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Chapter 3 Early Writings
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The second volume of the Twice–Told Tales was published in 1845, in Boston; and at this time a good many of the stories which were afterwards collected into the Mosses1 from an Old Manse had already appeared, chiefly in The Democratic Review, a sufficiently3 flourishing periodical of that period. In mentioning these things I anticipate; but I touch upon the year 1845 in order to speak of the two collections of Twice–Told Tales at once. During the same year Hawthorne edited an interesting volume, the Journals of an African Cruiser, by his friend Bridge, who had gone into the Navy and seen something of distant waters. His biographer mentions that even then Hawthorne’s name was thought to bespeak4 attention for a book, and he insists on this fact in contradiction to the idea that his productions had hitherto been as little noticed as his own declaration that he remained “for a good many years the obscurest man of letters in America,” might lead one, and has led many people, to suppose. “In this dismal5 chamber6 FAME was won,” he writes in Salem in 1836. And we find in the Note–Books (1840), this singularly beautiful and touching7 passage:—

“Here I sit in my old accustomed chamber, where I used to sit in days gone by. . . . Here I have written many tales — many that have been burned to ashes, many that have doubtless deserved the same fate. This claims to be called a haunted chamber, for thousands upon thousands of visions have appeared to me in it; and some few of them have become visible to the world. If ever I should have a biographer, he ought to make great mention of this chamber in my memoirs8, because so much of my lonely youth was wasted here, and here my mind and character were formed; and here I have been glad and hopeful, and here I have been despondent9. And here I sat a long, long time, waiting patiently for the world to know me, and sometimes wondering why it did not know me sooner, or whether it would ever know me at all — at least till I were in my grave. And sometimes it seems to me as if I were already in the grave, with only life enough to be chilled and benumbed. But oftener I was happy — at least as happy as I then knew how to be, or was aware of the possibility of being. By and by the world found me out in my lonely chamber and called me forth10 — not indeed with a loud roar of acclamation, but rather with a still small voice — and forth I went, but found nothing in the world I thought preferable to my solitude11 till now. . . . And now I begin to understand why I was imprisoned12 so many years in this lonely chamber, and why I could never break through the viewless bolts and bars; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous13 by rude encounters with the multitude. . . . But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart. . . . I used to think that I could imagine all passions, all feelings, and states of the heart and mind; but how little did I know! . . . Indeed, we are but shadows; we are not endowed with real life, and all that seems most real about us is but the thinnest substance of a dream — till the heart be touched. That touch creates us — then we begin to be — thereby14 we are beings of reality and inheritors of eternity15.”

There is something exquisite16 in the soft philosophy of this little retrospect17, and it helps us to appreciate it to know that the writer had at this time just become engaged to be married to a charming and accomplished19 person, with whom his union, which took place two years later, was complete and full of happiness. But I quote it more particularly for the evidence it affords that, already in 1840, Hawthorne could speak of the world finding him out and calling him forth, as of an event tolerably well in the past. He had sent the first of the Twice–Told series to his old college friend, Longfellow, who had already laid, solidly, the foundation of his great poetic20 reputation, and at the time of his sending it had written him a letter from which it will be to our purpose to quote a few lines:—

“You tell me you have met with troubles and changes. I know not what these may have been; but I can assure you that trouble is the next best thing to enjoyment21, and that there is no fate in the world so horrible as to have no share in either its joys or sorrows. For the last ten years I have not lived, but only dreamed of living. It may be true that there may have been some unsubstantial pleasures here in the shade, which I might have missed in the sunshine, but you cannot conceive how utterly22 devoid23 of satisfaction all my retrospects24 are. I have laid up no treasure of pleasant remembrances against old age; but there is some comfort in thinking that future years may be more varied25, and therefore more tolerable, than the past. You give me more credit than I deserve in supposing that I have led a studious life. I have indeed turned over a good many books, but in so desultory26 a way that it cannot be called study, nor has it left me the fruits of study. . . . I have another great difficulty in the lack of materials; for I have seen so little of the world that I have nothing but thin air to concoct27 my stories of, and it is not easy to give a life-like semblance28 to such shadowy stuff. Sometimes, through a peephole, I have caught a glimpse of the real world, and the two or three articles in which I have portrayed29 these glimpses please me better than the others.”

It is more particularly for the sake of the concluding lines that I have quoted this passage; for evidently no portrait of Hawthorne at this period is at all exact which, fails to insist upon the constant struggle which must have gone on between his shyness and his desire to know something of life; between what may be called his evasive and his inquisitive30 tendencies. I suppose it is no injustice31 to Hawthorne to say that on the whole his shyness always prevailed; and yet, obviously, the struggle was constantly there. He says of his Twice–Told Tales, in the preface, “They are not the talk of a secluded32 man with his own mind and heart (had it been so they could hardly have failed to be more deeply and permanently33 valuable,) but his attempts, and very imperfectly successful ones, to open an intercourse35 with the world.” We are speaking here of small things, it must be remembered — of little attempts, little sketches36, a little world. But everything is relative, and this smallness of scale must not render less apparent the interesting character of Hawthorne’s efforts. As for the Twice–Told Tales themselves, they are an old story now; every one knows them a little, and those who admire them particularly have read them a great many times. The writer of this sketch37 belongs to the latter class, and he has been trying to forget his familiarity with them, and ask himself what impression they would have made upon him at the time they appeared, in the first bloom of their freshness, and before the particular Hawthorne-quality, as it may be called, had become an established, a recognised and valued, fact. Certainly, I am inclined to think, if one had encountered these delicate, dusky flowers in the blossomless garden of American journalism38, one would have plucked them with a very tender hand; one would have felt that here was something essentially39 fresh and new; here, in no extraordinary force or abundance, but in a degree distinctly appreciable40, was an original element in literature. When I think of it, I almost envy Hawthorne’s earliest readers; the sensation of opening upon The Great Carbuncle, The Seven Vagabonds, or The Threefold Destiny in an American annual of forty years ago, must have been highly agreeable.

Among these shorter things (it is better to speak of the whole collection, including the Snow Image, and the Mosses from an Old Manse at once) there are three sorts of tales, each one of which has an original stamp. There are, to begin with, the stories of fantasy and allegory — those among which the three I have just mentioned would be numbered, and which on the whole, are the most original. This is the group to which such little masterpieces as Malvin’s Burial, Rappacini’s Daughter, and Young Goodman Brown also belong — these two last perhaps representing the highest point that Hawthorne reached in this direction. Then there are the little tales of New England history, which are scarcely less admirable, and of which The Grey Champion, The Maypole of Merry Mount, and the four beautiful Legends of the Province House, as they are called, are the most successful specimens42. Lastly come the slender sketches of actual scenes and of the objects and manners about him, by means of which, more particularly, he endeavoured “to open an intercourse with the world,” and which, in spite of their slenderness, have an infinite grace and charm. Among these things A Rill from the Town Pump, The Village Uncle, The Toll–Gatherer’s Day, the Chippings with a Chisel43, may most naturally be mentioned. As we turn over these volumes we feel that the pieces that spring most directly from his fancy, constitute, as I have said (putting his four novels aside), his most substantial claim to our attention. It would be a mistake to insist too much upon them; Hawthorne was himself the first to recognise that. “These fitful sketches,” he says in the preface to the Mosses from an Old Manse, “with so little of external life about them, yet claiming no profundity44 of purpose — so reserved even while they sometimes seem so frank — often but half in earnest, and never, even when most so, expressing satisfactorily the thoughts which they profess45 to image — such trifles, I truly feel, afford no solid basis for a literary reputation.” This is very becomingly uttered; but it may be said, partly in answer to it, and partly in confirmation46, that the valuable element in these things was not what Hawthorne put into them consciously, but what passed into them without his being able to measure it — the element of simple genius, the quality of imagination. This is the real charm of Hawthorne’s writing — this purity and spontaneity and naturalness of fancy. For the rest, it is interesting to see how it borrowed a particular colour from the other faculties47 that lay near it — how the imagination, in this capital son of the old Puritans, reflected the hue48 of the more purely49 moral part, of the dusky, overshadowed conscience. The conscience, by no fault of its own, in every genuine offshoot of that sombre lineage, lay under the shadow of the sense of sin. This darkening cloud was no essential part of the nature of the individual; it stood fixed50 in the general moral heaven, under which he grew up and looked at life. It projected from above, from outside, a black patch over his spirit, and it was for him to do what he could with the black patch. There were all sorts of possible ways of dealing51 with it; they depended upon the personal temperament52. Some natures would let it lie as it fell, and contrive53 to be tolerably comfortable beneath it. Others would groan54 and sweat and suffer; but the dusky blight55 would remain, and their lives would be lives of misery56. Here and there an individual, irritated beyond endurance, would throw it off in anger, plunging57 probably into what would be deemed deeper abysses of depravity. Hawthorne’s way was the best, for he contrived58, by an exquisite process, best known to himself, to transmute59 this heavy moral burden into the very substance of the imagination, to make it evaporate in the light and charming fumes60 of artistic61 production. But Hawthorne, of course, was exceptionally fortunate; he had his genius to help him. Nothing is more curious and interesting than this almost exclusively imported character of the sense of sin in Hawthorne’s mind; it seems to exist there merely for an artistic or literary purpose. He had ample cognizance of the Puritan conscience; it was his natural heritage; it was reproduced in him; looking into his soul, he found it there. But his relation to it was only, as one may say, intellectual; it was not moral and theological. He played with it and used it as a pigment63; he treated it, as the metaphysicians say, objectively. He was not discomposed, disturbed, haunted by it, in the manner of its usual and regular victims, who had not the little postern door of fancy to slip through, to the other side of the wall. It was, indeed, to his imaginative vision, the great fact of man’s nature; the light element that had been mingled64 with his own composition always clung to this rugged65 prominence66 of moral responsibility, like the mist that hovers67 about the mountain. It was a necessary condition for a man of Hawthorne’s stock that if his imagination should take licence to amuse itself, it should at least select this grim precinct of the Puritan morality for its play-ground. He speaks of the dark disapproval68 with which his old ancestors, in the case of their coming to life, would see him trifling69 himself away as a story-teller. But how far more darkly would they have frowned could they have understood that he had converted the very principle of their own being into one of his toys!

It will be seen that I am far from being struck with the justice of that view of the author of the Twice–Told Tales, which is so happily expressed by the French critic to whom I alluded70 at an earlier stage of this essay. To speak of Hawthorne, as M. Emile Montégut does, as a romancier pessimiste, seems to me very much beside the mark. He is no more a pessimist72 than an optimist73, though he is certainly not much of either. He does not pretend to conclude, or to have a philosophy of human nature; indeed, I should even say that at bottom he does not take human nature as hard as he may seem to do. “His bitterness,” says M. Montégut, “is without abatement74, and his bad opinion of man is without compensation. . . . His little tales have the air of confessions75 which the soul makes to itself; they are so many little slaps which the author applies to our face.” This, it seems to me, is to exaggerate almost immeasurably the reach of Hawthorne’s relish76 of gloomy subjects. What pleased him in such subjects was their picturesqueness77, their rich duskiness of colour, their chiaroscuro79; but they were not the expression of a hopeless, or even of a predominantly melancholy80, feeling about the human soul. Such at least is my own impression. He is to a considerable degree ironical81 — this is part of his charm — part even, one may say, of his brightness; but he is neither bitter nor cynical82 — he is rarely even what I should call tragical83. There have certainly been story-tellers of a gayer and lighter84 spirit; there have been observers more humorous, more hilarious85 — though on the whole Hawthorne’s observation has a smile in it oftener than may at first appear; but there has rarely been an observer more serene86, less agitated87 by what he sees and less disposed to call things deeply into question. As I have already intimated, his Note–Books are full of this simple and almost child-like serenity88. That dusky preoccupation with the misery of human life and the wickedness of the human heart which such a critic as M. Emile Montégut talks about, is totally absent from them; and if we may suppose a person to have read these Diaries before looking into the tales, we may be sure that such a reader would be greatly surprised to hear the author described as a disappointed, disdainful genius. “This marked love of cases of conscience,” says M. Montégut, “this taciturn, scornful cast of mind, this habit of seeing sin everywhere and hell always gaping90 open, this dusky gaze bent91 always upon a damned world and a nature draped in mourning, these lonely conversations of the imagination with the conscience, this pitiless analysis resulting from a perpetual examination of one’s self, and from the tortures of a heart closed before men and open to God — all these elements of the Puritan character have passed into Mr. Hawthorne, or to speak more justly, have filtered into him, through a long succession of generations.” This is a very pretty and very vivid account of Hawthorne, superficially considered; and it is just such a view of the case as would commend itself most easily and most naturally to a hasty critic. It is all true indeed, with a difference; Hawthorne was all that M. Montégut says, minus the conviction. The old Puritan moral sense, the consciousness of sin and hell, of the fearful nature of our responsibilities and the savage92 character of our Taskmaster — these things had been lodged93 in the mind of a man of Fancy, whose fancy had straightway begun to take liberties and play tricks with them — to judge them (Heaven forgive him!) from the poetic and ?sthetic point of view, the point of view of entertainment and irony94. This absence of conviction makes the difference; but the difference is great.

