“Anything I can' do for you?” asked one of the men, the driver of the local stage.
“Will you tell me where Mr. Joseph Korn lives?”
“Joe lives up in the brown house yonder. But he ain't home now. He's doing a job of carpentering.”
“Can you tell me where?”
“Up to the Widow Fallow's place. Take you there for ten cents.”
“Very well,” and our hero jumped into the rickety turnout which went by the name of the Millville stage.
The drive was not a long one and soon they came to a halt in front of a residence where a man wearing a carpenter's apron3 was mending a broken-down porch4.
“There's Joe,” said the stage driver, laconically5.
The man looked up in wonder when Joe approached him. He dropped his hammer and stood with his arms on his hips6.
“This is Mr. Joseph Korn, I believe?”
“That's me, young man.”
“I am Joe Bodley. You wrote to Mr. Talmadge, of Riverside, a few days ago. I came on to find out what I could about a Mr. William A. Bodley who used to live here.”
“Oh, yes! Well, young man, I can't tell you much more 'n I did in that letter. Bodley sold out, house, goods and everything, and left for parts unknown.”
“Did he have any relatives around here?”
“Not when he left. He had a wife and three children—a girl and two boys—but they died.”
“Did you ever hear of any relatives coming to see him—a man named Hiram Bodley?”
“Not me—but Augustus Greggs—who bought his farm—might know about it.”
“I'll take you to the Greggs' farm for ten cents,” put in the stage driver.
Again a bargain was struck, and a drive of ten minutes brought them to the farm, located on the outskirts7 of Millville. They found the farm owner at work by his wood pile, sawing wood. He was a pleasant appearing individual.
“Come into the house,” he said putting down his saw. “I'm glad to see you,” and when our hero had entered the little farmhouse8 he was introduced to Mrs. Greggs and two grown-up sons, all of whom made him feel thoroughly9 at home.
“To tell the truth,” said Mr. Greggs, “I did not know William Bodley very well. I came here looking for a farm and heard this was for sale, and struck a bargain with him.”
“Was he alone at that time?” questioned Joe.
“He was, and his trouble seemed to have made him a bit queer—not but what he knew what he was doing.”
“Did you learn anything about his family?”
“He had lost his wife and two children by disease. What had happened to the other child was something of a mystery. I rather supposed it had died while away from home, but I was not sure.”
“Have you any idea at all what became of William Bodley?”
“Not exactly. Once I met a man in Pittsburg who had met a man of that name in Idaho, among the mines. Both of us wondered if that William A. Bodley was the same that I had bought my farm from.”
“Did he say what part of Idaho?”
“He did, but I have forgotten now. Do you think he was a relative of yours?”
“I don't know what to think. It may be that he was my father.
“Your father?”
“Yes,” and Joe told his story and mentioned the documents found in the blue tin box.
“It does look as if he might be your father,” said Augustus Greggs. “Maybe you're the child that was away from home at the time his other children and his wife died.”
“Do you think anybody else in this village would know anything more about this William Bodley?”
“No, I don't. But it won't do any harm to ask around. That stage driver knows all the old inhabitants. Perhaps some of them can tell you something worth while.”
Upon urgent invitation, Joe took dinner at the Greggs' farm and then set out to visit a number of folks who had lived in Millville and vicinity10 for many years. All remembered William A. Bodley and his family, but not one could tell what had become of the man after he had sold out and gone away.
“Maybe you had better advertise for him,” suggested one man.
“It will cost a good deal to advertise all over the United States,” replied Joe; “and for all I know he may be dead or out of the country.”
Joe remained in Millville two days and then took the train back to the East. Ned was the first to greet him on his return to Riverside.
“What luck?” he asked, anxiously.
“Oh, Joe, that's too bad!”
“I will arrange to have an advertisement inserted in a leading paper of each of our big cities,” said Mr. Talmadge. “That will cost something, but not a fortune.”
“You must let me pay for it,” said our hero.
“No, Joe, you can put this down to Ned's credit—you two are such good chums,” and Mr. Talmadge smiled quietly.
