The ding-dong of another, remoter clock — from the Prince of Wales, the other side of the street — rippled2 the stagnant3 air. Gordon made an effort, sat upright, and stowed his packet of cigarettes away in his inside pocket. He was perishing for a smoke. However, there were only four cigarettes left. Today was Wednesday and he had no money coming to him till Friday. It would be too bloody4 to be without tobacco tonight as well as all tomorrow.
Bored in advance by tomorrow’s tobaccoless hours, he got up and moved towards the door — a small frail5 figure, with delicate bones and fretful movements. His coat was out at elbow in the right sleeve and its middle button was missing; his ready-made flannel6 trousers were stained and shapeless. Even from above you could see that his shoes needed resoling.
The money clinked in his trouser pocket as he got up. He knew the precise sum that was there. Fivepence halfpenny — twopence halfpenny and a Joey. He paused, took out the miserable7 little threepenny-bit, and looked at it. Beastly, useless thing! And bloody fool to have taken it! It had happened yesterday, when he was buying cigarettes. ‘Don’t mind a threepenny-bit, do you, sir?’ the little bitch of a shop-girl had chirped8. And of course he had let her give it him. ‘Oh no, not at all!’ he had said — fool, bloody fool!
His heart sickened to think that he had only fivepence halfpenny in the world, threepence of which couldn’t even be spent. Because how can you buy anything with a threepenny-bit? It isn’t a coin, it’s the answer to a riddle9. You look such a fool when you take it out of your pocket, unless it’s in among a whole handful of other coins. ‘How much?’ you say. ‘Threepence,’ the shop-girl says. And then you feel all round your pocket and fish out that absurd little thing, all by itself, sticking on the end of your finger like a tiddley-wink. The shop-girl sniffs10. She spots immediately that it’s your last threepence in the world. You see her glance quickly at it — she’s wondering whether there’s a piece of Christmas pudding still sticking to it. And you stalk out with your nose in the air, and can’t ever go to that shop again. No! We won’t spend our Joey. Twopence halfpenny left — twopence halfpenny to last till Friday.
This was the lonely after-dinner hour, when few or no customers were to be expected. He was alone with seven thousand books. The small dark room, smelling of dust and decayed paper, that gave on the office, was filled to the brim with books, mostly aged and unsaleable. On the top shelves near the ceiling the quarto volumes of extinct encyclopedias11 slumbered12 on their sides in piles like the tiered coffins13 in common graves. Gordon pushed aside the blue, dust-sodden curtains that served as a doorway14 to the next room. This, better lighted than the other, contained the lending library. It was one of those ‘twopenny no-deposit’ libraries beloved of book-pinchers. No books in it except novels, of course. And WHAT novels! But that too was a matter of course.
Eight hundred strong, the novels lined the room on three sides ceiling-high, row upon row of gaudy15 oblong backs, as though the walls had been built of many-coloured bricks laid upright. They were arranged alphabetically17. Arlen, Burroughs, Deeping, Dell, Frankau, Galsworthy, Gibbs, Priestley, Sapper, Walpole. Gordon eyed them with inert18 hatred19. At this moment he hated all books, and novels most of all. Horrible to think of all that soggy, half-baked trash massed together in one place. Pudding, suet pudding. Eight hundred slabs21 of pudding, walling him in — a vault22 of puddingstone. The thought was oppressive. He moved on through the open doorway into the front part of the shop. In doing so, he smoothed his hair. It was an habitual23 movement. After all, there might be girls outside the glass door. Gordon was not impressive to look at. He was just five feet seven inches high, and because his hair was usually too long he gave the impression that his head was a little too big for his body. He was never quite unconscious of his small stature24. When he knew that anyone was looking at him he carried himself very upright, throwing a chest, with a you-be-damned air which occasionally deceived simple people.
However, there was nobody outside. The front room, unlike the rest of the shop, was smart and expensive-looking, and it contained about two thousand books, exclusive of those in the window. On the right there was a glass showcase in which children’s books were kept. Gordon averted25 his eyes from a beastly Rackhamesque dust-jacket; elvish children tripping Wendily through a bluebell26 glade27. He gazed out through the glass door. A foul28 day, and the wind rising. The sky was leaden, the cobbles of the street were slimy. It was St Andrew’s day, the thirtieth of November. McKechnie’s stood on a corner, on a sort of shapeless square where four streets converged29. To the left, just within sight from the door, stood a great elm-tree, leafless now, its multitudinous twigs30 making sepia-coloured lace against the sky. Opposite, next to the Prince of Wales, were tall hoardings covered with ads for patent foods and patent medicines. A gallery of monstrous31 doll-faces — pink vacuous32 faces, full of goofy optimism. Q.T. Sauce, Truweet Breakfast Crisps (‘Kiddies clamour for their Breakfast Crisps’), Kangaroo Burgundy, Vitamalt Chocolate, Bovex. Of them all, the Bovex one oppressed Gordon the most. A spectacled rat-faced clerk, with patent-leather hair, sitting at a cafe table grinning over a white mug of Bovex. ‘Corner Table enjoys his meal with Bovex’, the legend ran.
Gordon shortened the focus of his eyes. From the dust-dulled pane33 the reflection of his own face looked back at him. Not a good face. Not thirty yet, but moth-eaten already. Very pale, with bitter, ineradicable lines. What people call a ‘good’ forehead — high, that is — but a small pointed34 chin, so that the face as a whole was pear-shaped rather than oval. Hair mouse-coloured and unkempt, mouth unamiable, eyes hazel inclining to green. He lengthened35 the focus of his eyes again. He hated mirrors nowadays. Outside, all was bleak36 and wintry. A tram, like a raucous37 swan of steel, glided39 groaning40 over the cobbles, and in its wake the wind swept a debris41 of trampled42 leaves. The twigs of the elm-tree were swirling44, straining eastward45. The poster that advertised Q.T. Sauce was torn at the edge; a ribbon of paper fluttered fitfully like a tiny pennant46. In the side street too, to the right, the naked poplars that lined the pavement bowed sharply as the wind caught them. A nasty raw wind. There was a threatening note in it as it swept over; the first growl47 of winter’s anger. Two lines of a poem struggled for birth in Gordon’s mind:
Sharply the something wind — for instance, threatening wind? No, better, menacing wind. The menacing wind blows over — no, sweeps over, say.
