Chapter 6 The Philosopher

I should suppose that C?sar and Cleopatra marks about the turning tide of Bernard Shaw’s fortune and fame. Up to this time he had known glory, but never success. He had been wondered at as something brilliant and barren, like a meteor; but no one would accept him as a sun, for the test of a sun is that it can make something grow. Practically speaking the two qualities of a modern drama are, that it should play and that it should pay. It had been proved over and over again in weighty dramatic criticisms, in careful readers’ reports, that the plays of Shaw could never play or pay; that the public did not want wit and the wars of intellect. And just about the time that this had been finally proved, the plays of Bernard Shaw promised to play like Charley’s Aunt and to pay like Colman’s Mustard. It is a fact in which we can all rejoice, not only because it redeems² the reputation of Bernard Shaw, but because it redeems the character of the English people. All that is bravest in human nature, open challenge and unexpected wit and angry conviction, are not so very unpopular as the publishers and managers in their motor-cars have been in the habit of telling us. But exactly because we have come to a turning point in the man’s career I propose to interrupt the mere³ catalogue of his plays and to treat his latest series rather as the proclamations of an acknowledged prophet. For the last plays, especially Man and Superman, are such that his whole position must be restated before attacking them seriously.

For two reasons I have called this concluding series of plays not again by the name of “The Dramatist,” but by the general name of “The Philosopher.” The first reason is that given above, that we have come to the time of his triumph and may therefore treat him as having gained complete possession of a pulpit of his own. But there is a second reason: that it was just about this time that he began to create not only a pulpit of his own, but a church and creed⁵ of his own. It is a very vast and universal religion; and it is not his fault that he is the only member of it. The plainer way of putting it is this: that here, in the hour of his earthly victory, there dies in him the old mere denier, the mere dynamiter⁶ of criticism. In the warmth of popularity he begins to wish to put his faith positively⁸; to offer some solid key to all creation. Perhaps the irony⁹ in the situation is this: that all the crowds are acclaiming¹⁰ him as the blasting and hypercritical buffoon¹¹, while he himself is seriously rallying his synthetic¹² power, and with a grave face telling himself that it is time he had a faith to preach. His final success as a sort of charlatan¹³ coincides with his first grand failures as a theologian.

For this reason I have deliberately¹⁴ called a halt in his dramatic career, in order to consider these two essential points: What did the mass of Englishmen, who had now learnt to admire him, imagine his point of view to be? and second, What did he imagine it to be? or, if the phrase be premature¹⁶, What did he imagine it was going to be? In his latest work, especially in Man and Superman, Shaw has become a complete and colossal¹⁷ mystic. That mysticism does grow quite rationally out of his older arguments; but very few people ever troubled to trace the connection. In order to do so it is necessary to say what was, at the time of his first success, the public impression of Shaw’s philosophy.

Now it is an irritating and pathetic thing that the three most popular phrases about Shaw are false. Modern criticism, like all weak things, is overloaded¹⁸ with words. In a healthy condition of language a man finds it very difficult to say the right thing, but at last says it. In this empire of journalese a man finds it so very easy to say the wrong thing that he never thinks of saying anything else. False or meaningless phrases lie so ready to his hand that it is easier to use them than not to use them. These wrong terms picked up through idleness are retained through habit, and so the man has begun to think wrong almost before he has begun to think at all. Such lumbering¹⁹ logomachy is always injurious and oppressive to men of spirit, imagination or intellectual honour, and it has dealt very recklessly and wrongly with Bernard Shaw. He has contrived²⁰ to get about three newspaper phrases tied to his tail; and those newspaper phrases are all and separately wrong. The three superstitions²¹ about him, it will be conceded, are generally these: first that he desires “problem plays,” second that he is “paradoxical,” and third that in his dramas as elsewhere he is specially⁴ “a Socialist²⁴.” And the interesting thing is that when we come to his philosophy, all these three phrases are quite peculiarly inapplicable.

To take the plays first, there is a general disposition²⁶ to describe that type of intimate or defiant²⁷ drama which he approves as “the problem play.” Now the serious modern play is, as a rule, the very reverse of a problem play; for there can be no problem unless both points of view are equally and urgently presented. Hamlet really is a problem play because at the end of it one is really in doubt as to whether upon the author’s showing Hamlet is something more than a man or something less. Henry IV and Henry V are really problem plays; in this sense, that the reader or spectator is really doubtful whether the high but harsh efficiency, valour, and ambition of Henry V are an improvement on his old blackguard camaraderie²⁸; and whether he was not a better man when he was a thief. This hearty²⁹ and healthy doubt is very common in Shakespeare; I mean a doubt that exists in the writer as well as in the reader. But Bernard Shaw is far too much of a Puritan to tolerate such doubts about points which he counts essential. There is no sort of doubt that the young lady in Arms and the Man is improved by losing her ideals. There is no sort of doubt that Captain Brassbound is improved by giving up the object of his life. But a better case can be found in something that both dramatists have been concerned with; Shaw wrote C?sar and Cleopatra; Shakespeare wrote Antony and Cleopatra and also Julius C?sar. And exactly what annoys Bernard Shaw about Shakespeare’s version is this: that Shakespeare has an open mind or, in other words, that Shakespeare has really written a problem play. Shakespeare sees quite as clearly as Shaw that Brutus is unpractical and ineffectual; but he also sees, what is quite as plain and practical a fact, that these ineffectual men do capture the hearts and influence the policies of mankind. Shaw would have nothing said in favour of Brutus; because Brutus is on the wrong side in politics. Of the actual problem of public and private morality, as it was presented to Brutus, he takes actually no notice at all. He can write the most energetic and outspoken³⁰ of propaganda plays; but he cannot rise to a problem play. He cannot really divide his mind and let the two parts speak independently to each other. He has never, so to speak, actually split his head in two; though I daresay there are many other people who are willing to do it for him.

Sometimes, especially in his later plays, he allows his clear conviction to spoil even his admirable dialogue, making one side entirely³¹ weak, as in an Evangelical tract³². I do not know whether in Major Barbara the young Greek professor was supposed to be a fool. As popular tradition (which I trust more than anything else) declared that he is drawn³⁴ from a real Professor of my acquaintance, who is anything but a fool, I should imagine not. But in that case I am all the more mystified by the incredibly weak fight which he makes in the play in answer to the elephantine sophistries³⁵ of Undershaft. It is really a disgraceful case, and almost the only case in Shaw of there being no fair fight between the two sides. For instance, the Professor mentions pity. Mr. Undershaft says with melodramatic scorn, “Pity! the scavenger³⁷ of the Universe!” Now if any gentleman had said this to me, I should have replied, “If I permit you to escape from the point by means of metaphors³⁹, will you tell me whether you disapprove⁴⁰ of scavengers?” Instead of this obvious retort, the miserable⁴¹ Greek professor only says, “Well then, love,” to which Undershaft replies with unnecessary violence that he won’t have the Greek professor’s love, to which the obvious answer of course would be, “How the deuce can you prevent my loving you if I choose to do so?” Instead of this, as far as I remember, that abject⁴² Hellenist says nothing at all. I only mention this unfair dialogue, because it marks, I think, the recent hardening, for good or evil, of Shaw out of a dramatist into a mere philosopher, and whoever hardens into a philosopher may be hardening into a fanatic⁴³.

And just as there is nothing really problematic in Shaw’s mind, so there is nothing really paradoxical. The meaning of the word paradoxical may indeed be made the subject of argument. In Greek, of course, it simply means something which is against the received opinion; in that sense a missionary⁴⁴ remonstrating⁴⁵ with South Sea cannibals is paradoxical. But in the much more important world, where words are used and altered in the using, paradox²³ does not mean merely this: it means at least something of which the antinomy or apparent inconsistency is sufficiently⁴⁷ plain in the words used, and most commonly of all it means an idea expressed in a form which is verbally contradictory⁴⁸. Thus, for instance, the great saying, “He that shall lose his life, the same shall save it,” is an example of what modern people mean by a paradox. If any learned person should read this book (which seems immeasurably improbable) he can content himself with putting it this way, that the moderns mistakenly say paradox when they should say oxymoron. Ultimately, in any case, it may be agreed that we commonly mean by a paradox some kind of collision between what is seemingly and what is really true.

Now if by paradox we mean truth inherent in a contradiction, as in the saying of Christ that I have quoted, it is a very curious fact that Bernard Shaw is almost entirely without paradox. Moreover, he cannot even understand a paradox. And more than this, paradox is about the only thing in the world that he does not understand. All his splendid vistas⁴⁹ and startling suggestions arise from carrying some one clear principle further than it has yet been carried. His madness is all consistency⁴⁶, not inconsistency. As the point can hardly be made clear without examples, let us take one example, the subject of education. Shaw has been all his life preaching to grown-up people the profound truth that liberty and responsibility go together; that the reason why freedom is so often easily withheld⁵⁰, is simply that it is a terrible nuisance. This is true, though not the whole truth, of citizens; and so when Shaw comes to children he can only apply to them the same principle that he has already applied⁵¹ to citizens. He begins to play with the Herbert Spencer idea of teaching children by experience; perhaps the most fatuously⁵² silly idea that was ever gravely put down in print. On that there is no need to dwell; one has only to ask how the experimental method is to be applied to a precipice⁵³; and the theory no longer exists. But Shaw effected a further development, if possible more fantastic. He said that one should never tell a child anything without letting him hear the opposite opinion. That is to say, when you tell Tommy not to hit his sick sister on the temple, you must make sure of the presence of some Nietzscheite professor, who will explain to him that such a course might possibly serve to eliminate the unfit. When you are in the act of telling Susan not to drink out of the bottle labelled “poison,” you must telegraph for a Christian⁵⁴ Scientist, who will be ready to maintain that without her own consent it cannot do her any harm. What would happen to a child brought up on Shaw’s principle I cannot conceive; I should think he would commit suicide in his bath. But that is not here the question. The point is that this proposition seems quite sufficiently wild and startling to ensure that its author, if he escapes Hanwell, would reach the front rank of journalists, demagogues, or public entertainers. It is a perfect paradox, if a paradox only means something that makes one jump. But it is not a paradox at all in the sense of a contradiction. It is not a contradiction, but an enormous and outrageous⁵⁵ consistency, the one principle of free thought carried to a point to which no other sane⁵⁶ man would consent to carry it. Exactly what Shaw does not understand is the paradox; the unavoidable paradox of childhood. Although this child is much better than I, yet I must teach it. Although this being has much purer passions than I, yet I must control it. Although Tommy is quite right to rush towards a precipice, yet he must be stood in the corner for doing it. This contradiction is the only possible condition of having to do with children at all; anyone who talks about a child without feeling this paradox might just as well be talking about a merman. He has never even seen the animal. But this paradox Shaw in his intellectual simplicity⁵⁷ cannot see; he cannot see it because it is a paradox. His only intellectual excitement is to carry one idea further and further across the world. It never occurs to him that it might meet another idea, and like the three winds in Martin Chuzzlewit, they might make a night of it. His only paradox is to pull out one thread or cord of truth longer and longer into waste and fantastic places. He does not allow for that deeper sort of paradox by which two opposite cords of truth become entangled⁵⁸ in an inextricable knot. Still less can he be made to realise that it is often this knot which ties safely together the whole bundle of human life.

This blindness to paradox everywhere perplexes his outlook. He cannot understand marriage because he will not understand the paradox of marriage; that the woman is all the more the house for not being the head of it. He cannot understand patriotism⁵⁹, because he will not understand the paradox of patriotism; that one is all the more human for not merely loving humanity. He does not understand Christianity because he will not understand the paradox of Christianity; that we can only really understand all myths when we know that one of them is true. I do not under-rate him for this anti-paradoxical temper; I concede that much of his finest and keenest work in the way of intellectual purification would have been difficult or impossible without it. But I say that here lies the limitation of that lucid⁶⁰ and compelling mind; he cannot quite understand life, because he will not accept its contradictions.

Nor is it by any means descriptive of Shaw to call him a Socialist; in so far as that word can be extended to cover an ethical⁶² attitude. He is the least social of all Socialists⁶³; and I pity the Socialist state that tries to manage him. This anarchism of his is not a question of thinking for himself; every decent man thinks for himself; it would be highly immodest to think for anybody else. Nor is it any instinctive⁶⁴ licence or egoism; as I have said before, he is a man of peculiarly acute public conscience. The unmanageable part of him, the fact that he cannot be conceived as part of a crowd or as really and invisibly helping⁶⁵ a movement, has reference to another thing in him, or rather to another thing not in him.

The great defect of that fine intelligence is a failure to grasp and enjoy the things commonly called convention and tradition; which are foods upon which all human creatures must feed frequently if they are to live. Very few modern people of course have any idea of what they are. “Convention” is very nearly the same word as “democracy.” It has again and again in history been used as an alternative word to Parliament. So far from suggesting anything stale or sober, the word convention rather conveys a hubbub⁶⁶; it is the coming together of men; every mob is a convention. In its secondary sense it means the common soul of such a crowd, its instinctive anger at the traitor⁶⁷ or its instinctive salutation of the flag. Conventions may be cruel, they may be unsuitable, they may even be grossly superstitious⁶⁸ or obscene; but there is one thing that they never are. Conventions are never dead. They are always full of accumulated emotions, the piled-up and passionate⁶⁹ experiences of many generations asserting what they could not explain. To be inside any true convention, as the Chinese respect for parents or the European respect for children, is to be surrounded by something which whatever else it is is not leaden, lifeless or automatic, something which is taut⁷⁰ and tingling⁷¹ with vitality⁷² at a hundred points, which is sensitive almost to madness and which is so much alive that it can kill. Now Bernard Shaw has always made this one immense mistake (arising out of that bad progressive education of his), the mistake of treating convention as a dead thing; treating it as if it were a mere physical environment like the pavement or the rain. Whereas it is a result of will; a rain of blessings⁷³ and a pavement of good intentions. Let it be remembered that I am not discussing in what degree one should allow for tradition; I am saying that men like Shaw do not allow for it at all. If Shaw had found in early life that he was contradicted by Bradshaw’s Railway Guide or even by the Encyclop?dia Britannica, he would have felt at least that he might be wrong. But if he had found himself contradicted by his father and mother, he would have thought it all the more probable that he was right. If the issue of the last evening paper contradicted him he might be troubled to investigate or explain. That the human tradition of two thousand years contradicted him did not trouble him for an instant. That Marx was not with him was important. That Man was not with him was an irrelevant⁷⁴ prehistoric⁷⁵ joke. People have talked far too much about the paradoxes⁷⁶ of Bernard Shaw. Perhaps his only pure paradox is this almost unconscious one; that he has tended to think that because something has satisfied generations of men it must be untrue.

Shaw is wrong about nearly all the things one learns early in life and while one is still simple. Most human beings start with certain facts of psychology⁷⁷ to which the rest of life must be somewhat related. For instance, every man falls in love; and no man falls into free love. When he falls into that he calls it lust⁷⁸, and is always ashamed of it even when he boasts of it. That there is some connection between a love and a vow⁷⁹ nearly every human being knows before he is eighteen. That there is a solid and instinctive connection between the idea of sexual ecstasy⁸⁰ and the idea of some sort of almost suicidal constancy, this I say is simply the first fact in one’s own psychology; boys and girls know it almost before they know their own language. How far it can be trusted, how it can best be dealt with, all that is another matter. But lovers lust after constancy more than after happiness; if you are in any sense prepared to give them what they ask, then what they ask, beyond all question, is an oath of final fidelity⁸¹. Lovers may be lunatics; lovers may be children; lovers may be unfit for citizenship⁸² and outside human argument; you can take up that position if you will. But lovers do not only desire love; they desire marriage. The root of legal monogamy does not lie (as Shaw and his friends are for ever drearily⁸³ asserting) in the fact that the man is a mere tyrant⁸⁴ and the woman a mere slave. It lies in the fact that if their love for each other is the noblest and freest love conceivable, it can only find its heroic expression in both becoming slaves. I only mention this matter here as a matter which most of us do not need to be taught; for it was the first lesson of life. In after years we may make up what code or compromise about sex we like; but we all know that constancy, jealousy⁸⁵, and the personal pledge are natural and inevitable⁸⁶ in sex; we do not feel any surprise when we see them either in a murder or in a valentine. We may or may not see wisdom in early marriages; but we know quite well that wherever the thing is genuine at all, early loves will mean early marriages. But Shaw had not learnt about this tragedy of the sexes, what the rustic⁸⁷ ballads⁸⁸ of any country on earth would have taught him. He had not learnt, what universal common sense has put into all the folk-lore of the earth, that love cannot be thought of clearly for an instant except as monogamous. The old English ballads never sing the praises of “lovers.” They always sing the praises of “true lovers,” and that is the final philosophy of the question.

The same is true of Mr. Shaw’s refusal to understand the love of the land either in the form of patriotism or of private ownership. It is the attitude of an Irishman cut off from the soil of Ireland, retaining the audacity⁸⁹ and even cynicism of the national type, but no longer fed from the roots with its pathos⁹⁰ or its experience.

This broader and more brotherly rendering⁹¹ of convention must be applied particularly to the conventions of the drama; since that is necessarily the most democratic of all the arts. And it will be found generally that most of the theatrical⁹³ conventions rest on a real artistic⁹⁴ basis. The Greek Unities⁹⁵, for instance, were not proper objects of the meticulous⁹⁶ and trivial imitation of Seneca or Gabriel Harvey. But still less were they the right objects for the equally trivial and far more vulgar impatience⁹⁷ of men like Macaulay. That a tale should, if possible, be told of one place or one day or a manageable number of characters is an ideal plainly rooted in an ?sthetic instinct. But if this be so with the classical drama, it is yet more certainly so with romantic drama, against the somewhat decayed dignity of which Bernard Shaw was largely in rebellion. There was one point in particular upon which the Ibsenites claimed to have reformed the romantic convention which is worthy⁹⁸ of special allusion⁹⁹.

Shaw and all the other Ibsenites were fond of insisting that a defect in the romantic drama was its tendency to end with wedding-bells. Against this they set the modern drama of middle-age, the drama which described marriage itself instead of its poetic¹⁰⁰ preliminaries. Now if Bernard Shaw had been more patient with popular tradition, more prone¹⁰¹ to think that there might be some sense in its survival, he might have seen this particular problem much more clearly. The old playwrights¹⁰² have left us plenty of plays of marriage and middle-age. Othello is as much about what follows the wedding-bells as The Doll’s House. Macbeth is about a middle-aged¹⁰³ couple as much as Little Eyolf. But if we ask ourselves what is the real difference, we shall, I think, find that it can fairly be stated thus. The old tragedies of marriage, though not love stories, are like love stories in this, that they work up to some act or stroke which is irrevocable as marriage is irrevocable; to the fact of death or of adultery.

Now the reason why our fathers did not make marriage, in the middle-aged and static sense, the subject of their plays was a very simple one; it was that a play is a very bad place for discussing that topic. You cannot easily make a good drama out of the success or failure of a marriage, just as you could not make a good drama out of the growth of an oak tree or the decay of an empire. As Polonius very reasonably observed, it is too long. A happy love-affair will make a drama simply because it is dramatic; it depends on an ultimate yes or no. But a happy marriage is not dramatic; perhaps it would be less happy if it were. The essence of a romantic heroine is that she asks herself an intense question; but the essence of a sensible wife is that she is much too sensible to ask herself any questions at all. All the things that make monogamy a success are in their nature undramatic things, the silent growth of an instinctive confidence, the common wounds and victories, the accumulation of customs, the rich maturing of old jokes. Sane marriage is an untheatrical thing; it is therefore not surprising that most modern dramatists have devoted¹⁰⁴ themselves to insane marriage.

To summarise¹⁰⁵; before touching¹⁰⁶ the philosophy which Shaw has ultimately adopted, we must quit the notion that we know it already and that it is hit off in such journalistic terms as these three. Shaw does not wish to multiply problem plays or even problems. He has such scepticism as is the misfortune of his age; but he has this dignified¹⁰⁷ and courageous¹⁰⁸ quality, that he does not come to ask questions but to answer them. He is not a paradox-monger; he is a wild logician¹⁰⁹, far too simple even to be called a sophist. He understands everything in life except its paradoxes, especially that ultimate paradox that the very things that we cannot comprehend are the things that we have to take for granted. Lastly, he is not especially social or collectivist. On the contrary, he rather dislikes men in the mass, though he can appreciate them individually. He has no respect for collective humanity in its two great forms; either in that momentary¹¹⁰ form which we call a mob, or in that enduring form which we call a convention.

The general cosmic theory which can so far be traced through the earlier essays and plays of Bernard Shaw may be expressed in the image of Schopenhauer standing¹¹¹ on his head. I cheerfully concede that Schopenhauer looks much nicer in that posture¹¹² than in his original one, but I can hardly suppose that he feels more comfortable. The substance of the change is this. Roughly speaking, Schopenhauer maintained that life is unreasonable¹¹³. The intellect, if it could be impartial¹¹⁴, would tell us to cease; but a blind partiality, an instinct quite distinct from thought, drives us on to take desperate chances in an essentially¹¹⁵ bankrupt lottery¹¹⁶. Shaw seems to accept this dingy¹¹⁷ estimate of the rational outlook, but adds a somewhat arresting comment. Schopenhauer had said, “Life is unreasonable; so much the worse for all living things.” Shaw said, “Life is unreasonable; so much the worse for reason.” Life is the higher call, life we must follow. It may be that there is some undetected fallacy in reason itself. Perhaps the whole man cannot get inside his own head any more than he can jump down his own throat. But there is about the need to live, to suffer, and to create that imperative¹¹⁸ quality which can truly be called supernatural, of whose voice it can indeed be said that it speaks with authority, and not as the scribes.

This is the first and finest item of the original Bernard Shaw creed: that if reason says that life is irrational¹¹⁹, life must be content to reply that reason is lifeless; life is the primary thing, and if reason impedes¹²⁰ it, then reason must be trodden down into the mire¹⁵ amid the most abject superstitions. In the ordinary sense it would be specially absurd to suggest that Shaw desires man to be a mere animal. For that is always associated with lust or incontinence; and Shaw’s ideals are strict, hygienic, and even, one might say, old-maidish. But there is a mystical sense in which one may say literally¹²¹ that Shaw desires man to be an animal. That is, he desires him to cling first and last to life, to the spirit of animation¹²², to the thing which is common to him and the birds and plants. Man should have the blind faith of a beast: he should be as mystically immutable¹²³ as a cow, and as deaf to sophistries as a fish. Shaw does not wish him to be a philosopher or an artist; he does not even wish him to be a man, so much as he wishes him to be, in this holy sense, an animal. He must follow the flag of life as fiercely from conviction as all other creatures follow it from instinct.

