Mr. Wentworth, with his cane1 and his gloves in his hand, went every afternoon to call upon his niece. A couple of hours later she came over to the great house to tea. She had let the proposal that she should regularly dine there fall to the ground; she was in the enjoyment2 of whatever satisfaction was to be derived3 from the spectacle of an old negress in a crimson4 turban shelling peas under the apple-trees. Charlotte, who had provided the ancient negress, thought it must be a strange household, Eugenia having told her that Augustine managed everything, the ancient negress included — Augustine who was naturally devoid5 of all acquaintance with the expurgatory English tongue. By far the most immoral6 sentiment which I shall have occasion to attribute to Charlotte Wentworth was a certain emotion of disappointment at finding that, in spite of these irregular conditions, the domestic arrangements at the small house were apparently7 not — from Eugenia’s peculiar8 point of view — strikingly offensive. The Baroness9 found it amusing to go to tea; she dressed as if for dinner. The tea-table offered an anomalous10 and picturesque11 repast; and on leaving it they all sat and talked in the large piazza12, or wandered about the garden in the starlight, with their ears full of those sounds of strange insects which, though they are supposed to be, all over the world, a part of the magic of summer nights, seemed to the Baroness to have beneath these western skies an incomparable resonance13.
Mr. Wentworth, though, as I say, he went punctiliously14 to call upon her, was not able to feel that he was getting used to his niece. It taxed his imagination to believe that she was really his half-sister’s child. His sister was a figure of his early years; she had been only twenty when she went abroad, never to return, making in foreign parts a willful and undesirable15 marriage. His aunt, Mrs. Whiteside, who had taken her to Europe for the benefit of the tour, gave, on her return, so lamentable16 an account of Mr. Adolphus Young, to whom the headstrong girl had united her destiny, that it operated as a chill upon family feeling — especially in the case of the half-brothers. Catherine had done nothing subsequently to propitiate17 her family; she had not even written to them in a way that indicated a lucid18 appreciation19 of their suspended sympathy; so that it had become a tradition in Boston circles that the highest charity, as regards this young lady, was to think it well to forget her, and to abstain20 from conjecture21 as to the extent to which her aberrations22 were reproduced in her descendants. Over these young people — a vague report of their existence had come to his ears — Mr. Wentworth had not, in the course of years, allowed his imagination to hover23. It had plenty of occupation nearer home, and though he had many cares upon his conscience the idea that he had been an unnatural24 uncle was, very properly, never among the number. Now that his nephew and niece had come before him, he perceived that they were the fruit of influences and circumstances very different from those under which his own familiar progeny25 had reached a vaguely-qualified maturity26. He felt no provocation27 to say that these influences had been exerted for evil; but he was sometimes afraid that he should not be able to like his distinguished28, delicate, lady-like niece. He was paralyzed and bewildered by her foreignness. She spoke29, somehow, a different language. There was something strange in her words. He had a feeling that another man, in his place, would accommodate himself to her tone; would ask her questions and joke with her, reply to those pleasantries of her own which sometimes seemed startling as addressed to an uncle. But Mr. Wentworth could not do these things. He could not even bring himself to attempt to measure her position in the world. She was the wife of a foreign nobleman who desired to repudiate30 her. This had a singular sound, but the old man felt himself destitute31 of the materials for a judgment32. It seemed to him that he ought to find them in his own experience, as a man of the world and an almost public character; but they were not there, and he was ashamed to confess to himself — much more to reveal to Eugenia by interrogations possibly too innocent — the unfurnished condition of this repository.
It appeared to him that he could get much nearer, as he would have said, to his nephew; though he was not sure that Felix was altogether safe. He was so bright and handsome and talkative that it was impossible not to think well of him; and yet it seemed as if there were something almost impudent33, almost vicious — or as if there ought to be — in a young man being at once so joyous34 and so positive. It was to be observed that while Felix was not at all a serious young man there was somehow more of him — he had more weight and volume and resonance — than a number of young men who were distinctly serious. While Mr. Wentworth meditated35 upon this anomaly his nephew was admiring him unrestrictedly. He thought him a most delicate, generous, high-toned old gentleman, with a very handsome head, of the ascetic36 type, which he promised himself the profit of sketching37. Felix was far from having made a secret of the fact that he wielded38 the paint-brush, and it was not his own fault if it failed to be generally understood that he was prepared to execute the most striking likenesses on the most reasonable terms. “He is an artist — my cousin is an artist,” said Gertrude; and she offered this information to every one who would receive it. She offered it to herself, as it were, by way of admonition and reminder40; she repeated to herself at odd moments, in lonely places, that Felix was invested with this sacred character. Gertrude had never seen an artist before; she had only read about such people. They seemed to her a romantic and mysterious class, whose life was made up of those agreeable accidents that never happened to other persons. And it merely quickened her meditations41 on this point that Felix should declare, as he repeatedly did, that he was really not an artist. “I have never gone into the thing seriously,” he said. “I have never studied; I have had no training. I do a little of everything, and nothing well. I am only an amateur.”