Hawthorne was a man of fancy, and I suppose that in speaking of him it is inevitable95 that we should feel ourselves confronted with the familiar problem of the difference between the fancy and the imagination. Of the larger and more potent96 faculty97 he certainly possessed98 a liberal share; no one can read The House of the Seven Gables without feeling it to be a deeply imaginative work. But I am often struck, especially in the shorter tales, of which I am now chiefly speaking, with a kind of small ingenuity99, a taste for conceits100 and analogies, which bears more particularly what is called the fanciful stamp. The finer of the shorter tales are redolent of a rich imagination.

“Had Goodman Brown fallen asleep in the forest and only dreamed a wild dream of witch-meeting? Be it so, if you will; but, alas101, it was a dream of evil omen102 for young Goodman Brown! a stern, a sad, a darkly meditative103, a distrustful, if not a desperate, man, did he become from the night of that fearful dream. On the Sabbath-day, when the congregation were singing a holy psalm104, he could not listen, because an anthem105 of sin rushed loudly upon his ear and drowned all the blessed strain. When the minister spoke106 from the pulpit, with power and fervid107 eloquence108, and with his hand on the open Bible of the sacred truth of our religion, and of saint-like lives and triumphant109 deaths, and of future bliss110 or misery unutterable, then did Goodman Brown grow pale, dreading111 lest the roof should thunder down upon the gray blasphemer and his hearers. Often, awaking suddenly at midnight, he shrank from the bosom112 of Faith; and at morning or eventide, when the family knelt down at prayer, he scowled113 and muttered to himself, and gazed sternly at his wife, and turned away. And when he had lived long, and was borne to his grave a hoary114 corpse115, followed by Faith, an aged18 woman, and children, and grandchildren, a goodly procession, besides neighbours not a few, they carved no hopeful verse upon his tombstone, for his dying hour was gloom.”

There is imagination in that, and in many another passage that I might quote; but as a general thing I should characterise the more metaphysical of our author’s short stories as graceful116 and felicitous117 conceits. They seem to me to be qualified118 in this manner by the very fact that they belong to the province of allegory. Hawthorne, in his metaphysical moods, is nothing if not allegorical, and allegory, to my sense, is quite one of the lighter exercises of the imagination. Many excellent judges, I know, have a great stomach for it; they delight in symbols and correspondences, in seeing a story told as if it were another and a very different story. I frankly119 confess that I have as a general thing but little enjoyment of it and that it has never seemed to me to be, as it were, a first-rate literary form. It has produced assuredly some first-rate works; and Hawthorne in his younger years had been a great reader and devotee of Bunyan and Spenser, the great masters of allegory. But it is apt to spoil two good things — a story and a moral, a meaning and a form; and the taste for it is responsible for a large part of the forcible-feeble writing that has been inflicted120 upon the world. The only cases in which it is endurable is when it is extremely spontaneous, when the analogy presents itself with eager promptitude. When it shows signs of having been groped and fumbled121 for, the needful illusion is of course absent and the failure complete. Then the machinery122 alone is visible, and the end to which it operates becomes a matter of indifference123. There was but little literary criticism in the United States at the time Hawthorne’s earlier works were published; but among the reviewers Edgar Poe perhaps held the scales the highest. He at any rate rattled124 them loudest, and pretended, more than any one else, to conduct the weighing-process on scientific principles. Very remarkable125 was this process of Edgar Poe’s, and very extraordinary were his principles; but he had the advantage of being a man of genius, and his intelligence was frequently great. His collection of critical sketches of the American writers flourishing in what M. Taine would call his milieu126 and moment, is very curious and interesting reading, and it has one quality which ought to keep it from ever being completely forgotten. It is probably the most complete and exquisite specimen41 of provincialism ever prepared for the edification of men. Poe’s judgments127 are pretentious128, spiteful, vulgar; but they contain a great deal of sense and discrimination as well, and here and there, sometimes at frequent intervals129, we find a phrase of happy insight imbedded in a patch of the most fatuous130 pedantry131. He wrote a chapter upon Hawthorne, and spoke of him on the whole very kindly132; and his estimate is of sufficient value to make it noticeable that he should express lively disapproval of the large part allotted133 to allegory in his tales — in defence of which, he says, “however, or for whatever object employed, there is scarcely one respectable word to be said. . . . The deepest emotion,” he goes on, “aroused within us by the happiest allegory as allegory, is a very, very imperfectly satisfied sense of the writer’s ingenuity in overcoming a difficulty we should have preferred his not having attempted to overcome. . . . One thing is clear, that if allegory ever establishes a fact, it is by dint134 of overturning a fiction;” and Poe has furthermore the courage to remark that the Pilgrim’s Progress is a “ludicrously overrated book.” Certainly, as a general thing, we are struck with the ingenuity and felicity of Hawthorne’s analogies and correspondences; the idea appears to have made itself at home in them easily. Nothing could be better in this respect than The Snow–Image (a little masterpiece), or The Great Carbuncle, or Doctor Heidegger’s Experiment, or Rappacini’s Daughter. But in such things as The Birth–Mark and The Bosom–Serpent, we are struck with something stiff and mechanical, slightly incongruous, as if the kernel135 had not assimilated its envelope. But these are matters of light impression, and there would be a want of tact136 in pretending to discriminate137 too closely among things which all, in one way or another, have a charm. The charm — the great charm — is that they are glimpses of a great field, of the whole deep mystery of man’s soul and conscience. They are moral, and their interest is moral; they deal with something more than the mere62 accidents and conventionalities, the surface occurrences of life. The fine thing in Hawthorne is that he cared for the deeper psychology138, and that, in his way, he tried to become familiar with it. This natural, yet fanciful familiarity with it, this air, on the author’s part, of being a confirmed habitué of a region of mysteries and subtleties139, constitutes the originality140 of his tales. And then they have the further merit of seeming, for what they are, to spring up so freely and lightly. The author has all the ease, indeed, of a regular dweller141 in the moral, psychological realm; he goes to and fro in it, as a man who knows his way. His tread is a light and modest one, but he keeps the key in his pocket.

His little historical stories all seem to me admirable; they are so good that you may re-read them many times. They are not numerous, and they are very short; but they are full of a vivid and delightful142 sense of the New England past; they have, moreover, the distinction, little tales of a dozen and fifteen pages as they are, of being the only successful attempts at historical fiction that have been made in the United States. Hawthorne was at home in the early New England history; he had thumbed its records and he had breathed its air, in whatever odd receptacles this somewhat pungent143 compound still lurked144. He was fond of it, and he was proud of it, as any New Englander must be, measuring the part of that handful of half-starved fanatics145 who formed his earliest precursors146, in laying the foundations of a mighty147 empire. Hungry for the picturesque78 as he always was, and not finding any very copious148 provision of it around him, he turned back into the two preceding centuries, with the earnest determination that the primitive149 annals of Massachusetts should at least appear picturesque. His fancy, which was always alive, played a little with the somewhat meagre and angular facts of the colonial period and forthwith converted a great many of them into impressive legends and pictures. There is a little infusion150 of colour, a little vagueness about certain details, but it is very gracefully151 and discreetly152 done, and realities are kept in view sufficiently to make us feel that if we are reading romance, it is romance that rather supplements than contradicts history. The early annals of New England were not fertile in legend, but Hawthorne laid his hands upon everything that would serve his purpose, and in two or three cases his version of the story has a great deal of beauty. The Grey Champion is a sketch of less than eight pages, but the little figures stand up in the tale as stoutly153, at the least, as if they were propped154 up on half-a-dozen chapters by a dryer155 annalist, and the whole thing has the merit of those cabinet pictures in which the artist has been able to make his persons look the size of life. Hawthorne, to say it again, was not in the least a realist — he was not to my mind enough of one; but there is no genuine lover of the good city of Boston but will feel grateful to him for his courage in attempting to recount the “traditions” of Washington Street, the main thoroughfare of the Puritan capital. The four Legends of the Province House are certain shadowy stories which he professes156 to have gathered in an ancient tavern157 lurking158 behind the modern shop-fronts of this part of the city. The Province House disappeared some years ago, but while it stood it was pointed89 to as the residence of the Royal Governors of Massachusetts before the Revolution. I have no recollection of it, but it cannot have been, even from Hawthorne’s account of it, which is as pictorial159 as he ventures to make it, a very imposing160 piece of antiquity161. The writer’s charming touch, however, throws a rich brown tone over its rather shallow venerableness; and we are beguiled162 into believing, for instance, at the close of Howe’s Masquerade (a story of a strange occurrence at an entertainment given by Sir William Howe, the last of the Royal Governors, during the siege of Boston by Washington), that “superstition, among other legends of this mansion163, repeats the wondrous164 tale that on the anniversary night of Britain’s discomfiture165 the ghosts of the ancient governors of Massachusetts still glide166 through the Province House. And last of all comes a figure shrouded167 in a military cloak, tossing his clenched168 hands into the air and stamping his iron-shod boots upon the freestone steps, with a semblance of feverish169 despair, but without the sound of a foot-tramp.” Hawthorne had, as regards the two earlier centuries of New England life, that faculty which is called now-a-days the historic consciousness. He never sought to exhibit it on a large scale; he exhibited it indeed on a scale so minute that we must not linger too much upon it. His vision of the past was filled with definite images — images none the less definite that they were concerned with events as shadowy as this dramatic passing away of the last of King George’s representatives in his long loyal but finally alienated170 colony.