But this Shavian worship of life is by no means lively. It has nothing in common either with the braver or the baser forms of what we commonly call optimism. It has none of the omnivorous¹²⁴ exultation¹²⁶ of Walt Whitman or the fiery¹²⁷ pantheism of Shelley. Bernard Shaw wishes to show himself not so much as an optimist¹²⁸, but rather as a sort of faithful and contented¹²⁹ pessimist¹³⁰. This contradiction is the key to nearly all his early and more obvious contradictions and to many which remain to the end. Whitman and many modern idealists have talked of taking even duty as a pleasure; it seems to me that Shaw takes even pleasure as a duty. In a queer way he seems to see existence as an illusion and yet as an obligation. To every man and woman, bird, beast, and flower, life is a love-call to be eagerly followed. To Bernard Shaw it is merely a military bugle¹³¹ to be obeyed. In short, he fails to feel that the command of Nature (if one must use the anthropomorphic fable¹³² of Nature instead of the philosophic¹³³ term God) can be enjoyed as well as obeyed. He paints life at its darkest and then tells the babe unborn to take the leap in the dark. That is heroic; and to my instinct at least Schopenhauer looks like a pigmy beside his pupil. But it is the heroism¹³⁴ of a morbid¹³⁵ and almost asphyxiated¹³⁶ age. It is awful to think that this world which so many poets have praised has even for a time been depicted¹³⁷ as a man-trap into which we may just have the manhood to jump. Think of all those ages through which men have talked of having the courage to die. And then remember that we have actually fallen to talking about having the courage to live.

It is exactly this oddity or dilemma¹³⁹ which may be said to culminate¹⁴⁰ in the crowning work of his later and more constructive¹⁴¹ period, the work in which he certainly attempted, whether with success or not, to state his ultimate and cosmic vision; I mean the play called Man and Superman. In approaching this play we must keep well in mind the distinction recently drawn: that Shaw follows the banner of life, but austerely¹⁴², not joyously¹⁴⁴. For him nature has authority, but hardly charm. But before we approach it it is necessary to deal with three things that lead up to it. First it is necessary to speak of what remained of his old critical and realistic method; and then it is necessary to speak of the two important influences which led up to his last and most important change of outlook.

First, since all our spiritual epochs overlap¹⁴⁶, and a man is often doing the old work while he is thinking of the new, we may deal first with what may be fairly called his last two plays of pure worldly criticism. These are Major Barbara and John Bull’s Other Island. Major Barbara indeed contains a strong religious element; but, when all is said, the whole point of the play is that the religious element is defeated. Moreover, the actual expressions of religion in the play are somewhat unsatisfactory as expressions of religion—or even of reason. I must frankly¹⁴⁷ say that Bernard Shaw always seems to me to use the word God not only without any idea of what it means, but without one moment’s thought about what it could possibly mean. He said to some atheist¹⁴⁸, “Never believe in a God that you cannot improve on.” The atheist (being a sound theologian) naturally replied that one should not believe in a God whom one could improve on; as that would show that he was not God. In the same style in Major Barbara the heroine ends by suggesting that she will serve God without personal hope, so that she may owe nothing to God and He owe everything to her. It does not seem to strike her that if God owes everything to her He is not God. These things affect me merely as tedious perversions¹⁴⁹ of a phrase. It is as if you said, “I will never have a father unless I have begotten¹⁵⁰ him.”

But the real sting and substance of Major Barbara is much more practical and to the point. It expresses not the new spirituality but the old materialism¹⁵¹ of Bernard Shaw. Almost every one of Shaw’s plays is an expanded epigram. But the epigram is not expanded (as with most people) into a hundred commonplaces. Rather the epigram is expanded into a hundred other epigrams; the work is at least as brilliant in detail as it is in design. But it is generally possible to discover the original and pivotal epigram which is the centre and purpose of the play. It is generally possible, even amid that blinding jewellery of a million jokes, to discover the grave, solemn and sacred joke for which the play itself was written.

The ultimate epigram of Major Barbara can be put thus. People say that poverty is no crime; Shaw says that poverty is a crime; that it is a crime to endure it, a crime to be content with it, that it is the mother of all crimes of brutality¹⁵², corruption¹⁵³, and fear. If a man says to Shaw that he is born of poor but honest parents, Shaw tells him that the very word “but” shows that his parents were probably dishonest. In short, he maintains here what he had maintained elsewhere: that what the people at this moment require is not more patriotism or more art or more religion or more morality or more sociology, but simply more money. The evil is not ignorance or decadence¹⁵⁵ or sin or pessimism¹⁵⁶; the evil is poverty. The point of this particular drama is that even the noblest enthusiasm of the girl who becomes a Salvation¹⁵⁷ Army officer fails under the brute¹⁵⁸ money power of her father who is a modern capitalist. When I have said this it will be clear why this play, fine and full of bitter sincerity¹⁵⁹ as it is, must in a manner be cleared out of the way before we come to talk of Shaw’s final and serious faith. For his serious faith is in the sanctity of human will, in the divine capacity for creation and choice rising higher than environment and doom¹⁶⁰; and so far as that goes, Major Barbara is not only apart from his faith but against his faith. Major Barbara is an account of environment victorious¹⁶¹ over heroic will. There are a thousand answers to the ethic⁶¹ in Major Barbara which I should be inclined to offer. I might point out that the rich do not so much buy honesty as curtains to cover dishonesty: that they do not so much buy health as cushions to comfort disease. And I might suggest that the doctrine¹⁶² that poverty degrades the poor is much more likely to be used as an argument for keeping them powerless than as an argument for making them rich. But there is no need to find such answers to the materialistic¹⁶³ pessimism of Major Barbara. The best answer to it is in Shaw’s own best and crowning philosophy, with which we shall shortly be concerned.

John Bull’s Other Island represents a realism somewhat more tinged¹⁶⁴ with the later transcendentalism of its author. In one sense, of course, it is a satire¹⁶⁵ on the conventional Englishman, who is never so silly or sentimental¹⁶⁶ as when he sees silliness and sentiment in the Irishman. Broadbent, whose mind is all fog and his morals all gush¹⁶⁷, is firmly persuaded that he is bringing reason and order among the Irish, whereas in truth they are all smiling at his illusions with the critical detachment of so many devils. There have been many plays depicting¹⁶⁸ the absurd Paddy in a ring of Anglo–Saxons; the first purpose of this play is to depict¹³⁸ the absurd Anglo–Saxon in a ring of ironical¹⁶⁹ Paddies. But it has a second and more subtle purpose, which is very finely contrived. It is suggested that when all is said and done there is in this preposterous¹⁷⁰ Englishman a certain creative power which comes from his simplicity and optimism, from his profound resolution rather to live life than to criticise¹⁷¹ it. I know no finer dialogue of philosophical¹⁷² cross-purposes than that in which Broadbent boasts of his commonsense¹⁷³, and his subtler Irish friend mystifies him by telling him that he, Broadbent, has no common-sense, but only inspiration. The Irishman admits in Broadbent a certain unconscious spiritual force even in his very stupidity. Lord Rosebery coined the very clever phrase “a practical mystic.” Shaw is here maintaining that all practical men are practical mystics. And he is really maintaining also that the most practical of all the practical mystics is the one who is a fool.

There is something unexpected and fascinating about this reversal of the usual argument touching enterprise and the business man; this theory that success is created not by intelligence, but by a certain half-witted and yet magical instinct. For Bernard Shaw, apparently¹⁷⁴, the forests of factories and the mountains of money are not the creations of human wisdom or even of human cunning; they are rather manifestations¹⁷⁵ of the sacred maxim¹⁷⁶ which declares that God has chosen the foolish things of the earth to confound the wise. It is simplicity and even innocence¹⁷⁷ that has made Manchester. As a philosophical fancy this is interesting or even suggestive; but it must be confessed that as a criticism of the relations of England to Ireland it is open to a strong historical objection. The one weak point in John Bull’s Other Island is that it turns on the fact that Broadbent succeeds in Ireland. But as a matter of fact Broadbent has not succeeded in Ireland. If getting what one wants is the test and fruit of this mysterious strength, then the Irish peasants are certainly much stronger than the English merchants; for in spite of all the efforts of the merchants, the land has remained a land of peasants. No glorification¹⁷⁸ of the English practicality as if it were a universal thing can ever get over the fact that we have failed in dealing¹⁷⁹ with the one white people in our power who were markedly unlike ourselves. And the kindness of Broadbent has failed just as much as his common-sense; because he was dealing with a people whose desire and ideal were different from his own. He did not share the Irish passion for small possession in land or for the more pathetic virtues¹⁸¹ of Christianity. In fact the kindness of Broadbent has failed for the same reason that the gigantic kindness of Shaw has failed. The roots are different; it is like tying the tops of two trees together. Briefly¹⁸², the philosophy of John Bull’s Other Island is quite effective and satisfactory except for this incurable¹⁸³ fault: the fact that John Bull’s other island is not John Bull’s.

This clearing off of his last critical plays we may classify as the first of the three facts which lead up to Man and Superman. The second of the three facts may be found, I think, in Shaw’s discovery of Nietzsche. This eloquent¹⁸⁴ sophist has an influence upon Shaw and his school which it would require a separate book adequately to study. By descent Nietzsche was a Pole, and probably a Polish noble; and to say that he was a Polish noble is to say that he was a frail¹⁸⁵, fastidious, and entirely useless anarchist¹⁸⁶. He had a wonderful poetic wit; and is one of the best rhetoricians of the modern world. He had a remarkable¹⁸⁷ power of saying things that master the reason for a moment by their gigantic unreasonableness¹⁸⁸; as, for instance, “Your life is intolerable without immortality¹⁸⁹; but why should not your life be intolerable?” His whole work is shot through with the pangs¹⁹⁰ and fevers of his physical life, which was one of extreme bad health; and in early middle age his brilliant brain broke down into impotence and darkness. All that was true in his teaching was this: that if a man looks fine on a horse it is so far irrelevant to tell him that he would be more economical on a donkey or more humane¹⁹¹ on a tricycle. In other words, the mere achievement of dignity, beauty, or triumph is strictly¹⁹² to be called a good thing. I do not know if Nietzsche ever used the illustration; but it seems to me that all that is creditable or sound in Nietzsche could be stated in the derivation of one word, the word “valour.” Valour means valeur; it means a value; courage is itself a solid good; it is an ultimate virtue¹⁸⁰; valour is in itself valid¹⁹³. In so far as he maintained this Nietzsche was only taking part in that great Protestant game of see-saw which has been the amusement of northern Europe since the sixteenth century. Nietzsche imagined he was rebelling against ancient morality; as a matter of fact he was only rebelling against recent morality, against the half-baked impudence¹⁹⁴ of the utilitarians¹⁹⁵ and the materialists. He thought he was rebelling against Christianity; curiously¹⁹⁷ enough he was rebelling solely¹⁹⁸ against the special enemies of Christianity, against Herbert Spencer and Mr. Edward Clodd. Historic Christianity has always believed in the valour of St. Michael riding in front of the Church Militant¹⁹⁹; and in an ultimate and absolute pleasure, not indirect or utilitarian¹⁹⁶, the intoxication²⁰⁰ of the spirit, the wine of the blood of God.

There are indeed doctrines²⁰¹ of Nietzsche that are not Christian, but then, by an entertaining coincidence, they are also not true. His hatred²⁰² of pity is not Christian, but that was not his doctrine but his disease. Invalids²⁰³ are often hard on invalids. And there is another doctrine of his that is not Christianity, and also (by the same laughable accident) not common-sense; and it is a most pathetic circumstance that this was the one doctrine which caught the eye of Shaw and captured him. He was not influenced at all by the morbid attack on mercy. It would require more than ten thousand mad Polish professors to make Bernard Shaw anything but a generous and compassionate²⁰⁴ man. But it is certainly a nuisance that the one Nietzsche doctrine which attracted him was not the one Nietzsche doctrine that is human and rectifying²⁰⁵. Nietzsche might really have done some good if he had taught Bernard Shaw to draw the sword, to drink wine, or even to dance. But he only succeeded in putting into his head a new superstition²², which bids fair to be the chief superstition of the dark ages which are possibly in front of us—I mean the superstition of what is called the Superman.

In one of his least convincing phrases, Nietzsche had said that just as the ape ultimately produced the man, so should we ultimately produce something higher than the man. The immediate²⁰⁶ answer, of course, is sufficiently obvious: the ape did not worry about the man, so why should we worry about the Superman? If the Superman will come by natural selection, may we leave it to natural selection? If the Superman will come by human selection, what sort of Superman are we to select? If he is simply to be more just, more brave, or more merciful, then Zarathustra sinks into a Sunday-school teacher; the only way we can work for it is to be more just, more brave, and more merciful; sensible advice, but hardly startling. If he is to be anything else than this, why should we desire him, or what else are we to desire? These questions have been many times asked of the Nietzscheites, and none of the Nietzscheites have even attempted to answer them.

The keen intellect of Bernard Shaw would, I think, certainly have seen through this fallacy and verbiage²⁰⁷ had it not been that another important event about this time came to the help of Nietzsche and established the Superman on his pedestal. It is the third of the things which I have called stepping-stones to Man and Superman, and it is very important. It is nothing less than the breakdown²⁰⁸ of one of the three intellectual supports upon which Bernard Shaw had reposed²¹⁰ through all his confident career. At the beginning of this book I have described the three ultimate supports of Shaw as the Irishman, the Puritan, and the Progressive. They are the three legs of the tripod upon which the prophet sat to give the oracle²¹¹; and one of them broke. Just about this time suddenly, by a mere shaft³⁶ of illumination, Bernard Shaw ceased to believe in progress altogether.

It is generally implied that it was reading Plato that did it. That philosopher was very well qualified²¹² to convey the first shock of the ancient civilisation²¹³ to Shaw, who had always thought instinctively²¹⁴ of civilisation as modern. This is not due merely to the daring splendour of the speculations²¹⁵ and the vivid picture of Athenian life, it is due also to something analogous²¹⁶ in the personalities²¹⁷ of that particular ancient Greek and this particular modern Irishman. Bernard Shaw has much affinity²¹⁸ to Plato—in his instinctive elevation²¹⁹ of temper, his courageous pursuit of ideas as far as they will go, his civic²²⁰ idealism; and also, it must be confessed, in his dislike of poets and a touch of delicate inhumanity. But whatever influence produced the change, the change had all the dramatic suddenness and completeness which belongs to the conversions²²¹ of great men. It had been perpetually implied through all the earlier works not only that mankind is constantly improving, but that almost everything must be considered in the light of this fact. More than once he seemed to argue, in comparing the dramatists of the sixteenth with those of the nineteenth century, that the latter had a definite advantage merely because they were of the nineteenth century and not of the sixteenth. When accused of impertinence towards the greatest of the Elizabethans, Bernard Shaw had said, “Shakespeare is a much taller man than I, but I stand on his shoulders”—an epigram which sums up this doctrine with characteristic neatness. But Shaw fell off Shakespeare’s shoulders with a crash. This chronological²²³ theory that Shaw stood on Shakespeare’s shoulders logically involved the supposition that Shakespeare stood on Plato’s shoulders. And Bernard Shaw found Plato from his point of view so much more advanced than Shakespeare that he decided²²⁴ in desperation that all three were equal.

Such failure as has partially²²⁵ attended the idea of human equality is very largely due to the fact that no party in the modern state has heartily²²⁶ believed in it. Tories and Radicals²²⁸ have both assumed that one set of men were in essentials superior to mankind. The only difference was that the Tory superiority was a superiority of place; while the Radical²²⁷ superiority is a superiority of time. The great objection to Shaw being on Shakespeare’s shoulders is a consideration for the sensations and personal dignity of Shakespeare. It is a democratic objection to anyone being on anyone else’s shoulders. Eternal human nature refuses to submit to a man who rules merely by right of birth. To rule by right of century is to rule by right of birth. Shaw found his nearest kinsman²²⁹ in remote Athens, his remotest enemies in the closest historical proximity²³⁰; and he began to see the enormous average and the vast level of mankind. If progress swung constantly between such extremes it could not be progress at all. The paradox was sharp but undeniable; if life had such continual ups and downs, it was upon the whole flat. With characteristic sincerity and love of sensation he had no sooner seen this than he hastened to declare it. In the teeth of all his previous pronouncements he emphasised and reemphasised in print that man had not progressed at all; that ninety-nine hundredths of a man in a cave were the same as ninety-nine hundredths of a man in a suburban²³¹ villa²³².

It is characteristic of him to say that he rushed into print with a frank confession²³³ of the failure of his old theory. But it is also characteristic of him that he rushed into print also with a new alternative theory, quite as definite, quite as confident, and, if one may put it so, quite as infallible as the old one. Progress had never happened hitherto, because it had been sought solely through education. Education was rubbish. “Fancy,” said he, “trying to produce a greyhound or a racehorse by education!” The man of the future must not be taught; he must be bred. This notion of producing superior human beings by the methods of the stud-farm had often been urged, though its difficulties had never been cleared up. I mean its practical difficulties; its moral difficulties, or rather impossibilities, for any animal fit to be called a man need scarcely be discussed. But even as a scheme it had never been made clear. The first and most obvious objection to it of course is this: that if you are to breed men as pigs, you require some overseer who is as much more subtle than a man as a man is more subtle than a pig. Such an individual is not easy to find.

It was, however, in the heat of these three things, the decline of his merely destructive realism, the discovery of Nietzsche, and the abandonment of the idea of a progressive education of mankind, that he attempted what is not necessarily his best, but certainly his most important work. The two things are by no means necessarily the same. The most important work of Milton is Paradise Lost; his best work is Lycidas. There are other places in which Shaw’s argument is more fascinating or his wit more startling than in Man and Superman; there are other plays that he has made more brilliant. But I am sure that there is no other play that he wished to make more brilliant. I will not say that he is in this case more serious than elsewhere; for the word serious is a double-meaning and double-dealing word, a traitor in the dictionary. It sometimes means solemn, and it sometimes means sincere. A very short experience of private and public life will be enough to prove that the most solemn people are generally the most insincere. A somewhat more delicate and detailed²³⁴ consideration will show also that the most sincere men are generally not solemn; and of these is Bernard Shaw. But if we use the word serious in the old and Latin sense of the word “grave,” which means weighty or valid, full of substance, then we may say without any hesitation²³⁵ that this is the most serious play of the most serious man alive.

The outline of the play is, I suppose, by this time sufficiently well known. It has two main philosophic motives²³⁶. The first is that what he calls the life-force (the old infidels called it Nature, which seems a neater word, and nobody knows the meaning of either of them) desires above all things to make suitable marriages, to produce a purer and prouder race, or eventually to produce a Superman. The second is that in this effecting of racial marriages the woman is a more conscious agent than the man. In short, that woman disposes a long time before man proposes. In this play, therefore, woman is made the pursuer and man the pursued. It cannot be denied, I think, that in this matter Shaw is handicapped by his habitual²³⁷ hardness of touch, by his lack of sympathy with the romance of which he writes, and to a certain extent even by his own integrity and right conscience. Whether the man hunts the woman or the woman the man, at least it should be a splendid pagan hunt; but Shaw is not a sporting man. Nor is he a pagan, but a Puritan. He cannot recover the impartiality²³⁸ of paganism which allowed Diana to propose to Endymion without thinking any the worse of her. The result is that while he makes Anne, the woman who marries his hero, a really powerful and convincing woman, he can only do it by making her a highly objectionable woman. She is a liar²⁵ and a bully²³⁹, not from sudden fear or excruciating dilemma; she is a liar and a bully in grain; she has no truth or magnanimity in her. The more we know that she is real, the more we know that she is vile²⁴⁰. In short, Bernard Shaw is still haunted with his old impotence of the unromantic writer; he cannot imagine the main motives of human life from the inside. We are convinced successfully that Anne wishes to marry Tanner, but in the very process we lose all power of conceiving why Tanner should ever consent to marry Anne. A writer with a more romantic strain in him might have imagined a woman choosing her lover without shamelessness and magnetising him without fraud. Even if the first movement were feminine, it need hardly be a movement like this. In truth, of course, the two sexes have their two methods of attraction, and in some of the happiest cases they are almost simultaneous. But even on the most cynical²⁴¹ showing they need not be mixed up. It is one thing to say that the mousetrap is not there by accident. It is another to say (in the face of ocular experience) that the mousetrap runs after the mouse.

But whenever Shaw shows the Puritan hardness or even the Puritan cheapness, he shows something also of the Puritan nobility, of the idea that sacrifice is really a frivolity²⁴² in the face of a great purpose. The reasonableness of Calvin and his followers²⁴³ will by the mercy of heaven be at last washed away; but their unreasonableness will remain an eternal splendour. Long after we have let drop the fancy that Protestantism was rational it will be its glory that it was fanatical. So it is with Shaw. To make Anne a real woman, even a dangerous woman, he would need to be something stranger and softer than Bernard Shaw. But though I always argue with him whenever he argues, I confess that he always conquers me in the one or two moments when he is emotional.

There is one really noble moment when Anne offers for all her cynical husband-hunting the only defence that is really great enough to cover it. “It will not be all happiness for me. Perhaps death.” And the man rises also at that real crisis, saying, “Oh, that clutch holds and hurts. What have you grasped in me? Is there a father’s heart as well as a mother’s?” That seems to me actually great; I do not like either of the characters an atom more than formerly²⁴⁴; but I can see shining and shaking through them at that instant the splendour of the God that made them and of the image of God who wrote their story.