The something poplars — yielding poplars? No, better, bending poplars. Assonance between bending and menacing? No matter. The bending poplars, newly bare. Good.
Sharply the menacing wind sweeps over The bending poplars, newly bare.
Good. ‘Bare’ is a sod to rhyme; however, there’s always ‘air’, which every poet since Chaucer has been struggling to find rhymes for. But the impulse died away in Gordon’s mind. He turned the money over in his pocket. Twopence halfpenny and a Joey — twopence halfpenny. His mind was sticky with boredom48. He couldn’t cope with rhymes and adjectives. You can’t, with only twopence halfpenny in your pocket.
His eyes refocused themselves upon the posters opposite. He had his private reasons for hating them. Mechanically he re-read their slogans. ‘Kangaroo Burgundy — the wine for Britons.’ ‘Asthma was choking her!’ ‘Q.T. Sauce Keeps Hubby Smiling.’ ‘Hike all day on a Slab20 of Vitamalt!’ ‘Curve Cut — the Smoke for Outdoor Men.’ ‘Kiddies clamour for their Breakfast Crisps.’ ‘Corner Table enjoys his meal with Bovex.’
Ha! A customer — potential, at any rate. Gordon stiffened49 himself. Standing50 by the door, you could get an oblique51 view out of the front window without being seen yourself. He looked the potential customer over.
A decentish middle-aged52 man, black suit, bowler53 hat, umbrella, and dispatch-case — provincial54 solicitor55 or Town Clerk — keeking at the window with large pale-coloured eyes. He wore a guilty look. Gordon followed the direction of his eyes. Ah! So that was it! He had nosed out those D. H. Lawrence first editions in the far corner. Pining for a bit of smut, of course. He had heard of Lady Chatterley afar off. A bad face he had, Gordon thought. Pale, heavy, downy, with bad contours. Welsh, by the look of him — Nonconformist, anyway. He had the regular Dissenting56 pouches57 round the corners of his mouth. At home, president of the local Purity League or Seaside Vigilance Committee (rubber-soled slippers58 and electric torch, spotting kissing couples along the beach parade), and now up in town on the razzle. Gordon wished he would come in. Sell him a copy of Women in Love. How it would disappoint him!
But no! The Welsh solicitor had funked it. He tucked his umbrella under his arm and moved off with righteously turned backside. But doubtless tonight, when darkness hid his blushes, he’d slink into one of the rubber-shops and buy High Jinks in a Parisian Convent, by Sadie Blackeyes.
Gordon turned away from the door and back to the book-shelves. In the shelves to your left as you came out of the library the new and nearly-new books were kept — a patch of bright colour that was meant to catch the eye of anyone glancing through the glass door. Their sleek59 unspotted backs seemed to yearn60 at you from the shelves. ‘Buy me, buy me!’ they seemed to be saying. Novels fresh from the press — still unravished brides, pining for the paperknife to deflower them — and review copies, like youthful widows, blooming still though virgin61 no longer, and here and there, in sets of half a dozen, those pathetic spinster-things, ‘remainders’, still guarding hopefully their long preserv’d virginity. Gordon turned his eyes away from the ‘remainders’. They called up evil memories. The single wretched little book that he himself had published, two years ago, had sold exactly a hundred and fifty-three copies and then been ‘remaindered’; and even as a ‘remainder’ it hadn’t sold. He passed the new books by and paused in front of the shelves which ran at right angles to them and which contained more second-hand62 books.
Over to the right were shelves of poetry. Those in front of him were prose, a miscellaneous lot. Upwards63 and downwards64 they were graded, from clean and expensive at eye-level to cheap and dingy65 at top and bottom. In all book-shops there goes on a savage66 Darwinian struggle in which the works of living men gravitate to eye-level and the works of dead men go up or down — down to Gehenna or up to the throne, but always away from any position where they will be noticed. Down in the bottom shelves the ‘classics’, the extinct monsters of the Victorian age, were quietly rotting. Scott, Carlyle, Meredith, Ruskin, Pater, Stevenson — you could hardly read the names upon their broad dowdy68 backs. In the top shelves, almost out of sight, slept the pudgy biographies of dukes. Below those, saleable still and therefore placed within reach, was ‘religious’ literature — all sects69 and all creeds70, lumped indiscriminately together. The World Beyond, by the author of Spirit Hands Have Touched me. Dean Farrar’s Life of Christ. Jesus the First Rotarian. Father Hilaire Chestnut’s latest book of R. C. propaganda. Religion always sells provided it is soppy enough. Below, exactly at eye-level, was the contemporary stuff. Priestley’s latest. Dinky little books of reprinted ‘middles’. Cheer-up ‘humour’ from Herbert and Knox and Milne. Some highbrow stuff as well. A novel or two by Hemingway and Virginia Woolf. Smart pseudo-Strachey predigested biographies. Snooty, refined books on safe painters and safe poets by those moneyed young beasts who glide38 so gracefully71 from Eton to Cambridge and from Cambridge to the literary reviews.
Dull-eyed, he gazed at the wall of books. He hated the whole lot of them, old and new, highbrow and lowbrow, snooty and chirpy. The mere67 sight of them brought home to him his own sterility72. For here was he, supposedly a ‘writer’, and he couldn’t even ‘write’! It wasn’t merely a question of not getting published; it was that he produced nothing, or next to nothing. And all that tripe73 cluttering74 the shelves — well, at any rate it existed; it was an achievement of sorts. Even the Dells and Deepings do at least turn out their yearly acre of print. But it was the snooty ‘cultured’ kind of books that he hated the worst. Books of criticism and belles-lettres. The kind of thing that those moneyed young beasts from Cambridge write almost in their sleep — and that Gordon himself might have written if he had had a little more money. Money and culture! In a country like England you can no more be cultured without money than you can join the Cavalry75 Club. With the same instinct that makes a child waggle a loose tooth, he took out a snooty-looking volume — Some Aspects of the Italian Baroque — opened it, read a paragraph, and shoved it back with mingled76 loathing77 and envy. That devastating78 omniscience79! That noxious80, horn-spectacled refinement81! And the money that such refinement means! For after all, what is there behind it, except money? Money for the right kind of education, money for influential82 friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O Lord, give me money, only money.