I have said that Hawthorne had become engaged in about his thirty-fifth-year; but he was not married until 1842. Before this event took place he passed through two episodes which (putting his falling in love aside) were much the most important things that had yet happened to him. They interrupted the painful monotony of his life, and brought the affairs of men within his personal experience. One of these was moreover in itself a curious and interesting chapter of observation, and it fructified171, in Hawthorne’s memory, in one of his best productions. How urgently he needed at this time to be drawn172 within the circle of social accidents, a little anecdote173 related by Mr. Lathrop in connection with his first acquaintance with the young lady he was to marry, may serve as an example. This young lady became known to him through her sister, who had first approached him as an admirer of the Twice–Told Tales (as to the authorship of which she had been so much in the dark as to have attributed it first, conjecturally174, to one of the two Miss Hathornes); and the two Miss Peabodys, desiring to see more of the charming writer, caused him to be invited to a species of conversazione at the house of one of their friends, at which they themselves took care to be punctual. Several other ladies, however, were as punctual as they, and Hawthorne presently arriving, and seeing a bevy175 of admirers where he had expected but three or four, fell into a state of agitation176, which is vividly177 described by his biographer. He “stood perfectly34 motionless, but with the look of a sylvan178 creature on the point of fleeing away. . . . He was stricken with dismay; his face lost colour and took on a warm paleness . . . his agitation was-very great; he stood by a table and, taking up some small object that lay upon it, he found his hand trembling so that he was obliged to lay it down.” It was desirable, certainly, that something should occur to break the spell of a diffidence that might justly be called morbid179. There is another little sentence dropped by Mr. Lathrop in relation to this period of Hawthorne’s life, which appears to me worth quoting, though I am by no means sure that it will seem so to the reader. It has a very simple and innocent air, but to a person not without an impression of the early days of “culture” in New England, it will be pregnant with historic meaning. The elder Miss Peabody, who afterwards was Hawthorne’s sister-inlaw and who acquired later in life a very honourable180 American fame as a woman of benevolence181, of learning, and of literary accomplishment182, had invited the Miss Hathornes to come to her house for the evening, and to bring with them their brother, whom she wished to thank for his beautiful tales. “Entirely to her surprise,” says Mr. Lathrop, completing thereby his picture of the attitude of this remarkable family toward society —“entirely to her surprise they came. She herself opened the door, and there, before her, between his sisters, stood a splendidly handsome youth, tall and strong, with no appearance whatever of timidity, but instead, an almost fierce determination making his face stern. This was his resource for carrying off the extreme inward tremor183 which he really felt. His hostess brought out Flaxman’s designs for Dante, just received from Professor Felton, of Harvard, and the party made an evening’s entertainment out of them.” This last sentence is the one I allude71 to; and were it not for fear of appearing too fanciful I should say that these few words were, to the initiated184 mind, an unconscious expression of the lonely frigidity185 which characterised most attempts at social recreation in the New England world some forty years ago. There was at that time a great desire for culture, a great interest in knowledge, in art, in ?sthetics, together with a very scanty186 supply of the materials for such pursuits. Small things were made to do large service; and there is something even touching in the solemnity of consideration that was bestowed187 by the emancipated188 New England conscience upon little wandering books and prints, little echoes and rumours189 of observation and experience. There flourished at that time in Boston a very remarkable and interesting woman, of whom we shall have more to say, Miss Margaret Fuller by name. This lady was the apostle of culture, of intellectual curiosity, and in the peculiarly interesting account of her life, published in 1852 by Emerson and two other of her friends, there are pages of her letters and diaries which narrate190 her visits to the Boston Athen?um and the emotions aroused in her mind by turning over portfolios191 of engravings. These emotions were ardent192 and passionate193 — could hardly have been more so had she been prostrate194 with contemplation in the Sistine Chapel195 or in one of the chambers196 of the Pitti Palace. The only analogy I can recall to this earnestness of interest in great works of art at a distance from them, is furnished by the great Goethe’s elaborate study of plaster-casts and pencil-drawings at Weimar. I mention Margaret Fuller here because a glimpse of her state of mind — her vivacity197 of desire and poverty of knowledge — helps to define the situation. The situation lives for a moment in those few words of Mr. Lathrop’s. The initiated mind, as I have ventured to call it, has a vision of a little unadorned parlour, with the snow-drifts of a Massachusetts winter piled up about its windows, and a group of sensitive and serious people, modest votaries198 of opportunity, fixing their eyes upon a bookful of Flaxman’s attenuated199 outlines.

At the beginning of the year 1839 he received, through political interest, an appointment as weigher and gauger200 in the Boston Custom-house. Mr. Van Buren then occupied the Presidency201, and it appears that the Democratic party, whose successful candidate he had been, rather took credit for the patronage202 it had bestowed upon literary men. Hawthorne was a Democrat2, and apparently203 a zealous204 one; even in later years, after the Whigs had vivified their principles by the adoption205 of the Republican platform, and by taking up an honest attitude on the question of slavery, his political faith never wavered. His Democratic sympathies were eminently206 natural, and there would have been an incongruity207 in his belonging to the other party. He was not only by conviction, but personally and by association, a Democrat. When in later years he found himself in contact with European civilisation208, he appears to have become conscious of a good deal of latent radicalism209 in his disposition210; he was oppressed with the burden of antiquity in Europe, and he found himself sighing for lightness and freshness and facility of change. But these things are relative to the point of view, and in his own country Hawthorne cast his lot with the party of conservatism, the party opposed to change and freshness. The people who found something musty and mouldy in his literary productions would have regarded this quite as a matter of course; but we are not obliged to use invidious epithets211 in describing his political preferences. The sentiment that attached him to the Democracy was a subtle and honourable one, and the author of an attempt to sketch a portrait of him, should be the last to complain of this adjustment of his sympathies. It falls much more smoothly212 into his reader’s conception of him than any other would do; and if he had had the perversity213 to be a Republican, I am afraid our ingenuity would have been considerably214 taxed in devising a proper explanation of the circumstance. At any rate, the Democrats215 gave him a small post in the Boston Custom-house, to which an annual salary of $1,200 was attached, and Hawthorne appears at first to have joyously216 welcomed the gift. The duties of the office were not very congruous to the genius of a man of fancy; but it had the advantage that it broke the spell of his cursed solitude, as he called it, drew him away from Salem, and threw him, comparatively speaking, into the world. The first volume of the American Note–Books contains some extracts from letters written during his tenure217 of this modest office, which indicate sufficiently that his occupations cannot have been intrinsically gratifying.

“I have been measuring coal all day,” he writes, during the winter of 1840, “on board of a black little British schooner218, in a dismal dock at the north end of the city. Most of the time I paced the deck to keep myself warm; for the wind (north-east, I believe) blew up through the dock as if it had been the pipe of a pair of bellows219. The vessel220 lying deep between two wharves221, there was no more delightful prospect222, on the right hand and on the left, than the posts and timbers, half immersed in the water and covered with ice, which the rising and falling of successive tides had left upon them, so that they looked like immense icicles. Across the water, however, not more than half a mile off, appeared the Bunker’s Hill Monument, and what interested me considerably more, a church-steeple, with the dial of a clock upon it, whereby I was enabled to measure the march of the weary hours. Sometimes I descended223 into the dirty little cabin of the schooner, and warmed myself by a red-hot stove, among biscuit-barrels, pots and kettles, sea-chests, and innumerable lumber224 of all sorts — my olfactories225 meanwhile being greatly refreshed with the odour of a pipe, which the captain, or some one of his crew, was smoking. But at last came the sunset, with delicate clouds, and a purple light upon the islands; and I blessed it, because it was the signal of my release.”

A worse man than Hawthorne would have measured coal quite as well, and of all the dismal tasks to which an unremunerated imagination has ever had to accommodate itself, I remember none more sordid226 than the business depicted227 in the foregoing lines. “I pray,” he writes some weeks later, “that in one year more I may find some way of escaping from this unblest Custom-house; for it is a very grievous thraldom228. I do detest229 all offices; all, at least, that are held on a political tenure, and I want nothing to do with politicians. Their hearts wither230 away and die out of their bodies. Their consciences are turned to india-rubber, or to some substance as black as that and which will stretch as much. One thing, if no more, I have gained by my Custom-house experience — to know a politician. It is a knowledge which no previous thought or power of sympathy could have taught me; because the animal, or the machine rather, is not in nature.” A few days later he goes on in the same strain:—

“I do not think it is the doom231 laid upon me of murdering so many of the brightest hours of the day at the Custom-house that makes such havoc232 with my wits, for here I am again trying to write worthily233 . . . yet with a sense as if all the noblest part of man had been left out of my composition, or had decayed out of it since my nature was given to my own keeping. . . . Never comes any bird of Paradise into that dismal region. A salt or even a coal-ship is ten million times preferable; for there the sky is above me, and the fresh breeze around me, and my thoughts having hardly anything to do with my occupation, are as free as air. Nevertheless . . . it is only once in a while that the image and desire of a better and happier life makes me feel the iron of my chain; for after all a human spirit may find no insufficiency of food for it, even in the Custom-house. And with such materials as these I do think and feel and learn things that are worth knowing, and which I should not know unless I had learned them there; so that the present position of my life shall not be quite left out of the sum of my real existence. . . . It is good for me, on many accounts, that my life has had this passage in it. I know much more than I did a year ago. I have a stronger sense of power to act as a man among men. I have gained worldly wisdom, and wisdom also that is not altogether of this world. And when I quit this earthy career where I am now buried, nothing will cling to me that ought to be left behind. Men will not perceive, I trust, by my look or the tenor234 of my thoughts and feelings, that I have been a Custom-house officer.”

He says, writing shortly afterwards, that “when I shall be free again, I will enjoy all things with the fresh simplicity235 of a child of five years old. I shall grow young again, made all over anew. I will go forth and stand in a summer shower, and all the worldly dust that has collected on me shall be washed away at once, and my heart will be like a bank of fresh flowers for the weary to rest upon.”

This forecast of his destiny was sufficiently exact. A year later, in April 1841, he went to take up his abode236 in the socialistic community of Brook237 Farm. Here he found himself among fields and flowers and other natural products — as well as among many products that could not very justly be called natural. He was exposed to summer showers in plenty; and his personal associations were as different as possible from, those he had encountered in fiscal238 circles. He made acquaintance with Transcendentalism and the Transcendentalists.