A logician is like a liar in many respects, but chiefly in the fact that he should have a good memory. That cutting and inquisitive²⁴⁵ style which Bernard Shaw has always adopted carries with it an inevitable criticism. And it cannot be denied that this new theory of the supreme²⁴⁶ importance of sound sexual union, wrought²⁴⁷ by any means, is hard logically to reconcile with Shaw’s old diatribes²⁴⁸ against sentimentalism and operatic romance. If Nature wishes primarily to entrap²⁴⁹ us into sexual union, then all the means of sexual attraction, even the most maudlin²⁵⁰ or theatrical, are justified²⁵¹ at one stroke. The guitar of the troubadour is as practical as the ploughshare of the husbandman. The waltz in the ballroom²⁵² is as serious as the debate in the parish council. The justification²⁵³ of Anne, as the potential mother of Superman, is really the justification of all the humbugs²⁵⁴ and sentimentalists whom Shaw had been denouncing as a dramatic critic and as a dramatist since the beginning of his career. It was to no purpose that the earlier Bernard Shaw said that romance was all moonshine. The moonshine that ripens²⁵⁵ love is now as practical as the sunshine that ripens corn. It was vain to say that sexual chivalry²⁵⁶ was all rot; it might be as rotten as manure—and also as fertile. It is vain to call first love a fiction; it may be as fictitious²⁵⁷ as the ink of the cuttle or the doubling of the hare; as fictitious, as efficient, and as indispensable. It is vain to call it a self-deception; Schopenhauer said that all existence was a self-deception; and Shaw’s only further comment seems to be that it is right to be deceived. To Man and Superman, as to all his plays, the author attaches a most fascinating preface at the beginning. But I really think that he ought also to attach a hearty apology at the end; an apology to all the minor²⁵⁸ dramatists or preposterous actors whom he had cursed for romanticism in his youth. Whenever he objected to an actress for ogling²⁵⁹ she might reasonably reply, “But this is how I support my friend Anne in her sublime²⁶⁰ evolutionary²⁶¹ effort.” Whenever he laughed at an old-fashioned actor for ranting²⁶², the actor might answer, “My exaggeration is not more absurd than the tail of a peacock or the swagger of a cock; it is the way I preach the great fruitful lie of the life-force that I am a very fine fellow.” We have remarked the end of Shaw’s campaign in favour of progress. This ought really to have been the end of his campaign against romance. All the tricks of love that he called artificial become natural; because they become Nature. All the lies of love become truths; indeed they become the Truth.

The minor things of the play contain some thunderbolts of good thinking. Throughout this brief study I have deliberately not dwelt upon mere wit, because in anything of Shaw’s that may be taken for granted. It is enough to say that this play which is full of his most serious quality is as full as any of his minor sort of success. In a more solid sense two important facts stand out: the first is the character of the young American; the other is the character of Straker, the chauffeur²⁶³. In these Shaw has realised and made vivid two most important facts. First, that America is not intellectually a go-ahead country, but both for good and evil an old-fashioned one. It is full of stale culture and ancestral simplicity, just as Shaw’s young millionaire quotes Macaulay and piously²⁶⁴ worships his wife. Second, he has pointed²⁶⁵ out in the character of Straker that there has arisen in our midst a new class that has education without breeding. Straker is the man who has ousted²⁶⁶ the hansom-cabman, having neither his coarseness nor his kindliness²⁶⁷. Great sociological credit is due to the man who has first clearly observed that Straker has appeared. How anybody can profess³³ for a moment to be glad that he has appeared, I do not attempt to conjecture²⁶⁸.

Appended to the play is an entertaining though somewhat mysterious document called “The Revolutionist’s Handbook.” It contains many very sound remarks; this, for example, which I cannot too much applaud: “If you hit your child, be sure that you hit him in anger.” If that principle had been properly understood, we should have had less of Shaw’s sociological friends and their meddling²⁶⁹ with the habits and instincts of the poor. But among the fragments of advice also occurs the following suggestive and even alluring²⁷⁰ remark: “Every man over forty is a scoundrel.” On the first personal opportunity I asked the author of this remarkable axiom what it meant. I gathered that what it really meant was something like this: that every man over forty had been all the essential use that he was likely to be, and was therefore in a manner a parasite²⁷¹. It is gratifying to reflect that Bernard Shaw has sufficiently answered his own epigram by continuing to pour out treasures both of truth and folly²⁷² long after this allotted²⁷³ time. But if the epigram might be interpreted in a rather looser style as meaning that past a certain point a man’s work takes on its final character and does not greatly change the nature of its merits, it may certainly be said that with Man and Superman, Shaw reaches that stage. The two plays that have followed it, though of very great interest in themselves, do not require any revaluation of, or indeed any addition to, our summary of his genius and success. They are both in a sense casts back to his primary energies; the first in a controversial and the second in a technical sense. Neither need prevent our saying that the moment when John Tanner and Anne agree that it is doom for him and death for her and life only for the thing unborn, is the peak of his utterance²⁷⁴ as a prophet.

The two important plays that he has since given us are The Doctor’s Dilemma and Getting Married. The first is as regards its most amusing and effective elements a throw-back to his old game of guying the men of science. It was a very good game, and he was an admirable player. The actual story of the Doctor’s Dilemma itself seems to me less poignant²⁷⁵ and important than the things with which Shaw had lately been dealing. First of all, as has been said, Shaw has neither the kind of justice nor the kind of weakness that goes to make a true problem. We cannot feel the Doctor’s Dilemma, because we cannot really fancy Bernard Shaw being in a dilemma. His mind is both fond of abruptness²⁷⁶ and fond of finality; he always makes up his mind when he knows the facts and sometimes before. Moreover, this particular problem (though Shaw is certainly, as we shall see, nearer to pure doubt about it than about anything else) does not strike the critic as being such an exasperating²⁷⁷ problem after all. An artist of vast power and promise, who is also a scamp of vast profligacy²⁷⁸ and treachery, has a chance of life if specially treated for a special disease. The modern doctors (and even the modern dramatist) are in doubt whether he should be specially favoured because he is ?sthetically important or specially disregarded because he is ethically²⁷⁹ anti-social. They see-saw between the two despicable modern doctrines, one that geniuses should be worshipped like idols²⁸¹ and the other that criminals should be merely wiped out like germs. That both clever men and bad men ought to be treated like men does not seem to occur to them. As a matter of fact, in these affairs of life and death one never does think of such distinctions. Nobody does shout out at sea, “Bad citizen overboard!” I should recommend the doctor in his dilemma to do exactly what I am sure any decent doctor would do without any dilemma at all: to treat the man simply as a man, and give him no more and no less favour than he would to anybody else. In short, I am sure a practical physician would drop all these visionary, unworkable modern dreams about type and criminology and go back to the plain business-like facts of the French Revolution and the Rights of Man.

The other play, Getting Married, is a point in Shaw’s career, but only as a play, not, as usual, as a heresy²⁸². It is nothing but a conversation about marriage; and one cannot agree or disagree with the view of marriage, because all views are given which are held by anybody, and some (I should think) which are held by nobody. But its technical quality is of some importance in the life of its author. It is worth consideration as a play, because it is not a play at all. It marks the culmination²⁸³ and completeness of that victory of Bernard Shaw over the British public, or rather over their official representatives, of which I have spoken. Shaw had fought a long fight with business men, those incredible people, who assured him that it was useless to have wit without murders, and that a good joke, which is the most popular thing everywhere else, was quite unsalable in the theatrical world. In spite of this he had conquered by his wit and his good dialogue; and by the time of which we now speak he was victorious and secure. All his plays were being produced as a matter of course in England and as a matter of the fiercest fashion and enthusiasm in America and Germany. No one who knows the nature of the man will doubt that under such circumstances his first act would be to produce his wit naked and unashamed. He had been told that he could not support a slight play by mere dialogue. He therefore promptly²⁸⁴ produced mere dialogue without the slightest play for it to support. Getting Married is no more a play than Cicero’s dialogue De Amicitia, and not half so much a play as Wilson’s Noctes Ambrosian?. But though it is not a play, it was played, and played successfully. Everyone who went into the theatre felt that he was only eavesdropping²⁸⁵ at an accidental conversation. But the conversation was so sparkling and sensible that he went on eavesdropping. This, I think, as it is the final play of Shaw, is also, and fitly, his final triumph. He is a good dramatist and sometimes even a great dramatist. But the occasions when we get glimpses of him as really a great man are on these occasions when he is utterly²⁸⁶ undramatic.

From first to last Bernard Shaw has been nothing but a conversationalist. It is not a slur²⁸⁷ to say so; Socrates was one, and even Christ Himself. He differs from that divine and that human prototype in the fact that, like most modern people, he does to some extent talk in order to find out what he thinks; whereas they knew it beforehand. But he has the virtues that go with the talkative man; one of which is humility²⁸⁸. You will hardly ever find a really proud man talkative; he is afraid of talking too much. Bernard Shaw offered himself to the world with only one great qualification, that he could talk honestly and well. He did not speak; he talked to a crowd. He did not write; he talked to a typewriter. He did not really construct a play; he talked through ten mouths or masks instead of through one. His literary power and progress began in casual conversations—and it seems to me supremely²⁸⁹ right that it should end in one great and casual conversation. His last play is nothing but garrulous²⁹⁰ talking, that great thing called gossip. And I am happy to say that the play has been as efficient and successful as talk and gossip have always been among the children of men.

Of his life in these later years I have made no pretence²⁹¹ of telling even the little that there is to tell. Those who regard him as a mere self-advertising egotist may be surprised to hear that there is perhaps no man of whose private life less could be positively said by an outsider. Even those who know him can make little but a conjecture of what has lain behind this splendid stretch of intellectual self-expression; I only make my conjecture like the rest. I think that the first great turning-point in Shaw’s life (after the early things of which I have spoken, the taint²⁹³ of drink in the teetotal home, or the first fight with poverty) was the deadly illness which fell upon him, at the end of his first flashing career as a Saturday Reviewer. I know it would goad²⁹⁴ Shaw to madness to suggest that sickness could have softened²⁹⁵ him. That is why I suggest it. But I say for his comfort that I think it hardened him also; if that can be called hardening which is only the strengthening of our souls to meet some dreadful reality. At least it is certain that the larger spiritual ambitions, the desire to find a faith and found a church, come after that time. I also mention it because there is hardly anything else to mention; his life is singularly free from landmarks²⁹⁶, while his literature is so oddly full of surprises. His marriage to Miss Payne–Townsend, which occurred not long after his illness, was one of those quite successful things which are utterly silent. The placidity²⁹⁷ of his married life may be sufficiently indicated by saying that (as far as I can make out) the most important events in it were rows about the Executive of the Fabian Society. If such ripples²⁹⁸ do not express a still and lake-like life, I do not know what would. Honestly, the only thing in his later career that can be called an event is the stand made by Shaw at the Fabians against the sudden assault of Mr. H. G. Wells, which, after scenes of splendid exasperations, ended in Wells’ resignation. There was another slight ruffling²⁹⁹ of the calm when Bernard Shaw said some quite sensible things about Sir Henry Irving. But on the whole we confront the composure of one who has come into his own.

The method of his life has remained mostly unchanged. And there is a great deal of method in his life; I can hear some people murmuring something about method in his madness. He is not only neat and business-like; but, unlike some literary men I know, does not conceal³⁰⁰ the fact. Having all the talents proper to an author, he delights to prove that he has also all the talents proper to a publisher; or even to a publisher’s clerk. Though many looking at his light brown clothes would call him a Bohemian, he really hates and despises Bohemianism; in the sense that he hates and despises disorder³⁰¹ and uncleanness and irresponsibility. All that part of him is peculiarly normal and efficient. He gives good advice; he always answers letters, and answers them in a decisive and very legible hand. He has said himself that the only educational art that he thinks important is that of being able to jump off tram-cars at the proper moment. Though a rigid³⁰² vegetarian³⁰³, he is quite regular and rational in his meals; and though he detests³⁰⁴ sport, he takes quite sufficient exercise. While he has always made a mock of science in theory, he is by nature prone to meddle³⁰⁵ with it in practice. He is fond of photographing, and even more fond of being photographed. He maintained (in one of his moments of mad modernity) that photography was a finer thing than portrait-painting, more exquisite³⁰⁶ and more imaginative; he urged the characteristic argument that none of his own photographs were like each other or like him. But he would certainly wash the chemicals off his hands the instant after an experiment; just as he would wash the blood off his hands the instant after a Socialist massacre³⁰⁷. He cannot endure stains or accretions³⁰⁸; he is of that temperament³⁰⁹ which feels tradition itself to be a coat of dust; whose temptation it is to feel nothing but a sort of foul³¹⁰ accumulation or living disease even in the creeper upon the cottage or the moss³¹¹ upon the grave. So thoroughly³¹² are his tastes those of the civilised modern man that if it had not been for the fire in him of justice and anger he might have been the most trim and modern among the millions whom he shocks: and his bicycle and brown hat have been no menace in Brixton. But God sent among those suburbans one who was a prophet as well as a sanitary³¹³ inspector³¹⁴. He had every qualification for living in a villa—except the necessary indifference³¹⁵ to his brethren living in pigstyes. But for the small fact that he hates with a sickening hatred the hypocrisy³¹⁶ and class cruelty, he would really accept and admire the bathroom and the bicycle and asbestos-stove, having no memory of rivers or of roaring fires. In these things, like Mr. Straker, he is the New Man. But for his great soul he might have accepted modern civilisation; it was a wonderful escape. This man whom men so foolishly call crazy and anarchic has really a dangerous affinity to the fourth-rate perfections of our provincial³¹⁷ and Protestant civilisation. He might even have been respectable if he had had less self-respect.

His fulfilled fame and this tone of repose²⁰⁹ and reason in his life, together with the large circle of his private kindness and the regard of his fellow-artists, should permit us to end the record in a tone of almost patriarchal quiet. If I wished to complete such a picture I could add many touches: that he has consented to wear evening dress; that he has supported the Times Book Club; and that his beard has turned grey; the last to his regret, as he wanted it to remain red till they had completed colour-photography. He can mix with the most conservative statesmen; his tone grows continuously more gentle in the matter of religion. It would be easy to end with the lion lying down with the lamb, the wild Irishman tamed or taming everybody, Shaw reconciled to the British public as the British public is certainly largely reconciled to Shaw.

But as I put these last papers together, having finished this rude study, I hear a piece of news. His latest play, The Showing Up of Blanco Posnet, has been forbidden by the Censor³¹⁸. As far as I can discover, it has been forbidden because one of the characters professes³¹⁹ a belief in God and states his conviction that God has got him. This is wholesome³²⁰; this is like one crack of thunder in a clear sky. Not so easily does the prince of this world forgive. Shaw’s religious training and instinct is not mine, but in all honest religion there is something that is hateful to the prosperous compromise of our time. You are free in our time to say that God does not exist; you are free to say that He exists and is evil; you are free to say (like poor old Renan) that He would like to exist if He could. You may talk of God as a metaphor³⁸ or a mystification; you may water Him down with gallons of long words, or boil Him to the rags of metaphysics; and it is not merely that nobody punishes, but nobody protests. But if you speak of God as a fact, as a thing like a tiger, as a reason for changing one’s conduct, then the modern world will stop you somehow if it can. We are long past talking about whether an unbeliever should be punished for being irreverent. It is now thought irreverent to be a believer. I end where I began: it is the old Puritan in Shaw that jars the modern world like an electric shock. That vision with which I meant to end, that vision of culture and common-sense, of red brick and brown flannel³²¹, of the modern clerk broadened enough to embrace Shaw and Shaw softened enough to embrace the clerk, all that vision of a new London begins to fade and alter. The red brick begins to burn red-hot; and the smoke from all the chimneys has a strange smell. I find myself back in the fumes³²² in which I started.... Perhaps I have been misled by small modernities. Perhaps what I have called fastidiousness is a divine fear. Perhaps what I have called coldness is a predestinate and ancient endurance. The vision of the Fabian villas³²³ grows fainter and fainter, until I see only a void place across which runs Bunyan’s Pilgrim with his fingers in his ears.

Bernard Shaw has occupied much of his life in trying to elude³²⁴ his followers. The fox has enthusiastic followers, and Shaw seems to regard his in much the same way. This man whom men accuse of bidding for applause seems to me to shrink even from assent³²⁵. If you agree with Shaw he is very likely to contradict you; I have contradicted Shaw throughout, that is why I come at last almost to agree with him. His critics have accused him of vulgar self-advertisement; in his relation to his followers he seems to me rather marked with a sort of mad modesty³²⁶. He seems to wish to fly from agreement, to have as few followers as possible. All this reaches back, I think, to the three roots from which this meditation³²⁷ grew. It is partly the mere impatience and irony of the Irishman. It is partly the thought of the Calvinist that the host of God should be thinned rather than thronged³²⁸; that Gideon must reject soldiers rather than recruit them. And it is partly, alas³²⁹, the unhappy Progressive trying to be in front of his own religion, trying to destroy his own idol²⁸⁰ and even to desecrate³³⁰ his own tomb. But from whatever causes, this furious escape from popularity has involved Shaw in some perversities and refinements³³¹ which are almost mere insincerities, and which make it necessary to disentangle the good he has done from the evil in this dazzling course. I will attempt some summary by stating the three things in which his influence seems to me thoroughly good and the three in which it seems bad. But for the pleasure of ending on the finer note I will speak first of those that seem bad.

The primary respect in which Shaw has been a bad influence is that he has encouraged fastidiousness. He has made men dainty about their moral meals. This is indeed the root of his whole objection to romance. Many people have objected to romance for being too airy and exquisite. Shaw objects to romance for being too rank and coarse. Many have despised romance because it is unreal; Shaw really hates it because it is a great deal too real. Shaw dislikes romance as he dislikes beef and beer, raw brandy or raw beefsteaks. Romance is too masculine for his taste. You will find throughout his criticisms, amid all their truth, their wild justice or pungent³³² impartiality, a curious undercurrent of prejudice upon one point: the preference for the refined rather than the rude or ugly. Thus he will dislike a joke because it is coarse without asking if it is really immoral³³³. He objects to a man sitting down on his hat, whereas the austere¹⁴³ moralist should only object to his sitting down on someone else’s hat. This sensibility is barren because it is universal. It is useless to object to man being made ridiculous. Man is born ridiculous, as can easily be seen if you look at him soon after he is born. It is grotesque³³⁴ to drink beer, but it is equally grotesque to drink soda-water; the grotesqueness³³⁵ lies in the act of filling yourself like a bottle through a hole. It is undignified to walk with a drunken stagger; but it is fairly undignified to walk at all, for all walking is a sort of balancing, and there is always in the human being something of a quadruped on its hind²⁹² legs. I do not say he would be more dignified if he went on all fours; I do not know that he ever is dignified except when he is dead. We shall not be refined till we are refined into dust. Of course it is only because he is not wholly an animal that man sees he is a rum animal; and if man on his hind legs is in an artificial attitude, it is only because, like a dog, he is begging or saying thank you.

Everything important is in that sense absurd from the grave baby to the grinning skull³³⁶; everything practical is a practical joke. But throughout Shaw’s comedies, curiously enough, there is a certain kicking against this great doom of laughter. For instance, it is the first duty of a man who is in love to make a fool of himself; but Shaw’s heroes always seem to flinch³³⁷ from this, and attempt, in airy, philosophic revenge, to make a fool of the woman first. The attempts of Valentine and Charteris to divide their perceptions from their desires, and tell the woman she is worthless even while trying to win her, are sometimes almost torturing to watch; it is like seeing a man trying to play a different tune¹ with each hand. I fancy this agony is not only in the spectator, but in the dramatist as well. It is Bernard Shaw struggling with his reluctance³³⁸ to do anything so ridiculous as make a proposal. For there are two types of great humorist: those who love to see a man absurd and those who hate to see him absurd. Of the first kind are Rabelais and Dickens; of the second kind are Swift and Bernard Shaw.

So far as Shaw has spread or helped a certain modern reluctance or mauvaise honte in these grand and grotesque functions of man I think he has definitely done harm. He has much influence among the young men; but it is not an influence in the direction of keeping them young. One cannot imagine him inspiring any of his followers to write a war-song or a drinking-song or a love-song, the three forms of human utterance which come next in nobility to a prayer. It may seem odd to say that the net effect of a man so apparently impudent³³⁹ will be to make men shy. But it is certainly the truth. Shyness is always the sign of a divided soul; a man is shy because he somehow thinks his position at once despicable and important. If he were without humility he would not care; and if he were without pride he would not care. Now the main purpose of Shaw’s theoretic teaching is to declare that we ought to fulfil these great functions of life, that we ought to eat and drink and love. But the main tendency of his habitual criticism is to suggest that all the sentiments, professions, and postures³⁴⁰ of these things are not only comic but even contemptibly³⁴¹ comic, follies³⁴² and almost frauds. The result would seem to be that a race of young men may arise who do all these things, but do them awkwardly. That which was of old a free and hilarious³⁴³ function becomes an important and embarrassing necessity. Let us endure all the pagan pleasures with a Christian patience. Let us eat, drink, and be serious.

The second of the two points on which I think Shaw has done definite harm is this: that he has (not always or even as a rule intentionally) increased that anarchy³⁴⁴ of thought which is always the destruction of thought. Much of his early writing has encouraged among the modern youth that most pestilent of all popular tricks and fallacies; what is called the argument of progress. I mean this kind of thing. Previous ages were often, alas, aristocratic in politics or clericalist in religion; but they were always democratic in philosophy; they appealed to man, not to particular men. And if most men were against an idea, that was so far against it. But nowadays that most men are against a thing is thought to be in its favour; it is vaguely³⁴⁶ supposed to show that some day most men will be for it. If a man says that cows are reptiles³⁴⁷, or that Bacon wrote Shakespeare, he can always quote the contempt of his contemporaries as in some mysterious way proving the complete conversion²²² of posterity³⁴⁸. The objections to this theory scarcely need any elaborate indication. The final objection to it is that it amounts to this: say anything, however idiotic³⁴⁹, and you are in advance of your age. This kind of stuff must be stopped. The sort of democrat⁹² who appeals to the babe unborn must be classed with the sort of aristocrat³⁴⁵ who appeals to his deceased great-grandfather. Both should be sharply reminded that they are appealing to individuals whom they well know to be at a disadvantage in the matter of prompt and witty³⁵⁰ reply. Now although Bernard Shaw has survived this simple confusion, he has in his time greatly contributed to it. If there is, for instance, one thing that is really rare in Shaw it is hesitation. He makes up his mind quicker than a calculating boy or a county magistrate³⁵¹. Yet on this subject of the next change in ethics³⁵² he has felt hesitation, and being a strictly honest man has expressed it.

“I know no harder practical question than how much selfishness one ought to stand from a gifted person for the sake of his gifts or on the chance of his being right in the long run. The Superman will certainly come like a thief in the night, and be shot at accordingly; but we cannot leave our property wholly undefended on that account. On the other hand, we cannot ask the Superman simply to add a higher set of virtues to current respectable morals; for he is undoubtedly³⁵³ going to empty a good deal of respectable morality out like so much dirty water, and replace it by new and strange customs, shedding old obligations and accepting new and heavier ones. Every step of his progress must horrify³⁵⁴ conventional people; and if it were possible for even the most superior man to march ahead all the time, every pioneer of the march towards the Superman would be crucified.”