It pleased Gertrude even more to think that he was an amateur than to think that he was an artist; the former word, to her fancy, had an even subtler connotation. She knew, however, that it was a word to use more soberly. Mr. Wentworth used it freely; for though he had not been exactly familiar with it, he found it convenient as a help toward classifying Felix, who, as a young man extremely clever and active and apparently respectable and yet not engaged in any recognized business, was an importunate42 anomaly. Of course the Baroness and her brother — she was always spoken of first — were a welcome topic of conversation between Mr. Wentworth and his daughters and their occasional visitors.
“And the young man, your nephew, what is his profession?” asked an old gentleman — Mr. Broderip, of Salem — who had been Mr. Wentworth’s classmate at Harvard College in the year 1809, and who came into his office in Devonshire Street. (Mr. Wentworth, in his later years, used to go but three times a week to his office, where he had a large amount of highly confidential43 trust-business to transact44.)
“Well, he ‘s an amateur,” said Felix’s uncle, with folded hands, and with a certain satisfaction in being able to say it. And Mr. Broderip had gone back to Salem with a feeling that this was probably a “European” expression for a broker45 or a grain exporter.
“I should like to do your head, sir,” said Felix to his uncle one evening, before them all — Mr. Brand and Robert Acton being also present. “I think I should make a very fine thing of it. It ‘s an interesting head; it ‘s very mediaeval.”
Mr. Wentworth looked grave; he felt awkwardly, as if all the company had come in and found him standing46 before the looking-glass. “The Lord made it,” he said. “I don’t think it is for man to make it over again.”
“Certainly the Lord made it,” replied Felix, laughing, “and he made it very well. But life has been touching48 up the work. It is a very interesting type of head. It ‘s delightfully50 wasted and emaciated52. The complexion53 is wonderfully bleached54.” And Felix looked round at the circle, as if to call their attention to these interesting points. Mr. Wentworth grew visibly paler. “I should like to do you as an old prelate, an old cardinal55, or the prior of an order.”
“A prelate, a cardinal?” murmured Mr. Wentworth. “Do you refer to the Roman Catholic priesthood?”
“I mean an old ecclesiastic56 who should have led a very pure, abstinent57 life. Now I take it that has been the case with you, sir; one sees it in your face,” Felix proceeded. “You have been very — a very moderate. Don’t you think one always sees that in a man’s face?”
“You see more in a man’s face than I should think of looking for,” said Mr. Wentworth coldly.
The Baroness rattled58 her fan, and gave her brilliant laugh. “It is a risk to look so close!” she exclaimed. “My uncle has some peccadilloes60 on his conscience.” Mr. Wentworth looked at her, painfully at a loss; and in so far as the signs of a pure and abstinent life were visible in his face they were then probably peculiarly manifest. “You are a beau vieillard, dear uncle,” said Madame M; auunster, smiling with her foreign eyes.
“I think you are paying me a compliment,” said the old man.
“Surely, I am not the first woman that ever did so!” cried the Baroness.
“I think you are,” said Mr. Wentworth gravely. And turning to Felix he added, in the same tone, “Please don’t take my likeness39. My children have my daguerreotype61. That is quite satisfactory.”
“I won’t promise,” said Felix, “not to work your head into something!”
Mr. Wentworth looked at him and then at all the others; then he got up and slowly walked away.
“Felix,” said Gertrude, in the silence that followed, “I wish you would paint my portrait.”
Charlotte wondered whether Gertrude was right in wishing this; and she looked at Mr. Brand as the most legitimate62 way of ascertaining63. Whatever Gertrude did or said, Charlotte always looked at Mr. Brand. It was a standing pretext64 for looking at Mr. Brand — always, as Charlotte thought, in the interest of Gertrude’s welfare. It is true that she felt a tremulous interest in Gertrude being right; for Charlotte, in her small, still way, was an heroic sister.