He jingled83 the coins in his pocket. He was nearly thirty and had accomplished84 nothing; only his miserable book of poems that had fallen flatter than any pancake. And ever since, for two whole years, he had been struggling in the labyrinth85 of a dreadful book that never got any further, and which, as he knew in his moments of clarity, never would get any further. It was the lack of money, simply the lack of money, that robbed him of the power to ‘write’. He clung to that as to an article of faith. Money, money, all is money! Could you write even a penny novelette without money to put heart in you? Invention, energy, wit, style, charm — they’ve all got to be paid for in hard cash.
Nevertheless, as he looked along the shelves he felt himself a little comforted. So many of the books were faded and unreadable. After all, we’re all in the same boat. Memento86 mori. For you and for me and for the snooty young men from Cambridge, the same oblivion waits — though doubtless it’ll wait rather longer for those snooty young men from Cambridge. He looked at the time-dulled ‘classics’ near his feet. Dead, all dead. Carlyle and Ruskin and Meredith and Stevenson — all are dead, God rot them. He glanced over their faded titles. Collected Letters of Robert Louis Stevenson. Ha, ha! That’s good. Collected Letters of Robert Louis Stevenson! Its top edge was black with dust. Dust thou art, to dust returnest. Gordon kicked Stevenson’s buckram backside. Art there, old false-penny? You’re cold meat, if ever Scotchman was.
Ping! The shop bell. Gordon turned round. Two customers, for the library.
A dejected, round-shouldered, lower-class woman, looking like a draggled duck nosing among garbage, seeped87 in, fumbling88 with a rush basket. In her wake hopped89 a plump little sparrow of a woman, red-cheeked, middle-middle class, carrying under her arm a copy of The Forsyte Saga90 — title outwards91, so that passers-by could spot her for a high-brow.
Gordon had taken off his sour expression. He greeted them with the homey, family-doctor geniality92 reserved for library-subscribers.
‘Good afternoon, Mrs Weaver93. Good afternoon, Mrs Penn. What terrible weather!’
‘Shocking!’ said Mrs Penn.
He stood aside to let them pass. Mrs Weaver upset her rush basket and spilled on to the floor a much-thumbed copy of Ethel M. Dell’s Silver Wedding. Mrs Penn’s bright bird-eye lighted upon it. Behind Mrs Weaver’s back she smiled up to Gordon, archly, as highbrow to highbrow. Dell! The lowness of it! The books these lower classes read! Understandingly, he smiled back. They passed into the library, highbrow to highbrow smiling.
Mrs Penn laid The Forsyte Saga on the table and turned her sparrow-bosom94 upon Gordon. She was always very affable to Gordon. She addressed him as Mister Comstock, shopwalker though he was, and held literary conversations with him. There was the free-masonry of highbrows between them.
‘I hope you enjoyed The Forsyte Saga, Mrs Penn?’
‘What a perfectly95 MARVELLOUS achievement that book is, Mr Comstock! Do you know that that makes the fourth time I’ve read it? An epic96, a real epic!’
Mrs Weaver nosed among the books, too dim-witted to grasp that they were in alphabetical16 order.
‘I don’t know what to ‘ave this week, that I don’t,’ she mumbled97 through untidy lips. ‘My daughter she keeps on at me to ‘ave a try at Deeping. She’s great on Deeping, my daughter is. But my son-in-law, now, ‘e’s more for Burroughs. I don’t know, I’m sure.’
A spasm98 passed over Mrs Penn’s face at the mention of Burroughs. She turned her back markedly on Mrs Weaver.
‘What I feel, Mr Comstock, is that there’s something so BIG about Galsworthy. He’s so broad, so universal, and yet at the same time so thoroughly99 English in spirit, so HUMAN. His books are real HUMAN documents.’
‘And Priestley, too,’ said Gordon. ‘I think Priestley’s such an awfully100 fine writer, don’t you?’
‘Oh, he is! So big, so broad, so human! And so essentially101 English!’
Mrs Weaver pursed her lips. Behind them were three isolated102 yellow teeth.
‘I think p’raps I can do better’n ‘ave another Dell,’ she said. ‘You ‘ave got some more Dells, ‘aven’t you? I DO enjoy a good read of Dell, I must say. I says to my daughter, I says, “You can keep your Deepings and your Burroughses. Give me Dell,” I says.’
Ding Dong Dell! Dukes and dogwhips! Mrs Penn’s eye signalled highbrow irony103. Gordon returned her signal. Keep in with Mrs Penn! A good, steady customer.
‘Oh, certainly, Mrs Weaver. We’ve got a whole shelf by Ethel M. Dell. Would you like The Desire of his Life? Or perhaps you’ve read that. Then what about The Alter of Honour?’
‘I wonder whether you have Hugh Walpole’s latest book?’ said Mrs Penn. ‘I feel in the mood this week for something epic, something BIG. Now Walpole, you know, I consider a really GREAT writer, I put him second only to Galsworthy. There’s something so BIG about him. And yet he’s so human with it.’
‘And so essentially English,’ said Gordon.
‘Oh, of course! So essentially English!’
‘I b’lieve I’ll jest ‘ave The Way of an Eagle over again,’ said Mrs Weaver finally. ‘You don’t never seem to get tired of The Way of an Eagle, do you, now?’
‘It’s certainly astonishingly popular,’ said Gordon, diplomatically, his eye on Mrs Penn.
‘Oh, asTONishingly!’ echoed Mrs Penn, ironically, her eye on Gordon.
He took their twopences and sent them happy away, Mrs Penn with Walpole’s Rogue104 Herries and Mrs Weaver with The Way of an Eagle.
Soon he had wandered back to the other room and towards the shelves of poetry. A melancholy105 fascination106, those shelves had for him. His own wretched book was there — skied, of course, high up among the unsaleable. Mice, by Gordon Comstock; a sneaky little foolscap octavo, price three and sixpence but now reduced to a bob. Of the thirteen B.F.s who had reviewed it (and The Times Lit. Supp. had declared that it showed ‘exceptional promise’) not one had seen the none too subtle joke of that title. And in the two years he had been at McKechnie’s bookshop, not a single customer, not a single one, had ever taken Mice out of its shelf.
