them as illustrating⁶² each other. Any verbal coincidences into which he may have fallen, are therefore to be ascribed where they are due, to him, and not to the author. And upon the whole, let the imperfections of the Pastoral Romance be what they will, he trusts he shall be regarded as making a valuable present to the connoisseurs⁶³ and the men of taste, and an agreeable addition to the innocent amusements of the less laborious⁶⁴ classes of the polite world.

1 apprehends   

逮捕，拘押( apprehend的第三人称单数 )； 理解

参考例句：

• A guilty man apprehends danger in every sound. 犯了罪的人对每一个声音都感到风声鹤唳。
• The police maintain order in the city, help prevent crime, apprehends lawbreakers and directs traffic. 警察维持城市的秩序，协助防止犯罪，逮捕犯法者及指挥交通。

2 bard   

n.吟游诗人

参考例句：

• I'll use my bard song to help you concentrate!我会用我的吟游诗人歌曲帮你集中精神！
• I find him,the wandering grey bard.我发现了正在徘徊的衰老游唱诗人。

3 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

4 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

5 pious   

adj.虔诚的；道貌岸然的

参考例句：

• Alexander is a pious follower of the faith.亚历山大是个虔诚的信徒。
• Her mother was a pious Christian.她母亲是一个虔诚的基督教徒。

6 allusion   

n.暗示，间接提示

参考例句：

• He made an allusion to a secret plan in his speech.在讲话中他暗示有一项秘密计划。
• She made no allusion to the incident.她没有提及那个事件。

7 conformity   

n.一致，遵从，顺从

参考例句：

• Was his action in conformity with the law?他的行动是否合法？
• The plan was made in conformity with his views.计划仍按他的意见制定。

8 amiable   

adj.和蔼可亲的，友善的，亲切的

参考例句：

• She was a very kind and amiable old woman.她是个善良和气的老太太。
• We have a very amiable companionship.我们之间存在一种友好的关系。

9 preservation   

n.保护，维护，保存，保留，保持

参考例句：

• The police are responsible for the preservation of law and order.警察负责维持法律与秩序。
• The picture is in an excellent state of preservation.这幅画保存得极为完好。

10 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

11 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

12 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

13 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

14 authenticity   

n.真实性

参考例句：

• There has been some debate over the authenticity of his will. 对于他的遗嘱的真实性一直有争论。
• The museum is seeking an expert opinion on the authenticity of the painting. 博物馆在请专家鉴定那幅画的真伪。

15 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

16 condemnation   

n.谴责; 定罪

参考例句：

• There was widespread condemnation of the invasion. 那次侵略遭到了人们普遍的谴责。
• The jury's condemnation was a shock to the suspect. 陪审团宣告有罪使嫌疑犯大为震惊。

17 pretensions   

自称( pretension的名词复数 )； 自命不凡； 要求； 权力

参考例句：

• The play mocks the pretensions of the new middle class. 这出戏讽刺了新中产阶级的装模作样。
• The city has unrealistic pretensions to world-class status. 这个城市不切实际地标榜自己为国际都市。

18 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》

19 ballads   

民歌，民谣，特别指叙述故事的歌( ballad的名词复数 )； 讴

参考例句：

• She belted out ballads and hillbilly songs one after another all evening. 她整晚一个接一个地大唱民谣和乡村小调。
• She taught him to read and even to sing two or three little ballads,accompanying him on her old piano. 她教他读书，还教他唱两三首民谣，弹着她的旧钢琴为他伴奏。

20 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

21 conjecture   

n./v.推测，猜测

参考例句：

• She felt it no use to conjecture his motives.她觉得猜想他的动机是没有用的。
• This conjecture is not supported by any real evidence.这种推测未被任何确切的证据所证实。

22 ingenuous   

adj.纯朴的，单纯的；天真的；坦率的

参考例句：

• Only the most ingenuous person would believe such a weak excuse!只有最天真的人才会相信这么一个站不住脚的借口！
• With ingenuous sincerity,he captivated his audience.他以自己的率真迷住了观众。

23 plausibility   

n. 似有道理, 能言善辩

参考例句：

• We can add further plausibility to the above argument. 我们可以在上述论据之外，再进一步增添一个合理的论据。
• Let us consider the charges she faces, and the legal plausibility of those charges. 让我们考虑一下她面临的指控以及这些指控在法律上的可信性。

24 conjectures   

推测，猜想( conjecture的名词复数 )

参考例句：

• That's weighing remote military conjectures against the certain deaths of innocent people. 那不过是牵强附会的军事假设，而现在的事实却是无辜者正在惨遭杀害，这怎能同日而语！
• I was right in my conjectures. 我所猜测的都应验了。