“We should be glad to have your portrait, Miss Gertrude,” said Mr. Brand.
“I should be delighted to paint so charming a model,” Felix declared.
“Do you think you are so lovely, my dear?” asked Lizzie Acton, with her little inoffensive pertness, biting off a knot in her knitting.
“It is not because I think I am beautiful,” said Gertrude, looking all round. “I don’t think I am beautiful, at all.” She spoke with a sort of conscious deliberateness; and it seemed very strange to Charlotte to hear her discussing this question so publicly. “It is because I think it would be amusing to sit and be painted. I have always thought that.”
“I am sorry you have not had better things to think about, my daughter,” said Mr. Wentworth.
“You are very beautiful, cousin Gertrude,” Felix declared.
“That ‘s a compliment,” said Gertrude. “I put all the compliments I receive into a little money-jug65 that has a slit66 in the side. I shake them up and down, and they rattle59. There are not many yet — only two or three.”
“No, it ‘s not a compliment,” Felix rejoined. “See; I am careful not to give it the form of a compliment. I did n’t think you were beautiful at first. But you have come to seem so little by little.”
“Take care, now, your jug does n’t burst!” exclaimed Lizzie.
“I think sitting for one’s portrait is only one of the various forms of idleness,” said Mr. Wentworth. “Their name is legion.”
“My dear sir,” cried Felix, “you can’t be said to be idle when you are making a man work so!”
“One might be painted while one is asleep,” suggested Mr. Brand, as a contribution to the discussion.
“Ah, do paint me while I am asleep,” said Gertrude to Felix, smiling. And she closed her eyes a little. It had by this time become a matter of almost exciting anxiety to Charlotte what Gertrude would say or would do next.
She began to sit for her portrait on the following day — in the open air, on the north side of the piazza. “I wish you would tell me what you think of us — how we seem to you,” she said to Felix, as he sat before his easel.
“You seem to me the best people in the world,” said Felix.
“You say that,” Gertrude resumed, “because it saves you the trouble of saying anything else.”
The young man glanced at her over the top of his canvas. “What else should I say? It would certainly be a great deal of trouble to say anything different.”
“Well,” said Gertrude, “you have seen people before that you have liked, have you not?”
“Indeed I have, thank Heaven!”
“And they have been very different from us,” Gertrude went on.
“That only proves,” said Felix, “that there are a thousand different ways of being good company.”
“Do you think us good company?” asked Gertrude.
“Company for a king!”
Gertrude was silent a moment; and then, “There must be a thousand different ways of being dreary67,” she said; “and sometimes I think we make use of them all.”
Felix stood up quickly, holding up his hand. “If you could only keep that look on your face for half an hour — while I catch it!” he said. “It is uncommonly68 handsome.”
“To look handsome for half an hour — that is a great deal to ask of me,” she answered.
“It would be the portrait of a young woman who has taken some vow69, some pledge, that she repents71 of,” said Felix, “and who is thinking it over at leisure.”
“I have taken no vow, no pledge,” said Gertrude, very gravely; “I have nothing to repent70 of.”
“My dear cousin, that was only a figure of speech. I am very sure that no one in your excellent family has anything to repent of.”
“And yet we are always repenting72!” Gertrude exclaimed. “That is what I mean by our being dreary. You know it perfectly73 well; you only pretend that you don’t.”
Felix gave a quick laugh. “The half hour is going on, and yet you are handsomer than ever. One must be careful what one says, you see.”
“To me,” said Gertrude, “you can say anything.”
Felix looked at her, as an artist might, and painted for some time in silence.
“Yes, you seem to me different from your father and sister — from most of the people you have lived with,” he observed.
“To say that one’s self,” Gertrude went on, “is like saying — by implication, at least — that one is better. I am not better; I am much worse. But they say themselves that I am different. It makes them unhappy.”
“Since you accuse me of concealing74 my real impressions, I may admit that I think the tendency — among you generally — is to be made unhappy too easily.”
“I wish you would tell that to my father,” said Gertrude.
“It might make him more unhappy!” Felix exclaimed, laughing.
“It certainly would. I don’t believe you have seen people like that.”
“Ah, my dear cousin, how do you know what I have seen?” Felix demanded. “How can I tell you?”
“You might tell me a great many things, if you only would. You have seen people like yourself — people who are bright and gay and fond of amusement. We are not fond of amusement.”