When the most emphatic³⁵⁵ man alive, a man unmatched in violent precision of statement, speaks with such avowed³⁵⁶ vagueness and doubt as this, it is no wonder if all his more weak-minded followers are in a mere whirlpool of uncritical and unmeaning innovation. If the superior person will be apparently criminal, the most probable result is simply that the criminal person will think himself superior. A very slight knowledge of human nature is required in the matter. If the Superman may possibly be a thief, you may bet your boots that the next thief will be a Superman. But indeed the Supermen (of whom I have met many) have generally been more weak in the head than in the moral conduct; they have simply offered the first fancy which occupied their minds as the new morality. I fear that Shaw had a way of encouraging these follies. It is obvious from the passage I have quoted that he has no way of restraining them.

The truth is that all feeble spirits naturally live in the future, because it is featureless; it is a soft job; you can make it what you like. The next age is blank, and I can paint it freely with my favourite colour. It requires real courage to face the past, because the past is full of facts which cannot be got over; of men certainly wiser than we and of things done which we could not do. I know I cannot write a poem as good as Lycidas. But it is always easy to say that the particular sort of poetry I can write will be the poetry of the future.

This I call the second evil influence of Shaw: that he has encouraged many to throw themselves for justification upon the shapeless and the unknown. In this, though courageous himself, he has encouraged cowards, and though sincere himself, has helped a mean escape. The third evil in his influence can, I think, be much more shortly dealt with. He has to a very slight extent, but still perceptibly, encouraged a kind of charlatanism³⁵⁷ of utterance among those who possess his Irish impudence without his Irish virtue. For instance, his amusing trick of self-praise is perfectly³⁵⁸ hearty and humorous in him; nay³⁵⁹, it is even humble³⁶⁰; for to confess vanity is itself humble. All that is the matter with the proud is that they will not admit that they are vain. Therefore when Shaw says that he alone is able to write such and such admirable work, or that he has just utterly wiped out some celebrated³⁶¹ opponent, I for one never feel anything offensive in the tone, but, indeed, only the unmistakable intonation³⁶² of a friend’s voice. But I have noticed among younger, harder, and much shallower men a certain disposition to ape this insolent³⁶³ ease and certitude, and that without any fundamental frankness or mirth. So far the influence is bad. Egoism can be learnt as a lesson like any other “ism.” It is not so easy to learn an Irish accent or a good temper. In its lower forms the thing becomes a most unmilitary trick of announcing the victory before one has gained it.

When one has said those three things, one has said, I think, all that can be said by way of blaming Bernard Shaw. It is significant that he was never blamed for any of these things by the Censor. Such censures³⁶⁴ as the attitude of that official involves may be dismissed with a very light sort of disdain³⁶⁵. To represent Shaw as profane³⁶⁶ or provocatively³⁶⁷ indecent is not a matter for discussion at all; it is a disgusting criminal libel upon a particularly respectable gentleman of the middle classes, of refined tastes and somewhat Puritanical³⁶⁸ views. But while the negative defence of Shaw is easy, the just praise of him is almost as complex as it is necessary; and I shall devote the last few pages of this book to a triad corresponding to the last one—to the three important elements in which the work of Shaw has been good as well as great.

In the first place, and quite apart from all particular theories, the world owes thanks to Bernard Shaw for having combined being intelligent with being intelligible³⁶⁹. He has popularised philosophy, or rather he has repopularised it, for philosophy is always popular, except in peculiarly corrupt¹⁵⁴ and oligarchic³⁷⁰ ages like our own. We have passed the age of the demagogue, the man who has little to say and says it loud. We have come to the age of the mystagogue or don, the man who has nothing to say, but says it softly and impressively in an indistinct whisper. After all, short words must mean something, even if they mean filth³⁷¹ or lies; but long words may sometimes mean literally nothing, especially if they are used (as they mostly are in modern books and magazine articles) to balance and modify each other. A plain figure 4, scrawled³⁷² in chalk anywhere, must always mean something; it must always mean 2 + 2. But the most enormous and mysterious algebraic equation, full of letters, brackets, and fractions, may all cancel out at last and be equal to nothing. When a demagogue says to a mob, “There is the Bank of England, why shouldn’t you have some of that money?” he says something which is at least as honest and intelligible as the figure 4. When a writer in the Times remarks, “We must raise the economic efficiency of the masses without diverting anything from those classes which represent the national prosperity and refinement,” then his equation cancels out; in a literal and logical sense his remark amounts to nothing.

There are two kinds of charlatans³⁷³ or people called quacks³⁷⁴ today. The power of the first is that he advertises—and cures. The power of the second is that though he is not learned enough to cure he is much too learned to advertise. The former give away their dignity with a pound of tea; the latter are paid a pound of tea merely for being dignified. I think them the worse quacks of the two. Shaw is certainly of the other sort. Dickens, another man who was great enough to be a demagogue (and greater than Shaw because more heartily a demagogue), puts for ever the true difference between the demagogue and the mystagogue in Dr. Marigold: “Except that we’re cheap-jacks and they’re dear-jacks, I don’t see any difference between us.” Bernard Shaw is a great cheap-jack, with plenty of patter and I dare say plenty of nonsense, but with this also (which is not wholly unimportant), with goods to sell. People accuse such a man of self-advertisement. But at least the cheap-jack does advertise his wares³⁷⁵, whereas the don or dear-jack advertises nothing except himself. His very silence, nay his very sterility³⁷⁶, are supposed to be marks of the richness of his erudition. He is too learned to teach, and sometimes too wise even to talk. St. Thomas Aquinas said: “In auctore auctoritas.” But there is more than one man at Oxford³⁷⁷ or Cambridge who is considered an authority because he has never been an author.

Against all this mystification both of silence and verbosity³⁷⁸ Shaw has been a splendid and smashing protest. He has stood up for the fact that philosophy is not the concern of those who pass through Divinity and Greats, but of those who pass through birth and death. Nearly all the most awful and abstruse³⁷⁹ statements can be put in words of one syllable³⁸⁰, from “A child is born” to “A soul is damned.” If the ordinary man may not discuss existence, why should he be asked to conduct it? About concrete matters indeed one naturally appeals to an oligarchy³⁸¹ or select class. For information about Lapland I go to an aristocracy of Laplanders; for the ways of rabbits to an aristocracy of naturalists³⁸² or, preferably, an aristocracy of poachers. But only mankind itself can bear witness to the abstract first principles of mankind, and in matters of theory I would always consult the mob. Only the mass of men, for instance, have authority to say whether life is good. Whether life is good is an especially mystical and delicate question, and, like all such questions, is asked in words of one syllable. It is also answered in words of one syllable, and Bernard Shaw (as also mankind) answers “yes.”

This plain, pugnacious³⁸³ style of Shaw has greatly clarified all controversies³⁸⁴. He has slain³⁸⁵ the polysyllable, that huge and slimy centipede which has sprawled³⁸⁶ over all the valleys of England like the “loathly worm” who was slain by the ancient knight³⁸⁷. He does not think that difficult questions will be made simpler by using difficult words about them. He has achieved the admirable work, never to be mentioned without gratitude³⁸⁸, of discussing Evolution without mentioning it. The good work is of course more evident in the case of philosophy than any other region; because the case of philosophy was a crying one. It was really preposterous that the things most carefully reserved for the study of two or three men should actually be the things common to all men. It was absurd that certain men should be experts on the special subject of everything. But he stood for much the same spirit and style in other matters; in economics, for example. There never has been a better popular economist³⁸⁹; one more lucid, entertaining, consistent, and essentially exact. The very comicality of his examples makes them and their argument stick in the mind; as in the case I remember in which he said that the big shops had now to please everybody, and were not entirely dependent on the lady who sails in “to order four governesses and five grand pianos.” He is always preaching collectivism; yet he does not very often name it. He does not talk about collectivism, but about cash; of which the populace feel a much more definite need. He talks about cheese, boots, perambulators, and how people are really to live. For him economics really means housekeeping, as it does in Greek. His difference from the orthodox economists³⁹⁰, like most of his differences, is very different from the attacks made by the main body of Socialists. The old Manchester economists are generally attacked for being too gross and material. Shaw really attacks them for not being gross or material enough. He thinks that they hide themselves behind long words, remote hypotheses or unreal generalisations. When the orthodox economist begins with his correct and primary formula, “Suppose there is a Man on an Island——” Shaw is apt to interrupt him sharply, saying, “There is a Man in the Street.”

The second phase of the man’s really fruitful efficacy is in a sense the converse³⁹¹ of this. He has improved philosophic discussions by making them more popular. But he has also improved popular amusements by making them more philosophic. And by more philosophic I do not mean duller, but funnier; that is more varied³⁹². All real fun is in cosmic contrasts, which involve a view of the cosmos³⁹³. But I know that this second strength in Shaw is really difficult to state and must be approached by explanations and even by eliminations³⁹⁴. Let me say at once that I think nothing of Shaw or anybody else merely for playing the daring sceptic. I do not think he has done any good or even achieved any effect simply by asking startling questions. It is possible that there have been ages so sluggish³⁹⁵ or automatic that anything that woke them up at all was a good thing. It is sufficient to be certain that ours is not such an age. We do not need waking up; rather we suffer from insomnia³⁹⁶, with all its results of fear and exaggeration and frightful³⁹⁷ waking dreams. The modern mind is not a donkey which wants kicking to make it go on. The modern mind is more like a motor-car on a lonely road which two amateur motorists have been just clever enough to take to pieces, but are not quite clever enough to put together again. Under these circumstances kicking the car has never been found by the best experts to be effective. No one, therefore, does any good to our age merely by asking questions—unless he can answer the questions. Asking questions is already the fashionable and aristocratic sport which has brought most of us into the bankruptcy³⁹⁸ court. The note of our age is a note of interrogation. And the final point is so plain; no sceptical philosopher can ask any questions that may not equally be asked by a tired child on a hot afternoon. “Am I a boy?—Why am I a boy?—Why aren’t I a chair?—What is a chair?” A child will sometimes ask questions of this sort for two hours. And the philosophers of Protestant Europe have asked them for two hundred years.

If that were all that I meant by Shaw making men more philosophic, I should put it not among his good influences but his bad. He did do that to some extent; and so far he is bad. But there is a much bigger and better sense in which he has been a philosopher. He has brought back into English drama all the streams of fact or tendency which are commonly called undramatic. They were there in Shakespeare’s time; but they have scarcely been there since until Shaw. I mean that Shakespeare, being interested in everything, put everything into a play. If he had lately been thinking about the irony and even contradiction confronting us in self-preservation and suicide, he put it all into Hamlet. If he was annoyed by some passing boom in theatrical babies he put that into Hamlet too. He would put anything into Hamlet which he really thought was true, from his favourite nursery ballads to his personal (and perhaps unfashionable) conviction of the Catholic purgatory³⁹⁹. There is no fact that strikes one, I think, about Shakespeare, except the fact of how dramatic he could be, so much as the fact of how undramatic he could be.

In this great sense Shaw has brought philosophy back into drama—philosophy in the sense of a certain freedom of the mind. This is not a freedom to think what one likes (which is absurd, for one can only think what one thinks); it is a freedom to think about what one likes, which is quite a different thing and the spring of all thought. Shakespeare (in a weak moment, I think) said that all the world is a stage. But Shakespeare acted on the much finer principle that a stage is all the world. So there are in all Bernard Shaw’s plays patches of what people would call essentially undramatic stuff, which the dramatist puts in because he is honest and would rather prove his case than succeed with his play. Shaw has brought back into English drama that Shakespearian universality which, if you like, you can call Shakespearian irrelevance⁴⁰⁰. Perhaps a better definition than either is a habit of thinking the truth worth telling even when you meet it by accident. In Shaw’s plays one meets an incredible number of truths by accident.

To be up to date is a paltry⁴⁰¹ ambition except in an almanac, and Shaw has sometimes talked this almanac philosophy. Nevertheless there is a real sense in which the phrase may be wisely used, and that is in cases where some stereotyped⁴⁰² version of what is happening hides what is really happening from our eyes. Thus, for instance, newspapers are never up to date. The men who write leading articles are always behind the times, because they are in a hurry. They are forced to fall back on their old-fashioned view of things; they have no time to fashion a new one. Everything that is done in a hurry is certain to be antiquated⁴⁰³; that is why modern industrial civilisation bears so curious a resemblance to barbarism. Thus when newspapers say that the Times is a solemn old Tory paper, they are out of date; their talk is behind the talk in Fleet Street. Thus when newspapers say that Christian dogmas are crumbling⁴⁰⁴, they are out of date; their talk is behind the talk in public-houses. Now in this sense Shaw has kept in a really stirring sense up to date. He has introduced into the theatre the things that no one else had introduced into a theatre—the things in the street outside. The theatre is a sort of thing which proudly sends a hansom-cab across the stage as Realism, while everybody outside is whistling for motor-cabs.

Consider in this respect how many and fine have been Shaw’s intrusions into the theatre with the things that were really going on. Daily papers and daily matinées were still gravely explaining how much modern war depended on gunpowder⁴⁰⁵. Arms and the Man explained how much modern war depends on chocolate. Every play and paper described the Vicar who was a mild Conservative. Candida caught hold of the modern Vicar who is an advanced Socialist. Numberless magazine articles and society comedies describe the emancipated⁴⁰⁶ woman as new and wild. Only You Never Can Tell was young enough to see that the emancipated woman is already old and respectable. Every comic paper has caricatured the uneducated upstart. Only the author of Man and Superman knew enough about the modern world to caricature the educated upstart—the man Straker who can quote Beaumarchais, though he cannot pronounce him. This is the second real and great work of Shaw—the letting in of the world on to the stage, as the rivers were let in upon the Augean Stable. He has let a little of the Haymarket into the Haymarket Theatre. He has permitted some whispers of the Strand⁴⁰⁷ to enter the Strand Theatre. A variety of solutions in philosophy is as silly as it is in arithmetic, but one may be justly proud of a variety of materials for a solution. After Shaw, one may say, there is nothing that cannot be introduced into a play if one can make it decent, amusing, and relevant. The state of a man’s health, the religion of his childhood, his ear for music, or his ignorance of cookery can all be made vivid if they have anything to do with the subject. A soldier may mention the commissariat as well as the cavalry⁴⁰⁸; and, better still, a priest may mention theology as well as religion. That is being a philosopher; that is bringing the universe on the stage.

Lastly, he has obliterated⁴⁰⁹ the mere cynic. He has been so much more cynical than anyone else for the public good that no one has dared since to be really cynical for anything smaller. The Chinese crackers⁴¹⁰ of the frivolous⁴¹¹ cynics fail to excite us after the dynamite⁷ of the serious and aspiring⁴¹² cynic. Bernard Shaw and I (who are growing grey together) can remember an epoch¹⁴⁵ which many of his followers do not know: an epoch of real pessimism. The years from 1885 to 1898 were like the hours of afternoon in a rich house with large rooms; the hours before tea-time. They believed in nothing except good manners; and the essence of good manners is to conceal a yawn. A yawn may be defined as a silent yell. The power which the young pessimist of that time showed in this direction would have astonished anyone but him. He yawned so wide as to swallow the world. He swallowed the world like an unpleasant pill before retiring to an eternal rest. Now the last and best glory of Shaw is that in the circles where this creature was found, he is not. He has not been killed (I don’t know exactly why), but he has actually turned into a Shaw idealist. This is no exaggeration. I meet men who, when I knew them in 1898, were just a little too lazy to destroy the universe. They are now conscious of not being quite worthy to abolish some prison regulations. This destruction and conversion seem to me the mark of something actually great. It is always great to destroy a type without destroying a man. The followers of Shaw are optimists⁴¹³; some of them are so simple as even to use the word. They are sometimes rather pallid⁴¹⁴ optimists, frequently very worried optimists, occasionally, to tell the truth, rather cross optimists: but they not pessimists⁴¹⁵; they can exult¹²⁵ though they cannot laugh. He has at least withered⁴¹⁶ up among them the mere pose of impossibility. Like every great teacher, he has cursed the barren fig-tree. For nothing except that impossibility is really impossible.

I know it is all very strange. From the height of eight hundred years ago, or of eight hundred years hence, our age must look incredibly odd. We call the twelfth century ascetic⁴¹⁷. We call our own time hedonist and full of praise and pleasure. But in the ascetic age the love of life was evident and enormous, so that it had to be restrained. In an hedonist age pleasure has always sunk low, so that it has to be encouraged. How high the sea of human happiness rose in the Middle Ages, we now only know by the colossal walls that they built to keep it in bounds. How low human happiness sank in the twentieth century our children will only know by these extraordinary modern books, which tell people that it is a duty to be cheerful and that life is not so bad after all. Humanity never produces optimists till it has ceased to produce happy men. It is strange to be obliged to impose a holiday like a fast, and to drive men to a banquet with spears. But this shall be written of our time: that when the spirit who denies besieged⁴¹⁸ the last citadel⁴¹⁹, blaspheming life itself, there were some, there was one especially, whose voice was heard and whose spear was never broken.

The End

1 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

2 redeems   

补偿( redeem的第三人称单数 )； 实践； 解救； 使…免受责难

参考例句：

• The acting barely redeems the play. 该剧的演出未能补救剧本的缺点。
• There is a certain insane charm about Sellers; the very vastness of his schemes redeems them. 塞勒斯有一种迹近疯狂的魔力，正因为他的计划过于庞大，它们才能使人相信。

3 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

4 specially   

adv.特定地；特殊地；明确地

参考例句：

• They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
• The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。

5 creed   

n.信条；信念，纲领

参考例句：

• They offended against every article of his creed.他们触犯了他的每一条戒律。
• Our creed has always been that business is business.我们的信条一直是公私分明。

6 dynamiter   

n.炸药使用者（尤指革命者）

参考例句：

• The last dynamiter they sent to work with us, although a formidable technician, was very nervous. 上次他们派来和我们一起干的爆破手虽说是个很棒的专家，却很神经质。 来自辞典例句
• Her dad is a dynamiter. 她爸爸是一名爆破手。 来自互联网

7 dynamite   

n./vt.(用)炸药(爆破)

参考例句：

• The workmen detonated the dynamite.工人们把炸药引爆了。
• The philosopher was still political dynamite.那位哲学家仍旧是政治上的爆炸性人物。

8 positively   

adv.明确地，断然，坚决地；实在，确实

参考例句：

• She was positively glowing with happiness.她满脸幸福。
• The weather was positively poisonous.这天气着实讨厌。

9 irony   

n.反语，冷嘲；具有讽刺意味的事，嘲弄

参考例句：

• She said to him with slight irony.她略带嘲讽地对他说。
• In her voice we could sense a certain tinge of irony.从她的声音里我们可以感到某种讥讽的意味。

10 acclaiming   

向…欢呼( acclaim的现在分词 )； 向…喝彩； 称赞…； 欢呼或拥戴（某人）为…

参考例句：

• But to assent to a consensus acclaiming its virtues is another matter. 但若异口同声地为君主制歌功颂德，则是另一码事。 来自名作英译部分
• Church bells rang in London acclaiming a great victory. 伦敦教堂的钟声响起，宣告了一场伟大的胜利。

11 buffoon   

n.演出时的丑角

参考例句：

• They pictured their manager as a buffoon.他们把经理描绘成一个小丑。
• That politician acted like a buffoon during that debate.这个政客在那场辩论中真是丑态百出。

12 synthetic   

adj.合成的，人工的；综合的；n.人工制品

参考例句：

• We felt the salesman's synthetic friendliness.我们感觉到那位销售员的虚情假意。
• It's a synthetic diamond.这是人造钻石。

13 charlatan   

n.骗子；江湖医生；假内行

参考例句：

• The charlatan boasted that he could charm off any disease.这个江湖骗子吹牛说他能用符咒治好各种疾病。
• He was sure that he was dealing with a charlatan.他真以为自己遇上了江湖骗子。

14 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

15 mire   

n.泥沼，泥泞；v.使...陷于泥泞，使...陷入困境

参考例句：

• I don't want my son's good name dragged through the mire.我不想使我儿子的名誉扫地。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

16 premature   

adj.比预期时间早的；不成熟的，仓促的

参考例句：

• It is yet premature to predict the possible outcome of the dialogue.预言这次对话可能有什么结果为时尚早。
• The premature baby is doing well.那个早产的婴儿很健康。

17 colossal   

adj.异常的，庞大的

参考例句：

• There has been a colossal waste of public money.一直存在巨大的公款浪费。
• Some of the tall buildings in that city are colossal.那座城市里的一些高层建筑很庞大。

18 overloaded   

a.超载的，超负荷的

参考例句：

• He's overloaded with responsibilities. 他担负的责任过多。
• She has overloaded her schedule with work, study, and family responsibilities. 她的日程表上排满了工作、学习、家务等，使自己负担过重。

19 lumbering   

n.采伐林木

参考例句：

• Lumbering and, later, paper-making were carried out in smaller cities. 木材业和后来的造纸都由较小的城市经营。
• Lumbering is very important in some underdeveloped countries. 在一些不发达的国家，伐木业十分重要。

20 contrived   

adj.不自然的，做作的；虚构的

参考例句：

• There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
• The plot seems contrived.情节看起来不真实。

21 superstitions   

迷信，迷信行为( superstition的名词复数 )

参考例句：

• Old superstitions seem incredible to educated people. 旧的迷信对于受过教育的人来说是不可思议的。
• Do away with all fetishes and superstitions. 破除一切盲目崇拜和迷信。

22 superstition   

n.迷信，迷信行为

参考例句：

• It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
• Superstition results from ignorance.迷信产生于无知。

23 paradox   

n.似乎矛盾却正确的说法；自相矛盾的人(物)

参考例句：

• The story contains many levels of paradox.这个故事存在多重悖论。
• The paradox is that Japan does need serious education reform.矛盾的地方是日本确实需要教育改革。

24 socialist   

n.社会主义者；adj.社会主义的

参考例句：

• China is a socialist country,and a developing country as well.中国是一个社会主义国家，也是一个发展中国家。
• His father was an ardent socialist.他父亲是一个热情的社会主义者。

25 liar   

n.说谎的人

参考例句：

• I know you for a thief and a liar!我算认识你了，一个又偷又骗的家伙！
• She was wrongly labelled a liar.她被错误地扣上说谎者的帽子。

26 disposition   

n.性情，性格；意向，倾向；排列，部署

参考例句：

• He has made a good disposition of his property.他已对财产作了妥善处理。
• He has a cheerful disposition.他性情开朗。

27 defiant   

adj.无礼的，挑战的

参考例句：

• With a last defiant gesture,they sang a revolutionary song as they were led away to prison.他们被带走投入监狱时，仍以最后的反抗姿态唱起了一支革命歌曲。
• He assumed a defiant attitude toward his employer.他对雇主采取挑衅的态度。