25 reign   

n.统治时期，统治，支配，盛行；v.占优势

参考例句：

• The reign of Queen Elizabeth lapped over into the seventeenth century.伊丽莎白王朝延至17世纪。
• The reign of Zhu Yuanzhang lasted about 31 years.朱元璋统治了大约三十一年。

26 custody   

n.监护，照看，羁押，拘留

参考例句：

• He spent a week in custody on remand awaiting sentence.等候判决期间他被还押候审一个星期。
• He was taken into custody immediately after the robbery.抢劫案发生后，他立即被押了起来。

27 legacy   

n.遗产，遗赠；先人(或过去)留下的东西

参考例句：

• They are the most precious cultural legacy our forefathers left.它们是我们祖先留下来的最宝贵的文化遗产。
• He thinks the legacy is a gift from the Gods.他认为这笔遗产是天赐之物。

28 disposition   

n.性情，性格；意向，倾向；排列，部署

参考例句：

• He has made a good disposition of his property.他已对财产作了妥善处理。
• He has a cheerful disposition.他性情开朗。

29 tenants   

n.房客( tenant的名词复数 )；佃户；占用者；占有者

参考例句：

• A number of tenants have been evicted for not paying the rent. 许多房客因不付房租被赶了出来。
• Tenants are jointly and severally liable for payment of the rent. 租金由承租人共同且分别承担。

30 hospitable   

adj.好客的；宽容的；有利的，适宜的

参考例句：

• The man is very hospitable.He keeps open house for his friends and fellow-workers.那人十分好客，无论是他的朋友还是同事，他都盛情接待。
• The locals are hospitable and welcoming.当地人热情好客。

31 sumptuous   

adj.豪华的，奢侈的，华丽的

参考例句：

• The guests turned up dressed in sumptuous evening gowns.客人们身着华丽的夜礼服出现了。
• We were ushered into a sumptuous dining hall.我们被领进一个豪华的餐厅。

32 abstemious   

adj.有节制的，节俭的

参考例句：

• He is abstemious in eating and drinking.他在饮食方面是很有节制的。
• Mr.Hall was naturally an abstemious man indifferent to luxury.霍尔先生天生是个饮食有度，不爱奢侈的人。

33 recluse   

n.隐居者

参考例句：

• The old recluse secluded himself from the outside world.这位老隐士与外面的世界隔绝了。
• His widow became a virtual recluse for the remainder of her life.他的寡妻孤寂地度过了余生。

34 abounded   

v.大量存在，充满，富于( abound的过去式和过去分词 )

参考例句：

• Get-rich-quick schemes abounded, and many people lost their savings. “生财之道”遍地皆是，然而许多人一生积攒下来的钱转眼之间付之东流。 来自英汉非文学 - 政府文件
• Shoppers thronged the sidewalks. Olivedrab and navy-blue uniforms abounded. 人行道上逛商店的人摩肩接踵，身着草绿色和海军蓝军装的军人比比皆是。 来自辞典例句

35 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

36 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

37 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

38 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

39 bards   

n.诗人( bard的名词复数 )

参考例句：

• There were feasts and drinking and singing by the bards. 他们欢宴狂饮，还有吟游诗人的歌唱作伴助兴。 来自英汉非文学 - 历史
• Round many western islands have I been Which Bards in fealty to Apollo hold. 还有多少西方的海岛，歌都已使它们向阿波罗臣服。 来自英汉 - 翻译样例 - 文学

40 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

41 controversy   

n.争论，辩论，争吵

参考例句：

• That is a fact beyond controversy.那是一个无可争论的事实。
• We ran the risk of becoming the butt of every controversy.我们要冒使自己在所有的纷争中都成为众矢之的的风险。

42 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

43 antiquity   

n.古老；高龄；古物，古迹

参考例句：

• The museum contains the remains of Chinese antiquity.博物馆藏有中国古代的遗物。
• There are many legends about the heroes of antiquity.有许多关于古代英雄的传说。

44 malice   

n.恶意，怨恨，蓄意；[律]预谋

参考例句：

• I detected a suggestion of malice in his remarks.我觉察出他说的话略带恶意。
• There was a strong current of malice in many of his portraits.他的许多肖像画中都透着一股强烈的怨恨。

45 improper   

adj.不适当的，不合适的，不正确的，不合礼仪的

参考例句：

• Short trousers are improper at a dance.舞会上穿短裤不成体统。
• Laughing and joking are improper at a funeral.葬礼时大笑和开玩笑是不合适的。

46 bias   

n.偏见，偏心，偏袒；vt.使有偏见

参考例句：

• They are accusing the teacher of political bias in his marking.他们在指控那名教师打分数有政治偏见。
• He had a bias toward the plan.他对这项计划有偏见。