“Yes,” said Felix, “I confess that rather strikes me. You don’t seem to me to get all the pleasure out of life that you might. You don’t seem to me to enjoy. . . . . Do you mind my saying this?” he asked, pausing.
“Please go on,” said the girl, earnestly.
“You seem to me very well placed for enjoying. You have money and liberty and what is called in Europe a ‘position.’ But you take a painful view of life, as one may say.”
“One ought to think it bright and charming and delightful49, eh?” asked Gertrude.
“I should say so — if one can. It is true it all depends upon that,” Felix added.
“You know there is a great deal of misery75 in the world,” said his model.
“I have seen a little of it,” the young man rejoined. “But it was all over there — beyond the sea. I don’t see any here. This is a paradise.”
Gertrude said nothing; she sat looking at the dahlias and the currant-bushes in the garden, while Felix went on with his work. “To ‘enjoy,’” she began at last, “to take life — not painfully, must one do something wrong?”
Felix gave his long, light laugh again. “Seriously, I think not. And for this reason, among others: you strike me as very capable of enjoying, if the chance were given you, and yet at the same time as incapable76 of wrong-doing.”
“I am sure,” said Gertrude, “that you are very wrong in telling a person that she is incapable of that. We are never nearer to evil than when we believe that.”
“You are handsomer than ever,” observed Felix, irrelevantly77.
Gertrude had got used to hearing him say this. There was not so much excitement in it as at first. “What ought one to do?” she continued. “To give parties, to go to the theatre, to read novels, to keep late hours?”
“I don’t think it ‘s what one does or one does n’t do that promotes enjoyment,” her companion answered. “It is the general way of looking at life.”
“They look at it as a discipline — that ‘s what they do here. I have often been told that.”
“Well, that ‘s very good. But there is another way,” added Felix, smiling: “to look at it as an opportunity.”
“An opportunity — yes,” said Gertrude. “One would get more pleasure that way.”
“I don’t attempt to say anything better for it than that it has been my own way — and that is not saying much!” Felix had laid down his palette and brushes; he was leaning back, with his arms folded, to judge the effect of his work. “And you know,” he said, “I am a very petty personage.”
“You have a great deal of talent,” said Gertrude.
“No — no,” the young man rejoined, in a tone of cheerful impartiality78, “I have not a great deal of talent. It is nothing at all remarkable79. I assure you I should know if it were. I shall always be obscure. The world will never hear of me.” Gertrude looked at him with a strange feeling. She was thinking of the great world which he knew and which she did not, and how full of brilliant talents it must be, since it could afford to make light of his abilities. “You need n’t in general attach much importance to anything I tell you,” he pursued; “but you may believe me when I say this,— that I am little better than a good-natured feather-head.”
“A feather-head?” she repeated.
“I am a species of Bohemian.”
“A Bohemian?” Gertrude had never heard this term before, save as a geographical80 denomination81; and she quite failed to understand the figurative meaning which her companion appeared to attach to it. But it gave her pleasure.
Felix had pushed back his chair and risen to his feet; he slowly came toward her, smiling. “I am a sort of adventurer,” he said, looking down at her.
She got up, meeting his smile. “An adventurer?” she repeated. “I should like to hear your adventures.”
For an instant she believed that he was going to take her hand; but he dropped his own hands suddenly into the pockets of his painting-jacket. “There is no reason why you should n’t,” he said. “I have been an adventurer, but my adventures have been very innocent. They have all been happy ones; I don’t think there are any I should n’t tell. They were very pleasant and very pretty; I should like to go over them in memory. Sit down again, and I will begin,” he added in a moment, with his naturally persuasive82 smile.
Gertrude sat down again on that day, and she sat down on several other days. Felix, while he plied47 his brush, told her a great many stories, and she listened with charmed avidity. Her eyes rested upon his lips; she was very serious; sometimes, from her air of wondering gravity, he thought she was displeased83. But Felix never believed for more than a single moment in any displeasure of his own producing. This would have been fatuity84 if the optimism it expressed had not been much more a hope than a prejudice. It is beside the matter to say that he had a good conscience; for the best conscience is a sort of self-reproach, and this young man’s brilliantly healthy nature spent itself in objective good intentions which were ignorant of any test save exactness in hitting their mark. He told Gertrude how he had walked over France and Italy with a painter’s knapsack on his back, paying his way often by knocking off a flattering portrait of his host or hostess. He told her how he had played the violin in a little band of musicians — not of high celebrity85 — who traveled through foreign lands giving provincial86 concerts. He told her also how he had been a momentary87 ornament88 of a troupe89 of strolling actors, engaged in the arduous90 task of interpreting Shakespeare to French and German, Polish and Hungarian audiences.