28 camaraderie   

n.同志之爱，友情

参考例句：

• The camaraderie among fellow employees made the tedious work just bearable.同事之间的情谊使枯燥乏味的工作变得还能忍受。
• Some bosses are formal and have occasional interactions,while others prefer continual camaraderie.有些老板很刻板，偶尔才和下属互动一下；有些则喜欢和下属打成一片。

29 hearty   

adj.热情友好的；衷心的；尽情的，纵情的

参考例句：

• After work they made a hearty meal in the worker's canteen.工作完了，他们在工人食堂饱餐了一顿。
• We accorded him a hearty welcome.我们给他热忱的欢迎。

30 outspoken   

adj.直言无讳的，坦率的，坦白无隐的

参考例句：

• He was outspoken in his criticism.他在批评中直言不讳。
• She is an outspoken critic of the school system in this city.她是这座城市里学校制度的坦率的批评者。

31 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

32 tract   

n.传单，小册子，大片(土地或森林)

参考例句：

• He owns a large tract of forest.他拥有一大片森林。
• He wrote a tract on this subject.他曾对此写了一篇短文。

33 profess   

v.声称，冒称，以...为业，正式接受入教，表明信仰

参考例句：

• I profess that I was surprised at the news.我承认这消息使我惊讶。
• What religion does he profess?他信仰哪种宗教？

34 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

35 sophistries   

n.诡辩术( sophistry的名词复数 )；（一次）诡辩

参考例句：

• They refuted the "sophistries of the economists". 他们驳斥了“经济学家们似是而非的观点”。 来自柯林斯例句

36 shaft   

n.(工具的)柄，杆状物

参考例句：

• He was wounded by a shaft.他被箭击中受伤。
• This is the shaft of a steam engine.这是一个蒸汽机主轴。

37 scavenger   

n.以腐尸为食的动物，清扫工

参考例句：

• He's just fit for a job as scavenger.他只配当个清道夫。
• He is not a scavenger nor just a moving appetite as some sharks are.它不是食腐动物，也不像有些鲨鱼那样，只知道游来游去满足食欲。

38 metaphor   

n.隐喻，暗喻

参考例句：

• Using metaphor,we say that computers have senses and a memory.打个比方，我们可以说计算机有感觉和记忆力。
• In poetry the rose is often a metaphor for love.玫瑰在诗中通常作为爱的象征。

39 metaphors   

隐喻( metaphor的名词复数 )

参考例句：

• I can only represent it to you by metaphors. 我只能用隐喻来向你描述它。
• Thus, She's an angel and He's a lion in battle are metaphors. 因此她是天使，他是雄狮都是比喻说法。

40 disapprove   

v.不赞成，不同意，不批准

参考例句：

• I quite disapprove of his behaviour.我很不赞同他的行为。
• She wants to train for the theatre but her parents disapprove.她想训练自己做戏剧演员，但她的父母不赞成。

41 miserable   

adj.悲惨的，痛苦的；可怜的，糟糕的

参考例句：

• It was miserable of you to make fun of him.你取笑他，这是可耻的。
• Her past life was miserable.她过去的生活很苦。

42 abject   

adj.极可怜的，卑屈的

参考例句：

• This policy has turned out to be an abject failure.这一政策最后以惨败而告终。
• He had been obliged to offer an abject apology to Mr.Alleyne for his impertinence.他不得不低声下气，为他的无礼举动向艾莱恩先生请罪。

43 fanatic   

n.狂热者，入迷者；adj.狂热入迷的

参考例句：

• Alexander is a football fanatic.亚历山大是个足球迷。
• I am not a religious fanatic but I am a Christian.我不是宗教狂热分子，但我是基督徒。

44 missionary   

adj.教会的，传教(士)的；n.传教士

参考例句：

• She taught in a missionary school for a couple of years.她在一所教会学校教了两年书。
• I hope every member understands the value of missionary work. 我希望教友都了解传教工作的价值。

45 remonstrating   

v.抗议( remonstrate的现在分词 )；告诫

参考例句：

• There's little point in remonstrating with John.He won't listen to reason. 跟约翰抗辩没有什么意义，他不听劝。 来自互联网
• We tried remonstrating with him over his treatment of the children. 我们曾试着在对待孩子上规谏他。 来自互联网

46 consistency   

n.一贯性，前后一致，稳定性；(液体的)浓度

参考例句：

• Your behaviour lacks consistency.你的行为缺乏一贯性。
• We appreciate the consistency and stability in China and in Chinese politics.我们赞赏中国及其政策的连续性和稳定性。

47 sufficiently   

adv.足够地，充分地

参考例句：

• It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
• The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。

48 contradictory   

adj.反驳的，反对的，抗辩的；n.正反对，矛盾对立

参考例句：

• The argument is internally contradictory.论据本身自相矛盾。
• What he said was self-contradictory.他讲话前后不符。

49 vistas   

长条形景色( vista的名词复数 )； 回顾； 展望； （未来可能发生的）一系列情景

参考例句：

• This new job could open up whole new vistas for her. 这项新工作可能给她开辟全新的前景。
• The picture is small but It'shows broad vistas. 画幅虽然不大，所表现的天地却十分广阔。

50 withheld   

withhold过去式及过去分词

参考例句：

• I withheld payment until they had fulfilled the contract. 他们履行合同后，我才付款。 来自《简明英汉词典》
• There was no school play because the principal withheld his consent. 由于校长没同意，学校里没有举行比赛。 来自《简明英汉词典》

51 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

52 fatuously   

adv.愚昧地，昏庸地，蠢地

参考例句：

• He is not fatuously content with existing conditions. 他不会愚昧地满于现状的。 来自《现代汉英综合大词典》
• This time the opportunity presented what he fatuously termed to himself a 'cinch'. 这一次出现的机会极为难得，他满以为十拿九稳哩。 来自英汉文学 - 欧亨利

53 precipice   

n.悬崖，危急的处境

参考例句：

• The hut hung half over the edge of the precipice.那间小屋有一半悬在峭壁边上。
• A slight carelessness on this precipice could cost a man his life.在这悬崖上稍一疏忽就会使人丧生。

54 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

55 outrageous   

adj.无理的，令人不能容忍的

参考例句：

• Her outrageous behaviour at the party offended everyone.她在聚会上的无礼行为触怒了每一个人。
• Charges for local telephone calls are particularly outrageous.本地电话资费贵得出奇。

56 sane   

adj.心智健全的，神志清醒的，明智的，稳健的

参考例句：

• He was sane at the time of the murder.在凶杀案发生时他的神志是清醒的。
• He is a very sane person.他是一个很有头脑的人。

57 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

58 entangled   

adj.卷入的；陷入的；被缠住的；缠在一起的v.使某人（某物/自己）缠绕，纠缠于（某物中），使某人（自己）陷入（困难或复杂的环境中）( entangle的过去式和过去分词 )

参考例句：

• The bird had become entangled in the wire netting. 那只小鸟被铁丝网缠住了。
• Some military observers fear the US could get entangled in another war. 一些军事观察家担心美国会卷入另一场战争。 来自《简明英汉词典》

59 patriotism   

n.爱国精神，爱国心，爱国主义

参考例句：

• His new book is a demonstration of his patriotism.他写的新书是他的爱国精神的证明。
• They obtained money under the false pretenses of patriotism.他们以虚伪的爱国主义为借口获得金钱。

60 lucid   

adj.明白易懂的，清晰的，头脑清楚的

参考例句：

• His explanation was lucid and to the point.他的解释扼要易懂。
• He wasn't very lucid,he didn't quite know where he was.他神志不是很清醒，不太知道自己在哪里。

61 ethic   

n.道德标准，行为准则

参考例句：

• They instilled the work ethic into their children.他们在孩子们的心中注入了职业道德的理念。
• The connotation of education ethic is rooted in human nature's mobility.教育伦理的内涵根源于人本性的变动性。

62 ethical   

adj.伦理的，道德的，合乎道德的

参考例句：

• It is necessary to get the youth to have a high ethical concept.必须使青年具有高度的道德观念。
• It was a debate which aroused fervent ethical arguments.那是一场引发强烈的伦理道德争论的辩论。

63 socialists   

社会主义者( socialist的名词复数 )

参考例句：

• The socialists saw themselves as true heirs of the Enlightenment. 社会主义者认为自己是启蒙运动的真正继承者。
• The Socialists junked dogma when they came to office in 1982. 社会党人1982年上台执政后，就把其政治信条弃之不顾。

64 instinctive   

adj.(出于)本能的；直觉的；(出于)天性的

参考例句：

• He tried to conceal his instinctive revulsion at the idea.他试图饰盖自己对这一想法本能的厌恶。
• Animals have an instinctive fear of fire.动物本能地怕火。

65 helping   

n.食物的一份&adj.帮助人的，辅助的

参考例句：

• The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
• By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。

66 hubbub   

n.嘈杂；骚乱

参考例句：

• The hubbub of voices drowned out the host's voice.嘈杂的声音淹没了主人的声音。
• He concentrated on the work in hand,and the hubbub outside the room simply flowed over him.他埋头于手头的工作，室外的吵闹声他简直象没有听见一般。

67 traitor   

n.叛徒，卖国贼

参考例句：

• The traitor was finally found out and put in prison.那个卖国贼终于被人发现并被监禁了起来。
• He was sold out by a traitor and arrested.他被叛徒出卖而被捕了。

68 superstitious   

adj.迷信的

参考例句：

• They aim to deliver the people who are in bondage to superstitious belief.他们的目的在于解脱那些受迷信束缚的人。
• These superstitious practices should be abolished as soon as possible.这些迷信做法应尽早取消。

69 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

70 taut   

adj.拉紧的，绷紧的，紧张的

参考例句：

• The bowstring is stretched taut.弓弦绷得很紧。
• Scarlett's taut nerves almost cracked as a sudden noise sounded in the underbrush near them. 思嘉紧张的神经几乎一下绷裂了，因为她听见附近灌木丛中突然冒出的一个声音。

71 tingling   

v.有刺痛感( tingle的现在分词 )

参考例句：

• My ears are tingling [humming; ringing; singing]. 我耳鸣。 来自《现代汉英综合大词典》
• My tongue is tingling. 舌头发麻。 来自《现代汉英综合大词典》

72 vitality   

n.活力，生命力，效力

参考例句：

• He came back from his holiday bursting with vitality and good health.他度假归来之后，身强体壮，充满活力。
• He is an ambitious young man full of enthusiasm and vitality.他是个充满热情与活力的有远大抱负的青年。

73 blessings   

n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福

参考例句：

• Afflictions are sometimes blessings in disguise. 塞翁失马，焉知非福。 来自《简明英汉词典》
• We don't rely on blessings from Heaven. 我们不靠老天保佑。 来自《现代汉英综合大词典》

74 irrelevant   

adj.不恰当的，无关系的，不相干的

参考例句：

• That is completely irrelevant to the subject under discussion.这跟讨论的主题完全不相关。
• A question about arithmetic is irrelevant in a music lesson.在音乐课上，一个数学的问题是风马牛不相及的。

75 prehistoric   

adj.（有记载的）历史以前的，史前的，古老的

参考例句：

• They have found prehistoric remains.他们发现了史前遗迹。
• It was rather like an exhibition of prehistoric electronic equipment.这儿倒像是在展览古老的电子设备。

76 paradoxes   

n.似非而是的隽语，看似矛盾而实际却可能正确的说法( paradox的名词复数 )；用于语言文学中的上述隽语；有矛盾特点的人[事物，情况]

参考例句：

• Contradictions and paradoxes arose in increasing numbers. 矛盾和悖论越来越多。 来自辞典例句
• As far as these paradoxes are concerned, the garden definitely a heterotopia. 就这些吊诡性而言，花园无疑地是个异质空间。 来自互联网

77 psychology   

n.心理，心理学，心理状态

参考例句：

• She has a background in child psychology.她受过儿童心理学的教育。
• He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。

78 lust   

n.性(淫)欲；渴(欲)望；vi.对…有强烈的欲望

参考例句：

• He was filled with lust for power.他内心充满了对权力的渴望。
• Sensing the explorer's lust for gold, the chief wisely presented gold ornaments as gifts.酋长觉察出探险者们垂涎黄金的欲念，就聪明地把金饰品作为礼物赠送给他们。

79 vow   

n.誓(言)，誓约；v.起誓，立誓

参考例句：

• My parents are under a vow to go to church every Sunday.我父母许愿，每星期日都去做礼拜。
• I am under a vow to drink no wine.我已立誓戒酒。

80 ecstasy   

n.狂喜，心醉神怡，入迷

参考例句：

• He listened to the music with ecstasy.他听音乐听得入了神。
• Speechless with ecstasy,the little boys gazed at the toys.小孩注视着那些玩具，高兴得说不出话来。

81 fidelity   

n.忠诚，忠实；精确

参考例句：

• There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
• His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。

82 citizenship   

n.市民权，公民权，国民的义务(身份)

参考例句：

• He was born in Sweden,but he doesn't have Swedish citizenship.他在瑞典出生，但没有瑞典公民身分。
• Ten years later,she chose to take Australian citizenship.十年后，她选择了澳大利亚国籍。

83 drearily   

沉寂地，厌倦地，可怕地

参考例句：

• "Oh, God," thought Scarlett drearily, "that's just the trouble. "啊，上帝！" 思嘉沮丧地想，"难就难在这里呀。
• His voice was utterly and drearily expressionless. 他的声调，阴沉沉的，干巴巴的，完全没有感情。

84 tyrant   

n.暴君，专制的君主，残暴的人

参考例句：

• The country was ruled by a despotic tyrant.该国处在一个专制暴君的统治之下。
• The tyrant was deaf to the entreaties of the slaves.暴君听不到奴隶们的哀鸣。

85 jealousy   

n.妒忌，嫉妒，猜忌

参考例句：

• Some women have a disposition to jealousy.有些女人生性爱妒忌。
• I can't support your jealousy any longer.我再也无法忍受你的嫉妒了。

86 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

87 rustic   

adj.乡村的，有乡村特色的；n.乡下人，乡巴佬

参考例句：

• It was nearly seven months of leisurely rustic living before Michael felt real boredom.这种悠闲的乡村生活过了差不多七个月之后,迈克尔开始感到烦闷。
• We hoped the fresh air and rustic atmosphere would help him adjust.我们希望新鲜的空气和乡村的氛围能帮他调整自己。

88 ballads   

民歌，民谣，特别指叙述故事的歌( ballad的名词复数 )； 讴

参考例句：

• She belted out ballads and hillbilly songs one after another all evening. 她整晚一个接一个地大唱民谣和乡村小调。
• She taught him to read and even to sing two or three little ballads,accompanying him on her old piano. 她教他读书，还教他唱两三首民谣，弹着她的旧钢琴为他伴奏。

89 audacity   

n.大胆，卤莽，无礼

参考例句：

• He had the audacity to ask for an increase in salary.他竟然厚着脸皮要求增加薪水。
• He had the audacity to pick pockets in broad daylight.他竟敢在光天化日之下掏包。

90 pathos   

n.哀婉，悲怆

参考例句：

• The pathos of the situation brought tears to our eyes.情况令人怜悯，看得我们不禁流泪。
• There is abundant pathos in her words.她的话里富有动人哀怜的力量。

91 rendering   

n.表现，描写

参考例句：

• She gave a splendid rendering of Beethoven's piano sonata.她精彩地演奏了贝多芬的钢琴奏鸣曲。
• His narrative is a super rendering of dialect speech and idiom.他的叙述是方言和土语最成功的运用。

92 democrat   

n.民主主义者，民主人士；民主党党员

参考例句：

• The Democrat and the Public criticized each other.民主党人和共和党人互相攻击。
• About two years later,he was defeated by Democrat Jimmy Carter.大约两年后，他被民主党人杰米卡特击败。

93 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

94 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

95 unities   

n.统一体( unity的名词复数 )；（艺术等） 完整；（文学、戏剧） （情节、时间和地点的）统一性；团结一致

参考例句：

• Aristotle's Poetics advocates the "dramatic unities'', the unities of action, place and time. 亚里士多德在《诗学》一书中提倡“戏剧的统一性”，即事件、事件发生的时间和地点的统一。 来自英汉非文学 - 文明史
• All compounds are unities of opposites differing in nature. 化合物都是不同性质的东西的对立统一。 来自互联网

96 meticulous   

adj.极其仔细的，一丝不苟的

参考例句：

• We'll have to handle the matter with meticulous care.这事一点不能含糊。
• She is meticulous in her presentation of facts.她介绍事实十分详细。

97 impatience   

n.不耐烦，急躁

参考例句：

• He expressed impatience at the slow rate of progress.进展缓慢，他显得不耐烦。
• He gave a stamp of impatience.他不耐烦地跺脚。

98 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

99 allusion   

n.暗示，间接提示

参考例句：

• He made an allusion to a secret plan in his speech.在讲话中他暗示有一项秘密计划。
• She made no allusion to the incident.她没有提及那个事件。

100 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

101 prone   

adj.(to)易于…的，很可能…的；俯卧的

参考例句：

• Some people are prone to jump to hasty conclusions.有些人往往作出轻率的结论。
• He is prone to lose his temper when people disagree with him.人家一不同意他的意见,他就发脾气。

102 playwrights   

n.剧作家( playwright的名词复数 )

参考例句：

• We're studying dramatic texts by sixteenth century playwrights. 我们正在研究16 世纪戏剧作家的戏剧文本。 来自《简明英汉词典》
• Hung-chien asked who the playwrights were. 鸿渐问谁写的剧本。 来自汉英文学 - 围城

103 middle-aged   

adj.中年的

参考例句：

• I noticed two middle-aged passengers.我注意到两个中年乘客。
• The new skin balm was welcome by middle-aged women.这种新护肤香膏受到了中年妇女的欢迎。

104 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

105 summarise   

vt.概括，总结

参考例句：

• I will summarise what I have done.我将概述我所做的事情。
• Of course,no one article can summarise the complexities of china today.当然，没有哪一篇文章能概括出中国今日的复杂性。

106 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

107 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

108 courageous   

adj.勇敢的，有胆量的

参考例句：

• We all honour courageous people.我们都尊重勇敢的人。
• He was roused to action by courageous words.豪言壮语促使他奋起行动。

109 logician   

n.逻辑学家

参考例句：

• Mister Wu Feibai is a famous Mohist and logician in Chinese modern and contemporary history. 伍非百先生是中国近、现代著名的墨学家和逻辑学家。 来自互联网

110 momentary   

adj.片刻的，瞬息的；短暂的

参考例句：

• We are in momentary expectation of the arrival of you.我们无时无刻不在盼望你的到来。
• I caught a momentary glimpse of them.我瞥了他们一眼。

111 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

112 posture   

n.姿势，姿态，心态，态度；v.作出某种姿势

参考例句：

• The government adopted an uncompromising posture on the issue of independence.政府在独立这一问题上采取了毫不妥协的态度。
• He tore off his coat and assumed a fighting posture.他脱掉上衣，摆出一副打架的架势。

113 unreasonable   

adj.不讲道理的，不合情理的，过度的

参考例句：

• I know that they made the most unreasonable demands on you.我知道他们对你提出了最不合理的要求。
• They spend an unreasonable amount of money on clothes.他们花在衣服上的钱太多了。

114 impartial   

adj.(in,to)公正的，无偏见的

参考例句：

• He gave an impartial view of the state of affairs in Ireland.他对爱尔兰的事态发表了公正的看法。
• Careers officers offer impartial advice to all pupils.就业指导员向所有学生提供公正无私的建议。

115 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

116 lottery   

n.抽彩；碰运气的事，难于算计的事

参考例句：

• He won no less than ￡5000 in the lottery.他居然中了5000英镑的奖券。
• They thought themselves lucky in the lottery of life.他们认为自己是变幻莫测的人生中的幸运者。

117 dingy   

adj.昏暗的，肮脏的

参考例句：

• It was a street of dingy houses huddled together. 这是一条挤满了破旧房子的街巷。
• The dingy cottage was converted into a neat tasteful residence.那间脏黑的小屋已变成一个整洁雅致的住宅。

118 imperative   

n.命令，需要；规则；祈使语气；adj.强制的；紧急的

参考例句：

• He always speaks in an imperative tone of voice.他老是用命令的口吻讲话。
• The events of the past few days make it imperative for her to act.过去这几天发生的事迫使她不得不立即行动。

119 irrational   

adj.无理性的，失去理性的

参考例句：

• After taking the drug she became completely irrational.她在吸毒后变得完全失去了理性。
• There are also signs of irrational exuberance among some investors.在某些投资者中是存在非理性繁荣的征象的。

120 impedes   

阻碍，妨碍，阻止( impede的第三人称单数 )

参考例句：

• High packing density greatly impedes the cooling of the array. 高存贮密度很不利于阵列的散热。
• The inflexibility of the country's labor market seriously impedes its economic recovery. 该国劳工市场缺乏灵活性，这严重阻碍了它的经济恢复。

121 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

122 animation   

n.活泼，兴奋，卡通片／动画片的制作

参考例句：

• They are full of animation as they talked about their childhood.当他们谈及童年的往事时都非常兴奋。
• The animation of China made a great progress.中国的卡通片制作取得很大发展。

123 immutable   

adj.不可改变的，永恒的

参考例句：

• Nothing in the world is immutable.世界没有一成不变的东西。
• They free our minds from considering our world as fixed and immutable.它们改变着人们将世界看作是永恒不变的观点。

124 omnivorous   

adj.杂食的

参考例句：

• Brown bears are omnivorous,eating anything that they can get their paws on.棕熊是杂食性动物，抓到什么吃什么。
• Man is an omnivorous animal.人是肉类与蔬菜均食用的动物。

125 exult   

v.狂喜，欢腾；欢欣鼓舞

参考例句：

• Few people would not exult at the abolition of slavery.奴隶制被废除了，人们无不为之欢乐鼓舞。
• Let's exult with the children at the drawing near of Children's Day.六一儿童节到了，让我们陪着小朋友们一起欢腾。

126 exultation   

n.狂喜，得意

参考例句：

• It made him catch his breath, it lit his face with exultation. 听了这个名字，他屏住呼吸，乐得脸上放光。
• He could get up no exultation that was really worthy the name. 他一点都激动不起来。

127 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

128 optimist   

n.乐观的人，乐观主义者

参考例句：

• We are optimist and realist.我们是乐观主义者，又是现实主义者。
• Peter,ever the optimist,said things were bound to improve.一向乐观的皮特说，事情必定是会好转的。

