Frederick’s arrest had been conducted so quietly that no hint of the matter reached the village before the next morning. Then the whole town broke into uproar1, and business was not only suspended, but the streets and docks overflowed2 with gesticulating men and excited women, carrying on in every corner and across innumerable doorsteps the endless debate which such an action on the part of the police necessarily opened.
But the most agitated3 face, though the stillest tongue, was not to be seen in town that morning, but in a little cottage on an arid4 hill-slope overlooking the sea. Here Sweetwater sat and communed with his great monitor, the ocean, and only from his flashing eye and the firm set of his lips could the mother of Sweetwater see that the crisis of her son’s life was rapidly approaching, and that on the outcome of this long brooding rested not only his own self-satisfaction, but the interests of the man most dear to them.
Suddenly, from that far horizon upon which Sweetwater’s eye rested with a look that was almost a demand, came an answer that flushed him with a hope as great as it was unexpected. Bounding to his feet, he confronted his mother with eager eyes and outstretched hand.
“Give me money, all the money we have in the house. I have an idea that may be worth all I can ever make or can ever hope to have. If it succeeds, we save Frederick Sutherland; if it fails, I have only to meet another of Knapp’s scornful looks. But it won’t fail; the inspiration came from the sea, and the sea, you know, is my second mother!”
What this inspiration was he did not say, but it carried him presently into town and landed him in the telegraph office.
The scene later in the day, when Frederick entered the village under the guardianship5 of the police, was indescribable. Mr. Sutherland had insisted upon accompanying him, and when the well-loved figure and white head were recognised, the throng6, which had rapidly collected in the thoroughfare leading to the depot7, succumbed8 to the feelings occasioned by this devotion, and fell into a wondering silence.
Frederick had never looked better. There is something in the extremity9 of fate which brings out a man’s best characteristics, and this man, having much that was good in him, showed it at that moment as never before in his short but over-eventful life. As the carriage stopped before the court-house on its way to the train, a glimpse was given of his handsome head to those who had followed him closest, and as there became visible for the first time in his face, so altered under his troubles, a likeness10 to their beautiful and commanding Agatha, a murmur11 broke out around him that was half a wail12 and half a groan13, and which affected14 him so that he turned from his father, whose hand he was secretly holding, and taking the whole scene in with one flash of his eye, was about to speak, when a sudden hubbub15 broke out in the direction of the telegraph office, and a man was seen rushing down the street holding a paper high over his head. It was Sweetwater.
“News!” he cried. “News! A cablegram from the Azores! A Swedish sailor —”
But here a man with more authority than the amateur detective pushed his way to the carriage and took off his hat to Mr. Sutherland.
“I beg your pardon,” said he, “but the prisoner will not leave town to-day. Important evidence has just reached us.”
Mr. Sutherland saw that it was in Frederick’s favour and fainted on his son’s neck. As the people beheld16 his head fall forward, and observed the look with which Frederick received him in his arms, they broke into a great shout.
“News!” they shrieked17. “News! Frederick Sutherland is innocent! See! the old man has fainted from joy!” And caps went up and tears fell, before a mother’s son of them knew what grounds he had for his enthusiasm.
Later, they found they were good and substantial ones. Sweetwater had remembered the group of sailors who had passed by the corner of Agatha’s house just as Batsy fell forward on the window-sill, and cabling to the captain of the vessel18, at the first port at which they were likely to put in, was fortunate enough to receive in reply a communication from one of the men, who remembered the words she shouted. They were in Swedish and none of his mates had understood them, but he recalled them well. They were:
“Hjelp! Hjelp! Frun h?ller p? alb d?da sig. Hon har en knif. Hjelp! Hjelp!”
In English:
“Help! Help! My mistress kills herself. She has a knife. Help! Help!”
The impossible had occurred. Batsy was not dead, or at least her testimony19 still remained and had come at Sweetwater’s beck from the other side of the sea to save her mistress’s son.
Sweetwater was a made man. And Frederick? In a week he was the idol20 of the town. In a year — but let Agnes’s contented21 face and happy smile show what he was then. Sweet Agnes, who first despised, then encouraged, then loved him, and who, next to Agatha, commanded the open worship of his heart.
Agatha is first, must be first, as anyone can see who beholds22 him, on a certain anniversary of each year, bury his face in the long grass which covers the saddest and most passionate23 heart which ever yielded to the pressure of life’s deepest tragedy.
The End
1 uproar | |
n.骚动,喧嚣,鼎沸 | |
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2 overflowed | |
溢出的 | |
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3 agitated | |
adj.被鼓动的,不安的 | |
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4 arid | |
adj.干旱的;(土地)贫瘠的 | |
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5 guardianship | |
n. 监护, 保护, 守护 | |
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6 throng | |
n.人群,群众;v.拥挤,群集 | |
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7 depot | |
n.仓库,储藏处;公共汽车站;火车站 | |
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8 succumbed | |
不再抵抗(诱惑、疾病、攻击等)( succumb的过去式和过去分词 ); 屈从; 被压垮; 死 | |
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9 extremity | |
n.末端,尽头;尽力;终极;极度 | |
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10 likeness | |
n.相像,相似(之处) | |
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11 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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12 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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13 groan | |
vi./n.呻吟,抱怨;(发出)呻吟般的声音 | |
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14 affected | |
adj.不自然的,假装的 | |
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15 hubbub | |
n.嘈杂;骚乱 | |
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16 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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17 shrieked | |
v.尖叫( shriek的过去式和过去分词 ) | |
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18 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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19 testimony | |
n.证词;见证,证明 | |
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20 idol | |
n.偶像,红人,宠儿 | |
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21 contented | |
adj.满意的,安心的,知足的 | |
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22 beholds | |
v.看,注视( behold的第三人称单数 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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23 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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