While this periodical recital91 was going on, Gertrude lived in a fantastic world; she seemed to herself to be reading a romance that came out in daily numbers. She had known nothing so delightful since the perusal92 of “Nicholas Nickleby.” One afternoon she went to see her cousin, Mrs. Acton, Robert’s mother, who was a great invalid93, never leaving the house. She came back alone, on foot, across the fields — this being a short way which they often used. Felix had gone to Boston with her father, who desired to take the young man to call upon some of his friends, old gentlemen who remembered his mother — remembered her, but said nothing about her — and several of whom, with the gentle ladies their wives, had driven out from town to pay their respects at the little house among the apple-trees, in vehicles which reminded the Baroness, who received her visitors with discriminating94 civility, of the large, light, rattling95 barouche in which she herself had made her journey to this neighborhood. The afternoon was waning96; in the western sky the great picture of a New England sunset, painted in crimson and silver, was suspended from the zenith; and the stony97 pastures, as Gertrude traversed them, thinking intently to herself, were covered with a light, clear glow. At the open gate of one of the fields she saw from the distance a man’s figure; he stood there as if he were waiting for her, and as she came nearer she recognized Mr. Brand. She had a feeling as of not having seen him for some time; she could not have said for how long, for it yet seemed to her that he had been very lately at the house.
“May I walk back with you?” he asked. And when she had said that he might if he wanted, he observed that he had seen her and recognized her half a mile away.
“You must have very good eyes,” said Gertrude.
“Yes, I have very good eyes, Miss Gertrude,” said Mr. Brand. She perceived that he meant something; but for a long time past Mr. Brand had constantly meant something, and she had almost got used to it. She felt, however, that what he meant had now a renewed power to disturb her, to perplex and agitate98 her. He walked beside her in silence for a moment, and then he added, “I have had no trouble in seeing that you are beginning to avoid me. But perhaps,” he went on, “one need n’t have had very good eyes to see that.”
“I have not avoided you,” said Gertrude, without looking at him.
“I think you have been unconscious that you were avoiding me,” Mr. Brand replied. “You have not even known that I was there.”
“Well, you are here now, Mr. Brand!” said Gertrude, with a little laugh. “I know that very well.”
He made no rejoinder. He simply walked beside her slowly, as they were obliged to walk over the soft grass. Presently they came to another gate, which was closed. Mr. Brand laid his hand upon it, but he made no movement to open it; he stood and looked at his companion. “You are very much interested — very much absorbed,” he said.
Gertrude glanced at him; she saw that he was pale and that he looked excited. She had never seen Mr. Brand excited before, and she felt that the spectacle, if fully51 carried out, would be impressive, almost painful. “Absorbed in what?” she asked. Then she looked away at the illuminated99 sky. She felt guilty and uncomfortable, and yet she was vexed100 with herself for feeling so. But Mr. Brand, as he stood there looking at her with his small, kind, persistent101 eyes, represented an immense body of half-obliterated obligations, that were rising again into a certain distinctness.
“You have new interests, new occupations,” he went on. “I don’t know that I can say that you have new duties. We have always old ones, Gertrude,” he added.
“Please open the gate, Mr. Brand,” she said; and she felt as if, in saying so, she were cowardly and petulant102. But he opened the gate, and allowed her to pass; then he closed it behind himself. Before she had time to turn away he put out his hand and held her an instant by the wrist.
“I want to say something to you,” he said.
“I know what you want to say,” she answered. And she was on the point of adding, “And I know just how you will say it;” but these words she kept back.
“I love you, Gertrude,” he said. “I love you very much; I love you more than ever.”
He said the words just as she had known he would; she had heard them before. They had no charm for her; she had said to herself before that it was very strange. It was supposed to be delightful for a woman to listen to such words; but these seemed to her flat and mechanical. “I wish you would forget that,” she declared.
“How can I— why should I?” he asked.
“I have made you no promise — given you no pledge,” she said, looking at him, with her voice trembling a little.
“You have let me feel that I have an influence over you. You have opened your mind to me.”
“I never opened my mind to you, Mr. Brand!” Gertrude cried, with some vehemence103.