The advertisements were sent out the following day, through an advertising14 agent, and all waited for over two weeks for some reply, but none came.
“It's no use,” said Joe, and it must be admitted that he was much downcast.
In the meantime he had seen Andrew Mallison and the hotel man said he would willingly hire him for the summer as soon as the season opened, and also give Frank Randolph a situation.
“You had better be my guest until that time,” said Ned to our hero, when he heard of this.
“Thank you, Ned, but I don't wish to remain idle so long.”
The very next mail after this talk brought news for our hero. A letter came from Maurice Vane, asking him if he wished to go to Montana.
“I am now certain that that mine is valuable,” wrote the gentleman. “I am going to start West next Monday. If you wish to go with me I will pay your fare and allow you a salary of ten dollars per week to start on. I think later on, I will have a good opening for you.”
“That settles it, I am going West!” cried Joe, as he showed the letter to his chum.
“Well, I don't blame you,” was the reply. “I know just how nice it is out there. You'll be sure to get along.”
Before going to bed Joe wired his acceptance of the offer, and in the morning received a telegram from Maurice Vane, asking him to go to Chicago, to the Palmer House.
“That settles it, I'm off,” said our hero, and bought a ticket for the great city by the lakes without delay. Then he said good-bye to the Talmadges and the Gussings, and boarded the train at sundown.
Joe was now getting used to traveling and no longer felt green and out of place. He had engaged a berth15, and took his ease until it was time to go to bed. Arriving at Chicago he made his way without delay to the Palmer House.
He found the hotel crowded and had some difficulty in getting a room. Mr. Maurice Vane had not yet arrived.
“I guess I'll leave a note for him,” thought our hero, and sauntered into the reading-room to pen the communication.
While Joe was writing, two men came into the room and sat down behind a pillar that was close at hand. They were in earnest conversation and he could not help but catch what was said.
“You say he is coming West?” said one of the pair.
“Yes,—he started yesterday.”
“And he has found out that the mine is really valuable?”
“I think so. Anyway he is quite excited about it. He sent a telegram to that boy, too.”
“The hotel boy you mean?”
“Yes.”
So the talk ran on and Joe at length got up to take a look at the two men. They were Gaff Caven and Pat Malone. At once our hero drew out of sight again.
“How can you get the best of Vane, Gaff?” asked Malone, after a pause.
“There is but one way, Malone.”
“And that is?”
“Can I trust you?”
“Haven't you trusted me before?”
“We must—” Caven paused. “We won't talk about it in this public place. Come to my room and I'll lay my plan before you.”
Then the two arose and left the reading-room as rapidly as they had entered it.
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1
blacksmith
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| n.铁匠，锻工 | |
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2
sharply
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| adj.锐利地，急速；adv.严厉地，鲜明地 | |
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apron
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| n.围裙；工作裙 | |
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porch
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| n.门廊，入口处，走廊，游廊 | |
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laconically
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| adv.简短地，简洁地 | |
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6
hips
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| abbr.high impact polystyrene 高冲击强度聚苯乙烯，耐冲性聚苯乙烯n.臀部( hip的名词复数 )；[建筑学]屋脊；臀围（尺寸）；臀部…的 | |
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7
outskirts
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| n.郊外，郊区 | |
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8
farmhouse
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| n.农场住宅（尤指主要住房） | |
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9
thoroughly
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| adv.完全地，彻底地，十足地 | |
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10
vicinity
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| n.邻近，附近地区 | |
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11
sober
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| adj.清醒的，沉着冷静的，稳重的，颜色暗淡的；vt.使清醒，使沉着；vi.清醒，冷静下来 | |
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12
stumped
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| 僵直地行走，跺步行走( stump的过去式和过去分词 )； 把（某人）难住； 使为难； （选举前）在某一地区作政治性巡回演说 | |
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13
mansion
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| n.大厦，大楼；宅第 | |
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14
advertising
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| n.广告业；广告活动 a.广告的；广告业务的 | |
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15
berth
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| n.卧铺，停泊地，锚位；v.使停泊 | |
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