“Silence was pleased.”
As I lounged at mine ease on the veranda1, serenely2 content with the pages of a favourite author, I became conscious of an unusual sound-vague, continuous, rhythmic3. Disinclined to permit my thoughts to wander from the text, at the back of my mind a dim sensation of uneasiness, almost of resentment4, because of the slight audible intrusion betrayed itself. Close, as firmly as I could, my mental ear the sound persisted externally, softly but undeniably. Having overcome the first sensation of uneasiness, I studied the perfect prose without pausing to reflect on the origin of the petty disturbance5. In a few minutes the annoyance6 — if the trivial distraction7 deserved so harsh an epithet8 — changed, giving place to a sense of refined pleasure almost as fatal to my complacency, for it compelled me to think apart. What was this new pleasure? Ah! I was reading to an accompaniment — a faint, far-off improvisation9 just on the verge10 of silence, too scant11 and elusive12 for half-hearted critical analysis.
This reading of delightful13 prose, while the tenderest harmony hummed in my cars, was too rare to be placidly14 enjoyed. Frail15 excitement foreign to the tranquil16 pages could not be evaded17. The most feeble and indeterminate of sounds, those which merely give a voice to the air eventually, quicken the pulse.
An eloquent18 and learned man says that the mechanical operation of sounds in quickening the circulation of the blood and the spirits has more effect upon the human machine than all the eloquence19 of reason and honour. So the printed periods became more sonorous20, the magic of the words more vivid. The purified meaning of the author, the exaltation he himself must have felt, were realised with a clearer apprehension21. But the very novelty of the emotional undertaking22 drew me reluctantly from that which was becoming a lulling23 musical reverie.
Still, fain to read, but with the niceties of the art embarrassed, I began to question myself. Whence this pleasant yet provoking refrain? Not of the sea, for a glassy calm had prevailed all day; not of the rain which pattered faintly on the roof. This sound phantom24 that determinedly25 beckoned26 me from my book — whence, and what was it?
Listening attentively27 and alert, the mystery of it vanished. It was the commotion28, subdued29 by the distance of three-quarters of a mile, of thousands of nutmeg pigeons — a blending of thousands of simultaneous “coo-hoos” with the rustling30 and beating of wings upon the thin, slack strings31 of casuarinas. The swaying and switching of the slender-branched and ever-sighing trees with the courageous32 notes of homing birds had created the curious melody with which my reading had fallen into tune33.
And the sound was audible at one spot only. The acoustic34 properties of the veranda condensed and concentrated it within a narrow area, beyond which was silence. Chance had selected this aerial whirlpool for my reading.
Again taking my ease, the mellow35 “roaring” of the multitude of gentle doves commingling36 with the aeolian blandness37 of trees swinging under the weight of the restless birds, became once more an idealistic accompaniment to the book. I read, or rather declaimed inarticulately, to the singularly pleasing strain until light and sound failed — the one as softly and insensibly as the other. I had enjoyed a new sensation.
Relieved of the agreeable pressure of the text, my thoughts turned to the consideration of bird voices — more to the notes of pigeons, their variety and range. There are sounds, little in volume and rather flat than sharp, rather moist than dry, which seem to carry farther under favouring atmospheric38 conditions than louder and more acute noises. The easy contours of soothing39 sounds created in the air seem to resemble the lazy swell40 of the sea; while fleeter though less sustained noises may be compared to jumpy waves caused by a smart breeze. Pitched in a minor41 key sounds roll along with little friction42 and waste, whereas a louder, shriller stinging note may find in the still air a less pliant43 medium. The cooing of pigeons — a sound of low velocity44 — has a longer range than the shrieking45 of parrots. My pet echo responds to an undertone. A loud and prolonged yell jars on its sensitiveness — for it is a shy echo, little used to abrupt46 and boisterous47 disturbances48. A boy boo-hooting into an empty barrel soon catches the key to which it responds. He adjusts his rhythms to those of the barrel, which becomes for the time being his butt49. “Straining harsh discords50 and unpleasing sharps,” he girds at its acoustic soul until it finds responsive voice and grunts51 or babbles52 or bellows53 in consonance with his. Only when the vibrations54 — subdued or lusty — correspond with the vocal55 content of the barrel are the responses sensitive and in accord. On this stilly, damp evening the air in the corner of the veranda happened to be resilient to the mellow notes of far-away pigeons.
Thus reflecting, I was less astonished that the coo-hooing of the congregation had reached me through three-quarters of a mile of vacant air. There was no competing noise. It was just the fluid tone that filled to the overflowing56 otherwise empty, shallow spaces.