“Then you were not so frank as I thought — as we all thought.”
“I don’t see what any one else had to do with it!” cried the girl.
“I mean your father and your sister. You know it makes them happy to think you will listen to me.”
She gave a little laugh. “It does n’t make them happy,” she said. “Nothing makes them happy. No one is happy here.”
“I think your cousin is very happy — Mr. Young,” rejoined Mr. Brand, in a soft, almost timid tone.
“So much the better for him!” And Gertrude gave her little laugh again.
The young man looked at her a moment. “You are very much changed,” he said.
“I am glad to hear it,” Gertrude declared.
“I am not. I have known you a long time, and I have loved you as you were.”
“I am much obliged to you,” said Gertrude. “I must be going home.”
He on his side, gave a little laugh.
“You certainly do avoid me — you see!”
“Avoid me, then,” said the girl.
He looked at her again; and then, very gently, “No I will not avoid you,” he replied; “but I will leave you, for the present, to yourself. I think you will remember — after a while — some of the things you have forgotten. I think you will come back to me; I have great faith in that.”
This time his voice was very touching; there was a strong, reproachful force in what he said, and Gertrude could answer nothing. He turned away and stood there, leaning his elbows on the gate and looking at the beautiful sunset. Gertrude left him and took her way home again; but when she reached the middle of the next field she suddenly burst into tears. Her tears seemed to her to have been a long time gathering104, and for some moments it was a kind of glee to shed them. But they presently passed away. There was something a little hard about Gertrude; and she never wept again.
收听单词发音 |
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cane
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| n.手杖，细长的茎，藤条；v.以杖击，以藤编制的 | |
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enjoyment
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| n.乐趣；享有；享用 | |
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derived
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| vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取 | |
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crimson
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| n./adj.深(绯)红色(的)；vi.脸变绯红色 | |
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devoid
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| adj.全无的，缺乏的 | |
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immoral
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| adj.不道德的，淫荡的，荒淫的，有伤风化的 | |
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apparently
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| adv.显然地；表面上，似乎 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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baroness
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| n.男爵夫人，女男爵 | |
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anomalous
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| adj.反常的；不规则的 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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piazza
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| n.广场；走廊 | |
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resonance
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| n.洪亮；共鸣；共振 | |
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punctiliously
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undesirable
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| adj.不受欢迎的，不良的，不合意的，讨厌的；n.不受欢迎的人，不良分子 | |
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lamentable
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| adj.令人惋惜的，悔恨的 | |
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propitiate
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| v.慰解，劝解 | |
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lucid
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| adj.明白易懂的，清晰的，头脑清楚的 | |
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appreciation
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| n.评价；欣赏；感谢；领会，理解；价格上涨 | |
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abstain
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| v.自制，戒绝，弃权，避免 | |
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conjecture
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| n./v.推测，猜测 | |
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aberrations
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| n.偏差( aberration的名词复数 )；差错；脱离常规；心理失常 | |
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23
hover
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| vi.翱翔，盘旋；徘徊；彷徨，犹豫 | |
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24
unnatural
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| adj.不自然的；反常的 | |
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25
progeny
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| n.后代，子孙；结果 | |
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maturity
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| n.成熟；完成；(支票、债券等)到期 | |
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provocation
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| n.激怒，刺激，挑拨，挑衅的事物，激怒的原因 | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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29
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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30
repudiate
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| v.拒绝，拒付，拒绝履行 | |
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31
destitute
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| adj.缺乏的；穷困的 | |
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32
judgment
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| n.审判；判断力，识别力，看法，意见 | |
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impudent
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| adj.鲁莽的，卑鄙的，厚颜无耻的 | |
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joyous
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| adj.充满快乐的；令人高兴的 | |
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35
meditated
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| 深思，沉思，冥想( meditate的过去式和过去分词 )； 内心策划，考虑 | |
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36
ascetic
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| adj.禁欲的；严肃的 | |
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37
sketching
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| n.草图 | |
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38
wielded
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| 手持着使用（武器、工具等）( wield的过去式和过去分词 )； 具有； 运用（权力）； 施加（影响） | |
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39
likeness
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| n.相像，相似（之处） | |
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reminder
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| n.提醒物，纪念品；暗示，提示 | |
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41
meditations
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| 默想( meditation的名词复数 )； 默念； 沉思； 冥想 | |
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42
importunate
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| adj.强求的；纠缠不休的 | |
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confidential
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| adj.秘（机）密的，表示信任的，担任机密工作的 | |
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transact
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| v.处理；做交易；谈判 | |
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broker
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| n.中间人，经纪人；v.作为中间人来安排 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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plied