There were fifteen or twenty shelves of poetry. Gordon regarded them sourly. Dud stuff, for the most part. A little above eye-level, already on their way to heaven and oblivion, were the poets of yesteryear, the stars of his earlier youth. Yeats, Davies, Housman, Thomas, De la Mare107, Hardy108. Dead stars. Below them, exactly at eye-level, were the squibs of the passing minute. Eliot, Pound, Auden, Campbell, Day Lewis, Spender. Very damp squibs, that lot. Dead stars above, damp squibs below. Shall we ever again get a writer worth reading? But Lawrence was all right, and Joyce even better before he went off his coconut109. And if we did get a writer worth reading, should we know him when we saw him, so choked as we are with trash?
Ping! Shop bell. Gordon turned. Another customer.
A youth of twenty, cherry-lipped, with gilded110 hair, tripped Nancifully in. Moneyed, obviously. He had the golden aura of money. He had been in the shop before. Gordon assumed the gentlemanly-servile mien111 reserved for new customers. He repeated the usual formula:
‘Good afternoon. Can I do anything for you? Are you looking for any particular book?’
‘Oh, no, not weally.’ An R-less Nancy voice. ‘May I just BWOWSE? I simply couldn’t wesist your fwont window. I have such a tewwible weakness for bookshops! So I just floated in — tee-hee!’
Float out again, then, Nancy. Gordon smiled a cultured smile, as booklover to booklover.
‘Oh, please do. We like people to look round. Are you interested in poetry, by any chance?’
‘Oh, of course! I ADORE poetwy!’
Of course! Mangy little snob112. There was a sub-artistic look about his clothes. Gordon slid a ‘slim’ red volume from the poetry shelves.
‘These are just out. They might interest you, perhaps. They’re translations — something rather out of the common. Translations from the Bulgarian.’
Very subtle, that. Now leave him to himself. That’s the proper way with customers. Don’t hustle114 them; let them browse115 for twenty minutes or so; then they get ashamed and buy something. Gordon moved to the door, discreetly116, keeping out of Nancy’s way; yet casually117, one hand in his pocket, with the insouciant118 air proper to a gentleman.
Outside, the slimy street looked grey and drear. From somewhere round the corner came the clatter119 of hooves, a cold hollow sound. Caught by the wind, the dark columns of smoke from the chimneys veered120 over and rolled flatly down the sloping roofs. Ah!
Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer121 downward tumty tumty (something like ‘murky’) air.
Good. But the impulse faded. His eye fell again upon the ad-posters across the street.
He almost wanted to laugh at them, they were so feeble, so dead-alive, so unappetizing. As though anybody could be tempted122 by THOSE! Like succubi with pimply123 backsides. But they depressed124 him all the same. The money-stink, everywhere the money-stink. He stole a glance at the Nancy, who had drifted away from the poetry shelves and taken out a large expensive book on the Russian ballet. He was holding it delicately between his pink non-prehensile paws, as a squirrel holds a nut, studying the photographs. Gordon knew his type. The moneyed ‘artistic’ young man. Not an artist himself, exactly, but a hanger-on of the arts; frequenter of studios, retailer125 of scandal. A nice-looking boy, though, for all his Nancitude. The skin at the back of his neck was as silky-smooth as the inside of a shell. You can’t have a skin like that under five hundred a year. A sort of charm he had, a glamour126, like all moneyed people. Money and charm; who shall separate them?
Gordon thought of Ravelston, his charming, rich friend, editor of Antichrist, of whom he was extravagantly127 fond, and whom he did not see so often as once in a fortnight; and of Rosemary, his girl, who loved him — adored him, so she said — and who, all the same, had never slept with him. Money, once again; all is money. All human relationships must be purchased with money. If you have no money, men won’t care for you, women won’t love you; won’t, that is, care for you or love you the last little bit that matters. And how right they are, after all! For, moneyless, you are unlovable. Though I speak with the tongues of men and of angels. But then, if I haven’t money, I DON’T speak with the tongues of men and of angels.
He looked again at the ad-posters. He really hated them this time. That Vitamalt one, for instance! ‘Hike all day on a slab of Vitamalt!’ A youthful couple, boy and girl, in clean-minded hiking kit128, their hair picturesquely129 tousled by the wind, climbing a stile against a Sussex landscape. That girl’s face! The awful bright tomboy cheeriness of it! The kind of girl who goes in for Plenty of Clean Fun. Windswept. Tight khaki shorts but that doesn’t mean you can pinch her backside. And next to them — Corner Table. ‘Corner Table enjoys his meal with Bovex’. Gordon examined the thing with the intimacy130 of hatred. The idiotic131 grinning face, like the face of a self-satisfied rat, the slick black hair, the silly spectacles. Corner Table, heir of the ages; victor of Waterloo, Corner Table, Modern man as his master want him to be. A docile132 little porker, sitting in the money-sty, drinking Bovex.
Faces passed, wind-yellowed. A tram boomed across the square, and the clock over the Prince of Wales struck three. A couple of old creatures, a tramp or a beggar and his wife, in long greasy133 overcoats that reached almost to the ground, were shuffling134 towards the shop. Book-pinchers, by the look of them. Better keep an eye on the boxes outside. The old man halted on the kerb a few yards away while his wife came to the door. She pushed it open and looked up at Gordon, between grey strings135 of hair, with a sort of hopeful malevolence136.
‘Ju buy books?’ she demanded hoarsely137.
‘Sometimes. It depends what books they are.’
‘I gossome LOVELY books ‘ere.’
She came in, shutting the door with a clang. The Nancy glanced over his shoulder distastefully and moved a step or two away, into the corner. The old woman had produced a greasy little sack from under her overcoat. She moved confidentially138 nearer to Gordon. She smelt139 of very, very old breadcrusts.
‘Will you ‘ave ‘em?’ she said, clasping the neck of the sack. ‘Only ‘alf a crown the lot.’