129 contented   

adj.满意的，安心的，知足的

参考例句：

• He won't be contented until he's upset everyone in the office.不把办公室里的每个人弄得心烦意乱他就不会满足。
• The people are making a good living and are contented,each in his station.人民安居乐业。

130 pessimist   

n.悲观者；悲观主义者；厌世

参考例句：

• An optimist laughs to forget.A pessimist forgets to laugh.乐观者笑着忘却，悲观者忘记怎样笑。
• The pessimist sees difficulty in every opportunity.The optimist sees opportunity in every difficulty.悲观者在每个机会中都看到困难，乐观者在每个困难中都看到机会。

131 bugle   

n.军号，号角，喇叭；v.吹号，吹号召集

参考例句：

• When he heard the bugle call, he caught up his gun and dashed out.他一听到军号声就抓起枪冲了出去。
• As the bugle sounded we ran to the sports ground and fell in.军号一响，我们就跑到运动场集合站队。

132 fable   

n.寓言；童话；神话

参考例句：

• The fable is given on the next page. 这篇寓言登在下一页上。
• He had some motive in telling this fable. 他讲这寓言故事是有用意的。

133 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

134 heroism   

n.大无畏精神，英勇

参考例句：

• He received a medal for his heroism.他由于英勇而获得一枚奖章。
• Stories of his heroism resounded through the country.他的英雄故事传遍全国。

135 morbid   

adj.病的；致病的；病态的；可怕的

参考例句：

• Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
• It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。

136 asphyxiated   

v.渴望的，有抱负的，追求名誉或地位的( aspirant的过去式和过去分词 )；有志向或渴望获得…的人

参考例句：

• The men trapped in the mine were asphyxiated by gas. 那些困在矿井中的人因瓦斯中毒窒息死亡。 来自《现代英汉综合大词典》
• The men in the coal-mine were asphyxiated by the bad gas. 煤矿坑里的工人们为毒气所窒息。 来自辞典例句

137 depicted   

描绘，描画( depict的过去式和过去分词 )； 描述

参考例句：

• Other animals were depicted on the periphery of the group. 其他动物在群像的外围加以修饰。
• They depicted the thrilling situation to us in great detail. 他们向我们详细地描述了那激动人心的场面。

138 depict   

vt.描画，描绘；描写，描述

参考例句：

• I don't care to see plays or films that depict murders or violence.我不喜欢看描写谋杀或暴力的戏剧或电影。
• Children's books often depict farmyard animals as gentle,lovable creatures.儿童图书常常把农场的动物描写得温和而可爱。

139 dilemma   

n.困境，进退两难的局面

参考例句：

• I am on the horns of a dilemma about the matter.这件事使我进退两难。
• He was thrown into a dilemma.他陷入困境。

140 culminate   

v.到绝顶，达于极点，达到高潮

参考例句：

• The celebration of the centenary will culminate with a dinner.百年庆典活动将以宴会作为高潮。
• Everyone feared that the boundary dispute between these two countries would culminate in a war.人人都担心,这两国间的边境争端将以一场战争到达顶点。

141 constructive   

adj.建设的，建设性的

参考例句：

• We welcome constructive criticism.我们乐意接受有建设性的批评。
• He is beginning to deal with his anger in a constructive way.他开始用建设性的方法处理自己的怒气。

142 austerely   

adv.严格地，朴质地

参考例句：

• The austerely lighted garage was quiet. 灯光黯淡的车库静悄悄的。 来自辞典例句
• Door of Ministry of Agriculture and produce will be challenged austerely. 农业部门及农产品将受到严重的挑战。 来自互联网

143 austere   

adj.艰苦的；朴素的，朴实无华的；严峻的

参考例句：

• His way of life is rather austere.他的生活方式相当简朴。
• The room was furnished in austere style.这间屋子的陈设都很简单朴素。

144 joyously   

ad.快乐地, 高兴地

参考例句：

• She opened the door for me and threw herself in my arms, screaming joyously and demanding that we decorate the tree immediately. 她打开门，直扑我的怀抱，欣喜地喊叫着要马上装饰圣诞树。
• They came running, crying out joyously in trilling girlish voices. 她们边跑边喊，那少女的颤音好不欢快。 来自名作英译部分

145 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

146 overlap   

v.重叠，与…交叠；n.重叠

参考例句：

• The overlap between the jacket and the trousers is not good.夹克和裤子重叠的部分不好看。
• Tiles overlap each other.屋瓦相互叠盖。

147 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

148 atheist   

n.无神论者

参考例句：

• She was an atheist but now she says she's seen the light.她本来是个无神论者，可是现在她说自己的信仰改变了。
• He is admittedly an atheist.他被公认是位无神论者。

149 perversions   

n.歪曲( perversion的名词复数 )；变坏；变态心理

参考例句：

• Many practices commonly regarded as perversions were widespread. 许多通常认为是性变态的行为的做法实际上是广泛存在的。 来自辞典例句

150 begotten   

v.为…之生父( beget的过去分词 )；产生，引起

参考例句：

• The fact that he had begotten a child made him vain. 想起自己也生过孩子，他得意了。 来自辞典例句
• In due course she bore the son begotten on her by Thyestes. 过了一定的时候，她生下了堤厄斯式斯使她怀上的儿子。 来自辞典例句

151 materialism   

n.［哲］唯物主义，唯物论；物质至上

参考例句：

• Idealism is opposite to materialism.唯心论和唯物论是对立的。
• Crass materialism causes people to forget spiritual values.极端唯物主义使人忘掉精神价值。

152 brutality   

n.野蛮的行为，残忍，野蛮

参考例句：

• The brutality of the crime has appalled the public. 罪行之残暴使公众大为震惊。
• a general who was infamous for his brutality 因残忍而恶名昭彰的将军

153 corruption   

n.腐败，堕落，贪污

参考例句：

• The people asked the government to hit out against corruption and theft.人民要求政府严惩贪污盗窃。
• The old man reviled against corruption.那老人痛斥了贪污舞弊。

154 corrupt   

v.贿赂，收买；adj.腐败的，贪污的

参考例句：

• The newspaper alleged the mayor's corrupt practices.那家报纸断言市长有舞弊行为。
• This judge is corrupt.这个法官贪污。

155 decadence   

n.衰落，颓废

参考例句：

• The decadence of morals is bad for a nation.道德的堕落对国家是不利的。
• His article has the power to turn decadence into legend.他的文章具有化破朽为神奇的力量。

156 pessimism   

n.悲观者，悲观主义者，厌世者

参考例句：

• He displayed his usual pessimism.他流露出惯有的悲观。
• There is the note of pessimism in his writings.他的著作带有悲观色彩。

157 salvation   

n.（尤指基督）救世，超度，拯救，解困

参考例句：

• Salvation lay in political reform.解救办法在于政治改革。
• Christians hope and pray for salvation.基督教徒希望并祈祷灵魂得救。

158 brute   

n.野兽，兽性

参考例句：

• The aggressor troops are not many degrees removed from the brute.侵略军简直象一群野兽。
• That dog is a dangerous brute.It bites people.那条狗是危险的畜牲，它咬人。

159 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

160 doom   

n.厄运，劫数；v.注定，命定

参考例句：

• The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
• The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。

161 victorious   

adj.胜利的，得胜的

参考例句：

• We are certain to be victorious.我们定会胜利。
• The victorious army returned in triumph.获胜的部队凯旋而归。

162 doctrine   

n.教义；主义；学说

参考例句：

• He was impelled to proclaim his doctrine.他不得不宣扬他的教义。
• The council met to consider changes to doctrine.宗教议会开会考虑更改教义。

163 materialistic   

a.唯物主义的，物质享乐主义的

参考例句：

• She made him both soft and materialistic. 她把他变成女性化而又实际化。
• Materialistic dialectics is an important part of constituting Marxism. 唯物辩证法是马克思主义的重要组成部分。

164 tinged   

v.（使）发丁丁声( ting的过去式和过去分词 )

参考例句：

• memories tinged with sadness 略带悲伤的往事
• white petals tinged with blue 略带蓝色的白花瓣

165 satire   

n.讽刺，讽刺文学，讽刺作品

参考例句：

• The movie is a clever satire on the advertising industry.那部影片是关于广告业的一部巧妙的讽刺作品。
• Satire is often a form of protest against injustice.讽刺往往是一种对不公正的抗议形式。

166 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

167 gush   

v.喷，涌；滔滔不绝(说话)；n.喷，涌流；迸发

参考例句：

• There was a gush of blood from the wound.血从伤口流出。
• There was a gush of blood as the arrow was pulled out from the arm.当从手臂上拔出箭来时，一股鲜血涌了出来。

168 depicting   

描绘，描画( depict的现在分词 )； 描述

参考例句：

• a painting depicting the Virgin and Child 一幅描绘童贞马利亚和圣子耶稣的画
• The movie depicting the battles and bloodshed is bound to strike home. 这部描写战斗和流血牺牲的影片一定会取得预期效果。

169 ironical   

adj.讽刺的，冷嘲的

参考例句：

• That is a summary and ironical end.那是一个具有概括性和讽刺意味的结局。
• From his general demeanour I didn't get the impression that he was being ironical.从他整体的行为来看，我不觉得他是在讲反话。

170 preposterous   

adj.荒谬的，可笑的

参考例句：

• The whole idea was preposterous.整个想法都荒唐透顶。
• It would be preposterous to shovel coal with a teaspoon.用茶匙铲煤是荒谬的。

171 criticise   

v.批评，评论；非难

参考例句：

• Right and left have much cause to criticise government.左翼和右翼有很多理由批评政府。
• It is not your place to criticise or suggest improvements!提出批评或给予改进建议并不是你的责任！

172 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

173 commonsense   

adj.有常识的；明白事理的；注重实际的

参考例句：

• It is commonsense to carry an umbrella in this weather.这种天气带把伞是很自然的。
• These results are no more than a vindication of commonsense analysis.这些结果只不过是按常理分析得出的事实。

174 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

175 manifestations   

n.表示，显示（manifestation的复数形式）

参考例句：

• These were manifestations of the darker side of his character. 这些是他性格阴暗面的表现。 来自《简明英汉词典》
• To be wordly-wise and play safe is one of the manifestations of liberalism. 明哲保身是自由主义的表现之一。 来自《现代汉英综合大词典》

176 maxim   

n.格言，箴言

参考例句：

• Please lay the maxim to your heart.请把此格言记在心里。
• "Waste not,want not" is her favourite maxim.“不浪费则不匮乏”是她喜爱的格言。

177 innocence   

n.无罪；天真；无害

参考例句：

• There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
• The accused man proved his innocence of the crime.被告人经证实无罪。

178 glorification   

n.赞颂

参考例句：

• Militant devotion to and glorification of one's country; fanatical patriotism. 对国家的军事效忠以及美化；狂热的爱国主义。
• Glorification-A change of place, a new condition with God. 得荣─在神面前新处境，改变了我们的结局。

179 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

180 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

181 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

182 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

183 incurable   

adj.不能医治的，不能矫正的，无救的；n.不治的病人，无救的人

参考例句：

• All three babies were born with an incurable heart condition.三个婴儿都有不可治瘉的先天性心脏病。
• He has an incurable and widespread nepotism.他们有不可救药的，到处蔓延的裙带主义。

184 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

185 frail   

adj.身体虚弱的；易损坏的

参考例句：

• Mrs. Warner is already 96 and too frail to live by herself.华纳太太已经九十六岁了，身体虚弱，不便独居。
• She lay in bed looking particularly frail.她躺在床上，看上去特别虚弱。

186 anarchist   

n.无政府主义者

参考例句：

• You must be an anarchist at heart.你在心底肯定是个无政府主义者。
• I did my best to comfort them and assure them I was not an anarchist.我尽量安抚他们并让它们明白我并不是一个无政府主义者。

187 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

188 unreasonableness   

无理性； 横逆

参考例句：

• Figure out the unreasonableness and extend the recommendation of improvement. 对发现的不合理性，提供改进建议。
• I'd ignore every one of them now, embrace every quirk or unreasonableness to have him back. 现在，对这些事情，我情愿都视而不见，情愿接受他的每一个借口或由着他不讲道理，只要他能回来。

189 immortality   

n.不死，不朽

参考例句：

• belief in the immortality of the soul 灵魂不灭的信念
• It was like having immortality while you were still alive. 仿佛是当你仍然活着的时候就得到了永生。

190 pangs   

突然的剧痛( pang的名词复数 )； 悲痛

参考例句：

• She felt sudden pangs of regret. 她突然感到痛悔不已。
• With touching pathos he described the pangs of hunger. 他以极具感伤力的笔触描述了饥饿的痛苦。

191 humane   

adj.人道的，富有同情心的

参考例句：

• Is it humane to kill animals for food?宰杀牲畜来吃合乎人道吗？
• Their aim is for a more just and humane society.他们的目标是建立一个更加公正、博爱的社会。

192 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。

193 valid   

adj.有确实根据的；有效的；正当的，合法的

参考例句：

• His claim to own the house is valid.他主张对此屋的所有权有效。
• Do you have valid reasons for your absence?你的缺席有正当理由吗？

194 impudence   

n.厚颜无耻；冒失；无礼

参考例句：

• His impudence provoked her into slapping his face.他的粗暴让她气愤地给了他一耳光。
• What knocks me is his impudence.他的厚颜无耻使我感到吃惊。

195 utilitarians   

功利主义者，实用主义者( utilitarian的名词复数 )

参考例句：

• But even fervent utilitarians should pay attention, for two reasons. 但是，即使狂热的功利主义者现在都该留神，这里有两个原因。

196 utilitarian   

adj.实用的，功利的

参考例句：

• On the utilitarian side American education has outstridden the rest of the world.在实用方面美国教育已超越世界各国。
• A good cloth coat is more utilitarian than a fur one.一件优质的布外衣要比一件毛皮外衣更有用。

197 curiously   

adv.有求知欲地；好问地；奇特地

参考例句：

• He looked curiously at the people.他好奇地看着那些人。
• He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。

198 solely   

adv.仅仅，唯一地

参考例句：

• Success should not be measured solely by educational achievement.成功与否不应只用学业成绩来衡量。
• The town depends almost solely on the tourist trade.这座城市几乎完全靠旅游业维持。

199 militant   

adj.激进的，好斗的；n.激进分子，斗士

参考例句：

• Some militant leaders want to merge with white radicals.一些好斗的领导人要和白人中的激进派联合。
• He is a militant in the movement.他在那次运动中是个激进人物。

200 intoxication   

n.wild excitement;drunkenness；poisoning

参考例句：

• He began to drink, drank himself to intoxication, till he slept obliterated. 他一直喝，喝到他快要迷糊地睡着了。
• Predator: Intoxication-Damage over time effect will now stack with other allies. Predator:Intoxication,持续性伤害的效果将会与队友相加。

201 doctrines   

n.教条( doctrine的名词复数 )；教义；学说；（政府政策的）正式声明

参考例句：

• To modern eyes, such doctrines appear harsh, even cruel. 从现代的角度看，这样的教义显得苛刻，甚至残酷。 来自《简明英汉词典》
• His doctrines have seduced many into error. 他的学说把许多人诱入歧途。 来自《现代汉英综合大词典》

202 hatred   

n.憎恶，憎恨，仇恨

参考例句：

• He looked at me with hatred in his eyes.他以憎恨的眼光望着我。
• The old man was seized with burning hatred for the fascists.老人对法西斯主义者充满了仇恨。

203 invalids   

病人，残疾者( invalid的名词复数 )

参考例句：

• The invention will confer a benefit on all invalids. 这项发明将有助于所有的残疾人。
• H?tel National Des Invalids is a majestic building with a golden hemispherical housetop. 荣军院是有着半球形镀金屋顶的宏伟建筑。

204 compassionate   

adj.有同情心的，表示同情的

参考例句：

• She is a compassionate person.她是一个有同情心的人。
• The compassionate judge gave the young offender a light sentence.慈悲的法官从轻判处了那个年轻罪犯。

205 rectifying   

改正，矫正( rectify的现在分词 )； 精馏； 蒸流； 整流

参考例句：

• James Gregory gave in in his "Geometriae Pars Universalis" a method of rectifying curves. James Gregory在他的《几何的通用部分》中给出了计算曲线长度的方法。
• Significant progress was made in rectifying and standardizing nonbank financial institutions. 整顿和规范非银行金融机构取得重要进展。

206 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

207 verbiage   

n.冗词；冗长

参考例句：

• Stripped of their pretentious verbiage,his statements come dangerously close to inviting racial hatred.抛开那些夸大其词的冗词赘语不论，他的言论有挑起种族仇恨的危险。
• Even in little 140-character bites,that's a lot of verbiage.即使限制在一条140个字也有很大一部分是废话。

208 breakdown   

n.垮，衰竭；损坏，故障，倒塌

参考例句：

• She suffered a nervous breakdown.她患神经衰弱。
• The plane had a breakdown in the air,but it was fortunately removed by the ace pilot.飞机在空中发生了故障，但幸运的是被王牌驾驶员排除了。

209 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

210 reposed   

v.将（手臂等）靠在某人（某物）上( repose的过去式和过去分词 )

参考例句：

• Mr. Cruncher reposed under a patchwork counterpane, like a Harlequin at home. 克朗彻先生盖了一床白衲衣图案的花哨被子，像是呆在家里的丑角。 来自英汉文学 - 双城记
• An old man reposed on a bench in the park. 一位老人躺在公园的长凳上。 来自辞典例句

211 oracle   

n.神谕，神谕处，预言

参考例句：

• In times of difficulty,she pray for an oracle to guide her.在困难的时候，她祈祷神谕来指引她。
• It is a kind of oracle that often foretells things most important.它是一种内生性神谕，常常能预言最重要的事情。

212 qualified   

adj.合格的，有资格的，胜任的，有限制的

参考例句：

• He is qualified as a complete man of letters.他有资格当真正的文学家。
• We must note that we still lack qualified specialists.我们必须看到我们还缺乏有资质的专家。

213 civilisation   

n.文明，文化，开化，教化

参考例句：

• Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
• This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。

214 instinctively   

adv.本能地

参考例句：

• As he leaned towards her she instinctively recoiled. 他向她靠近，她本能地往后缩。 来自《简明英汉词典》
• He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》

215 speculations   

n.投机买卖( speculation的名词复数 )；思考；投机活动；推断

参考例句：

• Your speculations were all quite close to the truth. 你的揣测都很接近于事实。 来自《现代英汉综合大词典》
• This possibility gives rise to interesting speculations. 这种可能性引起了有趣的推测。 来自《用法词典》

216 analogous   

adj.相似的；类似的

参考例句：

• The two situations are roughly analogous.两种情況大致相似。
• The company is in a position closely analogous to that of its main rival.该公司与主要竞争对手的处境极为相似。

217 personalities   

n. 诽谤，（对某人容貌、性格等所进行的）人身攻击； 人身攻击；人格, 个性, 名人( personality的名词复数 )

参考例句：

• There seemed to be a degree of personalities in her remarks.她话里有些人身攻击的成分。
• Personalities are not in good taste in general conversation.在一般的谈话中诽谤他人是不高尚的。

218 affinity   

n.亲和力，密切关系

参考例句：

• I felt a great affinity with the people of the Highlands.我被苏格兰高地人民深深地吸引。
• It's important that you share an affinity with your husband.和丈夫有共同的爱好是十分重要的。

219 elevation   

n.高度；海拔；高地；上升；提高

参考例句：

• The house is at an elevation of 2,000 metres.那幢房子位于海拔两千米的高处。
• His elevation to the position of General Manager was announced yesterday.昨天宣布他晋升总经理职位。

220 civic   

adj.城市的，都市的，市民的，公民的

参考例句：

• I feel it is my civic duty to vote.我认为投票选举是我作为公民的义务。
• The civic leaders helped to forward the project.市政府领导者协助促进工程的进展。

221 conversions   

变换( conversion的名词复数 )； （宗教、信仰等）彻底改变； （尤指为居住而）改建的房屋； 橄榄球（触地得分后再把球射中球门的）附加得分

参考例句：

• He kicked a penalty goal and two conversions, ie in Rugby football. 他一次罚球得分，两次触地后射门得分（在橄榄球赛中）。
• Few of the intermediates or enzymes involved in these conversions have been isolated from higher plants. 在这些转变中包含的少数中间产物或酶已经从高等植物中分离出来。

222 conversion   

n.转化，转换，转变

参考例句：

• He underwent quite a conversion.他彻底变了。
• Waste conversion is a part of the production process.废物处理是生产过程的一个组成部分。

223 chronological   

adj.按年月顺序排列的，年代学的

参考例句：

• The paintings are exhibited in chronological sequence.这些画是按创作的时间顺序展出的。
• Give me the dates in chronological order.把日期按年月顺序给我。

224 decided   

adj.决定了的，坚决的；明显的，明确的

参考例句：

• This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
• There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。

225 partially   

adv.部分地，从某些方面讲

参考例句：

• The door was partially concealed by the drapes.门有一部分被门帘遮住了。
• The police managed to restore calm and the curfew was partially lifted.警方设法恢复了平静，宵禁部分解除。

226 heartily   

adv.衷心地，诚恳地，十分，很

参考例句：

• He ate heartily and went out to look for his horse.他痛快地吃了一顿，就出去找他的马。
• The host seized my hand and shook it heartily.主人抓住我的手，热情地和我握手。

227 radical   

n.激进份子，原子团，根号；adj.根本的，激进的，彻底的

参考例句：

• The patient got a radical cure in the hospital.病人在医院得到了根治。
• She is radical in her demands.她的要求十分偏激。

228 radicals   

n.激进分子( radical的名词复数 )；根基；基本原理；[数学]根数

参考例句：

• Some militant leaders want to merge with white radicals. 一些好斗的领导人要和白人中的激进派联合。 来自《简明英汉词典》
• The worry is that the radicals will grow more intransigent. 现在人们担忧激进分子会变得更加不妥协。 来自辞典例句

229 kinsman   

n.男亲属

参考例句：

• Tracing back our genealogies,I found he was a kinsman of mine.转弯抹角算起来他算是我的一个亲戚。
• A near friend is better than a far dwelling kinsman.近友胜过远亲。

230 proximity   

n.接近，邻近

参考例句：

• Marriages in proximity of blood are forbidden by the law.法律规定禁止近亲结婚。
• Their house is in close proximity to ours.他们的房子很接近我们的。

231 suburban   

adj.城郊的，在郊区的

参考例句：

• Suburban shopping centers were springing up all over America. 效区的商业中心在美国如雨后春笋般地兴起。
• There's a lot of good things about suburban living.郊区生活是有许多优点。