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| v.使用（工具）( ply的过去式和过去分词 )；经常供应（食物、饮料）；固定往来；经营生意 | |
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48
touching
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| adj.动人的，使人感伤的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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delightfully
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| 大喜，欣然 | |
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fully
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| adv.完全地，全部地，彻底地；充分地 | |
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emaciated
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| adj.衰弱的，消瘦的 | |
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complexion
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| n.肤色；情况，局面；气质，性格 | |
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bleached
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| 漂白的，晒白的，颜色变浅的 | |
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cardinal
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| n.(天主教的)红衣主教；adj.首要的，基本的 | |
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ecclesiastic
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| n.教士，基督教会；adj.神职者的，牧师的，教会的 | |
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abstinent
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| adj.饮食有度的，有节制的，禁欲的；n.禁欲者 | |
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rattled
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| 慌乱的，恼火的 | |
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rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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peccadilloes
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| n.轻罪，小过失( peccadillo的名词复数 ) | |
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daguerreotype
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| n.银板照相 | |
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legitimate
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| adj.合法的，合理的，合乎逻辑的；v.使合法 | |
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ascertaining
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| v.弄清，确定，查明( ascertain的现在分词 ) | |
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pretext
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| n.借口，托词 | |
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jug
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| n.(有柄，小口，可盛水等的)大壶，罐，盂 | |
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slit
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| n.狭长的切口；裂缝；vt.切开，撕裂 | |
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dreary
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| adj.令人沮丧的，沉闷的，单调乏味的 | |
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uncommonly
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| adv. 稀罕(极，非常) | |
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vow
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| n.誓(言)，誓约；v.起誓，立誓 | |
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repent
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| v.悔悟，悔改，忏悔，后悔 | |
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repents
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| 对（自己的所为）感到懊悔或忏悔( repent的第三人称单数 ) | |
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repenting
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| 对（自己的所为）感到懊悔或忏悔( repent的现在分词 ) | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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concealing
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| v.隐藏，隐瞒，遮住( conceal的现在分词 ) | |
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misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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incapable
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| adj.无能力的，不能做某事的 | |
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irrelevantly
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| adv.不恰当地，不合适地；不相关地 | |
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impartiality
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| n. 公平, 无私, 不偏 | |
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remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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80
geographical
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| adj.地理的；地区(性)的 | |
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81
denomination
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| n.命名，取名，(度量衡、货币等的)单位 | |
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82
persuasive
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| adj.有说服力的，能说得使人相信的 | |
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83
displeased
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| a.不快的 | |
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84
fatuity
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| n.愚蠢，愚昧 | |
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85
celebrity
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| n.名人，名流；著名，名声，名望 | |
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86
provincial
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| adj.省的，地方的；n．外省人，乡下人 | |
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87
momentary
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| adj.片刻的，瞬息的；短暂的 | |
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88
ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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troupe
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| n.剧团，戏班；杂技团；马戏团 | |
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90
arduous
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| adj.艰苦的，费力的，陡峭的 | |
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91
recital
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| n.朗诵，独奏会，独唱会 | |
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92
perusal
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| n.细读，熟读；目测 | |
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invalid
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| n.病人，伤残人；adj.有病的，伤残的；无效的 | |
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discriminating
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| a.有辨别能力的 | |
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95
rattling
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| adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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96
waning
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| adj.（月亮）渐亏的，逐渐减弱或变小的n.月亏v.衰落( wane的现在分词 )；（月）亏；变小；变暗淡 | |
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97
stony
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| adj.石头的，多石头的，冷酷的，无情的 | |
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98
agitate
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| vi.(for,against)煽动，鼓动；vt.搅动 | |
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99
illuminated
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| adj.被照明的；受启迪的 | |
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100
vexed
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| adj.争论不休的；（指问题等）棘手的；争论不休的问题；烦恼的v.使烦恼( vex的过去式和过去分词 )；使苦恼；使生气；详细讨论 | |
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101
persistent
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| adj.坚持不懈的，执意的；持续的 | |
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102
petulant
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| adj.性急的，暴躁的 | |
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103
vehemence
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| n.热切；激烈；愤怒 | |
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104
gathering
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| n.集会，聚会，聚集 | |
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