‘What are they? Let me see them, please.’
‘LOVELY books, they are,’ she breathed, bending over to open the sack and emitting a sudden very powerful whiff of breadcrusts.
‘‘Ere!’ she said, and thrust an armful of filthy-looking books almost into Gordon’s face.
They were an 1884 edition of Charlotte M. Yonge’s novels, and had the appearance of having been slept on for many years. Gordon stepped back, suddenly revolted.
‘We can’t possibly buy those,’ he said shortly.
‘Can’t buy ‘em? WHY can’t yer buy ‘em?’
‘Because they’re no use to us. We can’t sell that kind of thing.’
‘Wotcher make me take ‘em out o’ me bag for, then?’ demanded the old woman ferociously140.
Gordon made a detour141 round her, to avoid the smell, and held the door open, silently. No use arguing. You had people of this type coming into the shop all day long. The old woman made off, mumbling142, with malevolence in the hump of her shoulders, and joined her husband. He paused on the kerb to cough, so fruitily that you could hear him through the door. A clot113 of phlegm, like a little white tongue, came slowly out between his lips and was ejected into the gutter143. Then the two old creatures shuffled144 away, beetle-like in the long greasy overcoats that hid everything except their feet.
Gordon watched them go. They were just by-products. The throw-outs of the money-god. All over London, by tens of thousands, draggled old beasts of that description; creeping like unclean beetles145 to the grave.
He gazed out at the graceless street. At this moment it seemed to him that in a street like this, in a town like this, every life that is lived must be meaningless and intolerable. The sense of disintegration146, of decay, that is endemic in our time, was strong upon him. Somehow it was mixed up with the ad-posters opposite. He looked now with more seeing eyes at those grinning yard-wide faces. After all, there was more there than mere silliness, greed, and vulgarity. Corner Table grins at you, seemingly optimistic, with a flash of false teeth. But what is behind the grin? Desolation, emptiness, prophecies of doom147. For can you not see, if you know how to look, that behind that slick self-satisfaction, that tittering fat-bellied triviality, there is nothing but a frightful148 emptiness, a secret despair? The great death-wish of the modern world. Suicide pacts149. Heads stuck in gas-ovens in lonely maisonettes. French letters and Amen Pills. And the reverberations of future wars. Enemy aeroplanes flying over London; the deep threatening hum of the propellers150, the shattering thunder of the bombs. It is all written in Corner Table’s face.
More customers coming. Gordon stood back, gentlemanly-servile.
The door-bell clanged. Two upper-middle-class ladies sailed noisily in. One pink and fruity, thirty-fivish, with voluptuous151 bosom burgeoning152 from her coat of squirrel-skin, emitting a super-feminine scent153 of Parma violets: the other middle-aged, tough, and curried154 — India, presumably. Close behind them a dark, grubby, shy young man slipped through the doorway as apologetically as a cat. He was one of the shop’s best customers — a flitting, solitary155 creature who was almost too shy to speak and who by some strange manipulation kept himself always a day away from a shave.
Gordon repeated his formula:
‘Good afternoon. Can I do anything for you? Are you looking for any particular book?’
Fruity-face overwhelmed him with a smile, but curry-face decided156 to treat the question as an impertinence. Ignoring Gordon, she drew fruity-face across to the shelves next to the new books where the dog-books and cat-books were kept. The two of them immediately began taking books out of the shelves and talking loudly. Curry-face had the voice of a drill-sergeant. She was no doubt a colonel’s wife, or widow. The Nancy, still deep in the big book on the Russian ballet, edged delicately away. His face said that he would leave the shop if his privacy were disturbed again. The shy young man had already found his way to the poetry shelves. The two ladies were fairly frequent visitors to the shop. They always wanted to see books about cats and dogs, but never actually bought anything. There were two whole shelves of dog-books and cat-books. ‘Ladies’ Corner,’ old McKechnie called it.
Another customer arrived, for the library. An ugly girl of twenty, hatless, in a white overall, with a sallow, blithering, honest face and powerful spectacles that distorted her eyes. She was an assistant at a chemist’s shop. Gordon put on his homey library manner. She smiled at him, and with a gait as clumsy as a bear’s followed him into the library.
‘What kind of book would you like this time, Miss Weeks?’
‘Well’— she clutched the front of her overall. Her distorted, black-treacle eyes beamed trustfully into his. ‘Well, what I’d REALLY like’s a good hot-stuff love story. You know — something MODERN.’
‘Something modern? Something by Barbara Bedworthy for instance? Have you read Almost a Virgin?’
‘Oh no, not her. She’s too Deep. I can’t bear Deep books. But I want something — well, YOU know — MODERN. Sex-problems and divorce and all that. YOU know.’
‘Modern, but not Deep,’ said Gordon, as lowbrow to lowbrow.
He ranged among the hot-stuff modern love-stories. There were not less than three hundred of them in the library. From the front room came the voices of the two upper-middle-class ladies, the one fruity, the other curried, disputing about dogs. They had taken out one of the dog-books and were examining the photographs. Fruity-voice enthused over the photograph of a Peke, the ickle angel pet, wiv his gweat big Soulful eyes and his ickle black nosie — oh, so ducky-duck! But curry-voice — yes, undoubtedly157 a colonel’s widow — said Pekes were soppy. Give her dogs with guts158 — dogs that would fight, she said; she hated these soppy lapdogs, she said. ‘You have no Soul, Bedelia, no Soul,’ said fruity-voice plaintively159. The door-bell pinged again. Gordon handed the chemist’s girl Seven Scarlet160 Nights and booked it on her ticket. She took a shabby leather purse out of her overall pocket and paid him twopence.
He went back to the front room. The Nancy had put his book back in the wrong shelf and vanished. A lean, straight-nosed, brisk woman, with sensible clothes and gold-rimmed pince-nez — schoolmarm possibly, feminist161 certainly — came in and demanded Mrs Wharton-Beverley’s history of the suffrage162 movement. With secret joy Gordon told her that they hadn’t got it. She stabbed his male incompetence163 with gimlet eyes and went out again. The thin young man stood apologetically in the corner, his face buried in D. H. Lawrence’s Collected Poems, like some long-legged bird with its head buried under its wing.