232 villa   

n.别墅，城郊小屋

参考例句：

• We rented a villa in France for the summer holidays.我们在法国租了一幢别墅消夏。
• We are quartered in a beautiful villa.我们住在一栋漂亮的别墅里。

233 confession   

n.自白，供认，承认

参考例句：

• Her confession was simply tantamount to a casual explanation.她的自白简直等于一篇即席说明。
• The police used torture to extort a confession from him.警察对他用刑逼供。

234 detailed   

adj.详细的，详尽的，极注意细节的，完全的

参考例句：

• He had made a detailed study of the terrain.他对地形作了缜密的研究。
• A detailed list of our publications is available on request.我们的出版物有一份详细的目录备索。

235 hesitation   

n.犹豫，踌躇

参考例句：

• After a long hesitation, he told the truth at last.踌躇了半天，他终于直说了。
• There was a certain hesitation in her manner.她的态度有些犹豫不决。

236 motives   

n.动机，目的( motive的名词复数 )

参考例句：

• to impeach sb's motives 怀疑某人的动机
• His motives are unclear. 他的用意不明。

237 habitual   

adj.习惯性的；通常的，惯常的

参考例句：

• He is a habitual criminal.他是一个惯犯。
• They are habitual visitors to our house.他们是我家的常客。

238 impartiality   

n. 公平, 无私, 不偏

参考例句：

• He shows impartiality and detachment. 他表现得不偏不倚，超然事外。
• Impartiality is essential to a judge. 公平是当法官所必需的。

239 bully   

n.恃强欺弱者，小流氓；vt.威胁，欺侮

参考例句：

• A bully is always a coward.暴汉常是懦夫。
• The boy gave the bully a pelt on the back with a pebble.那男孩用石子掷击小流氓的背脊。

240 vile   

adj.卑鄙的，可耻的，邪恶的；坏透的

参考例句：

• Who could have carried out such a vile attack?会是谁发起这么卑鄙的攻击呢？
• Her talk was full of vile curses.她的话里充满着恶毒的咒骂。

241 cynical   

adj.(对人性或动机)怀疑的，不信世道向善的

参考例句：

• The enormous difficulty makes him cynical about the feasibility of the idea.由于困难很大，他对这个主意是否可行持怀疑态度。
• He was cynical that any good could come of democracy.他不相信民主会带来什么好处。

242 frivolity   

n.轻松的乐事，兴高采烈；轻浮的举止

参考例句：

• It was just a piece of harmless frivolity. 这仅是无恶意的愚蠢行为。
• Hedonism and frivolity will diffuse hell tnrough all our days. 享乐主义和轻薄浮佻会将地狱扩展到我们的整个日子之中。 来自辞典例句

243 followers   

追随者( follower的名词复数 )； 用户； 契据的附面； 从动件

参考例句：

• the followers of Mahatma Gandhi 圣雄甘地的拥护者
• The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。

244 formerly   

adv.从前，以前

参考例句：

• We now enjoy these comforts of which formerly we had only heard.我们现在享受到了过去只是听说过的那些舒适条件。
• This boat was formerly used on the rivers of China.这船从前航行在中国内河里。

245 inquisitive   

adj.求知欲强的，好奇的，好寻根究底的

参考例句：

• Children are usually inquisitive.小孩通常很好问。
• A pat answer is not going to satisfy an inquisitive audience.陈腔烂调的答案不能满足好奇的听众。

246 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

247 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

248 diatribes   

n.谩骂，讽刺( diatribe的名词复数 )

参考例句：

249 entrap   

v.以网或陷阱捕捉，使陷入圈套

参考例句：

• The police have been given extra powers to entrap drug traffickers.警方已经被进一步授权诱捕毒贩。
• He overturned the conviction,saying the defendant was entrapped.他声称被告是被诱骗的，从而推翻了有罪的判决。

250 maudlin   

adj.感情脆弱的，爱哭的

参考例句：

• He always becomes maudlin after he's had a few drinks.他喝了几杯酒后总是变得多愁善感。
• She continued in the same rather maudlin tone.她继续用那种颇带几分伤感的语调说话。

251 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。

252 ballroom   

n.舞厅

参考例句：

• The boss of the ballroom excused them the fee.舞厅老板给他们免费。
• I go ballroom dancing twice a week.我一个星期跳两次交际舞。

253 justification   

n.正当的理由；辩解的理由

参考例句：

• There's no justification for dividing the company into smaller units. 没有理由把公司划分成小单位。
• In the young there is a justification for this feeling. 在年轻人中有这种感觉是有理由的。

254 humbugs   

欺骗( humbug的名词复数 )； 虚伪； 骗子； 薄荷硬糖

参考例句：

255 ripens   

v.成熟，使熟( ripen的第三人称单数 )

参考例句：

• The sun ripens the crops. 太阳使庄稼成熟。 来自《简明英汉词典》
• Then their seed ripens, and soon they turn brown and shrivel up. 随后，它们的种子熟了，不久就变枯萎。 来自辞典例句

256 chivalry   

n.骑士气概，侠义；（男人）对女人彬彬有礼，献殷勤

参考例句：

• The Middle Ages were also the great age of chivalry.中世纪也是骑士制度盛行的时代。
• He looked up at them with great chivalry.他非常有礼貌地抬头瞧她们。

257 fictitious   

adj.虚构的，假设的；空头的

参考例句：

• She invented a fictitious boyfriend to put him off.她虚构出一个男朋友来拒绝他。
• The story my mother told me when I was young is fictitious.小时候妈妈对我讲的那个故事是虚构的。

258 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

259 ogling   

v.（向…）抛媚眼，送秋波( ogle的现在分词 )

参考例句：

• He was not in the habit of ogling women. 他没有盯着女人看个没完的习惯。
• Uncle Geooge got a black eye for ogling a lady in the pub. 乔治叔叔在酒店里对一女士抛媚眼而被打黑了一只眼睛。

260 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

261 evolutionary   

adj.进化的；演化的，演变的；[生]进化论的

参考例句：

• Life has its own evolutionary process.生命有其自身的进化过程。
• These are fascinating questions to be resolved by the evolutionary studies of plants.这些十分吸引人的问题将在研究植物进化过程中得以解决。

262 ranting   

v.夸夸其谈( rant的现在分词 )；大叫大嚷地以…说教；气愤地)大叫大嚷；不停地大声抱怨

参考例句：

• Mrs. Sakagawa stopped her ranting. 坂川太太戛然中断悲声。 来自辞典例句
• He was ranting about the murder of his dad. 他大叫她就是杀死他父亲的凶手。 来自电影对白

263 chauffeur   

n.(受雇于私人或公司的)司机；v.为…开车

参考例句：

• The chauffeur handed the old lady from the car.这个司机搀扶这个老太太下汽车。
• She went out herself and spoke to the chauffeur.她亲自走出去跟汽车司机说话。

264 piously   

adv.虔诚地

参考例句：

• Many pilgrims knelt piously at the shrine.许多朝圣者心虔意诚地在神殿跪拜。
• The priests piously consecrated the robbery with a hymn.教士们虔诚地唱了一首赞美诗，把这劫夺行为神圣化了。

265 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

266 ousted   

驱逐( oust的过去式和过去分词 )； 革职； 罢黜； 剥夺

参考例句：

• He was ousted as chairman. 他的主席职务被革除了。
• He may be ousted by a military takeover. 他可能在一场军事接管中被赶下台。

267 kindliness   

n.厚道，亲切，友好的行为

参考例句：

• Martha looked up into a strange face and dark eyes alight with kindliness and concern. 马撒慢慢抬起头，映入眼帘的是张陌生的脸，脸上有一双充满慈爱和关注的眼睛。 来自辞典例句
• I think the chief thing that struck me about Burton was his kindliness. 我想，我对伯顿印象最深之处主要还是这个人的和善。 来自辞典例句

268 conjecture   

n./v.推测，猜测

参考例句：

• She felt it no use to conjecture his motives.她觉得猜想他的动机是没有用的。
• This conjecture is not supported by any real evidence.这种推测未被任何确切的证据所证实。

269 meddling   

v.干涉，干预（他人事务）( meddle的现在分词 )

参考例句：

• He denounced all "meddling" attempts to promote a negotiation. 他斥责了一切“干预”促成谈判的企图。 来自辞典例句
• They liked this field because it was never visited by meddling strangers. 她们喜欢这块田野，因为好事的陌生人从来不到那里去。 来自辞典例句

270 alluring   

adj.吸引人的，迷人的

参考例句：

• The life in a big city is alluring for the young people. 大都市的生活对年轻人颇具诱惑力。
• Lisette's large red mouth broke into a most alluring smile. 莉莎特的鲜红的大嘴露出了一副极为诱人的微笑。

271 parasite   

n.寄生虫；寄生菌；食客

参考例句：

• The lazy man was a parasite on his family.那懒汉是家里的寄生虫。
• I don't want to be a parasite.I must earn my own way in life.我不想做寄生虫，我要自己养活自己。

272 folly   

n.愚笨，愚蠢，蠢事，蠢行，傻话

参考例句：

• Learn wisdom by the folly of others.从别人的愚蠢行动中学到智慧。
• Events proved the folly of such calculations.事情的进展证明了这种估计是愚蠢的。

273 allotted   

分配，拨给，摊派( allot的过去式和过去分词 )

参考例句：

• I completed the test within the time allotted . 我在限定的时间内完成了试验。
• Each passenger slept on the berth allotted to him. 每个旅客都睡在分配给他的铺位上。

274 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

275 poignant   

adj.令人痛苦的，辛酸的，惨痛的

参考例句：

• His lyrics are as acerbic and poignant as they ever have been.他的歌词一如既往的犀利辛辣。
• It is especially poignant that he died on the day before his wedding.他在婚礼前一天去世了，这尤其令人悲恸。

276 abruptness   

n. 突然，唐突

参考例句：

• He hid his feelings behind a gruff abruptness. 他把自己的感情隐藏在生硬鲁莽之中。
• Suddenly Vanamee returned to himself with the abruptness of a blow. 伐那米猛地清醒过来，象挨到了当头一拳似的。

277 exasperating   

adj. 激怒的 动词exasperate的现在分词形式

参考例句：

• Our team's failure is very exasperating. 我们队失败了，真是气死人。
• It is really exasperating that he has not turned up when the train is about to leave. 火车快开了， 他还不来，实在急人。

278 profligacy   

n.放荡，不检点，肆意挥霍

参考例句：

• Subsequently, this statement was quoted widely in the colony as an evidence of profligacy. 结果这句话成为肆意挥霍的一个例证在那块领地里传开了。 来自辞典例句
• Recession, they reason, must be a penance for past profligacy. 经济衰退，他们推断，肯定是对过去大肆挥霍的赎罪。 来自互联网

279 ethically   

adv.在伦理上，道德上

参考例句：

• Ethically , we have nothing to be ashamed about . 从伦理上说，我们没有什么好羞愧的。
• Describe the appropriate action to take in an ethically ambiguous situation. 描述适当行为采取在一个道德地模棱两可的情况。

280 idol   

n.偶像，红人，宠儿

参考例句：

• As an only child he was the idol of his parents.作为独子，他是父母的宠儿。
• Blind worship of this idol must be ended.对这个偶像的盲目崇拜应该结束了。

281 idols   

偶像( idol的名词复数 )； 受崇拜的人或物； 受到热爱和崇拜的人或物； 神像

参考例句：

• The genii will give evidence against those who have worshipped idols. 魔怪将提供证据来反对那些崇拜偶像的人。 来自英汉非文学 - 文明史
• Teenagers are very sequacious and they often emulate the behavior of their idols. 青少年非常盲从，经常模仿他们的偶像的行为。

282 heresy   

n.异端邪说；异教

参考例句：

• We should denounce a heresy.我们应该公开指责异端邪说。
• It might be considered heresy to suggest such a notion.提出这样一个观点可能会被视为异端邪说。

283 culmination   

n.顶点；最高潮

参考例句：

• The space race reached its culmination in the first moon walk.太空竞争以第一次在月球行走而达到顶峰。
• It may truly be regarded as the culmination of classical Greek geometry.这确实可以看成是古典希腊几何的登峰造级之作。

284 promptly   

adv.及时地，敏捷地

参考例句：

• He paid the money back promptly.他立即还了钱。
• She promptly seized the opportunity his absence gave her.她立即抓住了因他不在场给她创造的机会。

285 eavesdropping   

n. 偷听

参考例句：

• We caught him eavesdropping outside the window. 我们撞见他正在窗外偷听。
• Suddenly the kids,who had been eavesdropping,flew into the room. 突然间，一直在偷听的孩子们飞进屋来。

286 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

287 slur   

v.含糊地说；诋毁；连唱；n.诋毁；含糊的发音

参考例句：

• He took the remarks as a slur on his reputation.他把这些话当作是对他的名誉的中伤。
• The drug made her speak with a slur.药物使她口齿不清。

288 humility   

n.谦逊，谦恭

参考例句：

• Humility often gains more than pride.谦逊往往比骄傲收益更多。
• His voice was still soft and filled with specious humility.他的声音还是那么温和，甚至有点谦卑。

289 supremely   

adv.无上地，崇高地

参考例句：

• They managed it all supremely well. 这件事他们干得极其出色。
• I consider a supremely beautiful gesture. 我觉得这是非常优雅的姿态。

290 garrulous   

adj.唠叨的，多话的

参考例句：

• He became positively garrulous after a few glasses of wine.他几杯葡萄酒下肚之后便唠唠叨叨说个没完。
• My garrulous neighbour had given away the secret.我那爱唠叨的邻居已把秘密泄露了。

291 pretence   

n.假装，作假；借口，口实；虚伪；虚饰

参考例句：

• The government abandoned any pretence of reform. 政府不再装模作样地进行改革。
• He made a pretence of being happy at the party.晚会上他假装很高兴。

292 hind   

adj.后面的，后部的

参考例句：

• The animal is able to stand up on its hind limbs.这种动物能够用后肢站立。
• Don't hind her in her studies.不要在学业上扯她后腿。

293 taint   

n.污点；感染；腐坏；v.使感染；污染

参考例句：

• Everything possible should be done to free them from the economic taint.应尽可能把他们从经济的腐蚀中解脱出来。
• Moral taint has spread among young people.道德的败坏在年轻人之间蔓延。

294 goad   

n.刺棒，刺痛物；激励；vt.激励，刺激

参考例句：

• The opposition is trying to goad the government into calling an election.在野反对党正努力激起政府提出选举。
• The writer said he needed some goad because he was indolent.这个作家说他需要刺激，因为他很懒惰。

295 softened   

（使）变软( soften的过去式和过去分词 )； 缓解打击； 缓和； 安慰

参考例句：

• His smile softened slightly. 他的微笑稍柔和了些。
• The ice cream softened and began to melt. 冰淇淋开始变软并开始融化。

296 landmarks   

n.陆标( landmark的名词复数 )；目标；（标志重要阶段的）里程碑 ~ (in sth)；有历史意义的建筑物（或遗址）

参考例句：

• The book stands out as one of the notable landmarks in the progress of modern science. 这部著作是现代科学发展史上著名的里程碑之一。 来自《现代汉英综合大词典》
• The baby was one of the big landmarks in our relationship. 孩子的出世是我们俩关系中的一个重要转折点。 来自辞典例句

297 placidity   

n.平静，安静，温和

参考例句：

• Miss Pross inquired,with placidity.普洛丝小姐不动声色地问。
• The swift and indifferent placidity of that look troubled me.那一扫而过的冷漠沉静的目光使我深感不安。

298 ripples   

逐渐扩散的感觉( ripple的名词复数 )

参考例句：

• The moon danced on the ripples. 月亮在涟漪上舞动。
• The sea leaves ripples on the sand. 海水在沙滩上留下了波痕。

299 ruffling   

弄皱( ruffle的现在分词 )； 弄乱； 激怒； 扰乱

参考例句：

• A cool breeze brushed his face, ruffling his hair. 一阵凉风迎面拂来，吹乱了他的头发。
• "Indeed, they do not,'said Pitty, ruffling. "说真的，那倒不一定。" 皮蒂皱皱眉头，表示异议。

300 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

301 disorder   

n.紊乱，混乱；骚动，骚乱；疾病，失调

参考例句：

• When returning back,he discovered the room to be in disorder.回家后，他发现屋子里乱七八糟。
• It contained a vast number of letters in great disorder.里面七零八落地装着许多信件。

302 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

303 vegetarian   

n.素食者；adj.素食的

参考例句：

• She got used gradually to the vegetarian diet.她逐渐习惯吃素食。
• I didn't realize you were a vegetarian.我不知道你是个素食者。

304 detests   

v.憎恶，嫌恶，痛恨( detest的第三人称单数 )

参考例句：

• My brother detests having to get up early. 我兄弟极讨厌早起，又不得不早起。 来自辞典例句
• The LORD detests differing weights, and dishonest scales do not please him. 两样的法码，为耶和华所憎恶。诡诈的天平，也为不善。 来自互联网

305 meddle   

v.干预，干涉，插手

参考例句：

• I hope he doesn't try to meddle in my affairs.我希望他不来干预我的事情。
• Do not meddle in things that do not concern you.别参与和自己无关的事。

306 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

307 massacre   

n.残杀，大屠杀；v.残杀，集体屠杀

参考例句：

• There was a terrible massacre of villagers here during the war.在战争中，这里的村民惨遭屠杀。
• If we forget the massacre,the massacre will happen again!忘记了大屠杀，大屠杀就有可能再次发生！

308 accretions   

n.堆积( accretion的名词复数 )；连生；添加生长；吸积

参考例句：

• The script has been gathering editorial accretions for years. 多年来该剧本一直在修改。 来自辞典例句
• He scraped away the accretions of paint. 他刮掉了漆层。 来自互联网

309 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

310 foul   

adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规

参考例句：

• Take off those foul clothes and let me wash them.脱下那些脏衣服让我洗一洗。
• What a foul day it is!多么恶劣的天气！

311 moss   

n.苔，藓，地衣

参考例句：

• Moss grows on a rock.苔藓生在石头上。
• He was found asleep on a pillow of leaves and moss.有人看见他枕着树叶和苔藓睡着了。

312 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

313 sanitary   

adj.卫生方面的，卫生的，清洁的，卫生的

参考例句：

• It's not sanitary to let flies come near food.让苍蝇接近食物是不卫生的。
• The sanitary conditions in this restaurant are abominable.这家饭馆的卫生状况糟透了。

314 inspector   

n.检查员，监察员，视察员

参考例句：

• The inspector was interested in everything pertaining to the school.视察员对有关学校的一切都感兴趣。
• The inspector was shining a flashlight onto the tickets.查票员打着手电筒查看车票。

315 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

316 hypocrisy   

n.伪善，虚伪

参考例句：

• He railed against hypocrisy and greed.他痛斥伪善和贪婪的行为。
• He accused newspapers of hypocrisy in their treatment of the story.他指责了报纸在报道该新闻时的虚伪。

317 provincial   

adj.省的，地方的；n．外省人，乡下人

参考例句：

• City dwellers think country folk have provincial attitudes.城里人以为乡下人思想迂腐。
• Two leading cadres came down from the provincial capital yesterday.昨天从省里下来了两位领导干部。

318 censor   

n./vt.审查，审查员；删改

参考例句：

• The film has not been viewed by the censor.这部影片还未经审查人员审查。
• The play was banned by the censor.该剧本被查禁了。

319 professes   

声称( profess的第三人称单数 )； 宣称； 公开表明； 信奉

参考例句：

• She still professes her innocence. 她仍然声称自己无辜。
• He professes himself to be sad but doesn't look it. 他自称感到悲伤，但外表却看不出来。

320 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

321 flannel   

n.法兰绒；法兰绒衣服

参考例句：

• She always wears a grey flannel trousers.她总是穿一条灰色法兰绒长裤。
• She was looking luscious in a flannel shirt.她穿着法兰绒裙子，看上去楚楚动人。

322 fumes   

n.(强烈而刺激的)气味，气体

参考例句：

• The health of our children is being endangered by exhaust fumes. 我们孩子们的健康正受到排放出的废气的损害。
• Exhaust fumes are bad for your health. 废气对健康有害。

323 villas   

别墅，公馆( villa的名词复数 )； （城郊）住宅

参考例句：

• Magnificent villas are found throughout Italy. 在意大利到处可看到豪华的别墅。
• Rich men came down from wealthy Rome to build sea-side villas. 有钱人从富有的罗马来到这儿建造海滨别墅。

324 elude   

v.躲避，困惑

参考例句：

• If you chase it,it will elude you.如果你追逐着它， 它会躲避你。
• I had dared and baffled his fury.I must elude his sorrow.我曾经面对过他的愤怒，并且把它挫败了；现在我必须躲避他的悲哀。

325 assent   

v.批准，认可；n.批准，认可

参考例句：

• I cannot assent to what you ask.我不能应允你的要求。
• The new bill passed by Parliament has received Royal Assent.议会所通过的新方案已获国王批准。

326 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

327 meditation   

n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录

参考例句：

• This peaceful garden lends itself to meditation.这个恬静的花园适于冥想。
• I'm sorry to interrupt your meditation.很抱歉，我打断了你的沉思。

328 thronged   

v.成群，挤满( throng的过去式和过去分词 )

参考例句：

• Mourners thronged to the funeral. 吊唁者蜂拥着前来参加葬礼。 来自《简明英汉词典》
• The department store was thronged with people. 百货商店挤满了人。 来自《现代英汉综合大词典》

329 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

330 desecrate   

v.供俗用，亵渎，污辱

参考例句：

• The enemy desecrate the church by using it as a stable.敌人亵渎这所教堂,把它当做马厩。
• It's a crime to desecrate the country's flag.玷污国旗是犯罪。

331 refinements   

n.（生活）风雅；精炼( refinement的名词复数 )；改良品；细微的改良；优雅或高贵的动作

参考例句：

• The new model has electric windows and other refinements. 新型号有电动窗和其他改良装置。 来自《简明英汉词典》
• It is possible to add a few useful refinements to the basic system. 对基本系统进行一些有益的改良是可能的。 来自《简明英汉词典》

332 pungent   

adj.（气味、味道）刺激性的，辛辣的；尖锐的

参考例句：

• The article is written in a pungent style.文章写得泼辣。
• Its pungent smell can choke terrorists and force them out of their hideouts.它的刺激性气味会令恐怖分子窒息，迫使他们从藏身地点逃脱出来。

