All these “Dreads” and “Drolls” appeared in “The Graphic”. They were gathered from all sorts of sources. Most of them are strictly1 veridical, but it may be confessed that here and there imagination plays a small part.
My favourite in the collection is, decidedly, the story of Grimaldi the Clown and his long-lost brother. It is an enigma2 of a tale. On the one hand, there is nothing improbable in the bare plot. Many lads, I have no doubt, went to sea in the adventurous3 times of the Napoleonic Wars, and were unheard of by their families for long years, often enough they were never heard of again. They were killed in one fight or another, they perished in African swamps, they became Archimandrites in Russia, or confidential4 advisers5 to the Dey of Algiers or to Prester John. And again there is nothing improbable in the adventurer’s return with a heavy bag of gold, nothing improbable in the final disappearance6 of a young man who flourishes this bag of gold in the purlieus of Drury Lane as the chimes are ringing midnight.
That is the bare plot of the tale, and as I say, it is all probable enough; and yet I defy anybody to read Grimaldi’s story without lifting an incredulous eyebrow7. And I have come to the conclusion that this impression is due to Grimaldi’s unconscious art, I have no doubt that the Clown spoke8 the truth; but he had within him that love of mystery and wonder which (as I have said till people are sick of hearing me say it) is the sure foundation, the only foundation of Art. Again and again in his odd book this note of mysteriousness occurs. Take, for example, the incident, of the man with the silver staff. Grimaldi always declared that he never knew who this personage was. He didn’t want to know. If he had made enquiries, I suppose he would have found that the mysterious stranger was Chief Bow Street Runner, or, as we should say, something big at Scotland Yard. And so, I daresay that the affair of Mr. Mackintosh and his twelve friends — a tale absolutely Arabian, as Grimaldi tells it — would have seemed tiresome9 enough to a man without his admirable capacity for mystery and capacity of creating it.
And thus in the business of the long-lost brother. It all happened, and there is nothing very remarkable10 in it — save for the wonderful though unconscious art which has made a plain tale of plain facts read like a subtle study in mysterious suggestion, a ghost story of the rarest kind.
This is a great gift: to be able so to tell the bare truth that it seems a magnificent lie. To many of us, it is rather given to invent elaborate fictions which are plainer (and duller) than the plainest facts.
A. M.
1 strictly | |
adv.严厉地,严格地;严密地 | |
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2 enigma | |
n.谜,谜一样的人或事 | |
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3 adventurous | |
adj.爱冒险的;惊心动魄的,惊险的,刺激的 | |
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4 confidential | |
adj.秘(机)密的,表示信任的,担任机密工作的 | |
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5 advisers | |
顾问,劝告者( adviser的名词复数 ); (指导大学新生学科问题等的)指导教授 | |
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6 disappearance | |
n.消失,消散,失踪 | |
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7 eyebrow | |
n.眉毛,眉 | |
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8 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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9 tiresome | |
adj.令人疲劳的,令人厌倦的 | |
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10 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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