Gordon waited by the door. Outside, a shabby-genteel old man with a strawberry nose and a khaki muffler round his throat was picking over the books in the sixpenny box. The two upper-middle-class ladies suddenly departed, leaving a litter of open books on the table. Fruity-face cast reluctant backward glances at the dog-books, but curry-face drew her away, resolute164 not to buy anything. Gordon held the door open. The two ladies sailed noisily out, ignoring him.
He watched their fur-coated upper-middle-class backs go down the street. The old strawberry-nosed man was talking to himself as he pawed over the books. A bit wrong in the head, presumably. He would pinch something if he wasn’t watched. The wind blew colder, drying the slime of the street. Time to light up presently. Caught by a swirl43 of air, the torn strip of paper on the Q. T. Sauce advertisement fluttered sharply, like a piece of washing on the line. Ah!
Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked165 by whips of air Torn posters flutter.
Not bad, not bad at all. But he had no wish to go on — could not go on, indeed. He fingered the money in his pocket, not chinking it, lest the shy young man should hear. Twopence-halfpenny. No tobacco all tomorrow. His bones ached.
A light sprang up in the Prince of Wales. They would be swabbing out the bar. The old strawberry-nosed man was reading an Edgar Wallace out of the twopenny box. A tram boomed in the distance. In the room upstairs Mr McKechnie, who seldom came down to the shop, drowsed by the gas-fire, white-haired and white-bearded, with snuff-box handy, over his calf-bound folio of Middleton’s Travels in the Levant.
The thin young man suddenly realized that he was alone and looked up guiltily. He was a habitue of bookshops, yet never stayed longer than ten minutes in any one shop. A passionate166 hunger for books, and the fear of being a nuisance, were constantly at war in him. After ten minutes in any shop he would grow uneasy, feel himself de trop, and take to flight, having bought something out of sheer nervousness. Without speaking he held out the copy of Lawrence’s poems and awkwardly extracted three florins from his pocket. In handing them to Gordon he dropped one. Both dived for it simultaneously167; their heads bumped against one another. The young man stood back, blushing sallowly.
‘I’ll wrap it up for you,’ said Gordon.
But the shy young man shook his head — he stammered168 so badly that he never spoke169 when it was avoidable. He clutched his book to him and slipped out with the air of having committed some disgraceful action.
Gordon was alone. He wandered back to the door. The strawberry-nosed man glanced over his shoulder, caught Gordon’s eye, and moved off, foiled. He had been on the point of slipping Edgar Wallace into his pocket. The clock over the Prince of Wales struck a quarter past three.
Ding Dong! A quarter past three. Light up at half past. Four and three-quarter hours till closing time. Five and a quarter hours till supper. Twopence halfpenny in pocket. No tobacco tomorrow.
Suddenly a ravishing, irresistible170 desire to smoke came over Gordon. He had made up his mind not to smoke this afternoon. He had only four cigarettes left. They must be saved for tonight, when he intended to ‘write’; for he could no more ‘write’ without tobacco than without air. Nevertheless, he had got to have a smoke. He took out his packet of Player’s Weights and extracted one of the dwarfish171 cigarettes. It was sheer stupid indulgence; it meant half an hour off tonight’s ‘writing’ time. But there was no resisting it. With a sort of shameful172 joy he sucked the soothing173 smoke into his lungs.
The reflection of his own face looked back at him from the greyish pane. Gordon Comstock, author of MICE; en l’an trentiesme de son eage, and moth-eaten already. Only twenty-six teeth left. However, Villon at the same age was poxed on his own showing. Let’s be thankful for small mercies.
He watched the ribbon of torn paper whirling, fluttering on the Q. T. Sauce advertisement. Our civilization is dying. It MUST be dying. But it isn’t going to die in its bed. Presently the aeroplanes are coming. Zoom174 — whizz — crash! The whole western world going up in a roar of high explosives.
He looked at the darkening street, at the greyish reflection of his face in the pane, at the shabby figures shuffling past. Almost involuntarily he repeated:
‘C’est l’Ennui — l’oeil charge d’un pleur involontaire, Il reve d’echafauds en fumant son houka!’
Money, money! Corner Table! The humming of the aeroplanes and the crash of the bombs.
Gordon squinted175 up at the leaden sky. Those aeroplanes are coming. In imagination he saw them coming now; squadron after squadron, innumerable, darkening the sky like clouds of gnats176. With his tongue not quite against his teeth he made a buzzing, bluebottle-on-the-window-pane sound to represent the humming of the aeroplanes. It was a sound which, at that moment, he ardently177 desired to hear.