333 immoral   

adj.不道德的，淫荡的，荒淫的，有伤风化的

参考例句：

• She was questioned about his immoral conduct toward her.她被询问过有关他对她的不道德行为的情况。
• It is my belief that nuclear weapons are immoral.我相信使核武器是不邪恶的。

334 grotesque   

adj.怪诞的，丑陋的；n.怪诞的图案，怪人（物）

参考例句：

• His face has a grotesque appearance.他的面部表情十分怪。
• Her account of the incident was a grotesque distortion of the truth.她对这件事的陈述是荒诞地歪曲了事实。

335 grotesqueness   

参考例句：

336 skull   

n.头骨；颅骨

参考例句：

• The skull bones fuse between the ages of fifteen and twenty-five.头骨在15至25岁之间长合。
• He fell out of the window and cracked his skull.他从窗子摔了出去，跌裂了颅骨。

337 flinch   

v.畏缩，退缩

参考例句：

• She won't flinch from speaking her mind.她不会讳言自己的想法。
• We will never flinch from difficulties.我们面对困难决不退缩。

338 reluctance   

n.厌恶，讨厌，勉强，不情愿

参考例句：

• The police released Andrew with reluctance.警方勉强把安德鲁放走了。
• He showed the greatest reluctance to make a reply.他表示很不愿意答复。

339 impudent   

adj.鲁莽的，卑鄙的，厚颜无耻的

参考例句：

• She's tolerant toward those impudent colleagues.她对那些无礼的同事采取容忍的态度。
• The teacher threatened to kick the impudent pupil out of the room.老师威胁着要把这无礼的小学生撵出教室。

340 postures   

姿势( posture的名词复数 )； 看法； 态度； 立场

参考例句：

• Modern consciousness has this great need to explode its own postures. 现代意识很有这种摧毁本身姿态的需要。
• They instinctively gathered themselves into more tidy postures. 她们本能地恢复了端庄的姿态。

341 contemptibly   

adv.卑鄙地，下贱地

参考例句：

• He isolated himself till the space he filled in the public eye was contemptibly small. 他独来独往，至使他的存在在大伙儿的眼里变得无足轻重。 来自辞典例句

342 follies   

罪恶，时事讽刺剧； 愚蠢，蠢笨，愚蠢的行为、思想或做法( folly的名词复数 )

参考例句：

• He has given up youthful follies. 他不再做年轻人的荒唐事了。
• The writings of Swift mocked the follies of his age. 斯威夫特的作品嘲弄了他那个时代的愚人。

343 hilarious   

adj.充满笑声的，欢闹的；[反]depressed

参考例句：

• The party got quite hilarious after they brought more wine.在他们又拿来更多的酒之后，派对变得更加热闹起来。
• We stop laughing because the show was so hilarious.我们笑个不停，因为那个节目太搞笑了。

344 anarchy   

n.无政府状态；社会秩序混乱，无秩序

参考例句：

• There would be anarchy if we had no police.要是没有警察，社会就会无法无天。
• The country was thrown into a state of anarchy.这国家那时一下子陷入无政府状态。

345 aristocrat   

n.贵族，有贵族气派的人，上层人物

参考例句：

• He was the quintessential english aristocrat.他是典型的英国贵族。
• He is an aristocrat to the very marrow of his bones.他是一个道道地地的贵族。

346 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

347 reptiles   

n.爬行动物，爬虫( reptile的名词复数 )

参考例句：

• Snakes and crocodiles are both reptiles. 蛇和鳄鱼都是爬行动物。 来自《简明英汉词典》
• Birds, reptiles and insects come from eggs. 鸟类、爬虫及昆虫是卵生的。 来自《现代汉英综合大词典》

348 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

349 idiotic   

adj.白痴的

参考例句：

• It is idiotic to go shopping with no money.去买东西而不带钱是很蠢的。
• The child's idiotic deeds caused his family much trouble.那小孩愚蠢的行为给家庭带来许多麻烦。

350 witty   

adj.机智的，风趣的

参考例句：

• Her witty remarks added a little salt to the conversation.她的妙语使谈话增添了一些风趣。
• He scored a bull's-eye in their argument with that witty retort.在他们的辩论中他那一句机智的反驳击中了要害。

351 magistrate   

n.地方行政官，地方法官，治安官

参考例句：

• The magistrate committed him to prison for a month.法官判处他一个月监禁。
• John was fined 1000 dollars by the magistrate.约翰被地方法官罚款1000美元。

352 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

353 undoubtedly   

adv.确实地，无疑地

参考例句：

• It is undoubtedly she who has said that.这话明明是她说的。
• He is undoubtedly the pride of China.毫无疑问他是中国的骄傲。

354 horrify   

vt.使恐怖，使恐惧，使惊骇

参考例句：

• His family were horrified by the change.他的家人对这一变化感到震惊。
• When I saw these figures I was horrified.我看到这些数字时无比惊骇。

355 emphatic   

adj.强调的，着重的；无可置疑的，明显的

参考例句：

• Their reply was too emphatic for anyone to doubt them.他们的回答很坚决，不容有任何人怀疑。
• He was emphatic about the importance of being punctual.他强调严守时间的重要性。

356 avowed   

adj.公开声明的，承认的v.公开声明，承认( avow的过去式和过去分词)

参考例句：

• An aide avowed that the President had known nothing of the deals. 一位助理声明，总统对这些交易一无所知。
• The party's avowed aim was to struggle against capitalist exploitation. 该党公开宣称的宗旨是与资本主义剥削斗争。 来自《简明英汉词典》

357 charlatanism   

n.庸医术，庸医的行为

参考例句：

• There is no philosophy in the period between Kant and myself; only mere University charlatanism. 在康德和我自己之间的这一时期，没有哲学家，仅有大学庸医而已。 来自互联网
• They also bared the basic charlatanism underlying all of the Chiang regime's tactics. 这些事实也暴露了蒋政权各种手法的卑鄙本质。 来自互联网

358 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

359 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

360 humble   

adj.谦卑的，恭顺的；地位低下的；v.降低，贬低

参考例句：

• In my humble opinion,he will win the election.依我拙见，他将在选举中获胜。
• Defeat and failure make people humble.挫折与失败会使人谦卑。

361 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

362 intonation   

n.语调，声调；发声

参考例句：

• The teacher checks for pronunciation and intonation.老师在检查发音和语调。
• Questions are spoken with a rising intonation.疑问句是以升调说出来的。

363 insolent   

adj.傲慢的，无理的

参考例句：

• His insolent manner really got my blood up.他那傲慢的态度把我的肺都气炸了。
• It was insolent of them to demand special treatment.他们要求给予特殊待遇，脸皮真厚。

364 censures   

v.指责，非难，谴责( censure的第三人称单数 )

参考例句：

• With such censures I cannot profess that I completely agree. 对于这些指责，我不能说我完全同意。 来自辞典例句
• This is a review containing unfair censures of a new book. 这是对一本新书进行非难的文章。 来自互联网

365 disdain   

n.鄙视，轻视；v.轻视，鄙视，不屑

参考例句：

• Some people disdain labour.有些人轻视劳动。
• A great man should disdain flatterers.伟大的人物应鄙视献媚者。

366 profane   

adj.亵神的，亵渎的；vt.亵渎，玷污

参考例句：

• He doesn't dare to profane the name of God.他不敢亵渎上帝之名。
• His profane language annoyed us.他亵渎的言语激怒了我们。

367 provocatively   

参考例句：

• Democracy or dictatorship, the golden ships still hung in the sky and shone provocatively. 民主也好，独裁也罢，那些金晃晃的飞船依然高悬天际，闪熠发光，向我们挑衅。 来自英汉非文学 - 科幻

368 puritanical   

adj.极端拘谨的；道德严格的

参考例句：

• He has a puritanical attitude towards sex.他在性问题上主张克制，反对纵欲。
• Puritanical grandfather is very strict with his children.古板严厉的祖父对子女要求非常严格。

369 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

370 oligarchic   

adj.寡头政治的，主张寡头政治的

参考例句：

• The oligarchic fortunes are in oil and metals. 这个寡头国家的巨额财富来自石油和金属。 来自互联网
• Oligarchic groups dominate investment flows, investing 30 per cent more than other private owners. 寡头集团主导了投资流动，它们的投资比私人所有者的投资高出30%。 来自互联网

371 filth   

n.肮脏，污物，污秽；淫猥

参考例句：

• I don't know how you can read such filth.我不明白你怎么会去读这种淫秽下流的东西。
• The dialogue was all filth and innuendo.这段对话全是下流的言辞和影射。

372 scrawled   

乱涂，潦草地写( scrawl的过去式和过去分词 )

参考例句：

• I tried to read his directions, scrawled on a piece of paper. 我尽量弄明白他草草写在一片纸上的指示。
• Tom scrawled on his slate, "Please take it -- I got more." 汤姆在他的写字板上写了几个字：“请你收下吧，我多得是哩。”

373 charlatans   

n.冒充内行者，骗子( charlatan的名词复数 )

参考例句：

• There are lots of phonies and charlatans in the financial newsletter business. 干金融通讯这一行的人中间不乏骗子和吹牛大王。 来自辞典例句
• But wicked people and charlatans will go from bad to worse, deceivers and deceived. 但是恶人和行诈术的人却越来越坏，他们迷惑人，也必受人迷惑。 来自互联网

374 quacks   

abbr.quacksalvers 庸医，骗子(16世纪习惯用水银或汞治疗梅毒的人)n.江湖医生( quack的名词复数 )；江湖郎中；（鸭子的）呱呱声v.（鸭子）发出嘎嘎声( quack的第三人称单数 )

参考例句：

• I went everywhere for treatment, tried all sorts of quacks. 我四处求医，看过了各种各样的江湖郎中。 来自辞典例句
• Hard-working medical men may come to be almost as mischievous as quacks. 辛勤工作的医生可能变成江湖郎中那样的骗子。 来自辞典例句

375 wares   

n. 货物, 商品

参考例句：

• They sold their wares at half-price. 他们的货品是半价出售的。
• The peddler was crying up his wares. 小贩极力夸耀自己的货物。

376 sterility   

n.不生育，不结果，贫瘠，消毒，无菌

参考例句：

• A major barrier to interspecific hybridization is sterility in the F1 progeny.种间杂交的主要障碍是F1代的不育性。
• Sterility is some permanent factor preventing procreation.不育是阻碍生殖的一种永久性因素。

377 Oxford   

n.牛津（英国城市）

参考例句：

• At present he has become a Professor of Chemistry at Oxford.他现在已是牛津大学的化学教授了。
• This is where the road to Oxford joins the road to London.这是去牛津的路与去伦敦的路的汇合处。

378 verbosity   

n.冗长，赘言

参考例句：

• We became bored with his verbosity. 他说话啰唆，叫我们烦厌。 来自《简明英汉词典》
• Slightly increased verbosity of GDFS access initialization error handling code. 稍微增加了GDFS初始化错误操作码的冗长度。 来自互联网

379 abstruse   

adj.深奥的，难解的

参考例句：

• Einstein's theory of relativity is very abstruse.爱因斯坦的相对论非常难懂。
• The professor's lectures were so abstruse that students tended to avoid them.该教授的课程太深奥了，学生们纷纷躲避他的课。

380 syllable   

n.音节；vt.分音节

参考例句：

• You put too much emphasis on the last syllable.你把最后一个音节读得太重。
• The stress on the last syllable is light.最后一个音节是轻音节。

381 oligarchy   

n.寡头政治

参考例句：

• The only secure basis for oligarchy is collectivism.寡头政体的唯一可靠基础是集体主义。
• Insecure and fearful of its own people,the oligarchy preserves itself through tyranny.由于担心和害怕自己的人民，统治集团只能靠实行暴政来维护其统治。

382 naturalists   

n.博物学家( naturalist的名词复数 )；（文学艺术的）自然主义者

参考例句：

• Naturalists differ much in determining what characters are of generic value. 自然学者对于不同性状决定生物的属的含义上，各有各的见解。 来自辞典例句
• This fact has led naturalists to believe that the Isthmus was formerly open. 使许多自然学者相信这个地蛱在以前原是开通的。 来自辞典例句

383 pugnacious   

adj.好斗的

参考例句：

• He is a pugnacious fighter.他是个好斗的战士。
• When he was a child,he was pugnacious and fought with everyone.他小时候很好斗，跟每个人都打过架。

384 controversies   

争论

参考例句：

• We offer no comment on these controversies here. 对于这些争议，我们在这里不作任何评论。 来自英汉非文学 - 历史
• The controversies surrounding population growth are unlikely to subside soon. 围绕着人口增长问题的争论看来不会很快平息。 来自辞典例句

385 slain   

杀死，宰杀，杀戮( slay的过去分词 )； (slay的过去分词)

参考例句：

• The soldiers slain in the battle were burried that night. 在那天夜晚埋葬了在战斗中牺牲了的战士。
• His boy was dead, slain by the hand of the false Amulius. 他的儿子被奸诈的阿缪利乌斯杀死了。

386 sprawled   

v.伸开四肢坐[躺]( sprawl的过去式和过去分词)；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着）

参考例句：

• He was sprawled full-length across the bed. 他手脚摊开横躺在床上。
• He was lying sprawled in an armchair, watching TV. 他四肢伸开正懒散地靠在扶手椅上看电视。

387 knight   

n.骑士，武士；爵士

参考例句：

• He was made an honourary knight.他被授予荣誉爵士称号。
• A knight rode on his richly caparisoned steed.一个骑士骑在装饰华丽的马上。

388 gratitude   

adj.感激，感谢

参考例句：

• I have expressed the depth of my gratitude to him.我向他表示了深切的谢意。
• She could not help her tears of gratitude rolling down her face.她感激的泪珠禁不住沿着面颊流了下来。

389 economist   

n.经济学家，经济专家，节俭的人

参考例句：

• He cast a professional economist's eyes on the problem.他以经济学行家的眼光审视这个问题。
• He's an economist who thinks he knows all the answers.他是个经济学家，自以为什么都懂。

390 economists   

n.经济学家，经济专家( economist的名词复数 )

参考例句：

• The sudden rise in share prices has confounded economists. 股价的突然上涨使经济学家大惑不解。
• Foreign bankers and economists cautiously welcomed the minister's initiative. 外国银行家和经济学家对部长的倡议反应谨慎。 来自《简明英汉词典》

391 converse   

vi.谈话，谈天，闲聊；adv.相反的，相反

参考例句：

• He can converse in three languages.他可以用3种语言谈话。
• I wanted to appear friendly and approachable but I think I gave the converse impression.我想显得友好、平易近人些,却发觉给人的印象恰恰相反。

392 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

393 cosmos   

n.宇宙；秩序，和谐

参考例句：

• Our world is but a small part of the cosmos.我们的世界仅仅是宇宙的一小部分而已。
• Is there any other intelligent life elsewhere in the cosmos?在宇宙的其他星球上还存在别的有智慧的生物吗？

394 eliminations   

n.排除( elimination的名词复数 )；除去；根除；淘汰

参考例句：

• The eliminations came from Mitsubishi's sales and credit departments. 在冲销来自三菱的销售和信贷部门。 来自互联网
• This is the largest batch of job eliminations in British banking industry. 这是今年以来英国银行宣布的最大规模裁员计划。 来自互联网

395 sluggish   

adj.懒惰的，迟钝的，无精打采的

参考例句：

• This humid heat makes you feel rather sluggish.这种湿热的天气使人感到懒洋洋的。
• Circulation is much more sluggish in the feet than in the hands.脚部的循环比手部的循环缓慢得多。

396 insomnia   

n.失眠，失眠症

参考例句：

• Worries and tenseness can lead to insomnia.忧虑和紧张会导致失眠。
• He is suffering from insomnia.他患失眠症。

397 frightful   

adj.可怕的；讨厌的

参考例句：

• How frightful to have a husband who snores!有一个发鼾声的丈夫多讨厌啊！
• We're having frightful weather these days.这几天天气坏极了。

398 bankruptcy   

n.破产；无偿付能力

参考例句：

• You will have to pull in if you want to escape bankruptcy.如果你想避免破产，就必须节省开支。
• His firm is just on thin ice of bankruptcy.他的商号正面临破产的危险。

399 purgatory   

n.炼狱；苦难；adj.净化的，清洗的

参考例句：

• Every step of the last three miles was purgatory.最后3英里时每一步都像是受罪。
• Marriage,with peace,is this world's paradise;with strife,this world's purgatory.和谐的婚姻是尘世的乐园，不和谐的婚姻则是人生的炼狱。

400 irrelevance   

n.无关紧要；不相关；不相关的事物

参考例句：

• the irrelevance of the curriculum to children's daily life 课程与孩子们日常生活的脱节
• A President who identifies leadership with public opinion polls dooms himself to irrelevance. 一位总统如果把他的领导和民意测验投票结果等同起来，那么他注定将成为一个可有可无的人物。 来自辞典例句

401 paltry   

adj.无价值的，微不足道的

参考例句：

• The parents had little interest in paltry domestic concerns.那些家长对家里鸡毛蒜皮的小事没什么兴趣。
• I'm getting angry;and if you don't command that paltry spirit of yours.我要生气了，如果你不能振作你那点元气。

402 stereotyped   

adj.(指形象、思想、人物等)模式化的

参考例句：

• There is a sameness about all these tales. They're so stereotyped -- all about talented scholars and lovely ladies. 这些书就是一套子，左不过是些才子佳人，最没趣儿。
• He is the stereotyped monster of the horror films and the adventure books, and an obvious (though not perhaps strictly scientific) link with our ancestral past. 它们是恐怖电影和惊险小说中的老一套的怪物，并且与我们的祖先有着明显的（虽然可能没有科学的）联系。

403 antiquated   

adj.陈旧的，过时的

参考例句：

• Many factories are so antiquated they are not worth saving.很多工厂过于陈旧落后，已不值得挽救。
• A train of antiquated coaches was waiting for us at the siding.一列陈旧的火车在侧线上等着我们。

404 crumbling   

adj.摇摇欲坠的

参考例句：

• an old house with crumbling plaster and a leaking roof 一所灰泥剥落、屋顶漏水的老房子
• The boat was tied up alongside a crumbling limestone jetty. 这条船停泊在一个摇摇欲坠的石灰岩码头边。

405 gunpowder   

n.火药

参考例句：

• Gunpowder was introduced into Europe during the first half of the 14th century.在14世纪上半叶，火药传入欧洲。
• This statement has a strong smell of gunpowder.这是一篇充满火药味的声明。

406 emancipated   

adj.被解放的，不受约束的v.解放某人（尤指摆脱政治、法律或社会的束缚）( emancipate的过去式和过去分词 )

参考例句：

• Slaves were not emancipated until 1863 in the United States. 美国奴隶直到1863年才获得自由。
• Women are still struggling to be fully emancipated. 妇女仍在为彻底解放而斗争。 来自《简明英汉词典》

407 strand   

vt.使（船）搁浅，使（某人）困于（某地）

参考例句：

• She tucked a loose strand of hair behind her ears.她把一缕散发夹到了耳后。
• The climbers had been stranded by a storm.登山者被暴风雨困住了。

408 cavalry   

n.骑兵；轻装甲部队

参考例句：

• We were taken in flank by a troop of cavalry. 我们翼侧受到一队骑兵的袭击。
• The enemy cavalry rode our men down. 敌人的骑兵撞倒了我们的人。

409 obliterated   

v.除去( obliterate的过去式和过去分词 )；涂去；擦掉；彻底破坏或毁灭

参考例句：

• The building was completely obliterated by the bomb. 炸弹把那座建筑物彻底摧毁了。
• He began to drink, drank himself to intoxication, till he slept obliterated. 他一直喝，喝到他快要迷糊地睡着了。 来自《简明英汉词典》

410 crackers   

adj.精神错乱的，癫狂的n.爆竹( cracker的名词复数 )；薄脆饼干；（认为）十分愉快的事；迷人的姑娘

参考例句：

• That noise is driving me crackers. 那噪声闹得我简直要疯了。
• We served some crackers and cheese as an appetiser. 我们上了些饼干和奶酪作为开胃品。 来自《简明英汉词典》

411 frivolous   

adj.轻薄的；轻率的

参考例句：

• This is a frivolous way of attacking the problem.这是一种轻率敷衍的处理问题的方式。
• He spent a lot of his money on frivolous things.他在一些无聊的事上花了好多钱。

412 aspiring   

adj.有志气的；有抱负的；高耸的v.渴望；追求

参考例句：

• Aspiring musicians need hours of practice every day. 想当音乐家就要每天练许多小时。
• He came from an aspiring working-class background. 他出身于有抱负的工人阶级家庭。 来自辞典例句

413 optimists   

n.乐观主义者( optimist的名词复数 )

参考例句：

• Even optimists admit the outlook to be poor. 甚至乐观的人都认为前景不好。 来自《简明英汉词典》
• Optimists reckon house prices will move up with inflation this year. 乐观人士认为今年的房价将会随通货膨胀而上涨。 来自辞典例句

414 pallid   

adj.苍白的，呆板的

参考例句：

• The moon drifted from behind the clouds and exposed the pallid face.月亮从云朵后面钻出来，照着尸体那张苍白的脸。
• His dry pallid face often looked gaunt.他那张干瘪苍白的脸常常显得憔悴。

415 pessimists   

n.悲观主义者( pessimist的名词复数 )

参考例句：

• Pessimists tell us that the family as we know it is doomed. 悲观主义者告诉我们说，我们现在的这种家庭注定要崩溃。 来自辞典例句
• Experts on the future are divided into pessimists and optimists. 对未来发展进行预测的专家可分为悲观主义者和乐观主义者两类。 来自互联网

416 withered   

adj. 枯萎的，干瘪的，（人身体的部分器官）因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式

参考例句：

• The grass had withered in the warm sun. 这些草在温暖的阳光下枯死了。
• The leaves of this tree have become dry and withered. 这棵树下的叶子干枯了。

417 ascetic   

adj.禁欲的；严肃的

参考例句：

• The hermit followed an ascetic life-style.这个隐士过的是苦行生活。
• This is achieved by strict celibacy and ascetic practices.这要通过严厉的独身生活和禁欲修行而达到。

418 besieged   

包围，围困，围攻( besiege的过去式和过去分词 )

参考例句：

• Paris was besieged for four months and forced to surrender. 巴黎被围困了四个月后被迫投降。
• The community besieged the newspaper with letters about its recent editorial. 公众纷纷来信对报社新近发表的社论提出诘问，弄得报社应接不暇。

419 citadel   

n.城堡；堡垒；避难所

参考例句：

• The citadel was solid.城堡是坚固的。
• This citadel is built on high ground for protecting the city.这座城堡建于高处是为保护城市。