点击收听单词发音收听单词发音  

1 mosses c7366f977619e62b758615914b126fcb     
n. 藓类, 苔藓植物 名词moss的复数形式
参考例句:
  • Ferns, mosses and fungi spread by means of spores. 蕨类植物、苔藓和真菌通过孢子传播蔓生。
  • The only plants to be found in Antarctica are algae, mosses, and lichens. 在南极洲所发现的植物只有藻类、苔藓和地衣。
2 democrat Xmkzf     
n.民主主义者,民主人士;民主党党员
参考例句:
  • The Democrat and the Public criticized each other.民主党人和共和党人互相攻击。
  • About two years later,he was defeated by Democrat Jimmy Carter.大约两年后,他被民主党人杰米卡特击败。
3 sufficiently 0htzMB     
adv.足够地,充分地
参考例句:
  • It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
  • The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。
4 bespeak EQ7yI     
v.预定;预先请求
参考例句:
  • Today's events bespeak future tragedy.今天的事件预示着未来的不幸。
  • The tone of his text bespeaks certain tiredness.他的笔调透出一种倦意。
5 dismal wtwxa     
adj.阴沉的,凄凉的,令人忧郁的,差劲的
参考例句:
  • That is a rather dismal melody.那是一支相当忧郁的歌曲。
  • My prospects of returning to a suitable job are dismal.我重新找到一个合适的工作岗位的希望很渺茫。
6 chamber wnky9     
n.房间,寝室;会议厅;议院;会所
参考例句:
  • For many,the dentist's surgery remains a torture chamber.对许多人来说,牙医的治疗室一直是间受刑室。
  • The chamber was ablaze with light.会议厅里灯火辉煌。
7 touching sg6zQ9     
adj.动人的,使人感伤的
参考例句:
  • It was a touching sight.这是一幅动人的景象。
  • His letter was touching.他的信很感人。
8 memoirs f752e432fe1fefb99ab15f6983cd506c     
n.回忆录;回忆录传( mem,自oir的名词复数)
参考例句:
  • Her memoirs were ghostwritten. 她的回忆录是由别人代写的。
  • I watched a trailer for the screenplay of his memoirs. 我看过以他的回忆录改编成电影的预告片。 来自《简明英汉词典》
9 despondent 4Pwzw     
adj.失望的,沮丧的,泄气的
参考例句:
  • He was up for a time and then,without warning,despondent again.他一度兴高采烈,但忽然又情绪低落下来。
  • I feel despondent when my work is rejected.作品被拒后我感到很沮丧。
10 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
11 solitude xF9yw     
n. 孤独; 独居,荒僻之地,幽静的地方
参考例句:
  • People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
  • They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。
12 imprisoned bc7d0bcdd0951055b819cfd008ef0d8d     
下狱,监禁( imprison的过去式和过去分词 )
参考例句:
  • He was imprisoned for two concurrent terms of 30 months and 18 months. 他被判处30个月和18个月的监禁,合并执行。
  • They were imprisoned for possession of drugs. 他们因拥有毒品而被监禁。
13 callous Yn9yl     
adj.无情的,冷淡的,硬结的,起老茧的
参考例句:
  • He is callous about the safety of his workers.他对他工人的安全毫不关心。
  • She was selfish,arrogant and often callous.她自私傲慢,而且往往冷酷无情。
14 thereby Sokwv     
adv.因此,从而
参考例句:
  • I have never been to that city,,ereby I don't know much about it.我从未去过那座城市,因此对它不怎么熟悉。
  • He became a British citizen,thereby gaining the right to vote.他成了英国公民,因而得到了投票权。
15 eternity Aiwz7     
n.不朽,来世;永恒,无穷
参考例句:
  • The dull play seemed to last an eternity.这场乏味的剧似乎演个没完没了。
  • Finally,Ying Tai and Shan Bo could be together for all of eternity.英台和山伯终能双宿双飞,永世相随。
16 exquisite zhez1     
adj.精美的;敏锐的;剧烈的,感觉强烈的
参考例句:
  • I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
  • I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。
17 retrospect xDeys     
n.回顾,追溯;v.回顾,回想,追溯
参考例句:
  • One's school life seems happier in retrospect than in reality.学校生活回忆起来显得比实际上要快乐。
  • In retrospect,it's easy to see why we were wrong.回顾过去就很容易明白我们的错处了。
18 aged 6zWzdI     
adj.年老的,陈年的
参考例句:
  • He had put on weight and aged a little.他胖了,也老点了。
  • He is aged,but his memory is still good.他已年老,然而记忆力还好。
19 accomplished UzwztZ     
adj.有才艺的;有造诣的;达到了的
参考例句:
  • Thanks to your help,we accomplished the task ahead of schedule.亏得你们帮忙,我们才提前完成了任务。
  • Removal of excess heat is accomplished by means of a radiator.通过散热器完成多余热量的排出。
20 poetic b2PzT     
adj.富有诗意的,有诗人气质的,善于抒情的
参考例句:
  • His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
  • His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。
21 enjoyment opaxV     
n.乐趣;享有;享用
参考例句:
  • Your company adds to the enjoyment of our visit. 有您的陪同,我们这次访问更加愉快了。
  • After each joke the old man cackled his enjoyment.每逢讲完一个笑话,这老人就呵呵笑着表示他的高兴。
22 utterly ZfpzM1     
adv.完全地,绝对地
参考例句:
  • Utterly devoted to the people,he gave his life in saving his patients.他忠于人民,把毕生精力用于挽救患者的生命。
  • I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。
23 devoid dZzzx     
adj.全无的,缺乏的
参考例句:
  • He is completely devoid of humour.他十分缺乏幽默。
  • The house is totally devoid of furniture.这所房子里什么家具都没有。
24 retrospects 97c7528317d1c0648289a588e87cc5d0     
n.回顾,回想( retrospect的名词复数 )v.回顾,回想( retrospect的第三人称单数 )
参考例句:
  • This paper retrospects the history and motives and happening in Chinese media marketing. 本文追溯我国传媒市场化的发生发展历史和动因。 来自互联网
  • Firstly, it retrospects the historical evolution of Indian Asia-Pacific security strategy during the Cold War. 首先,对冷战时期印度亚太安全战略的历史演变作了回顾。 来自互联网
25 varied giIw9     
adj.多样的,多变化的
参考例句:
  • The forms of art are many and varied.艺术的形式是多种多样的。
  • The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。
26 desultory BvZxp     
adj.散漫的,无方法的
参考例句:
  • Do not let the discussion fragment into a desultory conversation with no clear direction.不要让讨论变得支离破碎,成为没有明确方向的漫谈。
  • The constables made a desultory attempt to keep them away from the barn.警察漫不经心地拦着不让他们靠近谷仓。
27 concoct vOoz0     
v.调合,制造
参考例句:
  • I gave her a tip on how to concoct a new kind of soup.我教她配制一种新汤的诀窍。
  • I began to concoct explanations of my own.我开始思考自己的解释。
28 semblance Szcwt     
n.外貌,外表
参考例句:
  • Her semblance of anger frightened the children.她生气的样子使孩子们感到害怕。
  • Those clouds have the semblance of a large head.那些云的形状像一个巨大的人头。
29 portrayed a75f5b1487928c9f7f165b2773c13036     
v.画像( portray的过去式和过去分词 );描述;描绘;描画
参考例句:
  • Throughout the trial, he portrayed himself as the victim. 在审讯过程中,他始终把自己说成是受害者。
  • The author portrayed his father as a vicious drunkard. 作者把他父亲描绘成一个可恶的酒鬼。 来自《现代汉英综合大词典》
30 inquisitive s64xi     
adj.求知欲强的,好奇的,好寻根究底的
参考例句:
  • Children are usually inquisitive.小孩通常很好问。
  • A pat answer is not going to satisfy an inquisitive audience.陈腔烂调的答案不能满足好奇的听众。
31 injustice O45yL     
n.非正义,不公正,不公平,侵犯(别人的)权利
参考例句:
  • They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
  • All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。
32 secluded wj8zWX     
adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词)
参考例句:
  • Some people like to strip themselves naked while they have a swim in a secluded place. 一些人当他们在隐蔽的地方游泳时,喜欢把衣服脱光。 来自《简明英汉词典》
  • This charming cottage dates back to the 15th century and is as pretty as a picture, with its thatched roof and secluded garden. 这所美丽的村舍是15世纪时的建筑,有茅草房顶和宁静的花园,漂亮极了,简直和画上一样。 来自《简明英汉词典》
33 permanently KluzuU     
adv.永恒地,永久地,固定不变地
参考例句:
  • The accident left him permanently scarred.那次事故给他留下了永久的伤疤。
  • The ship is now permanently moored on the Thames in London.该船现在永久地停泊在伦敦泰晤士河边。
34 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
35 intercourse NbMzU     
n.性交;交流,交往,交际
参考例句:
  • The magazine becomes a cultural medium of intercourse between the two peoples.该杂志成为两民族间文化交流的媒介。
  • There was close intercourse between them.他们过往很密。
36 sketches 8d492ee1b1a5d72e6468fd0914f4a701     
n.草图( sketch的名词复数 );素描;速写;梗概
参考例句:
  • The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
  • You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》
37 sketch UEyyG     
n.草图;梗概;素描;v.素描;概述
参考例句:
  • My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
  • I will send you a slight sketch of the house.我将给你寄去房屋的草图。
38 journalism kpZzu8     
n.新闻工作,报业
参考例句:
  • He's a teacher but he does some journalism on the side.他是教师,可还兼职做一些新闻工作。
  • He had an aptitude for journalism.他有从事新闻工作的才能。
39 essentially nntxw     
adv.本质上,实质上,基本上
参考例句:
  • Really great men are essentially modest.真正的伟人大都很谦虚。
  • She is an essentially selfish person.她本质上是个自私自利的人。
40 appreciable KNWz7     
adj.明显的,可见的,可估量的,可觉察的
参考例句:
  • There is no appreciable distinction between the twins.在这对孪生子之间看不出有什么明显的差别。
  • We bought an appreciable piece of property.我们买下的资产有增值的潜力。
41 specimen Xvtwm     
n.样本,标本
参考例句:
  • You'll need tweezers to hold up the specimen.你要用镊子来夹这标本。
  • This specimen is richly variegated in colour.这件标本上有很多颜色。
42 specimens 91fc365099a256001af897127174fcce     
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人
参考例句:
  • Astronauts have brought back specimens of rock from the moon. 宇航员从月球带回了岩石标本。
  • The traveler brought back some specimens of the rocks from the mountains. 那位旅行者从山上带回了一些岩石标本。 来自《简明英汉词典》
43 chisel mr8zU     
n.凿子;v.用凿子刻,雕,凿
参考例句:
  • This chisel is useful for getting into awkward spaces.这凿子在要伸入到犄角儿里时十分有用。
  • Camille used a hammer and chisel to carve out a figure from the marble.卡米尔用锤子和凿子将大理石雕刻出一个人像。
44 profundity mQTxZ     
n.渊博;深奥,深刻
参考例句:
  • He impressed his audience by the profundity of his knowledge.他知识渊博给听众留下了深刻的印象。
  • He pretended profundity by eye-beamings at people.他用神采奕奕的眼光看着人们,故作深沉。
45 profess iQHxU     
v.声称,冒称,以...为业,正式接受入教,表明信仰
参考例句:
  • I profess that I was surprised at the news.我承认这消息使我惊讶。
  • What religion does he profess?他信仰哪种宗教?
46 confirmation ZYMya     
n.证实,确认,批准
参考例句:
  • We are waiting for confirmation of the news.我们正在等待证实那个消息。
  • We need confirmation in writing before we can send your order out.给你们发送订购的货物之前,我们需要书面确认。
47 faculties 066198190456ba4e2b0a2bda2034dfc5     
n.能力( faculty的名词复数 );全体教职员;技巧;院
参考例句:
  • Although he's ninety, his mental faculties remain unimpaired. 他虽年届九旬,但头脑仍然清晰。
  • All your faculties have come into play in your work. 在你的工作中,你的全部才能已起到了作用。 来自《简明英汉词典》
48 hue qdszS     
n.色度;色调;样子
参考例句:
  • The diamond shone with every hue under the sun.金刚石在阳光下放出五颜六色的光芒。