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1
aged
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| adj.年老的，陈年的 | |
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rippled
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| 使泛起涟漪（ripple的过去式与过去分词形式） | |
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stagnant
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| adj.不流动的，停滞的，不景气的 | |
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bloody
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| adj.非常的的；流血的；残忍的；adv.很；vt.血染 | |
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frail
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| adj.身体虚弱的；易损坏的 | |
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flannel
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| n.法兰绒；法兰绒衣服 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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chirped
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| 鸟叫，虫鸣( chirp的过去式 ) | |
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riddle
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| n.谜，谜语，粗筛；vt.解谜，给…出谜，筛，检查，鉴定，非难，充满于；vi.出谜 | |
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sniffs
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| v.以鼻吸气，嗅，闻( sniff的第三人称单数 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说 | |
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11
encyclopedias
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| n.百科全书， （某一学科的）专科全书( encyclopedia的名词复数 ) | |
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slumbered
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| 微睡，睡眠（slumber的过去式与过去分词形式） | |
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coffins
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| n.棺材( coffin的名词复数 )；使某人早亡[死，完蛋，垮台等]之物 | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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gaudy
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| adj.华而不实的；俗丽的 | |
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alphabetical
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| adj.字母（表）的，依字母顺序的 | |
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alphabetically
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| adv.照字母顺序排列地 | |
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18
inert
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| adj.无活动能力的，惰性的；迟钝的 | |
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hatred
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| n.憎恶，憎恨，仇恨 | |
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slab
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| n.平板，厚的切片；v.切成厚板，以平板盖上 | |
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slabs
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| n.厚板，平板，厚片( slab的名词复数 )；厚胶片 | |
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vault
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| n.拱形圆顶，地窖，地下室 | |
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habitual
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| adj.习惯性的；通常的，惯常的 | |
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stature
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| n.（高度）水平，（高度）境界，身高，身材 | |
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averted
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| 防止，避免( avert的过去式和过去分词 )； 转移 | |
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bluebell
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| n.风铃草 | |
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glade
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| n.林间空地，一片表面有草的沼泽低地 | |
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foul
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| adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规 | |
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29
converged
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| v.（线条、运动的物体等）会于一点( converge的过去式 )；（趋于）相似或相同；人或车辆汇集；聚集 | |
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30
twigs
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| 细枝，嫩枝( twig的名词复数 ) | |
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monstrous
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| adj.巨大的；恐怖的；可耻的，丢脸的 | |
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vacuous
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| adj.空的，漫散的，无聊的，愚蠢的 | |
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pane
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| n.窗格玻璃，长方块 | |
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pointed
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| adj.尖的，直截了当的 | |
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lengthened
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| （时间或空间）延长，伸长( lengthen的过去式和过去分词 ) | |
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bleak
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| adj.(天气)阴冷的；凄凉的；暗淡的 | |
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raucous
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| adj.(声音)沙哑的，粗糙的 | |
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glide
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| n./v.溜，滑行；(时间)消逝 | |
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glided
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| v.滑动( glide的过去式和过去分词 )；掠过；（鸟或飞机 ） 滑翔 | |
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40
groaning
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| adj. 呜咽的, 呻吟的 动词groan的现在分词形式 | |
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41
debris
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| n.瓦砾堆，废墟，碎片 | |
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42
trampled
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| 踩( trample的过去式和过去分词 )； 践踏； 无视； 侵犯 | |
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43
swirl
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| v.(使)打漩，(使)涡卷；n.漩涡，螺旋形 | |
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44
swirling
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| v.旋转，打旋( swirl的现在分词 ) | |
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45
eastward
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| adv.向东；adj.向东的；n.东方，东部 | |
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46
pennant
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| n.三角旗；锦标旗 | |
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47
growl
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| v.（狗等）嗥叫，（炮等）轰鸣；n.嗥叫，轰鸣 | |
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48
boredom
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| n.厌烦，厌倦，乏味，无聊 | |
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49
stiffened
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| 加强的 | |
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50
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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51
oblique
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| adj.斜的，倾斜的，无诚意的，不坦率的 | |
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52
middle-aged
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| adj.中年的 | |
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53
bowler
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| n.打保龄球的人，（板球的）投（球）手 | |
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54
provincial
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| adj.省的，地方的；n．外省人，乡下人 | |
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55
solicitor
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| n.初级律师，事务律师 | |
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56
dissenting
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| adj.不同意的 | |
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57
pouches
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| n.（放在衣袋里或连在腰带上的）小袋( pouch的名词复数 )；（袋鼠等的）育儿袋；邮袋；（某些动物贮存食物的）颊袋 | |
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58
slippers
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| n. 拖鞋 | |
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59
sleek
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| adj.光滑的，井然有序的；v.使光滑，梳拢 | |
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60
yearn
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| v.想念；怀念；渴望 | |
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61
virgin
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| n.处女，未婚女子；adj.未经使用的；未经开发的 | |
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62
second-hand
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| adj.用过的，旧的，二手的 | |
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63
upwards
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| adv.向上，在更高处...以上 | |
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64
downwards
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| adj./adv.向下的（地），下行的（地） | |
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65
dingy
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| adj.昏暗的，肮脏的 | |
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66
savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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67
mere
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| adj.纯粹的；仅仅，只不过 | |
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68
dowdy
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| adj.不整洁的；过旧的 | |
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69
sects
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| n.宗派，教派( sect的名词复数 ) | |
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70
creeds
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| （尤指宗教）信条，教条( creed的名词复数 ) | |
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71
gracefully
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| ad.大大方方地；优美地 | |
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72
sterility
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| n.不生育，不结果，贫瘠，消毒，无菌 | |
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73
tripe
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| n.废话，肚子, 内脏 | |
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74
cluttering
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| v.杂物，零乱的东西零乱vt.( clutter的现在分词 )；乱糟糟地堆满，把…弄得很乱；（以…） 塞满… | |
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75
cavalry
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| n.骑兵；轻装甲部队 | |
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76
mingled
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| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
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77
loathing
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| n.厌恶，憎恨v.憎恨，厌恶( loathe的现在分词)；极不喜欢 | |
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78
devastating
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| adj.毁灭性的，令人震惊的，强有力的 | |
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79
omniscience
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| n.全知，全知者，上帝 | |
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80
noxious
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| adj.有害的，有毒的；使道德败坏的，讨厌的 | |
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81
refinement
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| n.文雅；高尚；精美；精制；精炼 | |
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82
influential
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| adj.有影响的，有权势的 | |
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83
jingled
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| 喝醉的 | |
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84
accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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85
labyrinth
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| n.迷宫；难解的事物；迷路 | |
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86
memento
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| n.纪念品，令人回忆的东西 | |
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87
seeped
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| v.（液体）渗( seep的过去式和过去分词 )；渗透；渗出；漏出 | |
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88
fumbling
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| n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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89
hopped