The nutmeg pigeon has the loudest, most assertive57 voice of the several species which have their home in my domain58, or which favour it with visits. Though the “coo-hoo” is imperative59 and proud, to overcome the space of a mile the unison60 of thousands is necessary. But when the whole community takes flight simultaneously61 the whirr and slapping of wings creates a sound resembling the racing62 of a steamer’s propeller63, but of far greater volume. The nutmeg is one of the noisiest of pigeons individually and collectively.
点击收听单词发音
1 veranda | |
n.走廊;阳台 | |
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2 serenely | |
adv.安详地,宁静地,平静地 | |
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3 rhythmic | |
adj.有节奏的,有韵律的 | |
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4 resentment | |
n.怨愤,忿恨 | |
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5 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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6 annoyance | |
n.恼怒,生气,烦恼 | |
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7 distraction | |
n.精神涣散,精神不集中,消遣,娱乐 | |
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8 epithet | |
n.(用于褒贬人物等的)表述形容词,修饰语 | |
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9 improvisation | |
n.即席演奏(或演唱);即兴创作 | |
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10 verge | |
n.边,边缘;v.接近,濒临 | |
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11 scant | |
adj.不充分的,不足的;v.减缩,限制,忽略 | |
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12 elusive | |
adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
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13 delightful | |
adj.令人高兴的,使人快乐的 | |
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14 placidly | |
adv.平稳地,平静地 | |
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15 frail | |
adj.身体虚弱的;易损坏的 | |
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16 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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17 evaded | |
逃避( evade的过去式和过去分词 ); 避开; 回避; 想不出 | |
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18 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
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19 eloquence | |
n.雄辩;口才,修辞 | |
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20 sonorous | |
adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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21 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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22 undertaking | |
n.保证,许诺,事业 | |
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23 lulling | |
vt.使镇静,使安静(lull的现在分词形式) | |
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24 phantom | |
n.幻影,虚位,幽灵;adj.错觉的,幻影的,幽灵的 | |
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25 determinedly | |
adv.决意地;坚决地,坚定地 | |
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26 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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27 attentively | |
adv.聚精会神地;周到地;谛;凝神 | |
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28 commotion | |
n.骚动,动乱 | |
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29 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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30 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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31 strings | |
n.弦 | |
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32 courageous | |
adj.勇敢的,有胆量的 | |
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33 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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34 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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35 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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36 commingling | |
v.混合,掺和,合并( commingle的现在分词 ) | |
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37 blandness | |
n.温柔,爽快 | |
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38 atmospheric | |
adj.大气的,空气的;大气层的;大气所引起的 | |
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39 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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40 swell | |
vi.膨胀,肿胀;增长,增强 | |
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41 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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42 friction | |
n.摩擦,摩擦力 | |
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43 pliant | |
adj.顺从的;可弯曲的 | |
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44 velocity | |
n.速度,速率 | |
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45 shrieking | |
v.尖叫( shriek的现在分词 ) | |
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46 abrupt | |
adj.突然的,意外的;唐突的,鲁莽的 | |
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47 boisterous | |
adj.喧闹的,欢闹的 | |
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48 disturbances | |
n.骚乱( disturbance的名词复数 );打扰;困扰;障碍 | |
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49 butt | |
n.笑柄;烟蒂;枪托;臀部;v.用头撞或顶 | |
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50 discords | |
不和(discord的复数形式) | |
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51 grunts | |
(猪等)作呼噜声( grunt的第三人称单数 ); (指人)发出类似的哼声; 咕哝着说; 石鲈 | |
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52 babbles | |
n.胡言乱语( babble的名词复数 );听不清的声音;乱哄哄的说话声v.喋喋不休( babble的第三人称单数 );作潺潺声(如流水);含糊不清地说话;泄漏秘密 | |
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53 bellows | |
n.风箱;发出吼叫声,咆哮(尤指因痛苦)( bellow的名词复数 );(愤怒地)说出(某事),大叫v.发出吼叫声,咆哮(尤指因痛苦)( bellow的第三人称单数 );(愤怒地)说出(某事),大叫 | |
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54 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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55 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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56 overflowing | |
n. 溢出物,溢流 adj. 充沛的,充满的 动词overflow的现在分词形式 | |
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57 assertive | |
adj.果断的,自信的,有冲劲的 | |
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58 domain | |
n.(活动等)领域,范围;领地,势力范围 | |
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59 imperative | |
n.命令,需要;规则;祈使语气;adj.强制的;紧急的 | |
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60 unison | |
n.步调一致,行动一致 | |
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61 simultaneously | |
adv.同时发生地,同时进行地 | |
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62 racing | |
n.竞赛,赛马;adj.竞赛用的,赛马用的 | |
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63 propeller | |
n.螺旋桨,推进器 | |
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