  • The same hue will look different in different light.同一颜色在不同的光线下看起来会有所不同。
49 purely 8Sqxf     
adv.纯粹地,完全地
参考例句:
  • I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
  • This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。
50 fixed JsKzzj     
adj.固定的,不变的,准备好的;(计算机)固定的
参考例句:
  • Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗?
  • Once the aim is fixed,we should not change it arbitrarily.目标一旦确定,我们就不应该随意改变。
51 dealing NvjzWP     
n.经商方法,待人态度
参考例句:
  • This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
  • His fair dealing earned our confidence.他的诚实的行为获得我们的信任。
52 temperament 7INzf     
n.气质,性格,性情
参考例句:
  • The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
  • Success often depends on temperament.成功常常取决于一个人的性格。
53 contrive GpqzY     
vt.谋划,策划;设法做到;设计,想出
参考例句:
  • Can you contrive to be here a little earlier?你能不能早一点来?
  • How could you contrive to make such a mess of things?你怎么把事情弄得一团糟呢?
54 groan LfXxU     
vi./n.呻吟,抱怨;(发出)呻吟般的声音
参考例句:
  • The wounded man uttered a groan.那个受伤的人发出呻吟。
  • The people groan under the burden of taxes.人民在重税下痛苦呻吟。
55 blight 0REye     
n.枯萎病;造成破坏的因素;vt.破坏,摧残
参考例句:
  • The apple crop was wiped out by blight.枯萎病使苹果全无收成。
  • There is a blight on all his efforts.他的一切努力都遭到挫折。
56 misery G10yi     
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦
参考例句:
  • Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
  • He has rescued me from the mire of misery.他把我从苦海里救了出来。
57 plunging 5fe12477bea00d74cd494313d62da074     
adj.跳进的,突进的v.颠簸( plunge的现在分词 );暴跌;骤降;突降
参考例句:
  • War broke out again, plunging the people into misery and suffering. 战祸复发,生灵涂炭。 来自《现代汉英综合大词典》
  • He is plunging into an abyss of despair. 他陷入了绝望的深渊。 来自《简明英汉词典》
58 contrived ivBzmO     
adj.不自然的,做作的;虚构的
参考例句:
  • There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
  • The plot seems contrived.情节看起来不真实。
59 transmute KmWwy     
vt.使变化,使改变
参考例句:
  • We can transmute water power into electrical power.我们能将水力变成电力。
  • A radioactive atom could transmute itself into an entirely different kind of atom.放射性原子本身能嬗变为性质完全不同的另一种原子。
60 fumes lsYz3Q     
n.(强烈而刺激的)气味,气体
参考例句:
  • The health of our children is being endangered by exhaust fumes. 我们孩子们的健康正受到排放出的废气的损害。
  • Exhaust fumes are bad for your health. 废气对健康有害。
61 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
62 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
63 pigment gi0yg     
n.天然色素,干粉颜料
参考例句:
  • The Romans used natural pigments on their fabrics and walls.古罗马人在织物和墙壁上使用天然颜料。
  • Who thought he might know what the skin pigment phenomenon meant.他自认为可能知道皮肤色素出现这种现象到底是怎么回事。
64 mingled fdf34efd22095ed7e00f43ccc823abdf     
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系]
参考例句:
  • The sounds of laughter and singing mingled in the evening air. 笑声和歌声交织在夜空中。
  • The man and the woman mingled as everyone started to relax. 当大家开始放松的时候,这一男一女就开始交往了。
65 rugged yXVxX     
adj.高低不平的,粗糙的,粗壮的,强健的
参考例句:
  • Football players must be rugged.足球运动员必须健壮。
  • The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。
66 prominence a0Mzw     
n.突出;显著;杰出;重要
参考例句:
  • He came to prominence during the World Cup in Italy.他在意大利的世界杯赛中声名鹊起。
  • This young fashion designer is rising to prominence.这位年轻的时装设计师的声望越来越高。
67 hovers a2e4e67c73750d262be7fdd8c8ae6133     
鸟( hover的第三人称单数 ); 靠近(某事物); (人)徘徊; 犹豫
参考例句:
  • A hawk hovers in the sky. 一只老鹰在天空盘旋。
  • A hen hovers her chicks. 一只母鸡在孵小鸡。
68 disapproval VuTx4     
n.反对,不赞成
参考例句:
  • The teacher made an outward show of disapproval.老师表面上表示不同意。
  • They shouted their disapproval.他们喊叫表示反对。
69 trifling SJwzX     
adj.微不足道的;没什么价值的
参考例句:
  • They quarreled over a trifling matter.他们为这种微不足道的事情争吵。
  • So far Europe has no doubt, gained a real conveniency,though surely a very trifling one.直到现在为止,欧洲无疑地已经获得了实在的便利,不过那确是一种微不足道的便利。
70 alluded 69f7a8b0f2e374aaf5d0965af46948e7     
提及,暗指( allude的过去式和过去分词 )
参考例句:
  • In your remarks you alluded to a certain sinister design. 在你的谈话中,你提到了某个阴谋。
  • She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。
71 allude vfdyW     
v.提及,暗指
参考例句:
  • Many passages in Scripture allude to this concept.圣经中有许多经文间接地提到这样的概念。
  • She also alluded to her rival's past marital troubles.她还影射了对手过去的婚姻问题。
72 pessimist lMtxU     
n.悲观者;悲观主义者;厌世
参考例句:
  • An optimist laughs to forget.A pessimist forgets to laugh.乐观者笑着忘却,悲观者忘记怎样笑。
  • The pessimist sees difficulty in every opportunity.The optimist sees opportunity in every difficulty.悲观者在每个机会中都看到困难,乐观者在每个困难中都看到机会。
73 optimist g4Kzu     
n.乐观的人,乐观主义者
参考例句:
  • We are optimist and realist.我们是乐观主义者,又是现实主义者。
  • Peter,ever the optimist,said things were bound to improve.一向乐观的皮特说,事情必定是会好转的。
74 abatement pzHzyb     
n.减(免)税,打折扣,冲销
参考例句:
  • A bag filter for dust abatement at the discharge point should be provided.在卸料地点应该装设袋滤器以消除粉尘。
  • The abatement of the headache gave him a moment of rest.头痛减轻给他片刻的休息。
75 confessions 4fa8f33e06cadcb434c85fa26d61bf95     
n.承认( confession的名词复数 );自首;声明;(向神父的)忏悔
参考例句:
  • It is strictly forbidden to obtain confessions and to give them credence. 严禁逼供信。 来自《现代汉英综合大词典》
  • Neither trickery nor coercion is used to secure confessions. 既不诱供也不逼供。 来自《现代汉英综合大词典》
76 relish wBkzs     
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味
参考例句:
  • I have no relish for pop music.我对流行音乐不感兴趣。
  • I relish the challenge of doing jobs that others turn down.我喜欢挑战别人拒绝做的工作。
77 picturesqueness aeff091e19ef9a1f448a2fcb2342eeab     
参考例句:
  • The picturesqueness of the engineer's life was always attractive to Presley. 这司机的丰富多彩的生活,始终叫普瑞斯莱醉心。
  • Philip liked the daring picturesqueness of the Americans'costume. 菲利浦喜欢美国人装束的那种粗犷的美。
78 picturesque qlSzeJ     
adj.美丽如画的,(语言)生动的,绘声绘色的
参考例句:
  • You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
  • That was a picturesque phrase.那是一个形象化的说法。
79 chiaroscuro 4UpyY     
n.明暗对照法
参考例句:
  • Caravaggio is famous for his use of chiaroscuro.卡拉瓦乔以其对明暗对照法的巧妙运用而出名。
  • Master combines elements of traditional chinese painting with western perspectiv,chiaroscuro,and color schemes.大师将中国传统的绘画技法与西方的透视法、明暗对照法和颜色组合融为一体。
80 melancholy t7rz8     
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的
参考例句:
  • All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
  • He felt melancholy after he failed the exam.这次考试没通过,他感到很郁闷。
81 ironical F4QxJ     
adj.讽刺的,冷嘲的
参考例句:
  • That is a summary and ironical end.那是一个具有概括性和讽刺意味的结局。
  • From his general demeanour I didn't get the impression that he was being ironical.从他整体的行为来看,我不觉得他是在讲反话。
82 cynical Dnbz9     
adj.(对人性或动机)怀疑的,不信世道向善的
参考例句:
  • The enormous difficulty makes him cynical about the feasibility of the idea.由于困难很大,他对这个主意是否可行持怀疑态度。
  • He was cynical that any good could come of democracy.他不相信民主会带来什么好处。
83 tragical 661d0a4e0a69ba99a09486c46f0e4d24     
adj. 悲剧的, 悲剧性的
参考例句:
  • One day she was pink and flawless; another pale and tragical. 有的时候,她就娇妍、完美;另有的时候,她就灰白戚楚。
  • Even Mr. Clare began to feel tragical at the dairyman's desperation. 连克莱先生看到牛奶商这样无计奈何的样子,都觉得凄惨起来。
84 lighter 5pPzPR     
n.打火机,点火器;驳船;v.用驳船运送;light的比较级
参考例句:
  • The portrait was touched up so as to make it lighter.这张画经过润色,色调明朗了一些。
  • The lighter works off the car battery.引燃器利用汽车蓄电池打火。
85 hilarious xdhz3     
adj.充满笑声的,欢闹的;[反]depressed
参考例句:
  • The party got quite hilarious after they brought more wine.在他们又拿来更多的酒之后,派对变得更加热闹起来。
  • We stop laughing because the show was so hilarious.我们笑个不停,因为那个节目太搞笑了。
86 serene PD2zZ     
adj. 安详的,宁静的,平静的
参考例句:
  • He has entered the serene autumn of his life.他已进入了美好的中年时期。
  • He didn't speak much,he just smiled with that serene smile of his.他话不多,只是脸上露出他招牌式的淡定的微笑。
87 agitated dzgzc2     
adj.被鼓动的,不安的
参考例句:
  • His answers were all mixed up,so agitated was he.他是那样心神不定,回答全乱了。
  • She was agitated because her train was an hour late.她乘坐的火车晚点一个小时,她十分焦虑。
88 serenity fEzzz     
n.宁静,沉着,晴朗
参考例句:
  • Her face,though sad,still evoked a feeling of serenity.她的脸色虽然悲伤,但仍使人感觉安详。
  • She escaped to the comparative serenity of the kitchen.她逃到相对安静的厨房里。
89 pointed Il8zB4     
adj.尖的,直截了当的
参考例句:
  • He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
  • She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。
90 gaping gaping     
adj.口的;张口的;敞口的;多洞穴的v.目瞪口呆地凝视( gape的现在分词 );张开,张大
参考例句:
  • Ahead of them was a gaping abyss. 他们前面是一个巨大的深渊。
  • The antelope could not escape the crocodile's gaping jaws. 那只羚羊无法从鱷鱼张开的大口中逃脱。 来自《简明英汉词典》
91 bent QQ8yD     
n.爱好,癖好;adj.弯的;决心的,一心的
参考例句:
  • He was fully bent upon the project.他一心扑在这项计划上。
  • We bent over backward to help them.我们尽了最大努力帮助他们。
92 savage ECxzR     
adj.野蛮的;凶恶的,残暴的;n.未开化的人
参考例句:
  • The poor man received a savage beating from the thugs.那可怜的人遭到暴徒的痛打。
  • He has a savage temper.他脾气粗暴。
93 lodged cbdc6941d382cc0a87d97853536fcd8d     
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属
参考例句:
  • The certificate will have to be lodged at the registry. 证书必须存放在登记处。 来自《简明英汉词典》
  • Our neighbours lodged a complaint against us with the police. 我们的邻居向警方控告我们。 来自《简明英汉词典》
94 irony P4WyZ     
n.反语,冷嘲;具有讽刺意味的事,嘲弄
参考例句:
  • She said to him with slight irony.她略带嘲讽地对他说。
  • In her voice we could sense a certain tinge of irony.从她的声音里我们可以感到某种讥讽的意味。
95 inevitable 5xcyq     
adj.不可避免的,必然发生的
参考例句:
  • Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
  • The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。
96 potent C1uzk     
adj.强有力的,有权势的;有效力的
参考例句:
  • The medicine had a potent effect on your disease.这药物对你的病疗效很大。
  • We must account of his potent influence.我们必须考虑他的强有力的影响。
97 faculty HhkzK     
n.才能;学院,系;(学院或系的)全体教学人员
参考例句:
  • He has a great faculty for learning foreign languages.他有学习外语的天赋。
  • He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。
98 possessed xuyyQ     
adj.疯狂的;拥有的,占有的
参考例句:
  • He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
  • He behaved like someone possessed.他行为举止像是魔怔了。
99 ingenuity 77TxM     
n.别出心裁;善于发明创造
参考例句:
  • The boy showed ingenuity in making toys.那个小男孩做玩具很有创造力。
  • I admire your ingenuity and perseverance.我钦佩你的别出心裁和毅力。
100 conceits 50b473c5317ed4d9da6788be9cdeb3a8     
高傲( conceit的名词复数 ); 自以为; 巧妙的词语; 别出心裁的比喻
参考例句:
  • He jotted down the conceits of his idle hours. 他记下了闲暇时想到的一些看法。
  • The most grotesque fantastic conceits haunted him in his bed at night. 夜晚躺在床上的时候,各种离奇怪诞的幻想纷至沓来。
101 alas Rx8z1     
int.唉(表示悲伤、忧愁、恐惧等)
参考例句:
  • Alas!The window is broken!哎呀!窗子破了!
  • Alas,the truth is less romantic.然而,真理很少带有浪漫色彩。
102 omen N5jzY     
n.征兆,预兆;vt.预示
参考例句:
  • The superstitious regard it as a bad omen.迷信的人认为那是一种恶兆。
  • Could this at last be a good omen for peace?这是否终于可以视作和平的吉兆了?
103 meditative Djpyr     
adj.沉思的,冥想的
参考例句:
  • A stupid fellow is talkative;a wise man is meditative.蠢人饶舌,智者思虑。
  • Music can induce a meditative state in the listener.音乐能够引导倾听者沉思。
104 psalm aB5yY     
n.赞美诗,圣诗
参考例句:
  • The clergyman began droning the psalm.牧师开始以单调而低沈的语调吟诵赞美诗。
  • The minister droned out the psalm.牧师喃喃地念赞美诗。
105 anthem vMRyj     
n.圣歌,赞美诗,颂歌
参考例句:
  • All those present were standing solemnly when the national anthem was played.奏国歌时全场肃立。
  • As he stood on the winner's rostrum,he sang the words of the national anthem.他站在冠军领奖台上,唱起了国歌。
106 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
107 fervid clvyf     
adj.热情的;炽热的
参考例句:
  • He is a fervid orator.他是个慷慨激昂的演说者。
  • He was a ready scholar as you are,but more fervid and impatient.他是一个聪明的学者,跟你一样,不过更加热情而缺乏耐心。
108 eloquence 6mVyM     
n.雄辩;口才,修辞
参考例句:
  • I am afraid my eloquence did not avail against the facts.恐怕我的雄辩也无补于事实了。
  • The people were charmed by his eloquence.人们被他的口才迷住了。
109 triumphant JpQys     
adj.胜利的,成功的;狂欢的,喜悦的
参考例句:
  • The army made a triumphant entry into the enemy's capital.部队胜利地进入了敌方首都。
  • There was a positively triumphant note in her voice.她的声音里带有一种极为得意的语气。
110 bliss JtXz4     
n.狂喜,福佑,天赐的福
参考例句:
  • It's sheer bliss to be able to spend the day in bed.整天都可以躺在床上真是幸福。
  • He's in bliss that he's won the Nobel Prize.他非常高兴,因为获得了诺贝尔奖金。
111 dreading dreading     
v.害怕,恐惧,担心( dread的现在分词 )
参考例句:
  • She was dreading having to broach the subject of money to her father. 她正在为不得不向父亲提出钱的事犯愁。
  • This was the moment he had been dreading. 这是他一直最担心的时刻。
112 bosom Lt9zW     
n.胸,胸部;胸怀;内心;adj.亲密的
参考例句:
  • She drew a little book from her bosom.她从怀里取出一本小册子。
  • A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。
113 scowled b83aa6db95e414d3ef876bc7fd16d80d     
怒视,生气地皱眉( scowl的过去式和过去分词 )
参考例句:
  • He scowled his displeasure. 他满脸嗔色。
  • The teacher scowled at his noisy class. 老师对他那喧闹的课堂板着脸。
114 hoary Jc5xt     
adj.古老的;鬓发斑白的
参考例句:
  • They discussed the hoary old problem.他们讨论老问题。
  • Without a word spoken,he hurried away,with his hoary head bending low.他什么也没说,低着白发苍苍的头,匆匆地走了。
115 corpse JYiz4     
n.尸体,死尸
参考例句:
  • What she saw was just an unfeeling corpse.她见到的只是一具全无感觉的尸体。
  • The corpse was preserved from decay by embalming.尸体用香料涂抹以防腐烂。
116 graceful deHza     
adj.优美的,优雅的;得体的
参考例句:
  • His movements on the parallel bars were very graceful.他的双杠动作可帅了!
  • The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。
117 felicitous bgnzx     
adj.恰当的,巧妙的;n.恰当,贴切
参考例句:
  • She played him--sometimes delicately,sometimes with a less felicitous touch.她吊着他--有时温柔地,有时手法就不那么巧妙。
  • You need to handle the delicate matter in a most felicitous manner.你需要用得体的方式处理这件微妙的事。
118 qualified DCPyj     
adj.合格的,有资格的,胜任的,有限制的
参考例句:
  • He is qualified as a complete man of letters.他有资格当真正的文学家。
  • We must note that we still lack qualified specialists.我们必须看到我们还缺乏有资质的专家。
119 frankly fsXzcf     
adv.坦白地,直率地;坦率地说
参考例句:
  • To speak frankly, I don't like the idea at all.老实说,我一点也不赞成这个主意。
  • Frankly speaking, I'm not opposed to reform.坦率地说,我不反对改革。
120 inflicted cd6137b3bb7ad543500a72a112c6680f     
把…强加给,使承受,遭受( inflict的过去式和过去分词 )
参考例句:
  • They inflicted a humiliating defeat on the home team. 他们使主队吃了一场很没面子的败仗。
  • Zoya heroically bore the torture that the Fascists inflicted upon her. 卓娅英勇地承受法西斯匪徒加在她身上的酷刑。
121 fumbled 78441379bedbe3ea49c53fb90c34475f     
(笨拙地)摸索或处理(某事物)( fumble的过去式和过去分词 ); 乱摸,笨拙地弄; 使落下
参考例句:
  • She fumbled in her pocket for a handkerchief. 她在她口袋里胡乱摸找手帕。
  • He fumbled about in his pockets for the ticket. 他(瞎)摸着衣兜找票。
122 machinery CAdxb     
n.(总称)机械,机器;机构
参考例句:
  • Has the machinery been put up ready for the broadcast?广播器材安装完毕了吗?
  • Machinery ought to be well maintained all the time.机器应该随时注意维护。
123 indifference k8DxO     
n.不感兴趣,不关心,冷淡,不在乎
参考例句:
  • I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
  • He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。
124 rattled b4606e4247aadf3467575ffedf66305b     
慌乱的,恼火的
参考例句:
  • The truck jolted and rattled over the rough ground. 卡车嘎吱嘎吱地在凹凸不平的地面上颠簸而行。
  • Every time a bus went past, the windows rattled. 每逢公共汽车经过这里,窗户都格格作响。
125 remarkable 8Vbx6     
adj.显著的,异常的,非凡的,值得注意的
参考例句:
  • She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
  • These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。
126 milieu x7yzN     
n.环境;出身背景;(个人所处的)社会环境
参考例句:
  • Foods usually provide a good milieu for the persistence of viruses.食品通常为病毒存续提供了一个良好的栖身所。
  • He was born in a social milieu where further education was a luxury.他生在一个受较高教育就被认为是奢侈的社会环境里。
127 judgments 2a483d435ecb48acb69a6f4c4dd1a836     
判断( judgment的名词复数 ); 鉴定; 评价; 审判
参考例句:
  • A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
  • He is swift with his judgments. 他判断迅速。
128 pretentious lSrz3     
adj.自命不凡的,自负的,炫耀的
参考例句:
  • He is a talented but pretentious writer.他是一个有才华但自命不凡的作家。
  • Speaking well of yourself would only make you appear conceited and pretentious.自夸只会使你显得自负和虚伪。
129 intervals f46c9d8b430e8c86dea610ec56b7cbef     
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息
参考例句:
  • The forecast said there would be sunny intervals and showers. 预报间晴,有阵雨。
  • Meetings take place at fortnightly intervals. 每两周开一次会。
130 fatuous 4l0xZ     
adj.愚昧的;昏庸的
参考例句:
  • He seems to get pride in fatuous remarks.说起这番蠢话来他似乎还挺得意。
  • After his boring speech for over an hour,fatuous speaker waited for applause from the audience.经过超过一小时的烦闷的演讲,那个愚昧的演讲者还等着观众的掌声。
131 pedantry IuTyz     
n.迂腐,卖弄学问
参考例句:
  • The book is a demonstration of scholarship without pedantry.这本书表现出学术水平又不故意卖弄学问。
  • He fell into a kind of pedantry.他变得有点喜欢卖弄学问。
132 kindly tpUzhQ     
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地
参考例句:
  • Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
  • A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。
133 allotted 5653ecda52c7b978bd6890054bd1f75f     
分配,拨给,摊派( allot的过去式和过去分词 )
参考例句:
  • I completed the test within the time allotted . 我在限定的时间内完成了试验。
  • Each passenger slept on the berth allotted to him. 每个旅客都睡在分配给他的铺位上。
134 dint plVza     
n.由于,靠;凹坑
参考例句:
  • He succeeded by dint of hard work.他靠苦干获得成功。
  • He reached the top by dint of great effort.他费了很大的劲终于爬到了顶。
135 kernel f3wxW     
n.(果实的)核,仁;(问题)的中心,核心
参考例句:
  • The kernel of his problem is lack of money.他的问题的核心是缺钱。
  • The nutshell includes the kernel.果壳裹住果仁。
136 tact vqgwc     
n.机敏,圆滑,得体
参考例句:
  • She showed great tact in dealing with a tricky situation.她处理棘手的局面表现得十分老练。
  • Tact is a valuable commodity.圆滑老练是很有用处的。
137 discriminate NuhxX     
v.区别,辨别,区分;有区别地对待
参考例句:
  • You must learn to discriminate between facts and opinions.你必须学会把事实和看法区分出来。
  • They can discriminate hundreds of colours.他们能分辨上百种颜色。
138 psychology U0Wze     
n.心理,心理学,心理状态
参考例句:
  • She has a background in child psychology.她受过儿童心理学的教育。
  • He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。
139 subtleties 7ed633566637e94fa02b8a1fad408072     
细微( subtlety的名词复数 ); 精细; 巧妙; 细微的差别等
参考例句:
  • I think the translator missed some of the subtleties of the original. 我认为译者漏掉了原著中一些微妙之处。
  • They are uneducated in the financial subtleties of credit transfer. 他们缺乏有关信用转让在金融方面微妙作用的知识。
140 originality JJJxm     
n.创造力,独创性;新颖
参考例句:
  • The name of the game in pop music is originality.流行音乐的本质是独创性。
  • He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。
141 dweller cuLzQz     
n.居住者,住客
参考例句:
  • Both city and town dweller should pay tax.城镇居民都需要纳税。
  • The city dweller never experiences anxieties of this sort.城市居民从未经历过这种担忧。
142 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。
143 pungent ot6y7     
adj.(气味、味道)刺激性的,辛辣的;尖锐的
参考例句:
  • The article is written in a pungent style.文章写得泼辣。
  • Its pungent smell can choke terrorists and force them out of their hideouts.它的刺激性气味会令恐怖分子窒息,迫使他们从藏身地点逃脱出来。
144 lurked 99c07b25739e85120035a70192a2ec98     
vi.潜伏,埋伏(lurk的过去式与过去分词形式)
参考例句:
  • The murderers lurked behind the trees. 谋杀者埋伏在树后。 来自《简明英汉词典》
  • Treachery lurked behind his smooth manners. 他圆滑姿态的后面潜伏着奸计。 来自《现代英汉综合大词典》
145 fanatics b39691a04ddffdf6b4b620155fcc8d78     
狂热者,入迷者( fanatic的名词复数 )
参考例句:
  • The heathen temple was torn down by a crowd of religions fanatics. 异教徒的神殿被一群宗教狂热分子拆除了。