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| 跳上[下]( hop的过去式和过去分词 )； 单足蹦跳； 齐足（或双足）跳行； 摘葎草花 | |
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90
saga
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| n.(尤指中世纪北欧海盗的)故事，英雄传奇 | |
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91
outwards
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| adj.外面的，公开的，向外的；adv.向外；n.外形 | |
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92
geniality
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| n.和蔼，诚恳；愉快 | |
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93
weaver
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| n.织布工；编织者 | |
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94
bosom
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| n.胸，胸部；胸怀；内心；adj.亲密的 | |
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95
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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96
epic
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| n.史诗，叙事诗；adj.史诗般的，壮丽的 | |
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97
mumbled
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| 含糊地说某事，叽咕，咕哝( mumble的过去式和过去分词 ) | |
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98
spasm
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| n.痉挛，抽搐；一阵发作 | |
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99
thoroughly
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| adv.完全地，彻底地，十足地 | |
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100
awfully
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| adv.可怕地，非常地，极端地 | |
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101
essentially
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| adv.本质上，实质上，基本上 | |
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102
isolated
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| adj.与世隔绝的 | |
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103
irony
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| n.反语，冷嘲；具有讽刺意味的事，嘲弄 | |
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104
rogue
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| n.流氓；v.游手好闲 | |
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105
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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106
fascination
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| n.令人着迷的事物，魅力，迷恋 | |
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107
mare
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| n.母马，母驴 | |
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108
hardy
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| adj.勇敢的，果断的，吃苦的；耐寒的 | |
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109
coconut
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| n.椰子 | |
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110
gilded
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| a.镀金的，富有的 | |
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111
mien
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| n.风采；态度 | |
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112
snob
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| n.势利小人，自以为高雅、有学问的人 | |
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113
clot
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| n.凝块；v.使凝成块 | |
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114
hustle
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| v.推搡；竭力兜售或获取；催促；n.奔忙(碌) | |
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115
browse
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| vi.随意翻阅，浏览；(牛、羊等)吃草 | |
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116
discreetly
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| ad.(言行)审慎地，慎重地 | |
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117
casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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118
insouciant
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| adj.不在意的 | |
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119
clatter
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| v./n.(使)发出连续而清脆的撞击声 | |
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120
veered
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| v.（尤指交通工具）改变方向或路线( veer的过去式和过去分词 )；（指谈话内容、人的行为或观点）突然改变；（指风） （在北半球按顺时针方向、在南半球按逆时针方向）逐渐转向；风向顺时针转 | |
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121
veer
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| vt.转向，顺时针转，改变；n.转向 | |
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122
tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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123
pimply
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| adj.肿泡的；有疙瘩的；多粉刺的；有丘疹的 | |
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124
depressed
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| adj.沮丧的，抑郁的，不景气的，萧条的 | |
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125
retailer
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| n.零售商(人) | |
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126
glamour
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| n.魔力，魅力；vt.迷住 | |
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127
extravagantly
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| adv.挥霍无度地 | |
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128
kit
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| n.用具包，成套工具；随身携带物 | |
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129
picturesquely
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130
intimacy
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| n.熟悉，亲密，密切关系，亲昵的言行 | |
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131
idiotic
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| adj.白痴的 | |
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132
docile
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| adj.驯服的，易控制的，容易教的 | |
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133
greasy
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| adj. 多脂的，油脂的 | |
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134
shuffling
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| adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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135
strings
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| n.弦 | |
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136
malevolence
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| n.恶意，狠毒 | |
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137
hoarsely
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| adv.嘶哑地 | |
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138
confidentially
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| ad.秘密地，悄悄地 | |
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139
smelt
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| v.熔解，熔炼；n.银白鱼，胡瓜鱼 | |
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140
ferociously
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| 野蛮地，残忍地 | |
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141
detour
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| n.绕行的路，迂回路；v.迂回，绕道 | |
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142
mumbling
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| 含糊地说某事，叽咕，咕哝( mumble的现在分词 ) | |
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143
gutter
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| n.沟，街沟，水槽，檐槽，贫民窟 | |
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144
shuffled
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| v.洗（纸牌）( shuffle的过去式和过去分词 )；拖着脚步走；粗心地做；摆脱尘世的烦恼 | |
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145
beetles
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| n.甲虫( beetle的名词复数 ) | |
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146
disintegration
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| n.分散，解体 | |
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147
doom
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| n.厄运，劫数；v.注定，命定 | |
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148
frightful
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| adj.可怕的；讨厌的 | |
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149
pacts
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| 条约( pact的名词复数 )； 协定； 公约 | |
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150
propellers
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| n.螺旋桨，推进器( propeller的名词复数 ) | |
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151
voluptuous
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| adj.肉欲的，骄奢淫逸的 | |
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152
burgeoning
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| adj.迅速成长的，迅速发展的v.发芽，抽枝( burgeon的现在分词 )；迅速发展；发（芽），抽（枝） | |
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153
scent
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| n.气味，香味，香水，线索，嗅觉；v.嗅，发觉 | |
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154
curried
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| adj.加了咖喱（或咖喱粉的），用咖哩粉调理的 | |
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155
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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156
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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157
undoubtedly
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| adv.确实地，无疑地 | |
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158
guts
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| v.狼吞虎咽，贪婪地吃，飞碟游戏（比赛双方每组5人，相距15码，互相掷接飞碟）；毁坏（建筑物等）的内部( gut的第三人称单数 )；取出…的内脏n.勇气( gut的名词复数 )；内脏；消化道的下段；肠 | |
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159
plaintively
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| adv.悲哀地，哀怨地 | |
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160
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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161
feminist
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| adj.主张男女平等的，女权主义的 | |
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162
suffrage
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| n.投票，选举权，参政权 | |
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163
incompetence
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| n.不胜任，不称职 | |
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164
resolute
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| adj.坚决的，果敢的 | |
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165
flicked
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| （尤指用手指或手快速地）轻击( flick的过去式和过去分词 )； （用…）轻挥； （快速地）按开关； 向…笑了一下（或瞥了一眼等） | |
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166
passionate
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| adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的 | |
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167
simultaneously
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| adv.同时发生地，同时进行地 | |
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168
stammered
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| v.结巴地说出( stammer的过去式和过去分词 ) | |
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169
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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170
irresistible
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| adj.非常诱人的，无法拒绝的，无法抗拒的 | |
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171
dwarfish
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| a.像侏儒的，矮小的 | |
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172
shameful
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| adj.可耻的，不道德的 | |
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173
soothing
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| adj.慰藉的；使人宽心的；镇静的 | |
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174
zoom
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| n.急速上升；v.突然扩大，急速上升 | |
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175
squinted
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| 斜视( squint的过去式和过去分词 )； 眯着眼睛； 瞟； 从小孔或缝隙里看 | |
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176
gnats
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| n.叮人小虫( gnat的名词复数 ) | |
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177
ardently
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| adv.热心地，热烈地 | |
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