47 inspection   

n.检查，审查，检阅

参考例句：

• On random inspection the meat was found to be bad.经抽查，发现肉变质了。
• The soldiers lined up for their daily inspection by their officers.士兵们列队接受军官的日常检阅。

48 rust   

n.锈；v.生锈；(脑子)衰退

参考例句：

• She scraped the rust off the kitchen knife.她擦掉了菜刀上的锈。
• The rain will rust the iron roof.雨水会使铁皮屋顶生锈。

49 expressiveness   

n.富有表现力

参考例句：

• His painting rose to a fresh expressiveness and revealed a shrewder insight. 他的画富有一种新的表达力，显示出更敏锐的洞察力。
• The audiences are impressed by the expressiveness of the actors. 演员们的丰富表情给观众留下了深刻的印象。

50 aver   

v.极力声明；断言；确证

参考例句：

• I aver it will not rain tomorrow.我断言明天不会下雨。
• In spite of all you say,I still aver that his report is true.不管你怎么说，我还是断言他的报告是真实的。

51 persuasion   

n.劝说；说服；持有某种信仰的宗派

参考例句：

• He decided to leave only after much persuasion.经过多方劝说，他才决定离开。
• After a lot of persuasion,she agreed to go.经过多次劝说后，她同意去了。

52 frigid   

adj.寒冷的，凛冽的；冷淡的；拘禁的

参考例句：

• The water was too frigid to allow him to remain submerged for long.水冰冷彻骨，他在下面呆不了太长时间。
• She returned his smile with a frigid glance.对他的微笑她报以冷冷的一瞥。

53 insipid   

adj.无味的，枯燥乏味的，单调的

参考例句：

• The food was rather insipid and needed gingering up.这食物缺少味道，需要加点作料。
• She said she was a good cook,but the food she cooked is insipid.她说她是个好厨师，但她做的食物却是无味道的。

54 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

55 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

56 surfeiting   

v.吃得过多( surfeit的现在分词 )；由于过量而厌腻

参考例句：

57 credulous   

adj.轻信的，易信的

参考例句：

• You must be credulous if she fooled you with that story.连她那种话都能把你骗倒，你一定是太容易相信别人了。
• Credulous attitude will only make you take anything for granted.轻信的态度只会使你想当然。

58 subsided   

v.（土地）下陷（因在地下采矿）( subside的过去式和过去分词 )；减弱；下降至较低或正常水平；一下子坐在椅子等上

参考例句：

• After the heavy rains part of the road subsided. 大雨过后，部分公路塌陷了。 来自《简明英汉词典》
• By evening the storm had subsided and all was quiet again. 傍晚， 暴风雨已经过去，四周开始沉寂下来。 来自《现代汉英综合大词典》

59 recollecting   

v.记起，想起( recollect的现在分词 )

参考例句：

• Once wound could heal slowly, my Bo Hui was recollecting. 曾经的伤口会慢慢地愈合，我卜会甾回忆。 来自互联网
• I am afraid of recollecting the life of past in the school. 我不敢回忆我在校过去的生活。 来自互联网

60 lawful   

adj.法律许可的，守法的，合法的

参考例句：

• It is not lawful to park in front of a hydrant.在消火栓前停车是不合法的。
• We don't recognised him to be the lawful heir.我们不承认他为合法继承人。

61 conversant   

adj.亲近的，有交情的，熟悉的

参考例句：

• Mr.Taylor is thoroughly conversant with modern music.泰勒先生对现代音乐很精通。
• We become the most conversant stranger in the world.我们变成了世界上最熟悉的陌生人。

62 illustrating   

给…加插图( illustrate的现在分词 )； 说明； 表明； （用示例、图画等）说明

参考例句：

• He upstaged the other speakers by illustrating his talk with slides. 他演讲中配上幻灯片，比其他演讲人更吸引听众。
• Material illustrating detailed structure of graptolites has been etched from limestone by means of hydrofluoric acid. 表明笔石详细构造的物质是利用氢氟酸从石灰岩中侵蚀出来。

63 connoisseurs   

n.鉴赏家，鉴定家，行家( connoisseur的名词复数 )

参考例句：

• Let us go, before we offend the connoisseurs. 咱们走吧，免得我们惹恼了收藏家。 来自辞典例句
• The connoisseurs often associate it with a blackcurrant flavor. 葡萄酒鉴赏家们通常会将它跟黑醋栗口味联系起来。 来自互联网

64 laborious   

adj.吃力的，努力的，不流畅

参考例句：

• They had the laborious task of cutting down the huge tree.他们接受了伐大树的艰苦工作。
• Ants and bees are laborious insects.蚂蚁与蜜蜂是勤劳的昆虫。