  • Placing nukes in the hands of baby-faced fanatics? 把核弹交给一些宗教狂热者手里?
146 precursors 5e19fce64ab14f5a4b5c8687640c2593     
n.先驱( precursor的名词复数 );先行者;先兆;初期形式
参考例句:
  • Phenyl (or polyphenyl) substituted epoxides serve as excellent precursors to phenyl (or diphenyl) carbenes. 某些苯代(或多苯)环氧乙烷是制取带苯环(或二苯)碳烯的极好原料。 来自辞典例句
  • Note the presence of megakaryocytes, erythroid islands, and granulocytic precursors. 可见巨核细胞,红细胞岛和粒细胞前体细胞。 来自互联网
147 mighty YDWxl     
adj.强有力的;巨大的
参考例句:
  • A mighty force was about to break loose.一股巨大的力量即将迸发而出。
  • The mighty iceberg came into view.巨大的冰山出现在眼前。
148 copious koizs     
adj.丰富的,大量的
参考例句:
  • She supports her theory with copious evidences.她以大量的例证来充实自己的理论。
  • Every star is a copious source of neutrinos.每颗恒星都是丰富的中微子源。
149 primitive vSwz0     
adj.原始的;简单的;n.原(始)人,原始事物
参考例句:
  • It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
  • His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。
150 infusion CbAz1     
n.灌输
参考例句:
  • Old families need an infusion of new blood from time to time.古老的家族需要不时地注入新鲜血液。
  • Careful observation of the infusion site is necessary.必须仔细观察输液部位。
151 gracefully KfYxd     
ad.大大方方地;优美地
参考例句:
  • She sank gracefully down onto a cushion at his feet. 她优雅地坐到他脚旁的垫子上。
  • The new coats blouse gracefully above the hip line. 新外套在臀围线上优美地打着褶皱。
152 discreetly nuwz8C     
ad.(言行)审慎地,慎重地
参考例句:
  • He had only known the perennial widow, the discreetly expensive Frenchwoman. 他只知道她是个永远那么年轻的寡妇,一个很会讲排场的法国女人。
  • Sensing that Lilian wanted to be alone with Celia, Andrew discreetly disappeared. 安德鲁觉得莉莲想同西莉亚单独谈些什么,有意避开了。
153 stoutly Xhpz3l     
adv.牢固地,粗壮的
参考例句:
  • He stoutly denied his guilt.他断然否认自己有罪。
  • Burgess was taxed with this and stoutly denied it.伯杰斯为此受到了责难,但是他自己坚决否认有这回事。
154 propped 557c00b5b2517b407d1d2ef6ba321b0e     
支撑,支持,维持( prop的过去式和过去分词 )
参考例句:
  • He sat propped up in the bed by pillows. 他靠着枕头坐在床上。
  • This fence should be propped up. 这栅栏该用东西支一支。
155 dryer PrYxf     
n.干衣机,干燥剂
参考例句:
  • He bought a dryer yesterday.他昨天买了一台干燥机。
  • There is a washer and a dryer in the basement.地下室里有洗衣机和烘干机。
156 professes 66b6eb092a9d971b6c69395313575231     
声称( profess的第三人称单数 ); 宣称; 公开表明; 信奉
参考例句:
  • She still professes her innocence. 她仍然声称自己无辜。
  • He professes himself to be sad but doesn't look it. 他自称感到悲伤,但外表却看不出来。
157 tavern wGpyl     
n.小旅馆,客栈;小酒店
参考例句:
  • There is a tavern at the corner of the street.街道的拐角处有一家酒馆。
  • Philip always went to the tavern,with a sense of pleasure.菲利浦总是心情愉快地来到这家酒菜馆。
158 lurking 332fb85b4d0f64d0e0d1ef0d34ebcbe7     
潜在
参考例句:
  • Why are you lurking around outside my house? 你在我房子外面鬼鬼祟祟的,想干什么?
  • There is a suspicious man lurking in the shadows. 有一可疑的人躲在阴暗中。 来自《现代英汉综合大词典》
159 pictorial PuWy6     
adj.绘画的;图片的;n.画报
参考例句:
  • The had insisted on a full pictorial coverage of the event.他们坚持要对那一事件做详尽的图片报道。
  • China Pictorial usually sells out soon after it hits the stands.《人民画报》往往一到报摊就销售一空。
160 imposing 8q9zcB     
adj.使人难忘的,壮丽的,堂皇的,雄伟的
参考例句:
  • The fortress is an imposing building.这座城堡是一座宏伟的建筑。
  • He has lost his imposing appearance.他已失去堂堂仪表。
161 antiquity SNuzc     
n.古老;高龄;古物,古迹
参考例句:
  • The museum contains the remains of Chinese antiquity.博物馆藏有中国古代的遗物。
  • There are many legends about the heroes of antiquity.有许多关于古代英雄的传说。
162 beguiled f25585f8de5e119077c49118f769e600     
v.欺骗( beguile的过去式和过去分词 );使陶醉;使高兴;消磨(时间等)
参考例句:
  • She beguiled them into believing her version of events. 她哄骗他们相信了她叙述的事情。
  • He beguiled me into signing this contract. 他诱骗我签订了这项合同。 来自《现代英汉综合大词典》
163 mansion 8BYxn     
n.大厦,大楼;宅第
参考例句:
  • The old mansion was built in 1850.这座古宅建于1850年。
  • The mansion has extensive grounds.这大厦四周的庭园广阔。
164 wondrous pfIyt     
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地
参考例句:
  • The internal structure of the Department is wondrous to behold.看一下国务院的内部结构是很有意思的。
  • We were driven across this wondrous vast land of lakes and forests.我们乘车穿越这片有着湖泊及森林的广袤而神奇的土地。
165 discomfiture MlUz6     
n.崩溃;大败;挫败;困惑
参考例句:
  • I laughed my head off when I heard of his discomfiture. 听到别人说起他的狼狈相,我放声大笑。 来自《简明英汉词典》
  • Without experiencing discomfiture and setbacks,one can never find truth. 不经过失败和挫折,便找不到真理。 来自《简明英汉词典》
166 glide 2gExT     
n./v.溜,滑行;(时间)消逝
参考例句:
  • We stood in silence watching the snake glide effortlessly.我们噤若寒蝉地站着,眼看那条蛇逍遥自在地游来游去。
  • So graceful was the ballerina that she just seemed to glide.那芭蕾舞女演员翩跹起舞,宛如滑翔。
167 shrouded 6b3958ee6e7b263c722c8b117143345f     
v.隐瞒( shroud的过去式和过去分词 );保密
参考例句:
  • The hills were shrouded in mist . 这些小山被笼罩在薄雾之中。
  • The towers were shrouded in mist. 城楼被蒙上薄雾。 来自《简明英汉词典》
168 clenched clenched     
v.紧握,抓紧,咬紧( clench的过去式和过去分词 )
参考例句:
  • He clenched his fists in anger. 他愤怒地攥紧了拳头。
  • She clenched her hands in her lap to hide their trembling. 她攥紧双手放在腿上,以掩饰其颤抖。 来自《简明英汉词典》
169 feverish gzsye     
adj.发烧的,狂热的,兴奋的
参考例句:
  • He is too feverish to rest.他兴奋得安静不下来。
  • They worked with feverish haste to finish the job.为了完成此事他们以狂热的速度工作着。
170 alienated Ozyz55     
adj.感到孤独的,不合群的v.使疏远( alienate的过去式和过去分词 );使不友好;转让;让渡(财产等)
参考例句:
  • His comments have alienated a lot of young voters. 他的言论使许多年轻选民离他而去。
  • The Prime Minister's policy alienated many of her followers. 首相的政策使很多拥护她的人疏远了她。 来自《简明英汉词典》
171 fructified 5e4cb724a7b9f34e819ec84c5326f2dd     
v.结果实( fructify的过去式和过去分词 );使结果实,使多产,使土地肥沃
参考例句:
  • The earth that he fructified. 他的不懈的努力是富有成果的。 来自互联网
172 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
173 anecdote 7wRzd     
n.轶事,趣闻,短故事
参考例句:
  • He departed from the text to tell an anecdote.他偏离课文讲起了一则轶事。
  • It had never been more than a family anecdote.那不过是个家庭趣谈罢了。
174 conjecturally 9d1edb8948e68e6ef47c1fbc9ed60d5e     
adj.推测的,好推测的
参考例句:
  • There is something undeniably conjectural about such claims. 这类声明中有些东西绝对是凭空臆测。 来自辞典例句
  • As regarded its origin there were various explanations, all of which must necessarily have been conjectural. 至于其来源,则有着种种解释,当然都是些臆测。 来自英汉文学 - 红字
175 bevy UtZzo     
n.一群
参考例句:
  • A bevy of bathing beauties appeared on the beach.沙滩上出现了一群游泳的美女。
  • Look,there comes a bevy of ladies.看,一群女人来了。
176 agitation TN0zi     
n.搅动;搅拌;鼓动,煽动
参考例句:
  • Small shopkeepers carried on a long agitation against the big department stores.小店主们长期以来一直在煽动人们反对大型百货商店。
  • These materials require constant agitation to keep them in suspension.这些药剂要经常搅动以保持悬浮状态。
177 vividly tebzrE     
adv.清楚地,鲜明地,生动地
参考例句:
  • The speaker pictured the suffering of the poor vividly.演讲者很生动地描述了穷人的生活。
  • The characters in the book are vividly presented.这本书里的人物写得栩栩如生。
178 sylvan prVwR     
adj.森林的
参考例句:
  • Venerable oaks forms a sylvan archway.古老的栎树形成一条林荫拱道。
  • They lived in a sylvan retreat.他们住在一个林中休养地。
179 morbid u6qz3     
adj.病的;致病的;病态的;可怕的
参考例句:
  • Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
  • It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。
180 honourable honourable     
adj.可敬的;荣誉的,光荣的
参考例句:
  • I don't think I am worthy of such an honourable title.这样的光荣称号,我可担当不起。
  • I hope to find an honourable way of settling difficulties.我希望设法找到一个体面的办法以摆脱困境。
181 benevolence gt8zx     
n.慈悲,捐助
参考例句:
  • We definitely do not apply a policy of benevolence to the reactionaries.我们对反动派决不施仁政。
  • He did it out of pure benevolence. 他做那件事完全出于善意。
182 accomplishment 2Jkyo     
n.完成,成就,(pl.)造诣,技能
参考例句:
  • The series of paintings is quite an accomplishment.这一系列的绘画真是了不起的成就。
  • Money will be crucial to the accomplishment of our objectives.要实现我们的目标,钱是至关重要的。
183 tremor Tghy5     
n.震动,颤动,战栗,兴奋,地震
参考例句:
  • There was a slight tremor in his voice.他的声音有点颤抖。
  • A slight earth tremor was felt in California.加利福尼亚发生了轻微的地震。
184 initiated 9cd5622f36ab9090359c3cf3ca4ddda3     
n. 创始人 adj. 新加入的 vt. 开始,创始,启蒙,介绍加入
参考例句:
  • He has not yet been thoroughly initiated into the mysteries of computers. 他对计算机的奥秘尚未入门。
  • The artist initiated the girl into the art world in France. 这个艺术家介绍这个女孩加入巴黎艺术界。
185 frigidity Ahuxv     
n.寒冷;冷淡;索然无味;(尤指妇女的)性感缺失
参考例句:
  • Doctor Simpson believes that Suzie's frigidity is due to some hang-up about men. 辛普森大夫认为苏西的性冷淡是由于她对男人有着异常的精神反应。 来自《简明英汉词典》
  • Frigidity and horror have attacked that crying baby ! 那位哭闹的孩子又冷又害怕。 来自辞典例句
186 scanty ZDPzx     
adj.缺乏的,仅有的,节省的,狭小的,不够的
参考例句:
  • There is scanty evidence to support their accusations.他们的指控证据不足。
  • The rainfall was rather scanty this month.这个月的雨量不足。
187 bestowed 12e1d67c73811aa19bdfe3ae4a8c2c28     
赠给,授予( bestow的过去式和过去分词 )
参考例句:
  • It was a title bestowed upon him by the king. 那是国王赐给他的头衔。
  • He considered himself unworthy of the honour they had bestowed on him. 他认为自己不配得到大家赋予他的荣誉。
188 emancipated 6319b4184bdec9d99022f96c4965261a     
adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 )
参考例句:
  • Slaves were not emancipated until 1863 in the United States. 美国奴隶直到1863年才获得自由。
  • Women are still struggling to be fully emancipated. 妇女仍在为彻底解放而斗争。 来自《简明英汉词典》
189 rumours ba6e2decd2e28dec9a80f28cb99e131d     
n.传闻( rumour的名词复数 );风闻;谣言;谣传
参考例句:
  • The rumours were completely baseless. 那些谣传毫无根据。
  • Rumours of job losses were later confirmed. 裁员的传言后来得到了证实。
190 narrate DFhxR     
v.讲,叙述
参考例句:
  • They each narrate their own tale but are all inextricably linked together.她们各自讲述自己的故事,却又不可避免地联系在一起。
  • He once holds the tear to narrate a such story to mine.他曾经含着泪给我讲述了这样的一个故事。
191 portfolios e8f0c85d58b4bbb32ca8f22222a8ee54     
n.投资组合( portfolio的名词复数 );(保险)业务量;(公司或机构提供的)系列产品;纸夹
参考例句:
