Leslie stood in the centre of the stage, with his arm encircling the waist of the fair Ida, while Otto, short, stout2, and decidedly Teutonic, stood a few feet to the left, shaking his fist at the two leading characters. It was enough to throw a veteran actor into confusion.
But Leslie was not wholly unprepared. Still encircling the fair Pauline's waist, he half turned and thundered in indignant words not to be found in Bulwer's play this stern defiance3: "Caitiff, avaunt! This rock shall fly from its firm base as soon as I."
[Pg 246]
The melodramatic defiance caught the house. There was a chorus of shouts and laughter, and some small boys in the gallery called out, "Pitch into him, Claude!"
Otto, not being accustomed to standing5 on a stage facing a crowded audience, appeared somewhat abashed6, but his indignation was still warm. He turned to the audience and said, in an explanatory tone, "He ain't got no right to hug my gal4."
By this time Ida, too, was indignant. She felt that Otto was exposing both her and himself to ridicule7, and she cried out, in a vexed8 tone, "You just sit down, Otto Schaefer, and don't make a fool of yourself, or I'll never speak to you again."
Otto could not stand the clamor. With one last indignant glance at Leslie and his promised bride he descended10 from the stage and made his way to his seat in the orchestra.
When Leslie, resuming the business of the play, said, "Look up! look up, Pauline! for I can bear thine eyes. The stain is blotted[Pg 247] from my name. I have redeemed11 mine honor," there was a shout of applause.
Then Leslie, perceiving his opportunity, interpolated a few words appropriate to the occasion. Pointing to the discomfited12 Otto, he said, "Heed13 not that vulgar groundling, who would step in between us and our happiness. Let him return in shame and failure to his butcher shop in Brooklyn, nor dare profane14 thy presence, sweet Pauline."
Otto felt that this was addressed to him, and he called out in a passion: "Don't you call me names, you New York dude!"
Here a policeman appeared, and hurried the unfortunate man from the hall, and the play proceeded to the close.
At the end Claude and Pauline were called before the curtain by the excited audience. The applause was terrific. Then there was a cry of "Speech! speech!"
Nothing could have suited Leslie better.
"My generous friends," he said, "this is the proudest moment of my life. I don't feel that I have merited your applause, but I accept it for the fair Pauline. If my poor efforts have pleased you[Pg 248] I am more than satisfied. I did not anticipate the unpleasant interruption which marred15 our closing scene, but Miss Strassburger and myself were sustained by the thought that you were with us. Trusting to meet you again ere long, I bid you good-night."
There was another chorus of cheers. Leslie led Ida out at the wings, and the audience left the hall.
"What did you think of it, Rupert?" asked Leslie proudly, as he joined his fellow bell-boy in the street.
"I was too much for the butcher boy, eh, Rupert?"
"You certainly were," said Rupert, laughing. "I hope Ida will forgive him."
"I think she will after a while, as long as he didn't spoil the play. The audience were very enthusiastic."
"Yes, more so probably on account of Otto's ill-timed interruption."
"So I think. It was a splendid ovation17. Oh, Rupert, it was delicious. It was, as I said,[Pg 249] the proudest moment of my life. I wonder if there will he anything in the papers about it."
"I think it quite likely."
"You didn't see anything of Daly or Palmer in the hall, did you?"
"I don't know the gentlemen by sight."
"I wish they had been there. I think they would have appreciated my triumph over the young butcher from Brooklyn."
The next evening Leslie read the following notice in the Evening News:
"Last evening Bulwer's play, 'The Lady of Lyons' was produced by the Violet Dramatic Company at Amaranth Hall, on First Avenue. The performance was smooth and creditable to the young players. Mr. Leslie Waters as Claude Melnotte, was earnest and effective, while Miss Ida Strassburger made an acceptable Pauline. Towards the close of the play an excitable young German, who was probably under the influence of beer, left his seat, and, jumping on the stage, interrupted the performance. He appeared to be jealous of Melnotte's attentions to Pauline. Mr. Waters showed remarkable19 composure in a trying situation, and interpolated a [Pg 250]rebuke to the officious intruder. The audience sustained him, and he and Miss Strassburger were called before the curtain with terrific applause. We shall doubtless hear from Mr. Waters again."
"That is very complimentary20, Leslie," said Rupert. "I hope it won't unfit you for your duties as bell-boy."
"No, but it will make me impatient to close them for good and all, and embrace the glorious profession of Booth and Irving."
点击收听单词发音
1 tableau | |
n.画面,活人画(舞台上活人扮的静态画面) | |
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3 defiance | |
n.挑战,挑衅,蔑视,违抗 | |
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4 gal | |
n.姑娘,少女 | |
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5 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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6 abashed | |
adj.窘迫的,尴尬的v.使羞愧,使局促,使窘迫( abash的过去式和过去分词 ) | |
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7 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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8 vexed | |
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论 | |
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9 resounded | |
v.(指声音等)回荡于某处( resound的过去式和过去分词 );产生回响;(指某处)回荡着声音 | |
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10 descended | |
a.为...后裔的,出身于...的 | |
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11 redeemed | |
adj. 可赎回的,可救赎的 动词redeem的过去式和过去分词形式 | |
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12 discomfited | |
v.使为难( discomfit的过去式和过去分词);使狼狈;使挫折;挫败 | |
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13 heed | |
v.注意,留意;n.注意,留心 | |
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14 profane | |
adj.亵神的,亵渎的;vt.亵渎,玷污 | |
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15 marred | |
adj. 被损毁, 污损的 | |
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16 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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17 ovation | |
n.欢呼,热烈欢迎,热烈鼓掌 | |
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18 dubiously | |
adv.可疑地,怀疑地 | |
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19 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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20 complimentary | |
adj.赠送的,免费的,赞美的,恭维的 | |
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