  • Price risk arises in non-trading portfolios, as well as in trading portfolios. 价格风险中出现的非贸易投资,以及在贸易投资组合。 来自互联网
  • How do we fatten our portfolios and stay financially healthy? 我们怎样育肥我们的投资结构和维持财政健康呢? 来自互联网
192 ardent yvjzd     
adj.热情的,热烈的,强烈的,烈性的
参考例句:
  • He's an ardent supporter of the local football team.他是本地足球队的热情支持者。
  • Ardent expectations were held by his parents for his college career.他父母对他的大学学习抱着殷切的期望。
193 passionate rLDxd     
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的
参考例句:
  • He is said to be the most passionate man.据说他是最有激情的人。
  • He is very passionate about the project.他对那个项目非常热心。
194 prostrate 7iSyH     
v.拜倒,平卧,衰竭;adj.拜倒的,平卧的,衰竭的
参考例句:
  • She was prostrate on the floor.她俯卧在地板上。
  • The Yankees had the South prostrate and they intended to keep It'so.北方佬已经使南方屈服了,他们还打算继续下去。
195 chapel UXNzg     
n.小教堂,殡仪馆
参考例句:
  • The nimble hero,skipped into a chapel that stood near.敏捷的英雄跳进近旁的一座小教堂里。
  • She was on the peak that Sunday afternoon when she played in chapel.那个星期天的下午,她在小教堂的演出,可以说是登峰造极。
196 chambers c053984cd45eab1984d2c4776373c4fe     
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅
参考例句:
  • The body will be removed into one of the cold storage chambers. 尸体将被移到一个冷冻间里。 来自《简明英汉词典》
  • Mr Chambers's readable book concentrates on the middle passage: the time Ransome spent in Russia. Chambers先生的这本值得一看的书重点在中间:Ransome在俄国的那几年。 来自互联网
197 vivacity ZhBw3     
n.快活,活泼,精神充沛
参考例句:
  • Her charm resides in her vivacity.她的魅力存在于她的活泼。
  • He was charmed by her vivacity and high spirits.她的活泼与兴高采烈的情绪把他迷住了。
198 votaries 55bd4be7a70c73e3a135b27bb2852719     
n.信徒( votary的名词复数 );追随者;(天主教)修士;修女
参考例句:
199 attenuated d547804f5ac8a605def5470fdb566b22     
v.(使)变细( attenuate的过去式和过去分词 );(使)变薄;(使)变小;减弱
参考例句:
  • an attenuated form of the virus 毒性已衰减的病毒
  • You're a seraphic suggestion of attenuated thought . 你的思想是轻灵得如同天使一般的。 来自辞典例句
200 gauger e174db05db9466ccac12138d86f1e414     
n.收税官
参考例句:
201 presidency J1HzD     
n.总统(校长,总经理)的职位(任期)
参考例句:
  • Roosevelt was elected four times to the presidency of the United States.罗斯福连续当选四届美国总统。
  • Two candidates are emerging as contestants for the presidency.两位候选人最终成为总统职位竞争者。
202 patronage MSLzq     
n.赞助,支援,援助;光顾,捧场
参考例句:
  • Though it was not yet noon,there was considerable patronage.虽然时间未到中午,店中已有许多顾客惠顾。
  • I am sorry to say that my patronage ends with this.很抱歉,我的赞助只能到此为止。
203 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
204 zealous 0MOzS     
adj.狂热的,热心的
参考例句:
  • She made zealous efforts to clean up the classroom.她非常热心地努力清扫教室。
  • She is a zealous supporter of our cause.她是我们事业的热心支持者。
205 adoption UK7yu     
n.采用,采纳,通过;收养
参考例句:
  • An adoption agency had sent the boys to two different families.一个收养机构把他们送给两个不同的家庭。
  • The adoption of this policy would relieve them of a tremendous burden.采取这一政策会给他们解除一个巨大的负担。
206 eminently c442c1e3a4b0ad4160feece6feb0aabf     
adv.突出地;显著地;不寻常地
参考例句:
  • She seems eminently suitable for the job. 她看来非常适合这个工作。
  • It was an eminently respectable boarding school. 这是所非常好的寄宿学校。 来自《简明英汉词典》
207 incongruity R8Bxo     
n.不协调,不一致
参考例句:
  • She smiled at the incongruity of the question.面对这样突兀的问题,她笑了。
  • When the particular outstrips the general,we are faced with an incongruity.当特别是超过了总的来讲,我们正面临着一个不协调。
208 civilisation civilisation     
n.文明,文化,开化,教化
参考例句:
  • Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
  • This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。
209 radicalism MAUzu     
n. 急进主义, 根本的改革主义
参考例句:
  • His radicalism and refusal to compromise isolated him. 他的激进主义与拒绝妥协使他受到孤立。
  • Education produced intellectual ferment and the temptations of radicalism. 教育带来知识界的骚动,促使激进主义具有了吸引力。
210 disposition GljzO     
n.性情,性格;意向,倾向;排列,部署
参考例句:
  • He has made a good disposition of his property.他已对财产作了妥善处理。
  • He has a cheerful disposition.他性情开朗。
211 epithets 3ed932ca9694f47aefeec59fbc8ef64e     
n.(表示性质、特征等的)词语( epithet的名词复数 )
参考例句:
  • He insulted me, using rude epithets. 他用粗话诅咒我。 来自《简明英汉词典》
  • He cursed me, using a lot of rude epithets. 他用上许多粗鲁的修饰词来诅咒我。 来自辞典例句
212 smoothly iiUzLG     
adv.平滑地,顺利地,流利地,流畅地
参考例句:
  • The workmen are very cooperative,so the work goes on smoothly.工人们十分合作,所以工作进展顺利。
  • Just change one or two words and the sentence will read smoothly.这句话只要动一两个字就顺了。
213 perversity D3kzJ     
n.任性;刚愎自用
参考例句:
  • She's marrying him out of sheer perversity.她嫁给他纯粹是任性。
  • The best of us have a spice of perversity in us.在我们最出色的人身上都有任性的一面。
214 considerably 0YWyQ     
adv.极大地;相当大地;在很大程度上
参考例句:
  • The economic situation has changed considerably.经济形势已发生了相当大的变化。
  • The gap has narrowed considerably.分歧大大缩小了。
215 democrats 655beefefdcaf76097d489a3ff245f76     
n.民主主义者,民主人士( democrat的名词复数 )
参考例句:
  • The Democrats held a pep rally on Capitol Hill yesterday. 民主党昨天在国会山召开了竞选誓师大会。
  • The democrats organize a filibuster in the senate. 民主党党员组织了阻挠议事。 来自《简明英汉词典》
216 joyously 1p4zu0     
ad.快乐地, 高兴地
参考例句:
  • She opened the door for me and threw herself in my arms, screaming joyously and demanding that we decorate the tree immediately. 她打开门,直扑我的怀抱,欣喜地喊叫着要马上装饰圣诞树。
  • They came running, crying out joyously in trilling girlish voices. 她们边跑边喊,那少女的颤音好不欢快。 来自名作英译部分
217 tenure Uqjy2     
n.终身职位;任期;(土地)保有权,保有期
参考例句:
  • He remained popular throughout his tenure of the office of mayor.他在担任市长的整个任期内都深得民心。
  • Land tenure is a leading political issue in many parts of the world.土地的保有权在世界很多地区是主要的政治问题。
218 schooner mDoyU     
n.纵帆船
参考例句:
  • The schooner was driven ashore.那条帆船被冲上了岸。
  • The current was bearing coracle and schooner southward at an equal rate.急流正以同样的速度将小筏子和帆船一起冲向南方。
219 bellows Ly5zLV     
n.风箱;发出吼叫声,咆哮(尤指因痛苦)( bellow的名词复数 );(愤怒地)说出(某事),大叫v.发出吼叫声,咆哮(尤指因痛苦)( bellow的第三人称单数 );(愤怒地)说出(某事),大叫
参考例句:
  • His job is to blow the bellows for the blacksmith. 他的工作是给铁匠拉风箱。 来自辞典例句
  • You could, I suppose, compare me to a blacksmith's bellows. 我想,你可能把我比作铁匠的风箱。 来自辞典例句
220 vessel 4L1zi     
n.船舶;容器,器皿;管,导管,血管
参考例句:
  • The vessel is fully loaded with cargo for Shanghai.这艘船满载货物驶往上海。
  • You should put the water into a vessel.你应该把水装入容器中。
221 wharves 273eb617730815a6184c2c46ecd65396     
n.码头,停泊处( wharf的名词复数 )
参考例句:
  • They are seaworthy and can stand rough handling on the wharves? 适用于海运并能经受在码头上的粗暴装卸。 来自外贸英语口语25天快训
  • Widely used in factories and mines, warehouses, wharves, and other industries. 广泛用于厂矿、仓库、码头、等各种行业。 来自互联网
222 prospect P01zn     
n.前景,前途;景色,视野
参考例句:
  • This state of things holds out a cheerful prospect.事态呈现出可喜的前景。
  • The prospect became more evident.前景变得更加明朗了。
223 descended guQzoy     
a.为...后裔的,出身于...的
参考例句:
  • A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
  • The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。
224 lumber a8Jz6     
n.木材,木料;v.以破旧东西堆满;伐木;笨重移动
参考例句:
  • The truck was sent to carry lumber.卡车被派出去运木材。
  • They slapped together a cabin out of old lumber.他们利用旧木料草草地盖起了一间小屋。
225 olfactories a71e70c47a2627176eda9dc231e3a909     
n.嗅觉的( olfactory的名词复数 )
参考例句:
226 sordid PrLy9     
adj.肮脏的,不干净的,卑鄙的,暗淡的
参考例句:
  • He depicts the sordid and vulgar sides of life exclusively.他只描写人生肮脏和庸俗的一面。
  • They lived in a sordid apartment.他们住在肮脏的公寓房子里。
227 depicted f657dbe7a96d326c889c083bf5fcaf24     
描绘,描画( depict的过去式和过去分词 ); 描述
参考例句:
  • Other animals were depicted on the periphery of the group. 其他动物在群像的外围加以修饰。
  • They depicted the thrilling situation to us in great detail. 他们向我们详细地描述了那激动人心的场面。
228 thraldom Cohwd     
n.奴隶的身份,奴役,束缚
参考例句:
229 detest dm0zZ     
vt.痛恨,憎恶
参考例句:
  • I detest people who tell lies.我恨说谎的人。
  • The workers detest his overbearing manner.工人们很讨厌他那盛气凌人的态度。
230 wither dMVz1     
vt.使凋谢,使衰退,(用眼神气势等)使畏缩;vi.枯萎,衰退,消亡
参考例句:
  • She grows as a flower does-she will wither without sun.她象鲜花一样成长--没有太阳就会凋谢。
  • In autumn the leaves wither and fall off the trees.秋天,树叶枯萎并从树上落下来。
231 doom gsexJ     
n.厄运,劫数;v.注定,命定
参考例句:
  • The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
  • The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。
232 havoc 9eyxY     
n.大破坏,浩劫,大混乱,大杂乱
参考例句:
  • The earthquake wreaked havoc on the city.地震对这个城市造成了大破坏。
  • This concentration of airborne firepower wrought havoc with the enemy forces.这次机载火力的集中攻击给敌军造成很大破坏。
233 worthily 80b0231574c2065d9379b86fcdfd9be2     
重要地,可敬地,正当地
参考例句:
  • Many daughters have done worthily, But you surpass them all. 29行事有才德的女子很多,惟独你超过众人。
  • Then as my gift, which your true love has worthily purchased, take mydaughter. 那么,就作为我的礼物,把我的女儿接受下来吧--这也是你的真实爱情应得的报偿。
234 tenor LIxza     
n.男高音(歌手),次中音(乐器),要旨,大意
参考例句:
  • The tenor of his speech was that war would come.他讲话的大意是战争将要发生。
  • The four parts in singing are soprano,alto,tenor and bass.唱歌的四个声部是女高音、女低音、男高音和男低音。
235 simplicity Vryyv     
n.简单,简易;朴素;直率,单纯
参考例句:
  • She dressed with elegant simplicity.她穿着朴素高雅。
  • The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。
236 abode hIby0     
n.住处,住所
参考例句:
  • It was ten months before my father discovered his abode.父亲花了十个月的功夫,才好不容易打听到他的住处。
  • Welcome to our humble abode!欢迎光临寒舍!
237 brook PSIyg     
n.小河,溪;v.忍受,容让
参考例句:
  • In our room we could hear the murmur of a distant brook.在我们房间能听到远处小溪汩汩的流水声。
  • The brook trickled through the valley.小溪涓涓流过峡谷。
238 fiscal agbzf     
adj.财政的,会计的,国库的,国库岁入的
参考例句:
  • The increase of taxation is an important fiscal policy.增税是一项重要的财政政策。
  • The government has two basic strategies of fiscal policy available.政府有两个可行的财政政策基本战略。


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